Width [cm]: 47 - YCBA Collections Search Search Results

201. Design for Ardgowan House, Scotland: Chamber Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Watercolor, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 5/8 inches (28.6 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Design for Ardgowan House, Scotland: Ground Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Gray wash, pen and black ink, and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 9/16 inches (28.6 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Family Posed in Front of a Doorway

Creator:: Joshua Cristall, 1768–1847
Date:: undated
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper, laid on thick, slightly textured, beige card
Dimensions:: Mount: 14 13/16 x 18 7/8 inches (37.7 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Mousehold Heath--The Lane to the Left above Col. Harveys House

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 20 5/8 inches (40.6 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Cookham, near Maidenhead

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/8 x 18 5/8 inches (30.8 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. A Summer Day

Creator:: John Sell Cotman, 1782–1842
Date:: 1827 to 1837
Materials & Techniques:: Watercolor and graphite on Medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/2 x 18 3/8 inches (31.8 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Clare College from The Backs

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1840
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 1/4 × 18 3/8 inches (31.1 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Duncan Robinson, Director, Yale Center for British Art (1981–1995)

208. Mousehold Heath-The Lane to the Left Above Col. Harvey's House

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 3/8 inches (38.1 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Mousehold Heath--The Lane to the Left above Col. Harveys House

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 21 1/4 inches (42.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. The Temple of Apollo Epikourios: Details of the Ionic Order

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 15/16 × 18 5/8 inches (32.9 × 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Peaks Hole, Derbyshire

Creator:: Print made by W. Pickett, active 1792–1820
Date:: 1805
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 18 1/2 inches (33 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

212. Sir Thomas Lawrence's Painting Room in 1824

Creator:: Emily Calmady, 19th century
Date:: 1824
Materials & Techniques:: Graphite and white gouache on medium, moderately textured, beige wove paper
Dimensions:: Mount: 11 1/2 × 19 3/8 inches (29.2 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

213. George Fox Comes to London After the Great Fire

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 11/16 x 18 7/16 inches (29.7 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

214. A View of the Fountain in the Temple

Creator:: Henry Fletcher, 1729–active 1750
Date:: 1753
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 5/8 x 18 1/2in. (34.6 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: ca. 1759
Materials & Techniques:: Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/16 x 20 11/16 inches (36 x 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: ca. 1760
Materials & Techniques:: Line engraving and etching with hand colored ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 21 1/16 inches (37.1 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. The Breaking Up of the Agamemnon, no. 2

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

218. The Breaking Up of the Agamemnon, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

219. Shere Mill Pond, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream antique laid paper
Dimensions:: Sheet: 12 1/2 x 18 3/8 inches (31.7 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

220. The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: ca. 1760
Materials & Techniques:: Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 21 inches (36.9 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. San Giorgio Maggiore

Creator:: Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 12 7/8 x 18 5/16 inches (32.7 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

222. Canale Grande

Creator:: Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 12 15/16 x 18 5/16 inches (32.8 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

223. South View of Christ Church, etc., From the Meadows...

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1799
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 18 3/8 inches (33.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. A View of the Chapel and Hall of Oriel College

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1801
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 18 3/8 inches (32.4 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Middleham, Yorkshire

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 10 3/8 x 18 1/2 inches (26.4 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. View of Port Orotava, Tenerife, from El Limpio de Las Calaveras

Creator:: Alfred Diston, active 1818–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/2 × 19 1/16 inches (36.8 × 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Waterloo Bridge from the West, 1814

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper, mounted on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 9 9/16 × 18 1/2 inches (24.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Miss Cumberland

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1779
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 22 5/8 × 18 1/2 inches (57.5 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

229. A Hoy and a Lugger with other Shipping on a Calm Sea

Creator:: John Thomas Serres, 1759–1825
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 x 18 5/8 inches (33.3 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Mrs. Abington as 'the Comic Muse'

Creator:: Print made by James Watson, 1740–1790
Date:: ca. 1769
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 1/4 × 18 1/2 inches (66.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. The Holy Family at Night

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: ca. 1750
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 9/16 × 22 7/8 inches (44.6 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

232. Uxor Zelotypa

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 18 5/8 inches (39.6 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

233. Sir Thomas Pasley

Creator:: Anna Maria Smith Edmonton, 1766–1833
Date:: 1796
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 13 1/4 x 18 1/2in. (33.7 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

234. Panthei Fidelissime Dimensi Exterior et Interior

Creator:: Print made by unknown artist
Date:: 1553
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 18 1/2 inches (35.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Mercury and Argus

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 29 1/4 × 19 inches (74.3 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Mercury and Argus

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and line engraving, second state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 29 1/2 × 22 3/4 inches (74.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Pantheum Romanum nunc Mariae Cognomento

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: 1549
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/8 × 21 inches (41 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. The Marriage Feast at Cana, 1952

Creator:: Sir Stanley Spencer, 1891–1959
Date:: 1952
Materials & Techniques:: Original lithograph, printed in black on gray wove paper
Dimensions:: Sheet: 21 1/2 x 18 1/2in. (54.6 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

239. William Henry West Betty

Creator:: James Heath, 1757–1834
Date:: 1806
Materials & Techniques:: Etching, line engraving, and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/2 x 18 1/2 inches (64.8 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

240. Wooded Landscape with Two Country Carts and Figures

Creator:: Thomas Gainsborough, 1727–1788
Date:: 1779 to 1780
Materials & Techniques:: Etching and soft-ground etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 15 1/8 inches (29.2 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Oxford from North Hinksey

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1841
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 22 × 30 1/8 inches (55.9 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Mercury and Herse

Creator:: Print made by John Cousen, 1804–1880
Date:: 1842
Materials & Techniques:: Etching; open etched state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 32 × 24 inches (81.3 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene

Creator:: George Siegmund Facius, 1750–1804
Date:: 1785
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 1/16 × 18 7/16 inches (58.6 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Killarney (Ireland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1807
Materials & Techniques:: Watercolor, graphite white gouache, and gum arabic on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 18 5/8 inches (29.8 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Vesuvius Across the Bay of Naples

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1818
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 18 9/16 inches (32.1 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs

Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs

Creator:: L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. View of the City with the Louvre & Taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Dredger at Twickenham, September 22, 1874

Creator:: Thomas Charles Leeson Rowbotham, 1823–1875
Date:: 1874
Materials & Techniques:: Watercolor, gouache on thick, rough, beige wove paper
Dimensions:: Sheet: 18 1/2 × 12 inches (47 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. General Washington

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1796
Materials & Techniques:: Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 29 3/4 x 19 5/8in. (75.6 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

250. General Washington

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1796
Materials & Techniques:: Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 28 3/8 × 18 1/2 inches (72.1 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

251. Abraham Lincoln

Creator:: Print made by James S. King, 1852–1925
Date:: 1909
Materials & Techniques:: Etching (fourth proof) on thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 31 5/8 × 23 1/2 inches (80.3 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

252. Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1789
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Contemporary drawn border: 14 x 18 5/8 inches (35.6 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Porchester Castle: A View from Porchester Village Looking across the Water to Portsmouth

Creator:: William Turner of Oxford, 1789–1862
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 18 1/2 inches (26.4 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Lady Anne Lambton and Family

Creator:: Print made by John Young, 1755–1825
Date:: 1799
Materials & Techniques:: Mezzotint (first state) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 27 1/4 × 21 1/2 inches (69.2 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

255. John Paul Jones

Creator:: Print made by Henri Toussaint, 1849–1911
Date:: 1906
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper with cream chine colle
Dimensions:: Sheet: 27 7/16 × 21 5/8 inches (69.7 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

256. Six Battleships Tacking in Heavy Seas

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 13 7/8 × 19 7/16 inches (35.2 × 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

257. Shanklin Chine, Isle of Wight

Creator:: Paul Sandby Munn, 1773–1845
Date:: 1797
Materials & Techniques:: Gouache over graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 15 3/4 x 20 1/8 inches (40 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

258. The Traveling Barge

Creator:: William Alexander, 1767–1816
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 14 1/2 × 18 1/2 inches (36.8 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 9/16 × 18 1/2 inches (29.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Print made by L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Façade St. Jean

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: ca. 1824
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 15/16 x 18 3/8 inches (30.4 x 46.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

268. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Print made by L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. A View of Erith, Looking Up the Thames

Creator:: Print made by John Boydell, 1720–1804
Date:: 1750
Materials & Techniques:: Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching with graphite corrections on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 x 20 3/4 inches (21.4 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. The South Sea House

Creator:: Print made by unknown artist
Date:: between 1720 and 1728
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. The Admiralty Office

Creator:: Print made by Thomas Bowles, ca. 1712–died 1753
Date:: 1731
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Royal Exchange, London

Creator:: John Maurer, active 1713–1761
Date:: 1741
Materials & Techniques:: Engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 18 15/16 inches (43.5 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Sir John Borlase Warren

Creator:: James Stow, ca. 1770–after 1820
Date:: 1799
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 15/16 × 18 5/16 inches (65.9 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. A View of Fulham Bridge and Putney

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 18 7/16in. (33 x 46.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. The Thames Tunnel

Creator:: unknown artist
Date:: 1830
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 12 7/8 x 18 3/8in. (32.7 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. A View of the Mall

Creator:: John June, active 1740–1770
Date:: 1752
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 12 3/8 x 18 1/2in. (31.4 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Southampton or Bloomsbury Square

Creator:: Sutton Nicholls, active 1725
Date:: 1754
Materials & Techniques:: Hand colored engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 16 × 21 3/8 inches (40.6 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. A General View of the Remains of Bermondsey Abbey, Surrey

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1820
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 14 1/16 × 18 1/2 inches (35.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. A View of Northumberland House, Charing Cross

Creator:: Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 18 1/2in. (33.7 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. A View of the Chapter House taken from the Green

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/4 x 18 3/8in. (36.2 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Charter-House Square for Stowes Surrey

Creator:: Sutton Nicholls, active 1725
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 18 5/8in. (33 x 47.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. An Oblique View of the East Front of Hampton Court, with part of garden

Creator:: Print made by John Tinney, died 1761
Date:: 1744
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 7/8 x 18 5/8in. (30.2 x 47.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. The Pavilion Belonging to the Bowling Green at the end of the Terras Walk, at Hampton Court

Creator:: Print made by John Tinney, died 1761
Date:: 1744
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 x 18 1/2in. (30.5 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. View of the Vauxhall Iron Bridge

Creator:: unknown artist
Date:: 1816
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 12 3/4 x 18 5/8in. (32.4 x 47.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. The South View of Barnes

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 12 11/16 × 18 5/16 inches (32.2 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. A View of Northumberland House, Charing Cross

Creator:: Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 13 1/4 x 18 1/2in. (33.7 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Devonshire Square

Creator:: Sutton Nicholls, active 1725
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 13/16 x 18 3/8in. (35.1 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. A Perspective view of the East Front of Hampton Court, taken from the Park Gate

Creator:: Print made by John Tinney, died 1761
Date:: 1744
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 x 18 1/2in. (30.5 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. St. Malo, France

Creator:: Alfred Herbert, 1820–1861
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 x 18 3/8in. (23.5 x 46.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

293. The North View of Battersea

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 13 3/16 × 18 5/8 inches (33.5 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. The Diagonal Walk, fountain and canal in the Garden of Hampton Court

Creator:: Print made by John Tinney, died 1761
Date:: 1744
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 x 18 1/2in. (30.5 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. The South Front of Hampton Court with part of the garden

Creator:: Print made by John Tinney, died 1761
Date:: 1744
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 x 18 1/2in. (30.5 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. The High Street, Southampton

Creator:: Print made by William Day, 1764–1807
Date:: 1828
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. His Royal Highness George, Prince of Wales

Creator:: John Raphael Smith, 1752–1812
Date:: 1792
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 26 1/16 × 18 7/16 inches (66.2 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1819
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Temple of Baal

Creator:: Print made by William Walcot, 1874–1943
Date:: 1918
Materials & Techniques:: Etching, open biting, and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

300. Glen Crowe, Western Highlands, Scotland

Creator:: after unknown artist
Date:: 1811
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 21 9/16 inches (43.5 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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201. Design for Ardgowan House, Scotland: Chamber Floor Plan

202. Design for Ardgowan House, Scotland: Ground Floor Plan

203. Family Posed in Front of a Doorway

204. Mousehold Heath--The Lane to the Left above Col. Harveys House

205. Cookham, near Maidenhead

206. A Summer Day

207. Clare College from The Backs

208. Mousehold Heath-The Lane to the Left Above Col. Harvey's House

209. Mousehold Heath--The Lane to the Left above Col. Harveys House

210. The Temple of Apollo Epikourios: Details of the Ionic Order

211. Peaks Hole, Derbyshire

212. Sir Thomas Lawrence's Painting Room in 1824

213. George Fox Comes to London After the Great Fire

214. A View of the Fountain in the Temple

215. The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...

216. The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....

217. The Breaking Up of the Agamemnon, no. 2

218. The Breaking Up of the Agamemnon, no. 2

219. Shere Mill Pond, no. 2 (large plate)

220. The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

221. San Giorgio Maggiore

222. Canale Grande

223. South View of Christ Church, etc., From the Meadows...

224. A View of the Chapel and Hall of Oriel College

225. Middleham, Yorkshire

226. View of Port Orotava, Tenerife, from El Limpio de Las Calaveras

227. Waterloo Bridge from the West, 1814

228. Miss Cumberland

229. A Hoy and a Lugger with other Shipping on a Calm Sea

230. Mrs. Abington as 'the Comic Muse'

231. The Holy Family at Night

232. Uxor Zelotypa

233. Sir Thomas Pasley

234. Panthei Fidelissime Dimensi Exterior et Interior

235. Mercury and Argus

236. Mercury and Argus

237. Pantheum Romanum nunc Mariae Cognomento

238. The Marriage Feast at Cana, 1952

239. William Henry West Betty

240. Wooded Landscape with Two Country Carts and Figures

241. Oxford from North Hinksey

242. Mercury and Herse

243. West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene

244. Killarney (Ireland)

245. Vesuvius Across the Bay of Naples

246. Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs

247. View of the City with the Louvre & Taken from Pont Marie

248. Dredger at Twickenham, September 22, 1874

249. General Washington

250. General Washington

251. Abraham Lincoln

252. Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger

253. Porchester Castle: A View from Porchester Village Looking across the Water to Portsmouth

254. Lady Anne Lambton and Family

255. John Paul Jones

256. Six Battleships Tacking in Heavy Seas

257. Shanklin Chine, Isle of Wight

258. The Traveling Barge

259. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

260. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

261. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

262. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

263. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

264. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

265. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

266. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

267. Façade St. Jean

268. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

269. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

270. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

271. A View of Erith, Looking Up the Thames

272. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

273. The South Sea House

274. The Admiralty Office

275. Royal Exchange, London