Width [cm]: 47 - YCBA Collections Search Search Results

301. Views in the Levant: Corner of a Stone Building with Palm Tree at Right

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 18 9/16 inches (29.2 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Sacred Cave of Archidamus

Creator:: William Pars, 1742–1782
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 18 7/16 inches (29.5 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome

Creator:: unknown artist
Date:: ca. 1740
Materials & Techniques:: Pen and brown ink, gray wash, brown wash, and graphite; squared for transfer on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 18 1/2 inches (29.2 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Ca d'Oro

Creator:: Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 12 7/8 x 18 5/16 inches (32.7 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

305. Self-portrait of Antonie van Dyck

Creator:: Jacques Christophe Le Blon, 1667–1741
Date:: 1738
Materials & Techniques:: Color printed mezzotint; progress proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/4 × 18 5/16 inches (61.6 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Study for a Portrait of Two Women

Creator:: Augustus Edwin John, 1878–1961
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 23 1/16 × 18 1/2 inches (58.6 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

307. Royal Telegraph Manchester Day Coach / A distance of 186 miles performed in 18 hours.

Creator:: Robert Havell, 1769–1832
Date:: 1834
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 1/8 x 18 1/2in. (30.8 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. The Penance

Creator:: Print made by William Strang, 1859–1921
Date:: 1896
Materials & Techniques:: Etching on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 18 5/8 inches (28.9 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

309. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

Creator:: Louisa Augusta Greville, 1743–active 1762
Date:: 1770
Materials & Techniques:: Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 18 1/2 inches (31.2 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Marriage A-La-Mode, Plate I: The Contract

Creator:: Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/16 x 18 7/16in. (38.6 x 46.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. West Front of the Pavillon Towards the Garden, Brighton

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1808
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 x 18 3/8in. (35.6 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Julius Caesar: Act IV Scene III: Brutus' Tent ...

Creator:: Edward Scriven, 1775–1841
Date:: 1802
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/2 x 18 1/2in. (64.8 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Archdeacon Forster

Creator:: William Haydon Fuge, active ca. 1849–1866
Date:: 1853
Materials & Techniques:: Black chalk, white chalk, red chalk, and blue chalk on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 24 1/4 × 18 5/8 inches (61.6 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Professor S.W. Jackman in recognition of his friendship with Mr. and Mrs. Paul Mellon, April 1994.

314. Wooded Upland Landscape with Riders and Packhorse

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: 1797
Materials & Techniques:: Mezzotint and drypoint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 18 3/8 inches (35.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Mount: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Cluny Castle, Aberdeenshire, Scotland: Elevation

Creator:: William Wilkins, 1778–1839
Date:: ca. 1816
Materials & Techniques:: Pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/4 × 18 5/8 inches (34.9 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Cluny Castle, Aberdeenshire, Scotland: Elevation

Creator:: William Wilkins, 1778–1839
Date:: ca. 1816
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/4 × 18 5/8 inches (34.9 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Cluny Castle, Aberdeenshire, Scotland: Ground Floor Plan with Proposed Alterations

Creator:: William Wilkins, 1778–1839
Date:: ca. 1816
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 7/8 × 18 1/2 inches (35.2 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Glorieuse Expedition des Anglois et des Hollandois a Vigos (Admiral Rooke' s Victory off Vigo, 12 October 1702)

Creator:: unknown artist
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 12 3/4 x 18 1/2in. (32.4 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England.

A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England.

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Plate: 9 3/4 x 16 3/4in. (24.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. West Window of the Chapel, New College Oxford: The Virtues - Hope

Creator:: George Siegmund Facius, 1750–1804
Date:: 1781
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/8 × 18 3/8 inches (63.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Castello S. Angelo Di Roma

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: 1602
Materials & Techniques:: Line engraving and etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. The Ceiling in the Banqueting House at Whitehall

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. The Water Works at Marli and St. German en Laye seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Pine Apples Raised and Sold by Henry Scott, Gardener at Weybridge

Creator:: Francois Vivares, 1709–1780
Date:: 1754
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 18 1/2in. (27.9 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 9/16 x 18 11/16 inches (34.4 x 47.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. View of the City with the Louvre taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Landscape: Man Carrying Faggots

Creator:: Gainsborough Dupont, 1754–1797
Date:: undated
Materials & Techniques:: Oil and graphite on moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/4 x 14 13/16in. (28.6 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. View of the New Country Prison at Abingdon, Berkshire

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: undated
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 18 9/16 inches (41.3 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Carlinan Mill, Iverary, Scotland

Creator:: unknown artist
Date:: 1811
Materials & Techniques:: Colored aquatint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 21 1/2 inches (41.9 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Porthleven, 1922

Creator:: Frederick Etchells, 1886–1973
Date:: 1922
Materials & Techniques:: Watercolor, pen and black ink, gouache, gum arabic and graphite on very thick, moderately textured, beige card
Dimensions:: Sheet: 13 3/16 × 18 5/8 inches (33.5 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

333. The Spanish Mother

Creator:: Abraham Raimbach, 1784–1868
Date:: 1836
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 21 3/4 × 30 5/16 inches (55.2 × 77 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Death on a Pale Horse

Creator:: John Hamilton Mortimer, 1740–1779
Date:: ca. 1775
Materials & Techniques:: Pen and black ink and gray ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 5/8 x 18 1/2 inches (62.5 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. The Interview of Tom Jones and Sophia, After the Reconciliation.

Creator:: Peter Simon, 1750–1810
Date:: 1789
Materials & Techniques:: Colored stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 13/16 × 20 inches (42.7 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. The Deserter

Creator:: William Dickinson, 1746–1823
Date:: 1784
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/8 × 19 7/16 inches (39 × 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Pembroke College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, black ink, black chalk, gouache, scratching out, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 18 1/2 inches (31.1 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Principal Front of Bedgebury House - Elevation

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 5/16 × 18 7/16 inches (33.8 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Rue Pigale, Quai D'Orsay - Premiere Etage - Plan

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and pink ink, graphite, watercolor on smooth, thin, white wove paper laid on cream laid paper
Dimensions:: Sheet: 25 1/2 × 18 1/2 inches (64.8 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. The Castle at Dieppe, Normandy

Creator:: John William Upham, 1772–1828
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on moderately thick, slightly textured, cream laid paper, pasted on contemporary mount made of thick, moderately textured, beige laid paper
Dimensions:: Mount: 16 11/16 x 21 3/4 inches (42.4 x 55.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. View from the North Bank of the Serpentine

Creator:: unknown artist
Date:: 1851
Materials & Techniques:: Colored lithograph
Dimensions:: Sheet: 13 1/8 x 18 1/2in. (33.3 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. A Bit of England

Creator:: Theresa Sylvester Stannard, 1898–1947
Date:: undated
Materials & Techniques:: Watercolor on board
Dimensions:: Sheet: 14 1/2 × 18 1/2 inches (36.8 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, In Memory of Helen G. and Charles H. Warner Sr.

344. Vessel, (No. 7)

Creator:: Susan Derges, born 1955
Date:: 1994
Materials & Techniques:: Dye destruction print on photographic paper
Dimensions:: Sheet: 18 1/2 × 18 1/2 inches (47 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

345. Vessel, (No. 6)

Creator:: Susan Derges, born 1955
Date:: 1994
Materials & Techniques:: Dye destruction print on photographic paper
Dimensions:: Sheet: 18 1/2 × 18 1/2 inches (47 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

346. Vessel, (No. 3)

Creator:: Susan Derges, born 1955
Date:: 1994
Materials & Techniques:: Dye destruction print on photographic paper
Dimensions:: Sheet: 18 1/2 × 18 1/2 inches (47 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

347. Vessel, (No. 9)

Creator:: Susan Derges, born 1955
Date:: 1994
Materials & Techniques:: Dye destruction print on photographic paper
Dimensions:: Sheet: 18 1/2 × 18 1/2 inches (47 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

348. Vessel, (No. 11)

Creator:: Susan Derges, born 1955
Date:: 1994
Materials & Techniques:: Dye destruction print on photographic paper
Dimensions:: Sheet: 18 1/2 × 18 1/2 inches (47 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

349. Vessel, (No. 13)

Creator:: Susan Derges, born 1955
Date:: 1994
Materials & Techniques:: Dye destruction print on photographic paper
Dimensions:: Sheet: 18 1/2 × 18 1/2 inches (47 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

350. Vessel, (No. 12)

Creator:: Susan Derges, born 1955
Date:: 1994
Materials & Techniques:: Dye destruction print on photographic paper
Dimensions:: Sheet: 18 1/2 × 18 1/2 inches (47 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

351. Vessel, (No. 8)

Creator:: Susan Derges, born 1955
Date:: 1994
Materials & Techniques:: Dye destruction print on photographic paper
Dimensions:: Sheet: 18 1/2 × 18 1/2 inches (47 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

352. Vessel, (No. 10)

Creator:: Susan Derges, born 1955
Date:: 1994
Materials & Techniques:: Dye destruction print on photographic paper
Dimensions:: Sheet: 18 1/2 × 18 1/2 inches (47 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

353. Vessel, (No. 14)

Creator:: Susan Derges, born 1955
Date:: 1994
Materials & Techniques:: Dye destruction print on photographic paper
Dimensions:: Sheet: 18 1/2 × 18 1/2 inches (47 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

354. Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 18 5/8 inches (34.3 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 18 7/16 inches (34.3 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Studies of Horses: '...A Mare Enclosed - a Horse Looking Over'

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 9/16 × 18 5/8 inches (34.4 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Studies of Horses: 'Hunter at Grass-Property of His Grace the Duke of Beaufort'

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 18 1/2 inches (34.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Studies of Horses: 'Artillery Horses Taking Fright at Lightning'

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 9/16 × 18 7/16 inches (34.4 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Studies of Horses: 'Various Actions of Flemish Horses'

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 9/16 × 18 1/2 inches (34.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite, and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 1/2 × 18 1/2 inches (34.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Studies of Horses: 'Explanation to the Second Anatomical Table of Outline of the Horse - Muscles in Action'

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 18 9/16 inches (34.3 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Studies of Horses: 'The First Action of Leapin at the Bar-Shewing the Horse With His Muscles'

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 18 9/16 inches (34.3 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Studies of Horses: 'Second Action in Leaping - Clearing the Bar Cleverley & Shewing His Muscles'

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 9/16 × 18 1/2 inches (34.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. Studies of Horses: 'Third Action - Leaping Down From Over the Bar - Shewing the Horse With His Muscles'

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 18 9/16 inches (34.3 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Studies of Horses: 'Leaping ...Starting off Again From the Bar and Shewing the Horse With His Muscles'

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 18 1/2 inches (34.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Studies of Horses: `Outline of Wounded Horses With Their Muscles in Action in the Field of Battle' (Study of Six Horses on a Page)

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 9/16 × 18 1/2 inches (34.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Studies of Horses: 'Officers Chargers With Their Muscles in Action'

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 18 9/16 inches (34.3 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Studies of Horses: 'Outline of Wounded Horses with Their Muscles in Action in the Field of Battle' (Study of Four Horses on a Page)

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 18 9/16 inches (35.2 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. Two Bulls and a Male Nylghy

Creator:: unknown artist
Date:: ca. 1812
Materials & Techniques:: Graphite, pen and ink, and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 18 3/8 inches (32.4 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. A French Second Rate, An:1670

Creator:: Print made by Charles Tomkins, 1757–1823
Date:: 1801
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 × 18 3/8 inches (30 × 46.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

371. Anabatic Print

Creator:: Nicholas May, Born 1962
Date:: 1992
Materials & Techniques:: Screen print on 300gsm Somerset Satin white wove paper
Dimensions:: Sheet: 34 7/8 × 23 3/4 inches (88.6 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

372. Two Women Praying

Creator:: Sir William Rothenstein, 1872–1945
Date:: between 1910 and 1911
Materials & Techniques:: Graphite and black chalk on thick, moderately textured, gray wove paper
Dimensions:: Sheet: 12 1/2 × 18 1/2 inches (31.8 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

373. Winter

Creator:: Print made by George Baxter, 1804–1867
Date:: 1859
Materials & Techniques:: Baxter print on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

374. Oxford from North Hinksey

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1841
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 21 1/4 inches (39.1 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

375. The Father's Leave-Taking

Creator:: Print made by William Holman Hunt, 1827–1910
Date:: 1879
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 18 5/8 inches (33 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

376. Vessel, (No. 1)

Creator:: Susan Derges, born 1955
Date:: 1994
Materials & Techniques:: Dye destruction print on photographic paper
Dimensions:: Sheet: 18 1/2 × 18 1/2 inches (47 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

377. Vessel, (No. 2)

Creator:: Susan Derges, born 1955
Date:: 1994
Materials & Techniques:: Dye destruction print on photographic paper
Dimensions:: Sheet: 18 1/2 × 18 1/2 inches (47 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

378. Vessel, (No. 5)

Creator:: Susan Derges, born 1955
Date:: 1994
Materials & Techniques:: Dye destruction print on photographic paper
Dimensions:: Sheet: 18 1/2 × 18 1/2 inches (47 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

379. Vessel, (No. 4)

Creator:: Susan Derges, born 1955
Date:: 1994
Materials & Techniques:: Dye destruction print on photographic paper
Dimensions:: Sheet: 18 1/2 × 18 1/2 inches (47 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

380. Kestrel

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1974
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

381. Lammergeier

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1974
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

382. Peregrine Falcon

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1974
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

383. Osprey

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1974
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

384. Morning Gossip

Creator:: Print made by Edmund Blampied, 1886–1966
Date:: 1928
Materials & Techniques:: Drypoint on laid paper
Dimensions:: Plate: 9 x 12in. (22.9 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

385. Cavalry Crossing the Piave

Creator:: Martin Hardie, 1875–1952
Date:: 1918
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 11 1/4 x 18 3/8in. (28.6 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

386. A Mediterranean Port

Creator:: Joseph Gray, 1890–1962
Date:: 1926
Materials & Techniques:: Etching and drypoint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/16 x 18 9/16 inches (25.9 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

387. St. Mary's, Nottingham

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1929
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 18 1/2 inches (31.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

388. Countess of Aylesford

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1783
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/4 × 18 3/8 inches (61.6 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

389. A Bacchante

Creator:: William Nutter, 1754–1802
Date:: 1801
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 3/8 × 18 3/8 inches (61.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. John, Lord Viscount Ligonier

Creator:: Edward Fisher, 1722–1785
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 24 5/16 × 18 9/16 inches (61.8 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Speculum Romanae Magnificentiae

Creator:: Antonio Lafreri, 1512–1577
Date:: 1546-1590
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 18 3/8in. (34 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Speculum Romanae Magnificentiae

Creator:: Antonio Lafreri, 1512–1577
Date:: 1546-1590
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 18 3/8in. (34 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Speculum Romanae Magnificentiae

Creator:: Antonio Lafreri, 1512–1577
Date:: 1546-1590
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 18 3/8in. (34 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Speculum Romanae Magnificentiae

Creator:: Antonio Lafreri, 1512–1577
Date:: 1546-1590
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 18 3/8in. (34 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Speculum Romanae Magnificentiae

Creator:: Antonio Lafreri, 1512–1577
Date:: 1546-1590
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 18 3/8in. (34 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Speculum Romanae Magnificentiae

Creator:: Antonio Lafreri, 1512–1577
Date:: 1546-1590
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 18 3/8in. (34 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Lake of Lucerne

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1854
Materials & Techniques:: Etching and line engraving; India proof, second state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/2 × 34 3/4 inches (59.7 × 88.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Mrs. Braddyll

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: undated
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 23 3/8 × 18 1/2 inches (59.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

399. Lady Jane Halliday

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1779
Materials & Techniques:: Mezzotint, scratched letter proof, before title on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 26 3/8 × 18 5/8 inches (67 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

400. Mambrino

Creator:: Charles Howard Hodges, 1764–1837
Date:: 1788
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 14 1/2 x 18 3/8in. (36.8 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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301. Views in the Levant: Corner of a Stone Building with Palm Tree at Right

302. Sacred Cave of Archidamus

303. Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome

304. Ca d'Oro

305. Self-portrait of Antonie van Dyck

306. Study for a Portrait of Two Women

307. Royal Telegraph Manchester Day Coach / A distance of 186 miles performed in 18 hours.

308. The Penance

309. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

310. Marriage A-La-Mode, Plate I: The Contract

311. West Front of the Pavillon Towards the Garden, Brighton

312. Julius Caesar: Act IV Scene III: Brutus' Tent ...

313. Archdeacon Forster

314. Wooded Upland Landscape with Riders and Packhorse

315. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

316. Cluny Castle, Aberdeenshire, Scotland: Elevation

317. Cluny Castle, Aberdeenshire, Scotland: Elevation

318. Cluny Castle, Aberdeenshire, Scotland: Ground Floor Plan with Proposed Alterations

319. Glorieuse Expedition des Anglois et des Hollandois a Vigos (Admiral Rooke' s Victory off Vigo, 12 October 1702)

320. A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England.

321. West Window of the Chapel, New College Oxford: The Virtues - Hope

322. Castello S. Angelo Di Roma

323. The Ceiling in the Banqueting House at Whitehall

324. View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

325. The Water Works at Marli and St. German en Laye seen in the distance

326. Pine Apples Raised and Sold by Henry Scott, Gardener at Weybridge

327. Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

328. View of the City with the Louvre taken from Pont Marie

329. Landscape: Man Carrying Faggots

330. View of the New Country Prison at Abingdon, Berkshire

331. Carlinan Mill, Iverary, Scotland

332. Porthleven, 1922

333. The Spanish Mother

334. Death on a Pale Horse

335. The Interview of Tom Jones and Sophia, After the Reconciliation.

336. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

337. The Deserter

338. Pembroke College, Cambridge

339. Principal Front of Bedgebury House - Elevation

340. Rue Pigale, Quai D'Orsay - Premiere Etage - Plan

341. The Castle at Dieppe, Normandy

342. View from the North Bank of the Serpentine

343. A Bit of England

344. Vessel, (No. 7)

345. Vessel, (No. 6)

346. Vessel, (No. 3)

347. Vessel, (No. 9)

348. Vessel, (No. 11)

349. Vessel, (No. 13)

350. Vessel, (No. 12)

351. Vessel, (No. 8)

352. Vessel, (No. 10)

353. Vessel, (No. 14)

354. Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'

355. Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'

356. Studies of Horses: '...A Mare Enclosed - a Horse Looking Over'

357. Studies of Horses: 'Hunter at Grass-Property of His Grace the Duke of Beaufort'

358. Studies of Horses: 'Artillery Horses Taking Fright at Lightning'

359. Studies of Horses: 'Various Actions of Flemish Horses'

360. Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'

361. Studies of Horses: 'Explanation to the Second Anatomical Table of Outline of the Horse - Muscles in Action'

362. Studies of Horses: 'The First Action of Leapin at the Bar-Shewing the Horse With His Muscles'

363. Studies of Horses: 'Second Action in Leaping - Clearing the Bar Cleverley & Shewing His Muscles'

364. Studies of Horses: 'Third Action - Leaping Down From Over the Bar - Shewing the Horse With His Muscles'

365. Studies of Horses: 'Leaping ...Starting off Again From the Bar and Shewing the Horse With His Muscles'

366. Studies of Horses: `Outline of Wounded Horses With Their Muscles in Action in the Field of Battle' (Study of Six Horses on a Page)

367. Studies of Horses: 'Officers Chargers With Their Muscles in Action'

368. Studies of Horses: 'Outline of Wounded Horses with Their Muscles in Action in the Field of Battle' (Study of Four Horses on a Page)

369. Two Bulls and a Male Nylghy

370. A French Second Rate, An:1670

371. Anabatic Print

372. Two Women Praying

373. Winter

374. Oxford from North Hinksey

375. The Father's Leave-Taking