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The Meet
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 x 19 5/16 inches (38.1 x 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board
Creator:
Louis Haghe, 1806–1885
Date:
ca. 1840
Materials & Techniques:
Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 19 3/16 inches (36.9 x 48.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cupid and Psyche
Creator:
Print made by William Say, 1768–1834
Date:
1816
Materials & Techniques:
Mezzotint (second state) on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/8 × 21 1/4 inches (49.8 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Marshes opposite Erith
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1865
Materials & Techniques:
Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/16 x 19 7/16 inches (30.7 x 49.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield
View of Oxford from the South Side of Heddington Hill
Creator:
Print made by James Basire II, 1769–1822
Date:
1808
Materials & Techniques:
Etching and engraving; engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by David Lucas, 1802–1881
Date:
1833
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 7/8 × 21 1/8 inches (68.3 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection