Print made by Joseph Constantine Stadler, active 1780–1812
Rosehill
ca. 1810
102
Print made by Robert Pollard, 1755–1838
View of London Bloomsbury Square
1787
103
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
104
Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1802
105
Print made by Robert Pollard, 1755–1838
View of Hanover Square
1787
106
James Wyatt, 1746–1813
Cobham Hall, Kent: Full Size Drawing of Cross
1798
107
Peter Tillemans, 1684–1734
The Vale of Llangollen
undated
108
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
109
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
110
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
111
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
112
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
113
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827-1838
114
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827-1838
115
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827-1838
116
Etched by Samuel Middiman, ca. 1750–1831
The Temple of Jupiter in the Island of Aegina
1828
117
Etched by Samuel Middiman, ca. 1750–1831
Temple of Jupiter Panhellenius
1828
118
Print made by Robert Wallis, 1794–1878
Lancaster from the Aqueduct Bridge
1827-1838
119
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827-1838
120
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827-1838
121
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1827-1838
122
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1827-1838
123
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
124
Print made by Robert Wallis, 1794–1878
Stone Henge
1829
125
Print made by Robert Wallis, 1794–1878
Cowes, Isle of Wight
1827-1838
126
Print made by Charles Westwood, active 1819–1838
Carisbrook Castle, Isle of Wight
1827-1838
127
Print made by Robert Brandard, 1805–1862
Dunstanborough Castle, Northumberland
1827-1838
128
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
1831
129
Print made by W. R. Smith, active 1819–1851
Richmond Hill and Bridge, Surrey
1832
130
Print made by W. R. Smith, active 1819–1851
Richmond Hill and Bridge, Surrey
1832
131
Print made by W. R. Smith, active 1819–1851
Richmond Hill and Bridge, Surrey
1832
132
Print made by William Miller, 1796–1882
Chatham, Kent
1832
133
Print made by James Tibbits Willmore, 1800–1863
Tamworth Castle, Staffordshire
1832
134
Print made by John Horsburgh, 1791–1869
Laugharne Castle, Caermarthenshire
1833
135
Print made by Robert Wallis, 1794–1878
Dudley, Worcestershire
1835
136
Print made by James H. Kernot, 1802–1858
Flint Castle, North Wales
1836
137
Angelica Kauffmann, 1741–1807
A Frieze: Men Planting Trees, Women Gathering Blossoms and Watering Flowers
undated
138
John Kempshead, active 1808
Design for a Castellated Entrance
1808
139
unknown artist
Bishopton
undated
140
John McKinlay, 19th century
Nuntons
undated
141
unknown artist
The Farm Consisting of Kirkland Drumcroy, Auchenfloor, Cannee, Barhill and Silvercraigs (formerly Nuntons)
undated
142
unknown artist
Little Sypeland
undated
143
Hugh William "Grecian" Williams, 1773–1829
Taormina, Sicily
undated
144
Alfred Stevens, 1817–1875
Group of Figures, Child Begging in Center
undated
145
John James Barralet, 1747–1815
The Road to East Grinstead
Undated
146
James Bruce, 1730–1794
Plan of the circular temple at Baalbec
undated
147
James Bruce, 1730–1794
Back view of the same circular temple in its present state
undated
148
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
149
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
150
Print made by Jacob Hogg, active 1751
John Howard, Esq. Visiting and Relieving the Miseries of a Prison
1790
151
James Wyatt, 1746–1813
Cobham Hall, Kent: Cornice Full Size for the Chimney of the Dairy
1795
152
Paul Sandby, 1731–1809
Romantic Landscape with Figures and a Dog
undated
153
attributed to Francis Place, 1647–1728
Dunbar Castle and the Bass Rock
undated
154
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
155
Sir Richard Colt Hoare, 1758–1838
Convent at Valmontone. November 1790
1790
156
unknown artist
Hill Hall, Essex
ca. 1780
157
Jonathan Needham, active 1850–1874
Punt on a River
1862
158
Samuel Austin, 1796–1834
Church of Notre Dame, Bruges
undated
159
Ensign Caldwell, c.1800
Prince of Wales Island, Penang
undated
160
Samuel Prout, 1783–1852
Coast Scene near Plymouth
undated
161
Thomas Girtin, 1775–1802
Rochester, Kent: from the North
ca. 1790
162
Studio of Sir Jeffry Wyatville, 1766–1840
Dinton House, Wiltshire: Perspective View
ca. 1812
163
unknown artist
The Duchess's First Levee
1791
164
unknown artist
Liberty in Utopia - Liberty in France
1791
165
Print made by William Woollett, 1735–1785
The Fishery
1768
166
Print made by Charles Turner, 1774–1857
West Highland Heifer Kyloe
1823
167
William Ward, 1766–1826
Sir David. Sir David a Brown Horse, bred by Lord Stowell, foaled in 1801 got by Trumpeter, his dam by Woodpecker, grand dam own Sister to Driver by Trentham, ..
1809
168
William Ward, 1766–1826
Selim. Selim, a Chesnut Horse, bred by His Grace the Duke of Queensberry, foaled in 1802 got by Buzzard, his Dam by Alexander, Grand Dam by Highflyer, Alfred, Engineer, bay Malton's Dam &tc., ..
1809
169
William Ward, 1766–1826
Coaching: Two of His Majesty's State-Horses
1800
170
William Ward, 1766–1826
The Earl of Chesterfield's State-Carriage
1800
171
William Ward, 1766–1826
Orville. Orville, a Brown Horse, foaled in 1799 was bred by Earl Fitzwilliam & was got by Byningbrough our of Evelina was got by Highflyer out of Termagant by Tantrum Regulus ..
1809
172
Print made by John West Giles, active 1827–1865
Four Prize Wethers
1837
173
George John Pinwell, 1842–1875
Landlord and Tenant
1871
174
Roger Fenton, 1819–1869
Lieutenant General Sir J. L. Pennefather & Staff
1855, printed 1856
175
Francis Towne, 1740–1816
The Claudian Aquaduct, Rome
1785
176
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
177
Thomas Daniell, 1749–1840
Anjeer Point on Java
undated
178
Print made by Thomas Cook, 1744–1818
David Garrick in the Character of Richard III
1798
179
Print made by Thomas Girtin, 1775–1802
Paris, A View of Pont au Changes
1800 to 1802
180
Conrad Martin Metz, 1749–1827
The Resurrection of the Dead
1801
181
Benjamin Read, active 1820s–1840s
`Queen's return from the House of Lords'
1839
182
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
183
Frederick Christian Lewis the Elder, 1779–1856
View of Fountain from the opposite side
ca. 1818
184
Frederick Christian Lewis the Elder, 1779–1856
Distant View of North side of Mansion House from the upper Thornery
ca. 1818
185
Frederick Christian Lewis the Elder, 1779–1856
View of the Temple of Suryah & Fountain of the Maha Dao with a distant View of North Side of Mansion House
ca. 1818
186
Daniel Orme, 1766–1837
Animals [a pair]: 2. Evening or the Post Boy's Return
1796
187
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841
1842
188
Print made by Thomas Ryder, 1746–1810
The Captive
1786
189
George Vertue, 1684–1756
Familia Regia: Henry VIII, Henry VII, Elizabeth of York, Jane Seymour
1742
190
Thomas Rowlandson, 1756–1827
Bradwell Lodge, Bradwell Quay, Essex
undated
191
Edward Burne-Jones, 1833–1898
Preparatory Design for a Stained Glass Window, Virgil and Horace
undated
192
Attributed to Charles Collins, 1680–1744
Egyptian Vulture
ca. 1736
193
John Warwick Smith, 1749–1831
The Villa Medici, Rome
1784
194
James Anderson, 1813–1877
Base of the Column of Antoninus Pius, Vatican
ca. 1857
195
Print made by Samuel Cousins, 1801–1887
Her Majesty Queen Victoria
1838
196
Joseph Farington, 1747–1821
View of the Convent of the Clarisses at Valenciennes after the Seige