Width [cm]: 53 / Image Use: Free to Use / Classification: Prints

1. A Lavatory

Creator:: John Copley, 1875–1950
Date:: 1909
Materials & Techniques:: Lithograph, printed in seven colors
Dimensions:: Sheet: 15 5/8 x 20 3/4in. (39.7 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Noon

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving, hand colored with watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/16 x 21 inches (39.2 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Wave

Creator:: C. R. W. Nevinson, 1889–1946
Date:: 1917
Materials & Techniques:: Lithograph on medium, slightly textured, white wove paper
Dimensions:: Sheet: 17 3/4 × 21 inches (45.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Cowdray Ruins

Creator:: Print made by James Clark, 19th century
Date:: 1824
Materials & Techniques:: Colored aquatint on thick, textured, beige wove paper
Dimensions:: Sheet: 15 3/8 × 20 11/16 inches (39 × 52.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Shepherd in a Landscape

Creator:: William Austin, 1721–1820
Materials & Techniques:: Engraving tinted with watercolor
Dimensions:: Sheet: 13 3/4 x 20 3/4in. (34.9 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A Perspective View of the Chapel adjoining to Wakefield Bridge, in the County of York, which was built by King Edward the fourth in Memory of his Father Richard, Duke of York

A Perspective View of the Chapel adjoining to Wakefield Bridge, in the County of York, which was built by King Edward the fourth in Memory of his Father Richard, Duke of York

Creator:: Print made by William Henry Toms, ca. 1700–ca. 1750
Date:: 1743
Materials & Techniques:: Colored engraving
Dimensions:: Sheet: 15 x 21in. (38.1 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Bodiham Castle, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving; modern impression on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Line engraving and etching, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Mount: 15 7/8 × 20 7/8 inches (40.3 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Lyme Regis, Norfolk

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Mount: 15 1/8 × 20 15/16 inches (38.4 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Lowestoffe

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 20 3/4 inches (37.8 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. South East View of St. Paul's Cathedral

Creator:: Daniel Havell, 1785–1826
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 3/4 x 20 3/4in. (42.5 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. A View of the Chapel and Hall of Oriel College

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1807
Materials & Techniques:: Line engraving, engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 × 21 inches (36.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Crook of the Lune, Looking towards Hornby Castle

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1821
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/8 × 20 15/16 inches (37.1 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Folkestone: Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving, 3rd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. View of the Pantheon, Paris

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etching with gray, blue, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 3/8 x 21 inches (23.8 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Spot where Harold Fell

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 21 inches (37.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Procession of Queen Elizabeth

Creator:: George Vertue, 1684–1756
Date:: 1742
Materials & Techniques:: Etching on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 15/16 × 27 inches (58.3 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

18. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

Creator:: Print made by Day & Co., 1824–1913
Date:: 1839
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 20 15/16 inches (35.5 x 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate II. "When the brush of Sly Reynard, the coveted prize, / was display'd at his table, joy danced in his eyes; ..."

Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate II. "When the brush of Sly Reynard, the coveted prize, / was display'd at his table, joy danced in his eyes; ..."

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1846
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 x 20 7/8in. (38.1 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate IV. "The Squire, the Old Squire, is gone to his rest, / his heart was the bravest, his horse was the best, ..."

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1846
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 x 20 7/8in. (38.1 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate III. "We were hunting the fox on a lowering day, / with the Squire spurring up on his high-flying grey; ..."

Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate III. "We were hunting the fox on a lowering day, / with the Squire spurring up on his high-flying grey; ..."

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1846
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 x 20 7/8in. (38.1 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. A View of the West Front of Clare Hall, King's College Chapel..in the University of Cambridge

Creator:: Peter S. Lamborn, 1722–1774
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 17 1/2 x 23 3/4in. (44.5 x 60.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad.

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad.

Creator:: William Elliot, active 1774, died 1792
Date:: 1761
Materials & Techniques:: Color engraving
Dimensions:: Sheet: 13 1/4 x 20 15/16in. (33.7 x 53.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. View of the Coronation Procession of George IV

Creator:: unknown artist
Date:: ca. 1821
Materials & Techniques:: Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. [Animals] Seven studies on hound on one sheet. 'Jno. Harris' on collar of hound at lower left

Creator:: George Morland, 1763–1804
Date:: 1794
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 16 x 20 3/4in. (40.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Willow

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 inches (36.2 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

27. Snipe Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/16 x 20 13/16 inches (38.3 x 52.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Grouse Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 5/8 x 20 7/8 inches (37.2 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Partridge Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 x 20 7/8 inches (37.4 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Pheasant Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/16 x 20 13/16 inches (38.5 x 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View in Hudson's River of the Entrance of what is called the Topan Sea.

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View in Hudson's River of the Entrance of what is called the Topan Sea.

Creator:: Peter P. Benazech, 1767–1794
Date:: 1761
Materials & Techniques:: Color engraving
Dimensions:: Sheet: 13 1/2 x 20 7/8in. (34.3 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Views of Montreal and Louisburg: A View of Louisburg in North America taken near the Light House when that city was beseiged in 1758

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1762
Materials & Techniques:: Color engraving
Dimensions:: Sheet: 13 1/8 x 20 3/4in. (33.3 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. "A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1758-1760
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 3/16 × 22 9/16 inches (43.6 × 57.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Scenographia Americana: Untitled view (perhaps of Boston?)

Creator:: unknown artist
Date:: 1758-1760
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/4 × 22 1/16 inches (38.7 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. A View in Hudson's River of Pakepsey & the Catts-Kill Mountains, from Sopos Island in Hudson's River

Creator:: Print made by Paul Sandby, 1731–1809
Date:: 1768
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 × 23 3/8 inches (42.5 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of Bethlem, the Great Morovian Settlement in the Province of Pennsylvania.

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of Bethlem, the Great Morovian Settlement in the Province of Pennsylvania.

Creator:: Paul Sandby, 1731–1809
Date:: 1761
Materials & Techniques:: Color engraving
Dimensions:: Sheet: 13 3/8 x 20 15/16in. (34 x 53.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. View of Queen Square

Creator:: Engraved by Robert Pollard, 1755–1838
Date:: 1789
Materials & Techniques:: Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. View of Grosvenor Square

Creator:: Robert Pollard, 1755–1838
Date:: 1789
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 24 13/16 inches (50.2 × 63 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Scenographia Americana: A Southwest View of the City of New York, in North America

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1758-1760
Materials & Techniques:: Colored engraving
Dimensions:: Plate: 20 5/8 inches (52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. View of the City of New York: A South East View of the City of New York in North America

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1763
Materials & Techniques:: Color engraving
Dimensions:: Sheet: 13 1/4 x 20 7/8in. (33.7 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate I. "The Jolly Old Squire was as staunch as a hound, ..."

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1846
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 x 20 7/8in. (38.1 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. View of Hanover Square

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 9/16 × 25 5/8 inches (49.7 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Edward VI and His Court

Creator:: George Vertue, 1684–1756
Date:: 1750
Materials & Techniques:: Etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 23 1/8 × 34 1/2 inches (58.7 × 87.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

45. A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

Creator:: Print made by James Mason, 1710–1783
Date:: 1778
Materials & Techniques:: Line engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 22 1/4 inches (47 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Autumn

Creator:: Print made by Robert Walker Macbeth, 1848–1910
Date:: 1865
Materials & Techniques:: Etching on thin, smooth, cream wove paper
Dimensions:: Image: 23 1/4 × 17 inches (59.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

47. Below Langley Oct. 19 1841

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 21 inches (41.3 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Red House on the Lake near Norwich Oct. 7th, 1841

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 21 inches (36.2 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Col. Harvey's Meadow Thorpe and Norwich Oct. 2nd 1841

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Her Majesty Queen Victoria

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1838
Materials & Techniques:: Mezzotint, etching, and stipple engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 35 3/4 × 24 3/4 inches (90.8 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

51. The Delicate Investigation or Secrets of - Time Three o' Clock in the Morning!!!

Creator:: Charles Williams, active 1796–1830
Date:: 1813
Materials & Techniques:: hand colored etching on medium cream slightly textured wove paper
Dimensions:: Sheet: 8 1/4 x 21 inches (21 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

52. A View in the Island of Jamaica

Creator:: Thomas Vivares, c.1735–c.1790
Dimensions:: Sheet: 13 7/8 x 20 3/4in. (35.2 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. St. Augustine's Gate, Canterbury

Creator:: Valentine Green, 1739–1813
Date:: 1779
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 15/16 × 20 15/16 inches (40.5 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. A View of Hopping Mill, Ware

Creator:: Francois Vivares, 1709–1780
Date:: 1745
Materials & Techniques:: Colored engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 × 21 3/4 inches (39.5 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A View of Anchor Church (Derbyshire)

Creator:: Print made by Francois Vivares, 1709–1780
Date:: 1745
Materials & Techniques:: Colored engraving
Dimensions:: Sheet: 14 1/8 x 20 3/4in. (35.9 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: ca. 1759
Materials & Techniques:: Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/16 x 20 11/16 inches (36 x 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: ca. 1760
Materials & Techniques:: Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 21 inches (36.9 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Honourable. Mrs. Bouverie

Creator:: Thomas Watson, 1743–1781
Date:: 1770
Materials & Techniques:: Mezzotint on moderately thick moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 20 3/4 inches (47.6 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Fulham

Creator:: Sir Francis Seymour Haden, 1818–1910
Materials & Techniques:: Halftone reproduction
Dimensions:: Mount: 30 1/2 x 21 inches (77.4 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Mrs. Pelham

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1775
Materials & Techniques:: Mezzotint (only state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 28 1/4 × 21 inches (71.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. Countess Gower and Her Daughter Lady Elizabeth Leveson Gower

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1832
Materials & Techniques:: Mezzotint (engraved proof) on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 30 3/4 × 21 inches (78.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. A Woman Swearing her Child to a Grave Citizen

Creator:: Print made by John Young, 1755–1825
Date:: 1816
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 23 1/4 inches (47.6 × 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. Sir Charles Cotton

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: 1812
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 15 3/8 x 20 7/8in. (39.1 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

64. Pantheum Romanum nunc Mariae Cognomento

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: 1549
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/8 × 21 inches (41 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/2 x 20 13/16in. (47 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs on medium, slightly textured, cream paper mounted on linen
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. [Shooting] The Spanish Pointer

Creator:: William Woollett, 1735–1785
Date:: 1768
Materials & Techniques:: Engraving and etching, first state
Dimensions:: Sheet: 17 1/2 x 22 1/8in. (44.4 x 56.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/2 x 20 13/16in. (47 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)

Creator:: Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. Diligene and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Shooting, Plate II

Creator:: William Woollett, 1735–1785
Date:: 1770
Materials & Techniques:: Engraving with etching, fifth state
Dimensions:: Image: 15 1/2 x 20 13/16in. (39.4 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Shooting, Plate III

Creator:: William Woollett, 1735–1785
Date:: 1770
Materials & Techniques:: Engraving with etching
Dimensions:: Sheet: 17 1/2 x 21 15/16in. (44.4 x 55.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 3/4 inches (40 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Spanish Pointer

Creator:: William Woollett, 1735–1785
Date:: 1768
Materials & Techniques:: Engraving and etching , third state
Dimensions:: Image: 15 3/8 x 20 7/8in. (39 x 53.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Mrs. Harriet Bouverie and Mrs. Frances Ann Crewe

Creator:: Print made by Giuseppe Marchi, ca. 1735–1808
Date:: 1770
Materials & Techniques:: Mezzotint (state al) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 21 inches (45.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. De Geboorten

Creator:: Print made by Frederik Christiaan Bierweiler, active 1800–1831
Date:: ca. 1820
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/4 × 20 7/8 inches (66.7 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. De Hemelvaart

Creator:: Print made by Frederik Christiaan Bierweiler, active 1800–1831
Date:: ca. 1820
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/2 × 21 inches (67.3 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. A Storm

Creator:: Print made by James Watson, 1740–1790
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 5/8 × 21 inches (47.3 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Shooting, Plate IV

Creator:: William Woollett, 1735–1785
Date:: 1771
Materials & Techniques:: Engraving with etching
Dimensions:: Sheet: 17 1/2 x 21 15/16in. (44.4 x 55.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Shooting, Plate I

Creator:: William Woollett, 1735–1785
Date:: 1769
Materials & Techniques:: Engraving and etching, fifth published state
Dimensions:: Sheet: 17 1/2 x 21 3/4in. (44.5 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. [Racing]: (1) Godolphin Arabian - "Scham"

Creator:: James R. Mackrell, c.1815–1846
Date:: 1842
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 3/4 x 20 7/8in. (42.5 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. [Racing]: (2) Darley Arabian - "Roxana"

Creator:: James R. Mackrell, c.1815–1846
Date:: 1842
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 3/4 x 20 7/8in. (42.5 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. South East View of Netley Abbey, Near Southampton

Creator:: James Mason, 1710–1783
Date:: 1755
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/2 x 21in. (39.4 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. View of the London Hospital in Whitechapel Road

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: ca. 1753
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/2 x 20 3/4in. (36.8 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Brunswick Terrace, Bellevue Mansion, Town Hall, the Albion, Old Steine, Chapel Royal, German Place

Creator:: Print made by Day & Co., 1824–1913
Date:: 1839
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 20 7/8 inches (35.5 x 53.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching with graphite corrections on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 x 20 3/4 inches (21.4 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Alto Relievo

Creator:: Benjamin Smith, 1775–1833
Date:: 1796
Materials & Techniques:: Stipple on medium, slightly textured, cream wove paper
Dimensions:: Mount: 30 1/4 × 20 7/8 inches (76.8 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. A View of the Lake etc. at West Wycomb

Creator:: William Woollett, 1735–1785
Date:: 1757
Materials & Techniques:: Engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 7/8 × 23 11/16 inches (45.4 × 60.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. A View of the House and Part of the Garden at West Wycomb

Creator:: William Woolnoth, active 1806–1830
Date:: 1757
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 7/8 × 23 3/4 inches (45.4 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Queens College in the University of Cambridge

Creator:: Joseph Cartwright, c.1789–1829
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 x 21in. (35.6 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Landscape with Cows Standing in a Ford, Cottage Beyond

Creator:: James Mason, 1710–1783
Date:: 1757
Materials & Techniques:: Engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 17 5/16 × 21 3/4 inches (44 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Undertakers Regaling

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/16 × 21 inches (44 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. View of Bloomsbury Square

Creator:: Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching, aquatint, and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 22 1/2 inches (43.8 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. View of the Walton Bridge, Venus's Temple

Creator:: William Woollett, 1735–1785
Date:: 1757
Materials & Techniques:: Etching and line engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 17 7/8 × 23 5/8 inches (45.4 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. A Lavatory

2. Noon

3. The Wave

4. Cowdray Ruins

5. Shepherd in a Landscape

6. A Perspective View of the Chapel adjoining to Wakefield Bridge, in the County of York, which was built by King Edward the fourth in Memory of his Father Richard, Duke of York

7. Bodiham Castle, Sussex

8. Weathercote Cave when Half Filled with Water

9. Lyme Regis, Norfolk

10. Lowestoffe

11. South East View of St. Paul's Cathedral

12. A View of the Chapel and Hall of Oriel College

13. Crook of the Lune, Looking towards Hornby Castle

14. Folkestone: Harbour, and Coast to Dover, Kent

15. View of the Pantheon, Paris

16. The Spot where Harold Fell

17. Procession of Queen Elizabeth

18. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

19. Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate II. "When the brush of Sly Reynard, the coveted prize, / was display'd at his table, joy danced in his eyes; ..."

20. Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate IV. "The Squire, the Old Squire, is gone to his rest, / his heart was the bravest, his horse was the best, ..."

21. Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate III. "We were hunting the fox on a lowering day, / with the Squire spurring up on his high-flying grey; ..."

22. A View of the West Front of Clare Hall, King's College Chapel..in the University of Cambridge

23. One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad.

24. View of the Coronation Procession of George IV

25. [Animals] Seven studies on hound on one sheet. 'Jno. Harris' on collar of hound at lower left

26. Willow

27. Snipe Shooting

28. Grouse Shooting

29. Partridge Shooting

30. Pheasant Shooting

31. One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View in Hudson's River of the Entrance of what is called the Topan Sea.

32. Views of Montreal and Louisburg: A View of Louisburg in North America taken near the Light House when that city was beseiged in 1758

33. "A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana

34. Scenographia Americana: Untitled view (perhaps of Boston?)

35. A View in Hudson's River of Pakepsey & the Catts-Kill Mountains, from Sopos Island in Hudson's River

36. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

37. One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of Bethlem, the Great Morovian Settlement in the Province of Pennsylvania.

38. View of Queen Square

39. View of Grosvenor Square

40. Scenographia Americana: A Southwest View of the City of New York, in North America

41. View of the City of New York: A South East View of the City of New York in North America

42. Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate I. "The Jolly Old Squire was as staunch as a hound, ..."

43. View of Hanover Square

44. Edward VI and His Court

45. A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

46. Autumn

47. Below Langley Oct. 19 1841

48. The Red House on the Lake near Norwich Oct. 7th, 1841

49. Col. Harvey's Meadow Thorpe and Norwich Oct. 2nd 1841

50. Her Majesty Queen Victoria

51. The Delicate Investigation or Secrets of - Time Three o' Clock in the Morning!!!

52. A View in the Island of Jamaica

53. St. Augustine's Gate, Canterbury

54. A View of Hopping Mill, Ware

55. A View of Anchor Church (Derbyshire)

56. The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...

57. The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

58. The Honourable. Mrs. Bouverie

59. Fulham

60. Mrs. Pelham

61. Countess Gower and Her Daughter Lady Elizabeth Leveson Gower

62. A Woman Swearing her Child to a Grave Citizen

63. Sir Charles Cotton

64. Pantheum Romanum nunc Mariae Cognomento

65. Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

66. Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

67. Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

68. Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

69. Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

70. Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)

71. Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

72. [Shooting] The Spanish Pointer

73. Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)