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301. Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc.

Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc.
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

302. Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc.

Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc.
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

303. Set of Five: Five studies of Peddlers

Set of Five: Five studies of Peddlers
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

304. Set of Five: Studies of Laborers

Set of Five: Studies of Laborers
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

305. King Lear and Cordelia, Act V, Scene 10

King Lear and Cordelia, Act V, Scene 10
Creator:
James Barry, 1741–1806
Date:
1776
Materials & Techniques:
Etching and aquatint; touched with india ink
Dimensions:
Plate: 21 7/8 x 20 1/8in. (55.6 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

306. The Magicians Marching off After the Success of their Incantations

The Magicians Marching off After the Success of their Incantations
Creator:
Edward Rooker, 1724–1774
Date:
ca. 1763
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 7/8 x 20 3/8 inches (45.4 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

307. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
Creator:
Edward Rooker, 1724–1774
Date:
ca. 1763
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/4 x 20 1/2 inches (45.1 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

308. A Negroes Dance in the Island of Dominica

A Negroes Dance in the Island of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 5/16 x 19 7/8 inches (33.8 x 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

309. Shields on the River Tyne

Shields on the River Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823
Materials & Techniques:
Mezzotint; (Turner's copies, touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 20 1/8 inches (34 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

310. Rochester, on the River Medway

Rochester, on the River Medway
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (b); completed on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/4 × 20 1/4 inches (33.7 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

311. Okehampton Castle, on the River Okement

Okehampton Castle, on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Mezzotint and line engraving; Turner's copy on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

312. The Capuchin Convent at Gensano

The Capuchin Convent at Gensano
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 15/16 x 20 1/16 inches (35.4 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

313. At Larici near Albano in Italy

At Larici near Albano in Italy
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 1/16 inches (34 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

314. The Capuchin Convent at Albano, Castel Gandolfo

The Capuchin Convent at Albano, Castel Gandolfo
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 9/16 x 20 1/8 inches (34.4 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

315. The Town and Lake of Nemi, in Italy

The Town and Lake of Nemi, in Italy
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 7/16 x 20 3/16 inches (34.1 x 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

316. The Lake of Nemi called Speculum Diane

The Lake of Nemi called Speculum Diane
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/16 x 20 1/8 inches (33.5 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

317. At Tivoli, near Rome

At Tivoli, near Rome
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/16 x 20 3/16 inches (33.8 x 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

318. At Tivoli, near Rome

At Tivoli, near Rome
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 20 1/8 inches (33.7 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

319. The Tomb of Plautius, near Tivoli

The Tomb of Plautius, near Tivoli
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 1/8 inches (34 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

320. At Tivoli, near Rome

At Tivoli, near Rome
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 3/16 inches (34 x 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

321. At Tivoli, near Rome

At Tivoli, near Rome
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/16 x 20 1/8 inches (33.5 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

322. At Tivoli, near Rome

At Tivoli, near Rome
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/16 x 20 inches (33.8 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

323. View of Vicovaro, obin, Vicus Varii

View of Vicovaro, obin, Vicus Varii
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/16 x 20 inches (33.5 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

324. Villa of Macenas at Tivoli

Villa of Macenas at Tivoli
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 20 1/8 inches (34.9 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

325. Remains of the Claudian Aqueduct near Tivoli

Remains of the Claudian Aqueduct near Tivoli
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 19 15/16 inches (33.7 x 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

326. Town of Tivoli, villa of Macenas near Rome

Town of Tivoli, villa of Macenas near Rome
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/16 x 20 3/16 inches (33.8 x 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

327. Near the Convent of S. Cosimato, in Italy

Near the Convent of S. Cosimato, in Italy
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 1/16 inches (34 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

328. The Convent of St. Cosimato, and part of the Claudian Aqueduct

The Convent of St. Cosimato, and part of the Claudian Aqueduct
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 20 1/8 inches (33.7 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

329. The Fall of Agandecca

The Fall of Agandecca
Creator:
Print made by James Parker, 1750–1805
Date:
1783
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 21 1/8 × 30 1/8 inches (53.7 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

330. Fainasollis, Borbar and Fingal

Fainasollis, Borbar and Fingal
Creator:
James Parker, 1750–1805
Date:
1783
Materials & Techniques:
Line-engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/2 × 20 inches (44.5 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

331. The Old Téméraire

The Old Téméraire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1845
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 3/4 × 24 1/2 inches (47.6 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

332. The Old Téméraire

The Old Téméraire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1845
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 18 5/8 × 24 3/4 inches (47.3 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

333. Intemperance

Intemperance
Creator:
Print made by Guillaume Sulpice Chevalier, 1804–1866
Date:
undated
Materials & Techniques:
Line engraving, stipple engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:
Sheet: 13 9/16 x 20 inches (34.4 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

334. The Encampment in the Museum Garden

The Encampment in the Museum Garden
Creator:
unknown artist
Date:
1783
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 1/2 x 19 7/8in. (39.4 x 50.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

335. A View Taken near Mr. Smith's House at Battersea, Looking up the Thames

A View Taken near Mr. Smith's House at Battersea, Looking up the Thames
Creator:
John Boydell, 1720–1804
Date:
1752
Materials & Techniques:
Engraving on Moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 13 5/8 × 20 1/8 inches (34.6 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

336. Battersea, Chelsea and London from Mr. Rucker's Villa

Battersea, Chelsea and London from Mr. Rucker's Villa
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1795
Materials & Techniques:
Hand colored aquatint on smooth, medium, cream wove paper
Dimensions:
Sheet: 13 9/16 × 20 1/8 inches (34.4 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

337. A View of the Lake etc. at West Wycomb

A View of the Lake etc. at West Wycomb
Creator:
William Woollett, 1735–1785
Date:
1757
Materials & Techniques:
Engraving on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 7/8 × 23 11/16 inches (45.4 × 60.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

338. A View of the House and Part of the Garden at West Wycomb

A View of the House and Part of the Garden at West Wycomb
Creator:
William Woolnoth, active 1806–1830
Date:
1757
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 7/8 × 23 3/4 inches (45.4 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

339. A South View of Scarborough

A South View of Scarborough
Creator:
unknown artist
Date:
ca. 1797
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 14 1/4 x 20in. (36.2 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

340. A Highland Interior

A Highland Interior
Creator:
William Finden, 1787–1852
Materials & Techniques:
Engraving, with graphite sketches
Dimensions:
Sheet: 14 1/4 x 20 1/4in. (36.2 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

341. Kings College, the Chapel and Clare Hall in the University of Cambridge

Kings College, the Chapel and Clare Hall in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 15 x 20 1/4in. (38.1 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

342. Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..

Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..
Creator:
Charles Rosenberg, active 1828–1848
Date:
1831
Materials & Techniques:
Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 13/16 × 20 inches (45.2 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. A Mythological Battle

A Mythological Battle
Creator:
George C. Finden, 1811–1885
Date:
1853
Materials & Techniques:
Line engraving, stipple engraving and etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 13 11/16 x 19 15/16 inches (34.8 x 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

344. A View of the Bank of England

A View of the Bank of England
Creator:
Daniel Havell, 1785–1826
Date:
1816
Materials & Techniques:
Hand-colored aquatint on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 15 9/16 × 20 1/16 inches (39.5 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

345. View of the Vauxhall Iron Bridge

View of the Vauxhall Iron Bridge
Creator:
unknown artist
Date:
1816
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 11/16 x 20in. (34.8 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

346. A View of the Casade etc. at West Wycomb

A View of the Casade etc. at West Wycomb
Creator:
William Woollett, 1735–1785
Date:
1757
Materials & Techniques:
Engraving on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 7/8 × 23 5/8 inches (45.4 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

347. A View of the Castle and Town of Dover

A View of the Castle and Town of Dover
Creator:
James Mason, 1710–1783
Date:
1762
Materials & Techniques:
Engraving tinted with watercolor
Dimensions:
Sheet: 16 1/2 x 20 1/4in. (41.9 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

348. The Hermitage of Warkworth

The Hermitage of Warkworth
Creator:
Robert Pollard, 1755–1838
Date:
1787
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 21 1/4 × 30 1/8 inches (54 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

349. View of Sion House from the Banks of the Thames

View of Sion House from the Banks of the Thames
Creator:
John Hassell, 1767–1825
Date:
1799
Materials & Techniques:
Aquatint and etching, with stipple engraving, hand-colored on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 9/16 x 20 1/8 inches (39.6 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

350. Cambridge University: Great Court And Chapel

Cambridge University: Great Court And Chapel
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1789
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 15 x 20 1/4in. (38.1 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

351. Cambridge University: Kings College Chapel

Cambridge University: Kings College Chapel
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1798
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 15 x 20 1/4in. (38.1 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. Cambridge University: Jesus College

Cambridge University: Jesus College
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 15 x 20 1/4in. (38.1 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

353. Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge

Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1798
Materials & Techniques:
Aquatint with etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 × 27 1/4 inches (53.3 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

354. The Great Court and Chapel of Trinity College in the University of Cambridge

The Great Court and Chapel of Trinity College in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1798
Materials & Techniques:
Aquatint with etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/16 × 27 5/16 inches (53.5 × 69.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

355. Cambridge University: Queens College

Cambridge University: Queens College
Creator:
Print made by Thomas Malton the Younger, 1748–1804
Date:
1800
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 7/16 × 26 1/16 inches (46.8 × 66.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

356. The East Front of the Library of Trinity College in the University of Cambridge

The East Front of the Library of Trinity College in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1800
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 25 7/8 inches (47.6 × 65.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

357. View of the Walton Bridge, Venus's Temple

View of the Walton Bridge, Venus's Temple
Creator:
William Woollett, 1735–1785
Date:
1757
Materials & Techniques:
Etching and line engraving on thick, rough, cream laid paper
Dimensions:
Sheet: 17 7/8 × 23 5/8 inches (45.4 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

358. Jack in the Bilboes

Jack in the Bilboes
Creator:
William Ward, 1766–1826
Date:
1790
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/2 × 20 3/16 inches (47 × 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

359. King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff

King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff
Creator:
Thomas Ryder, 1746–1810
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 13/16 x 20in. (37.6 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of John Gerlin, B.A. 1932

360. Representation of the Election of Members of Parliament for Westminster 1820

Representation of the Election of Members of Parliament for Westminster 1820
Creator:
Robert Havell, 1769–1832
Date:
1820
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 13/16 x 20 1/4in. (40.2 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

361. Priam. The Winner of the Derby Stakes at Epsom

Priam. The Winner of the Derby Stakes at Epsom
Creator:
Edward Duncan, 1803–1882
Date:
1830
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 1/4 x 20 1/4in. (38.7 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

362. St. Giles. Winner of the Derby Stakes at Epsom, 1832

St. Giles. Winner of the Derby Stakes at Epsom, 1832
Creator:
Edward Duncan, 1803–1882
Date:
1832
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 14 3/4 x 20 1/4in. (37.5 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

363. Spaniel. The Winner of the Derby Stakes at Epsom 1831

Spaniel. The Winner of the Derby Stakes at Epsom 1831
Creator:
Edward Duncan, 1803–1882
Date:
1831
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 x 19 7/8in. (38.1 x 50.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

364. Bay Middleton. Winner of the Derby Stakes at Epsom 1836

Bay Middleton. Winner of the Derby Stakes at Epsom 1836
Creator:
Edward Duncan, 1803–1882
Date:
1836
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 9/16 x 20 1/8in. (39.5 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

365. The Chillington Oxen

The Chillington Oxen
Creator:
Print made by John Porter, active 1838
Date:
1838
Materials & Techniques:
Line engraving and mezzotint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 21 1/2 inches (46.4 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

366. the East Prospect of the Ruins of Furness Abbey in Lancashire

the East Prospect of the Ruins of Furness Abbey in Lancashire
Creator:
unknown artist
Date:
1727
Materials & Techniques:
Colored line engraving
Dimensions:
Sheet: 13 x 19 7/8in. (33 x 50.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

367. British Queen Steam Ship

British Queen Steam Ship
Creator:
Henry Papprill, 1816–d.after 1883
Date:
1838
Materials & Techniques:
Colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/4 × 26 7/8 inches (50.2 × 68.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

368. An Irish Bull Bait in England

An Irish Bull Bait in England
Creator:
unknown artist
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 14 1/2 x 19 7/8in. (36.8 x 50.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

369. Queen Katherine's Dream

Queen Katherine's Dream
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving and hand-coloring
Dimensions:
Sheet: 17 7/8 x 20in. (45.4 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

370. Mortar Battery at Woolwich

Mortar Battery at Woolwich
Creator:
Charles Hunt, 1803–1877
Date:
undated
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 15 1/4 x 20 1/4in. (38.7 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

371. Queen Judith reciting to Alfred when a child

Queen Judith reciting to Alfred when a child
Creator:
Richard Westall, 1765–1836
Materials & Techniques:
Engraving, mixed method on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 26 3/4 × 20 1/4 inches (67.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

372. Sturdy Beggars Collecting for the Emigrant French Clergy

Sturdy Beggars Collecting for the Emigrant French Clergy
Creator:
unknown artist
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 14 5/8 x 20 1/8in. (37.1 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

373. Certificate From The Royal Academy, Appointing John Opie, As An Academician

Certificate From The Royal Academy, Appointing John Opie, As An Academician
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving and line engraving
Dimensions:
Sheet: 26 3/4 x 20in. (67.9 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

374. The Tomb of Plautius etc near Tivoli

The Tomb of Plautius etc near Tivoli
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/16 x 20 1/8 inches (33.2 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

375. Neptune's Grotto at Tivoli

Neptune's Grotto at Tivoli
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 15/16 x 20 inches (35.4 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

376. Remains of the Claudian Aqueduct near the Convent of S. Cosimato

Remains of the Claudian Aqueduct near the Convent of S. Cosimato
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

377. The Horse Race at Rome During the Carnival

The Horse Race at Rome During the Carnival
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Mount:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

378. The Summit of Cader Idris Mountain

The Summit of Cader Idris Mountain
Creator:
Edward Rooker, 1724–1774
Date:
1775
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 20 7/16 inches (39.4 × 51.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

379. A View of the Great Room, etc. at Hall-Barn

A View of the Great Room, etc. at Hall-Barn
Creator:
William Woollett, 1735–1785
Date:
1760
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

380. A View of Part of the Garden at Hall Barn

A View of Part of the Garden at Hall Barn
Creator:
William Woollett, 1735–1785
Date:
1760
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

381. View of Rugby School

View of Rugby School
Creator:
George Barnard, 1807–1890
Date:
c.1845
Materials & Techniques:
Colored lithograph
Dimensions:
Sheet: 13 1/2 x 20in. (34.3 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

382. The Double Deliverance, 1588–1605

The Double Deliverance, 1588–1605
Creator:
Print made by unknown artist
Date:
1621
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 20 1/2 inches (39.7 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

383. A Milliner's Shop

A Milliner's Shop
Creator:
Attributed to Henry Kingsbury, active 1750–1780
Date:
1787
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 15 1/4 x 20 1/8in. (38.7 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

384. Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber

Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber
Creator:
Print made by Caroline Watson, 1760–1814
Date:
1803
Materials & Techniques:
Etching
Dimensions:
Sheet: 14 1/2 x 19 7/8in. (36.8 x 50.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

385. Richard III: Act IV, Scene III, Tower of London

Richard III: Act IV, Scene III, Tower of London
Creator:
Print made by William Skelton, 1763–1848
Date:
1795
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 3/8 × 20 1/8 inches (74.6 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

386. Street Scene in Chelsea, possibly depicting the Tobacconist, J. W. Nicholas, located at No. 75, Cheyne Walk

Street Scene in Chelsea, possibly depicting the Tobacconist, J. W. Nicholas, located at No. 75, Cheyne Walk
Creator:
James McNeill Whistler, 1834–1903
Date:
ca. 1888
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper mounted on card
Dimensions:
Sheet: 5 1/4 × 8 7/8 inches (13.3 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

387. A Brisk Gale

A Brisk Gale
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
ca. 1765
Materials & Techniques:
Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/8 × 21 1/8 inches (43.5 × 53.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

388. Battle of Scheveningen, 31st July 1653

Battle of Scheveningen, 31st July 1653
Creator:
Print made by Pieter Hendricksz Schut, 1618 or 1619–after 1660
Date:
1653
Materials & Techniques:
Etching and line engraving
Dimensions:
Sheet: 14 5/8 x 20 1/4in. (37.1 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

389. Mr. Garrick in "The Farmer's Return"

Mr. Garrick in "The Farmer's Return"
Creator:
Johann Jacobus Haid, 1704–1767
Date:
1766
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 x 19 7/8 inches (43.2 x 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

390. View Across the Campo Vaccino, Rome

View Across the Campo Vaccino, Rome
Creator:
Richard Cooper the Younger, 1740–1814
Date:
ca. 1790
Materials & Techniques:
Conterproof of an etching, with brown wash on laid paper
Dimensions:
Image: 13 13/16 x 18 13/16in. (35.1 x 47.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

391. The Interview of Tom Jones and Sophia, After the Reconciliation.

The Interview of Tom Jones and Sophia, After the Reconciliation.
Creator:
Peter Simon, 1750–1810
Date:
1789
Materials & Techniques:
Colored stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 13/16 × 20 inches (42.7 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

392. Joseph and John Gulston

No cover image available
Creator:
Valentine Green, 1739–1813
Date:
1771
Materials & Techniques:
Mezzotint
Dimensions:
Plate: 16 3/4 x 20 1/8in. (42.5 x 51.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

393. Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment

No cover image available
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 20 1/4 inches (35.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

394. St. Peter's College, Cambridge

No cover image available
Creator:
Richard Banks Harraden, 1778–1862
Date:
ca. 1830
Materials & Techniques:
Watercolor, pen and black ink, black chalk, brown chalk, gouache, scratching out, and graphite on thick, slightly textured, cream wove paper
Dimensions:
Cover: 18 11/16 × 24 1/16 inches (47.5 × 61.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

395. Jesus College, Cambridge

No cover image available
Creator:
Richard Banks Harraden, 1778–1862
Date:
ca. 1830
Materials & Techniques:
Watercolor, pen and brown ink, black ink, black chalk, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

396. Corpus Christi College, Cambridge

No cover image available
Creator:
Richard Banks Harraden, 1778–1862
Date:
1836
Materials & Techniques:
Watercolor, pen and gray ink, black ink, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Cover: 18 3/4 × 24 3/8 inches (47.6 × 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

397. Adrian Hope's House II: Drawing Room - Plan and Elevations

No cover image available
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black and brown ink, watercolor, graphite on smooth, thin, beige wove tracing paper
Dimensions:
Sheet: 15 1/4 × 20 1/4 inches (38.7 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

398. Cobham Hall, Kent: Section of a Room

No cover image available
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 7/8 × 20 1/8 inches (35.2 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

399. [Fox-Hunting]

No cover image available
Creator:
Figures by Francesco Bartolozzi, 1728–1815
Date:
1783
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 14 5/8 x 20 1/4in. (37.1 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

400. Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library

No cover image available
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor, graphite on smooth, thin, beige wove tracing paper
Dimensions:
Sheet: 16 9/16 × 19 7/8 inches (42.1 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection