Width [cm]: 58 - YCBA Collections Search Search Results

101. Solitude

Creator:: Christian Friedrich Duttenhoffer, 1778–1846
Date:: 1802
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/8 x 22 3/4 inches (46 x 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. The West Perspective Views of His Majesty's New Royal Hospital Building near Plymouth

Creator:: R. F. Tringham
Date:: ca.1762
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 23 7/8 inches (47.6 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)

Creator:: James Ward, 1769–1859
Date:: 1820
Materials & Techniques:: Graphite and black and white chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 22 3/4 inches (34.6 x 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. View of Pont Neuf, part of the Louvre and the College of Four Nations

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper.
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. A View of Pont Neuf, the Mint and etc.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. The Orrery

Creator:: Print made by William Pether, ca. 1738–1821
Date:: 1768
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 3/4 x 23in. (45.1 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Thomas King and Sophia Baddely in "The Clandestine Marriage"

Creator:: Richard Earlom, 1743–1822
Date:: 1772
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 x 22 5/8 inches (47.6 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'

Creator:: John Finlayson, 1730–1776
Date:: 1768
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 5/8 x 22 5/8 inches (47.3 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. A View of the New Bridge Over the Thames at Walton in Surrey

Creator:: Anthony Walker, 1726–1765
Date:: 1750
Materials & Techniques:: Colored engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 × 24 3/16 inches (32.4 × 61.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Untitled - Man in bearskin seated holding a shovel, two women in the center and a Roman on the right

Creator:: John Hall, 1739–1797
Date:: 1771
Materials & Techniques:: Engraving
Dimensions:: Sheet: 21 x 23in. (53.3 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. The Gower Family: The Children of Granville, 2nd Earl of Gower

Creator:: John Raphael Smith, 1752–1812
Date:: 1781
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 23 5/16 inches (53.3 × 59.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Box Lobby Loungers

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1786
Materials & Techniques:: Etching and stipple
Dimensions:: Sheet: 13 3/8 x 22 5/8in. (34 x 57.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Dover Castle

Creator:: Print made by Henry Hulsberg, active 1700s–died 1729
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thin, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 23 13/16 inches (48 × 60.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. The Great Lake near the Lodge

Creator:: William Austin, 1721–1820
Date:: 1772
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 13 3/4 x 23in. (34.9 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. The Lodge and Garden from the Great Lake

Creator:: Francois Vivares, 1709–1780
Date:: 1772
Materials & Techniques:: Hand colored engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 16 5/8 × 25 1/4 inches (42.2 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. The Lodge and Stables, &c. at Windsor Great Park

Creator:: James Mason, 1710–1783
Date:: 1772
Materials & Techniques:: Hand colored engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 16 7/8 × 25 1/8 inches (42.9 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. The Moat Island

Creator:: Francois Vivares, 1709–1780
Date:: 1772
Materials & Techniques:: Hand colored engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 16 5/8 × 25 inches (42.2 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. The Situation on His Majesty's Packet, 'The Lady Hobart' on 28 June 1803.

Creator:: Joseph Jeakes, active 1796– ca. 1829
Date:: 1804
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 7/8 x 22 3/4in. (37.8 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. The Pool of Bethesda

Creator:: Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 x 22 5/8 inches (49.2 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. South East View of Fort George, Madras

Creator:: Thomas Daniell, 1749–1840
Date:: January 1793
Materials & Techniques:: Graphite on thin, slightly textured, beige laid paper
Dimensions:: Mount: 14 7/16 × 22 5/8 inches (36.7 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

121. The New Court House and Chandpam Ghaut

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1787
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 × 20 11/16 inches (30.5 × 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

122. Part of Calcutta Taken From the B[...]mgalow a Little Below the Orphan House

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 20 3/4 inches (32.1 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

123. An Unidentified Country House: Ground Floor Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 17 5/8 × 23 inches (44.8 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. An Unidentified Country House: First Floor Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 17 1/4 × 22 3/4 inches (43.8 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Survey of Tunstall Marshes

Creator:: Isaac Johnson, 1754–1835
Date:: 1753
Materials & Techniques:: Graphite, pen and black ink, watercolor and gouache on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 3/4 × 22 7/8 inches (40 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. The North or Great Barn Farm at Earlham

Creator:: Isaac Johnson, 1754–1835
Date:: 1753
Materials & Techniques:: Graphite, pen and brown ink, watercolor and gouache on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 14 1/2 × 22 3/4 inches (36.8 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Rosehill

Creator:: Print made by Joseph Constantine Stadler, active 1780–1812
Date:: ca. 1810
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Image: 15 3/8 x 22in. (39.1 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. View of London Bloomsbury Square

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 25 3/4 inches (50.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. A General View of Paris taken from Chaillot

Creator:: etching by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. A General View of Paris taken from Chaillot

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. View of Hanover Square

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 9/16 × 25 5/8 inches (49.7 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Cobham Hall, Kent: Full Size Drawing of Cross

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 27 7/8 x 23 inches (70.8 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. The Vale of Llangollen

Creator:: Peter Tillemans, 1684–1734
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 22 3/4 inches (29.2 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; early engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 3/4 inches (41.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Launceston, Cornwall

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 22 5/8 inches (42.5 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 22 3/4 inches (42.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 3/4 inches (41.6 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with graphite; touched engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 9 3/4 inches (17.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Fall of the Tees, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 22 7/8 inches (42.2 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 7/8 inches (41.9 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. The Temple of Jupiter in the Island of Aegina

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1828
Materials & Techniques:: Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 31 3/8 inches (56.2 × 79.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Temple of Jupiter Panhellenius

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1828
Materials & Techniques:: Etching and engraving; engraver's proof (c) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/8 × 31 inches (61.3 × 78.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Lancaster from the Aqueduct Bridge

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; later engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 22 5/8 inches (42.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Valle Crucis Abbey, Denbighshire

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 5/8 inches (41.6 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Valle Crucis Abbey, Denbighshire

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 22 5/8 inches (42.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Malmsbury Abbey, Wiltshire

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 22 3/4 inches (42.2 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Stone Henge

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1829
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Cowes, Isle of Wight

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 3/4 inches (41.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Carisbrook Castle, Isle of Wight

Creator:: Print made by Charles Westwood, active 1819–1838
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 7/8 inches (41.6 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Dunstanborough Castle, Northumberland

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 22 3/4 inches (42.2 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Bedford, Bedfordshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Etching and chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 22 5/8 inches (42.2 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 3/4 inches (41.6 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 22 5/8 inches (41.3 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Chatham, Kent

Creator:: Print made by William Miller, 1796–1882
Date:: 1832
Materials & Techniques:: Etching with chine-collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 3/8 × 22 3/4 inches (41.6 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Tamworth Castle, Staffordshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1832
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Laugharne Castle, Caermarthenshire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1833
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 22 3/4 inches (42.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Dudley, Worcestershire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1835
Materials & Techniques:: Etching with chine-collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 3/4 inches (41.6 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Flint Castle, North Wales

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1836
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 22 1/4 inches (41.3 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. A Frieze: Men Planting Trees, Women Gathering Blossoms and Watering Flowers

Creator:: Angelica Kauffmann, 1741–1807
Date:: undated
Materials & Techniques:: Red wash, pen and red ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 19 7/8 inches (19.1 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Design for a Castellated Entrance

Creator:: John Kempshead, active 1808
Date:: 1808
Materials & Techniques:: Pen and black and brown ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 9/16 × 22 3/4 inches (31.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Bishopton

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 33 1/8 × 22 5/8 inches (84.1 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Nuntons

Creator:: John McKinlay, 19th century
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 32 3/4 × 23 inches (83.2 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. The Farm Consisting of Kirkland Drumcroy, Auchenfloor, Cannee, Barhill and Silvercraigs (formerly Nuntons)

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 33 15/16 × 22 13/16 inches (86.2 × 57.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Little Sypeland

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 33 15/16 × 22 3/4 inches (86.2 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Taormina, Sicily

Creator:: Hugh William "Grecian" Williams, 1773–1829
Date:: undated
Materials & Techniques:: Graphite with white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 22 7/8 inches (30.2 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Group of Figures, Child Begging in Center

Creator:: Alfred Stevens, 1817–1875
Date:: undated
Materials & Techniques:: Red chalk on brown wove paper
Dimensions:: Sheet: 9 5/16 × 22 13/16 inches (23.7 × 57.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. The Road to East Grinstead

Creator:: John James Barralet, 1747–1815
Date:: Undated
Materials & Techniques:: Pen and ink and watercolor on medium, moderately textured, cream laid paper laid down on rough, cream laid paper
Dimensions:: Sheet: 13 11/16 x 22 5/8 inches (34.8 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Plan of the circular temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 11 1/8 inches (33.7 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Back view of the same circular temple in its present state

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink, gray wash on moderately thick, slightly textured,cream laid paper
Dimensions:: Sheet: 14 1/4 × 11 1/8 inches (36.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1816
Materials & Techniques:: Etching; engraver's proof, open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 3/4 inches (39.7 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. John Howard, Esq. Visiting and Relieving the Miseries of a Prison

Creator:: Print made by Jacob Hogg, active 1751
Date:: 1790
Materials & Techniques:: Etching and engraving on medium, moderately textured, cream wove paper
Dimensions:: Plate: 19 1/2 × 24 1/4 inches (49.5 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Alexander

177. Cobham Hall, Kent: Cornice Full Size for the Chimney of the Dairy

Creator:: James Wyatt, 1746–1813
Date:: 1795
Materials & Techniques:: Pen and black and brown ink over traces of graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 22 3/4 inches (35.6 x 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Romantic Landscape with Figures and a Dog

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Gray wash, pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 18 5/8 x 22 7/8 inches (47.3 x 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Dunbar Castle and the Bass Rock

Creator:: attributed to Francis Place, 1647–1728
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, and gray wash on two joined sheets of medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 22 5/8 inches (18.1 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Colored engraving on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 19 3/8 × 25 3/4 inches (49.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Convent at Valmontone. November 1790

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/8 x 22 5/8 inches (41.6 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Hill Hall, Essex

Creator:: unknown artist
Date:: ca. 1780
Materials & Techniques:: Pen and ink and watercolor on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 3/4 x 22 15/16 inches (32.4 x 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Punt on a River

Creator:: Jonathan Needham, active 1850–1874
Date:: 1862
Materials & Techniques:: Watercolor and gouache with scratching out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 × 22 7/8 inches (30.5 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Church of Notre Dame, Bruges

Creator:: Samuel Austin, 1796–1834
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 18 5/8 × 22 3/4 inches (47.3 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Prince of Wales Island, Penang

Creator:: Ensign Caldwell, c.1800
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 22 7/8 inches (36.5 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Coast Scene near Plymouth

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor with brown ink, black ink, and g over graphite on thick, rough, beige board, pasted on mount
Dimensions:: Sheet: 18 1/8 × 23 inches (46 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Rochester, Kent: from the North

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 17 5/16 x 23 inches (44 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Marcus and a Pink

Creator:: Patrick Procktor, 1936–2003
Date:: 1971
Materials & Techniques:: Color printed aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Frame: 32 x 23 3/4 inches (81.3 x 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.

189. High Street Elevation

Creator:: Louis I. Kahn, 1901–1974
Date:: 1971
Materials & Techniques:: Graphite
Dimensions:: Sheet: 10 1/8 x 22 3/4in. (25.7 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Louis I. Kahn, S019 Louis I. Kahn Yale Center for British Art Sketches, 1971-1972. Yale Center for British Art Archives.

190. College Green

Creator:: Paul Arthur Hogarth, 1917–2001
Date:: 1969
Materials & Techniques:: Pen and black ink and watercolor on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/16 x 22 3/4 inches (28.1 x 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

191. Dinton House, Wiltshire: Perspective View

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1812
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 3/4 inches (38.7 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. The Duchess's First Levee

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 15 3/4 x 23in. (40 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Liberty in Utopia - Liberty in France

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 14 x 22 7/8in. (35.6 x 58.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. The Fishery

Creator:: Print made by William Woollett, 1735–1785
Date:: 1768
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 18 1/4 × 22 11/16 inches (46.4 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. West Highland Heifer Kyloe

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823
Materials & Techniques:: Mezzotint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/8 x 22 5/8 inches (48.6 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Sir David. Sir David a Brown Horse, bred by Lord Stowell, foaled in 1801 got by Trumpeter, his dam by Woodpecker, grand dam own Sister to Driver by Trentham, ...

Sir David. Sir David a Brown Horse, bred by Lord Stowell, foaled in 1801 got by Trumpeter, his dam by Woodpecker, grand dam own Sister to Driver by Trentham, ...

Creator:: William Ward, 1766–1826
Date:: 1809
Materials & Techniques:: Mezzotint, printed in color
Dimensions:: Sheet: 18 1/2 x 22 3/4in. (47 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Selim. Selim, a Chesnut Horse, bred by His Grace the Duke of Queensberry, foaled in 1802 got by Buzzard, his Dam by Alexander, Grand Dam by Highflyer, Alfred, Engineer, bay Malton's Dam &tc., ...

Selim. Selim, a Chesnut Horse, bred by His Grace the Duke of Queensberry, foaled in 1802 got by Buzzard, his Dam by Alexander, Grand Dam by Highflyer, Alfred, Engineer, bay Malton's Dam &tc., ...

Creator:: William Ward, 1766–1826
Date:: 1809
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 1/2 x 22 7/8in. (47 x 58.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. Coaching: Two of His Majesty's State-Horses

Creator:: William Ward, 1766–1826
Date:: 1800
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 1/2 x 22 7/8 inches (47 x 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. The Earl of Chesterfield's State-Carriage

Creator:: William Ward, 1766–1826
Date:: 1800
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 1/4 x 22 5/8in. (43.8 x 57.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Orville. Orville, a Brown Horse, foaled in 1799 was bred by Earl Fitzwilliam & was got by Byningbrough our of Evelina was got by Highflyer out of Termagant by Tantrum Regulus ...

Orville. Orville, a Brown Horse, foaled in 1799 was bred by Earl Fitzwilliam & was got by Byningbrough our of Evelina was got by Highflyer out of Termagant by Tantrum Regulus ...

Creator:: William Ward, 1766–1826
Date:: 1809
Materials & Techniques:: Mezzotint, printed in color
Dimensions:: Sheet: 18 1/4 x 22 5/8in. (46.4 x 57.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Width [cm] 58

Search Results

101. Solitude

102. The West Perspective Views of His Majesty's New Royal Hospital Building near Plymouth

103. The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)

104. View of Pont Neuf, part of the Louvre and the College of Four Nations

105. A View of Pont Neuf, the Mint and etc.

106. The Orrery

107. Thomas King and Sophia Baddely in "The Clandestine Marriage"

108. David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'

109. A View of the New Bridge Over the Thames at Walton in Surrey

110. Untitled - Man in bearskin seated holding a shovel, two women in the center and a Roman on the right

111. The Gower Family: The Children of Granville, 2nd Earl of Gower

112. Box Lobby Loungers

113. Dover Castle

114. The Great Lake near the Lodge

115. The Lodge and Garden from the Great Lake

116. The Lodge and Stables, &c. at Windsor Great Park

117. The Moat Island

118. The Situation on His Majesty's Packet, 'The Lady Hobart' on 28 June 1803.

119. The Pool of Bethesda

120. South East View of Fort George, Madras

121. The New Court House and Chandpam Ghaut

122. Part of Calcutta Taken From the B[...]mgalow a Little Below the Orphan House

123. An Unidentified Country House: Ground Floor Plan

124. An Unidentified Country House: First Floor Plan

125. Survey of Tunstall Marshes

126. The North or Great Barn Farm at Earlham

127. Rosehill

128. View of London Bloomsbury Square

129. A General View of Paris taken from Chaillot

130. A General View of Paris taken from Chaillot

131. View of Hanover Square

132. Cobham Hall, Kent: Full Size Drawing of Cross

133. The Vale of Llangollen

134. Saltash, Cornwall

135. Launceston, Cornwall

136. Richmond, Yorkshire

137. Richmond, Yorkshire

138. Richmond, Yorkshire

139. Fall of the Tees, Yorkshire

140. Dartmouth Cove

141. Dartmouth Cove

142. The Temple of Jupiter in the Island of Aegina

143. Temple of Jupiter Panhellenius

144. Lancaster from the Aqueduct Bridge

145. Aldborough, Suffolk

146. Orford, Suffolk

147. Valle Crucis Abbey, Denbighshire

148. Valle Crucis Abbey, Denbighshire

149. Malmsbury Abbey, Wiltshire

150. Stone Henge

151. Cowes, Isle of Wight

152. Carisbrook Castle, Isle of Wight

153. Dunstanborough Castle, Northumberland

154. Bedford, Bedfordshire

155. Richmond Hill and Bridge, Surrey

156. Richmond Hill and Bridge, Surrey

157. Richmond Hill and Bridge, Surrey

158. Chatham, Kent

159. Tamworth Castle, Staffordshire

160. Laugharne Castle, Caermarthenshire

161. Dudley, Worcestershire

162. Flint Castle, North Wales

163. A Frieze: Men Planting Trees, Women Gathering Blossoms and Watering Flowers

164. Design for a Castellated Entrance

165. Bishopton

166. Nuntons

167. The Farm Consisting of Kirkland Drumcroy, Auchenfloor, Cannee, Barhill and Silvercraigs (formerly Nuntons)

168. Little Sypeland

169. Taormina, Sicily

170. Group of Figures, Child Begging in Center

171. The Road to East Grinstead

172. Plan of the circular temple at Baalbec

173. Back view of the same circular temple in its present state

174. Ivy Bridge, Devonshire

175. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations