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The Old Parish Church and Village, Hampton-on-Thames, Middlesex, 18th century
Creator:
unknown artist
Date:
late 18th century
Materials & Techniques:
Oil on panel
Dimensions:
16 1/8 x 21 inches (41 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington
Creator:
James Pollard, 1792–1867
Date:
1835
Materials & Techniques:
Oil on canvas
Dimensions:
13 3/4 × 17 1/2 inches (34.9 × 44.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)
Creator:
Charles Cooper Henderson, 1803–1877
Date:
between 1820 and 1830
Materials & Techniques:
Oil on canvas
Dimensions:
12 3/4 x 20 3/4 inches (32.4 x 52.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Mail Coaches on the Road: the Louth-London Royal Mail progressing at Speed
Creator:
Charles Cooper Henderson, 1803–1877
Date:
between 1820 and 1830
Materials & Techniques:
Oil on canvas
Dimensions:
12 3/4 x 20 3/4 inches (32.4 x 52.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Queen Square, London
Creator:
Edward Dayes, 1763–1804
Date:
1786
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, smooth, cream wove paper
Dimensions:
Sheet: 17 1/16 x 23 1/2 inches (43.4 x 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Queen Square
Creator:
Engraved by Robert Pollard, 1755–1838
Date:
1789
Materials & Techniques:
Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Fishery
Creator:
Print made by William Woollett, 1735–1785
Date:
1768
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 18 1/4 × 22 11/16 inches (46.4 × 57.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Sir Alfred J. Munnings, 1878–1959
Date:
ca. 1920
Materials & Techniques:
Watercolor heightened with gouache
Dimensions:
Sheet: 14 1/2 x 21 inches (36.8 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection