South View of Christ Church, etc. from the Meadows
1799
102
James Sowerby, 1756–1822
A skunk with another skunk in the background
undated
103
James Sowerby, 1756–1822
Two Kangaroos with Details
undated
104
Charles Wayson, active 1870
Country Cottage
1870
105
Thomas Girtin, 1775–1802
Classical Composition
1798 to 1799
106
Sir Jeffry Wyatville, 1766–1840
Hyde Hall, Hertfordshire: Perspective View
1803
107
Bernard Lens III, 1682–1740
Victorious Hero Takes Occasion to Conclude Peace
1720
108
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: Plan of Roof
1826
109
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: South Elevation
1826
110
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: North Entrance Front
1826
111
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: View of the North Entrance and of the West Front
1826
112
Print made by Joseph Pennell, 1860–1926
Laying the Floor of Pedro Miguel Lock
1912
113
Sir Jeffry Wyatville, 1766–1840
Cottages at Chatsworth, Derbyshire: Elevation
after 1818
114
Print made by James Caldwall, 1739–1819
The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
1800
115
Print made by Joseph Pennell, 1860–1926
The Gun Shop
1917
116
Carlo Labruzzi, 1748–1817
Sepulchre on the Via Nomentana in the Roman Campagna
undated
117
Print made by Johannes Kip, 1653–1722
St James's House, Le Palais Royal de St James
1707
118
Print made by John Russell, 1745–1806
Lunar Planisphere, Flat Light
1805
119
Johannes Kip, 1653–1722
Fair Lawn in ye County of Kent
1707
120
Francis Towne, 1740–1816
On the Dee
undated
121
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
122
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
123
John Harris, 1811–1865
Coaching: The Early Delivery
1863
124
John Harris, 1811–1865
Coaching: The Right Sort
1863
125
John Harris, 1811–1865
Coaching: The Last Change Down
1863
126
Thomas Girtin, 1775–1802
Ripon Minster, Yorkshire
1800
127
John Warwick Smith, 1749–1831
Falls of Tivoli
undated
128
David Cox, 1783–1859
On the Conway River, North Wales
undated
129
Print made by Day & Co., 1824–1913
The High Street, Southampton
1828
130
Print made by John Doyle ('H.B.'), 1797–1868
A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume
1846
131
Charles Hunt, 1803–1877
Shooting [A Pair]: 2. The Sportsman Preparing
1829
132
Michel Vincent Brandoin, 1733–1807
A Southeast View of the Castle of Grigan in Provence near Dauphine
undated
133
Edward Duncan, 1803–1882
Study of Fishermen and Gear
undated
134
Gainsborough Dupont, 1754–1797
Landscape: Three cows in center foreground
undated
135
Print made by Samuel Cousins, 1801–1887
Field Marshal the Duke of Wellington, K. G
1848
136
Henry Edridge, 1769–1821
The Hon. George Pryse Cambell (1793-1858), as a Midshipman
1805
137
William Daniell, 1769–1837
Bramha and Nursingdara Ghat, Varanasi
between 1788 and 1789
138
William Day, 1764–1807
Hastings
1792
139
François Louis Thomas Francia, 1772–1839
Boulogne Harbour
undated
140
Mary Hoare, 1744–1820
Prospero and Miranda
1781
141
Henry Edridge, 1769–1821
Boxhill from Westhumble Lane
undated
142
Henry Fuseli, 1741–1825
Selling of Cupids
between 1775 and 1776
143
Henry Edridge, 1769–1821
Abbeville
undated
144
Henry Edridge, 1769–1821
The Mint, Pont des Arts and L'Institut de France, Paris
1819
145
William Day, 1764–1807
Wooded Rocks by a Stream (Derbyshire?)
undated
146
Francis Jukes, 1747–1812
Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
1800
147
James Gillray, 1756–1815
Junction of Parties
1783
148
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
149
James Gillray, 1756–1815
Duke William's Ghost
1799
150
James Gillray, 1756–1815
Playing in Parts
1801
151
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
152
unknown artist
View of the Coronation Procession of George IV
ca. 1821
153
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
154
Samuel Howitt, 1756–1822
Animals of the Cat Family, with a Bear and Foxes
undated
155
Lewis Vulliamy, 1791–1871
Design for a Chapel at Enfield: Longitudinal Section
undated
156
Thomas Daniell, 1749–1840
Bridge over the Bernar Nulla (River Barna)
undated
157
Thomas Daniell, 1749–1840
On the Gumti River near Jaunpur
ca. 1789
158
Thomas Daniell, 1749–1840
Lucknow, Upper India
undated
159
Thomas Daniell, 1749–1840
Ghazipur
undated
160
Georg Paul Nusbiegel, 1713–1776
Jacob Bates / The Famous English Horse Rider
1766
161
John Wood, 1728–1781
Racing: Sir Charles Sedley's Bay Gelding "True Blue" / He won Two Subscription Plates for Hunters of 60 Guineas each at Nottingham ..
1753
162
John Harris, 1811–1865
Coaching: The First Change Up
1863
163
Cecil Charles Windsor Aldin, 1870–1935
`Ar Never Gets Off' - Hunting Scene
undated
164
James Pollard, 1792–1867
The Ceremony of the Procession ad Montem
165
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - The Meeting
1827
166
Luke Clennell, 1781–1840
Loading a Wagon
1813
167
Henry Thomas Alken, 1785–1851
"The National Sports of Great Britain," 1821: Owling
1821
168
Sawrey Gilpin, 1733–1807
Foxhunting: The Start, With Rider in Foreground Mounting on Off-Side
undated
169
Francis Bedford, 1816–1894
Gibeon, El Jib, Palestine
1862
170
James Gillray, 1756–1815
The Injured Countess
1786-1788
171
James Gillray, 1756–1815
Sawney in the Bog-House
1779
172
James Gillray, 1756–1815
The Fall of Phaeton
1788
173
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
174
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
175
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
176
James Gillray, 1756–1815
Patience on a Monument
1791
177
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
178
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
179
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
180
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
181
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
182
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
183
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
184
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
185
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
186
James Gillray, 1756–1815
Wha Wants Me?
1792
187
James Gillray, 1756–1815
National Conveniences
1796
188
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
189
James Gillray, 1756–1815
Fashionable Jockeyship
1796
190
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
191
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
192
James Gillray, 1756–1815
Brisk Cathartic
1804
193
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
194
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
195
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
196
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
197
James Gillray, 1756–1815
The Grand - Signior retiring
1796
198
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
199
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar