Width [cm]: 56 - YCBA Collections Search Search Results

201. Gibside, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1819
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Simmer Lake, near Askrig

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1822
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 × 22 inches (38.3 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Ingleborough, from Hornby Castle Terrace

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818-1823
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 1/8 inches (38.7 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. View of the City with the Louvre & Taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. An English Man-of-War, Port View from the Stern

Creator:: Willem van de Velde the Younger, 1633–1707
Date:: ca. 1675
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, pasted on contemporary mount made of thick, moderately textured, beige laid paper
Dimensions:: Mount: 17 1/4 x 26 7/16 inches (43.8 x 67.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Cobham Hall, Kent: Plan of Dairy

Creator:: James Wyatt, 1746–1813
Date:: 1795
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 5/8 x 21 7/8 inches (34.6 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Cobham Hall, Kent: Plan of the Ceiling of the Dairy

Creator:: James Wyatt, 1746–1813
Date:: 1795
Materials & Techniques:: Graphite, pen and black and brown ink and watercolor on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 13 1/2 x 21 7/8 inches (34.3 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. St. James's Park

Creator:: Francis David Soiron, Born 1764
Date:: 1790
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/16 × 22 inches (48.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. The River Avon: with Passing Vessels

Creator:: Nicholas Pocock, 1740–1821
Date:: 1785
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 1/8 inches (41.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. The Northern Entrance of Gundecotta Pass

Creator:: Thomas Anburey, 1759–1840
Date:: ca. 1792
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 22 inches (43.5 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. The Arbra Sacra on the Banks of Lake Nemi

Creator:: Richard Wilson, ca. 1712–1782
Date:: between 1754 and 1756
Materials & Techniques:: Black chalk and white chalk on moderately thick, moderately textured, greened white laid paper
Dimensions:: Sheet: 15 5/16 × 22 inches (38.9 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Goodwood, West Sussex: Ceiling Design

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 22 inches (39.5 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Langley Park, Norfolk: Elevation of the South Front

Creator:: John Sanderson, active 1730; died 1774
Date:: ca. 1750
Materials & Techniques:: Pen and black, brown and gray ink with gray and brown wash over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 14 11/16 × 21 7/8 inches (37.3 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Hinton St. George, Somerset: Plan of the Dressing Room

Creator:: James Wyatt, 1746–1813
Date:: 1801
Materials & Techniques:: Graphite, pen and black ink, gray and pink wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 5/8 × 21 7/8 inches (32.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Lynmouth Quay

Creator:: Robert Marris, 1750–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, black chalk and scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 1/8 inches (38.4 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Lynmouth Harbor and Grattan Hill-Devon

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, over graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 18 1/8 × 21 15/16 inches (46 × 55.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. A Rocky Crag

Creator:: Rev. William Henry Barnard, 1767–1818
Date:: undated
Materials & Techniques:: Gray wash and black wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/16 × 22 inches (38.3 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Architectural Drawing of a Building with Astrological Symbols

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Pen and black ink, pen and gray ink, graphite, watercolor and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 x 22 inches (31.1 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. And We Did Speak Only to Break the Silence of the Sea

Creator:: Patrick Procktor, 1936–2003
Date:: 1976
Materials & Techniques:: Aquatint
Dimensions:: Frame: 26 3/4 x 22 inches (67.9 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.

220. The Miller's Cottage at Chatsworth, Derbyshire: West Front Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: after 1818
Materials & Techniques:: Watercolor, pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Pines in Snow

Creator:: Sir Jacob Epstein, 1880–1959
Date:: undated
Materials & Techniques:: Gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 25 5/8 x 22 inches (65.1 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

222. Elevation of an Unidentified Church

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 15 7/8 × 22 inches (40.3 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Untitled-1967

Creator:: John Hoyland, 1934–2011
Date:: 1967
Materials & Techniques:: Acrylic on medium, smooth, white wove paper
Dimensions:: Sheet: 30 1/4 × 22 1/8 inches (76.8 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joanna W. and Robert A. Martin, Class of 1954

224. Over the Nuts and Wine!

Creator:: Print made by William Henry Boucher, 1842–1906
Date:: 1889
Materials & Techniques:: Etching on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 x 21 7/8 inches (41 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bruce McCashin

225. The Falls from the Narrow Neck near the Eastern Headland of the Outlet

Creator:: F. Jones, 19th century
Date:: 1865
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 x 22 1/8 inches (36.5 x 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

226. The Falls from the Western End of the Chasm

Creator:: Print made by Day & Co., 1824–1913
Date:: 1856
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 x 22 1/8 inches (36.5 x 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

227. The Prussian Prize-fighter and his Allies attempting to tame Imperial Kate, or, The State of the European Bruisers.

Creator:: William Dent, active 1784–1793
Date:: 1791
Materials & Techniques:: Etching with watercolor on wove paper
Dimensions:: Sheet: 7 5/8 x 22 3/16in. (19.4 x 56.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

228. [Shooting] The Sportsman's Repast

Creator:: John Raphael Smith, 1752–1812
Date:: 1801
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 7/8 x 22in. (45.4 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. [Shooting] Enamour'd Sportsman

Creator:: John Raphael Smith, 1752–1812
Date:: 1801
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 7/8 x 22in. (45.4 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. [Shooting] Enamour'd Sportsman

Creator:: John Raphael Smith, 1752–1812
Date:: 1801
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 17 7/8 x 22in. (45.4 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. In Horne's House

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1982
Materials & Techniques:: Etching, aquatint, soft-ground etching, stipple engraving, line engraving, lift-ground, and spit-bite on medium, smooth, white Rives wove paper
Dimensions:: Sheet: 29 3/4 × 22 1/8 inches (75.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

232. Chance and Order IV

Creator:: Print made by Kenneth Martin, 1905–1984
Date:: 1972
Materials & Techniques:: Screen print on thick, moderately textured, white wove paper
Dimensions:: Sheet: 26 15/16 x 26 15/16 inches (68.5 x 68.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift

233. How a Great Daily Organ is Turned Out

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1990
Materials & Techniques:: Composite of twenty mixed intaglio plate (various sizes): lift-ground aquatint, photogravure, drypoint, hard and soft-ground etching, burin, stipple, mezzotint, line engraving and roulette on medium, smooth, cream Hahnemuhle wove paper
Dimensions:: Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

234. The Heaventree of Stars

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1998
Materials & Techniques:: Iris print on medium, smooth, white Somerset wove paper
Dimensions:: Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

235. Bronze by Gold

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1985 to 1987
Materials & Techniques:: Soft-ground etching, lift-ground aquatint, line engraving, scraper and burnisher in twenty-three colors from five plates on medium, smooth, white Rives wove paper
Dimensions:: Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

236. He Foresaw his Pale Body

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1990
Materials & Techniques:: Heliogravure, line engraving and roulette in twenty-three colors from four plates on medium, smooth, white Zerkall wove paper
Dimensions:: Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

237. The Lady in White

Creator:: Print made by Sir Hubert von Herkomer, 1849–1914
Date:: ca. 1885
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 28 3/8 × 21 7/8 inches (72.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

238. The Jesus College Quincentennial Portfolio Title Page

Creator:: Print made by John Bellany, 1942–2013
Date:: 1996
Materials & Techniques:: Screen print on thick, moderately textured, white wove paper
Dimensions:: Sheet: 30 x 22 inches (76.2 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Kasser / Mochary Family Foundation

239. Aurora

Creator:: Print made by John Bellany, 1942–2013
Date:: 1996
Materials & Techniques:: Screen print on thick, moderately textured, white wove paper
Dimensions:: Sheet: 37 1/8 x 22 1/8 inches (94.3 x 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Kasser / Mochary Family Foundation

240. Tree of Life

Creator:: Print made by John Hoyland, 1934–2011
Date:: 1996
Materials & Techniques:: Screen print on thick, smooth, white wove paper
Dimensions:: Sheet: 30 3/4 x 22 inches (78.1 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Kasser / Mochary Family Foundation

241. River Avon Mud & Rio Grand Dustlines

Creator:: Print made by Sir Richard Long, born 1945
Date:: 1996
Materials & Techniques:: Screen print on thick, slightly textured, white wove paper
Dimensions:: Sheet: 30 1/8 x 22 1/8 inches (76.5 x 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Kasser / Mochary Family Foundation

242. Cuthbert Cockalorum

Creator:: Print made by John McLean, 1939–2019
Date:: 1995
Materials & Techniques:: Screen print on thick, moderately textured, white wove paper
Dimensions:: Sheet: 29 7/8 x 22 inches (75.9 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Kasser / Mochary Family Foundation

243. Jesus

Creator:: Print made by Albert Irvin, 1922–2015
Date:: 1996
Materials & Techniques:: Screen print on thick, slightly textured, white wove paper
Dimensions:: Sheet: 29 7/8 x 22 1/8 inches (75.9 x 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Kasser / Mochary Family Foundation

244. A Logical Picture of Facts is a Thought. Tractatus 3. 21-22

Creator:: Print made by Sir Eduardo Paolozzi, 1924–2005
Date:: 1995
Materials & Techniques:: Screen print on thick, moderately textured, white wove paper
Dimensions:: Sheet: 29 13/16 x 22 1/16 inches (75.7 x 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Kasser / Mochary Family Foundation

245. Rug Design

Creator:: Duncan Grant, 1885–1978
Date:: undated
Materials & Techniques:: Gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 15 1/2 inches (20.3 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker

246. Plate VIII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Plate XI: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Plate XIII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Landscape

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 21 1/2 inches (36.2 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

250. Landscape: India

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 16 7/8 × 23 3/8 inches (42.9 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

251. Plate XII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island

Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island

Creator:: unknown artist
Date:: 1769-1770
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 3/4 x 21 7/8in. (42.5 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Spilsbury's Views of Jamaica: A Prospect of Ora Cabeca in the Parish of St. Maries the North Side Jamaica taken from the Road leading to St. Ann's 1766

Spilsbury's Views of Jamaica: A Prospect of Ora Cabeca in the Parish of St. Maries the North Side Jamaica taken from the Road leading to St. Ann's 1766

Creator:: unknown artist
Date:: 1770
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 5/8 x 22in. (44.8 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica

Creator:: unknown artist
Date:: 1770
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 3/4 x 21 7/8in. (45.1 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

Creator:: Print made by James Mason, 1710–1783
Date:: 1778
Materials & Techniques:: Line engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 22 1/4 inches (47 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Scenographia Americana: Untitled view (perhaps of Boston?)

Creator:: unknown artist
Date:: 1758-1760
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/4 × 22 1/16 inches (38.7 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Mary, Queen of France / Charles Brandon, Duke of Suffolk

Creator:: George Vertue, 1684–1756
Date:: 1748
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 22 3/4 × 34 inches (57.8 × 86.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

258. Vol. 6, Plate XXVII: The Painted Chamber

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Line engraving on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Vol. 6, Plate XXVIII

Creator:: Print made by G.F. Storm, active mid–19th century
Date:: 1842
Materials & Techniques:: Etching on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Vol. 6, Plate XXXII: The Story of Hezekiah.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. The Raider on the Moors

Creator:: Print made by Paul Nash, 1889–1946
Date:: 1940
Materials & Techniques:: Lithograph (17/50)
Dimensions:: Frame: 24 13/16 × 31 1/2 × 13/16 inches (63 × 80 × 2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, In Memory of Janet and Richard Prince, Yale BA 1948

268. Elevation of the Front for the Register Offices in Scotland

Creator:: Morton, active 1767
Date:: 1767
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 × 22 inches (44.8 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Pair 2

Creator:: Therese Oulton, born 1953
Date:: 1989
Materials & Techniques:: Lithograph on 250gsm Zerkall white wove paper
Dimensions:: Sheet: 29 3/4 × 22 inches (75.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Booth-Clibborn

270. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 2. The First Ten Minutes - Shaking Off the Cocktails ...

Creator:: Sir John Dean Paul, 1775–1852
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 7/8 x 22in. (22.5 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 4. The Death ...

Creator:: Sir John Dean Paul, 1775–1852
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 7/8 x 22in. (22.5 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 3. Symptoms of a Skurry in a Pewy Country ...

Creator:: Sir John Dean Paul, 1775–1852
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 7/8 x 22in. (22.5 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Nimbus

Creator:: John Tunnard, 1900–1971
Date:: 1960
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 x 22 inches (38.4 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Avery Thompson Funkhouser

274. This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1842
Materials & Techniques:: Aquatint on thick, smooth, cream wove paper
Dimensions:: Sheet: 12 3/4 × 22 13/16 inches (32.4 × 57.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Elevation of the River Front

Creator:: Print made by Thomas Talbot Bury, 1811–1877
Date:: ca. 1835
Materials & Techniques:: Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Reclining Figure

Creator:: Henry Moore, 1898–1986
Date:: 1939
Materials & Techniques:: Black chalk, white chalk, graphite, gray wash and crayon on medium, slightly textured, beige wove paper
Dimensions:: Frame: 30 3/4 x 35 1/2 x 3 inches (78.1 x 90.2 x 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jeffrey H. Loria, Yale BA 1962, in memory of Harriet Loria Popowitz

277. St. Ives

Creator:: Print made by Alfred East, 1849–1913
Date:: undated
Materials & Techniques:: Etching and aquatint
Dimensions:: Sheet: 17 15/16 × 21 15/16 inches (45.5 × 55.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

278. Mr. Peanut

Creator:: Sir Eduardo Paolozzi, 1924–2005
Date:: 1970
Materials & Techniques:: Screen print on thick, smooth, white wove paper
Dimensions:: Sheet: 31 7/8 × 22 inches (81 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara Sunderman Hoerner

279. Discourse with the Woman from Samaria (Right)

Creator:: Francis Hoyland, born 1930
Date:: undated
Materials & Techniques:: Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

280. The Healing of the Paralytic (Right)

Creator:: Francis Hoyland, born 1930
Date:: undated
Materials & Techniques:: Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

281. The Calling of Matthew (Left)

Creator:: Francis Hoyland, born 1930
Date:: undated
Materials & Techniques:: Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

282. Jesus Rescues St. Peter (Right)

Creator:: Francis Hoyland, born 1930
Date:: undated
Materials & Techniques:: Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

283. The Demoniac Boy (Left)

Creator:: Francis Hoyland, born 1930
Date:: undated
Materials & Techniques:: Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

284. Christ Rejected at the Feast of Dedication (Right)

Creator:: Francis Hoyland, born 1930
Date:: undated
Materials & Techniques:: Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

285. The Widow's Mites (Right)

Creator:: Francis Hoyland, born 1930
Date:: undated
Materials & Techniques:: Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

286. The Entombment (Right)

Creator:: Francis Hoyland, born 1930
Date:: undated
Materials & Techniques:: Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

287. The Ascension (Left)

Creator:: Francis Hoyland, born 1930
Date:: undated
Materials & Techniques:: Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

288. The River Stour, St. Mildred's Church and the Castle of Canterbury

Creator:: Jonathan Skelton, active 1754, died 1758
Date:: 1757
Materials & Techniques:: Watercolor with pen and black ink and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 21 7/8in. (21 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Kelpra Prints

Creator:: Print made by Joe Tilson, 1928–2023
Date:: 1970
Materials & Techniques:: Screen print and collage on thick, moderately textured, white wove paper
Dimensions:: Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara Sunderman Hoerner

290. Rushford Mill

Creator:: Francis Bedford, 1816–1894
Date:: ca. 1865
Materials & Techniques:: Carbon print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

291. In the Devil’s Glen, County Wicklow

Creator:: unknown artist
Date:: ca. 1870
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

292. Ziggurat

Creator:: Joe Tilson, 1928–2023
Date:: 1964
Materials & Techniques:: Screen print on medium, slightly textured, white wove paper
Dimensions:: Sheet: 35 3/8 × 23 3/8 inches (89.9 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara Sunderman Hoerner

293. The Annunciation to Mary (Left)

Creator:: Francis Hoyland, born 1930
Date:: undated
Materials & Techniques:: Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

294. The Battle-Array of Carberry-hill Near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567

The Battle-Array of Carberry-hill Near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567

Creator:: George Vertue, 1684–1756
Date:: 1742
Materials & Techniques:: Engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 23 1/8 × 34 1/16 inches (58.7 × 86.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

295. The Magnificat (Right)

Creator:: Francis Hoyland, born 1930
Date:: undated
Materials & Techniques:: Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

296. The Annunciation to Mary (Right)

Creator:: Francis Hoyland, born 1930
Date:: undated
Materials & Techniques:: Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

297. The Magnificat (Left)

Creator:: Francis Hoyland, born 1930
Date:: undated
Materials & Techniques:: Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

298. The Annunciation to the Shepherds (Left)

Creator:: Francis Hoyland, born 1930
Date:: undated
Materials & Techniques:: Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

299. The Angel and Zacharias (Right)

Creator:: Francis Hoyland, born 1930
Date:: undated
Materials & Techniques:: Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

300. Zacharias Naming St. John (Right)

Creator:: Francis Hoyland, born 1930
Date:: undated
Materials & Techniques:: Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

YCBA Collections Search

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201. Gibside, County of Durham

202. Simmer Lake, near Askrig

203. Ingleborough, from Hornby Castle Terrace

204. View of the City with the Louvre & Taken from Pont Marie

205. An English Man-of-War, Port View from the Stern

206. Cobham Hall, Kent: Plan of Dairy

207. Cobham Hall, Kent: Plan of the Ceiling of the Dairy

208. St. James's Park

209. The River Avon: with Passing Vessels

210. The Northern Entrance of Gundecotta Pass

211. The Arbra Sacra on the Banks of Lake Nemi

212. Goodwood, West Sussex: Ceiling Design

213. Langley Park, Norfolk: Elevation of the South Front

214. Hinton St. George, Somerset: Plan of the Dressing Room

215. Lynmouth Quay

216. Lynmouth Harbor and Grattan Hill-Devon

217. A Rocky Crag

218. Architectural Drawing of a Building with Astrological Symbols

219. And We Did Speak Only to Break the Silence of the Sea

220. The Miller's Cottage at Chatsworth, Derbyshire: West Front Elevation

221. Pines in Snow

222. Elevation of an Unidentified Church

223. Untitled-1967

224. Over the Nuts and Wine!

225. The Falls from the Narrow Neck near the Eastern Headland of the Outlet

226. The Falls from the Western End of the Chasm

227. The Prussian Prize-fighter and his Allies attempting to tame Imperial Kate, or, The State of the European Bruisers.

228. [Shooting] The Sportsman's Repast

229. [Shooting] Enamour'd Sportsman

230. [Shooting] Enamour'd Sportsman

231. In Horne's House

232. Chance and Order IV

233. How a Great Daily Organ is Turned Out

234. The Heaventree of Stars

235. Bronze by Gold

236. He Foresaw his Pale Body

237. The Lady in White

238. The Jesus College Quincentennial Portfolio Title Page

239. Aurora

240. Tree of Life

241. River Avon Mud & Rio Grand Dustlines

242. Cuthbert Cockalorum

243. Jesus

244. A Logical Picture of Facts is a Thought. Tractatus 3. 21-22

245. Rug Design

246. Plate VIII: St Stephen's Chapel

247. Plate XI: St Stephen's Chapel

248. Plate XIII: St Stephen's Chapel

249. Landscape

250. Landscape: India

251. Plate XII: St Stephen's Chapel

252. Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island

253. Spilsbury's Views of Jamaica: A Prospect of Ora Cabeca in the Parish of St. Maries the North Side Jamaica taken from the Road leading to St. Ann's 1766

254. Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica

255. A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

256. Scenographia Americana: Untitled view (perhaps of Boston?)

257. Mary, Queen of France / Charles Brandon, Duke of Suffolk

258. Vol. 6, Plate XXVII: The Painted Chamber

259. Vol. 6, Plate XXVIII

260. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

261. Vol. 6, Plate XXXII: The Story of Hezekiah.

262. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

263. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

264. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

265. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

266. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

267. The Raider on the Moors

268. Elevation of the Front for the Register Offices in Scotland

269. Pair 2

270. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 2. The First Ten Minutes - Shaking Off the Cocktails ...

271. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 4. The Death ...

272. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 3. Symptoms of a Skurry in a Pewy Country ...

273. Nimbus

274. This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841

275. Elevation of the River Front