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Harnham Gate, Salisbury
Creator:
John Constable, 1776–1837
Date:
between 1820 and 1821
Materials & Techniques:
Oil on canvas
Dimensions:
20 x 20 inches (50.8 x 50.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Cambrian Road, Richmond
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1913 to 1914
Materials & Techniques:
Oil on canvas
Dimensions:
16 x 20 inches (40.6 x 50.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Richard III: Act IV, Scene III, Tower of London
Creator:
Print made by William Skelton, 1763–1848
Date:
1795
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 3/8 × 20 1/8 inches (74.6 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Trees and Factory at Hammersmith
Creator:
Print made by Sir Frank William Brangwyn, 1867–1956
Date:
1903
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Plate: 13 × 16 inches (33 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Road Scene in Windsor Forest
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 16 3/4 x 20 1/4 inches (42.5 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Indo-Classical Residential Compound
Creator:
Unknown artist (Company style)
Date:
between 1795 and 1810
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Image: 12 3/4 × 20 1/4 inches (32.4 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund