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1. St. Mary Magdelen College, Oxford

St. Mary Magdelen College, Oxford
Creator:
Samuel Alken, 1756–1815
Date:
1799
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 18 1/4 x 24 1/2in. (46.4 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Deluge

The Deluge
Creator:
Print made by J. P. Quilley, active 1828
Date:
1828
Materials & Techniques:
Mezzotint; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. ...Plan of Windsor Park

...Plan of Windsor Park
Creator:
John Rocque, 1704?–1762
Date:
1738
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 3/8 × 27 7/8 inches (51.8 × 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume.

A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1846
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 17 9/16 x 24 5/16 inches (44.6 x 61.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Sportsman's Return

The Sportsman's Return
Creator:
William Ward, 1766–1826
Date:
1792 (re-issue of 1791)
Materials & Techniques:
Mezzotint, printed in color and hand colored
Dimensions:
Sheet: 19 1/2 x 24 1/2in. (49.5 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A View of Pont Neuf, the Mint, & c.

A View of Pont Neuf, the Mint, & c.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft-ground etching, drypoint and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Early Repast

The Early Repast
Creator:
Day and Son
Date:
1851
Materials & Techniques:
Hand-colored lithograph
Dimensions:
Sheet: 17 3/4 x 24 1/4in. (45.1 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968

8. The Fighting Téméraire

The Fighting Téméraire
Creator:
Print made by Henry Robert Robertson, 1839–1921
Date:
ca. 1887
Materials & Techniques:
Etching printed in brown ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 22 × 29 1/4 inches (55.9 × 74.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968

9. View of Queen Square

View of Queen Square
Creator:
Engraved by Robert Pollard, 1755–1838
Date:
1789
Materials & Techniques:
Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Morning of the Gale, November 23 1824 in Catwater at Plymouth

Morning of the Gale, November 23 1824 in Catwater at Plymouth
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
ca. 1825
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 19 x 24 1/2in. (48.3 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Easter Monday. 2. A View of Fair Mead Bottom Epping Forest.

Easter Monday. 2. A View of Fair Mead Bottom Epping Forest.
Creator:
James Pollard, 1792–1867
Date:
1820
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 3/8 x 24 1/2in. (31.4 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. [Animals: an eagle with a dead pheasant, watched by a fox]

[Animals: an eagle with a dead pheasant, watched by a fox]
Creator:
Print made by John Murphy, ca. 1748–1820
Date:
1799
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/8 × 24 1/4 inches (49.2 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest

Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest
Creator:
James Pollard, 1792–1867
Date:
1820
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 3/8 x 24 1/2in. (31.4 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Fox-hunting: Who-hoop!

Fox-hunting: Who-hoop!
Creator:
John Harris, 1811–1865
Date:
1844
Materials & Techniques:
Aquatint, printed in color and by hand
Dimensions:
Sheet: 16 5/8 x 24 1/4in. (42.2 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Fox Hunting: Away!

Fox Hunting: Away!
Creator:
John Harris, 1811–1865
Date:
1844
Materials & Techniques:
Aquatint, printed in color and by hand
Dimensions:
Sheet: 16 5/8 x 24 1/4in. (42.2 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1796
Materials & Techniques:
Mezzotint and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/4 × 25 1/2 inches (52.7 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17. Marlow Ferry

Marlow Ferry
Creator:
Print made by Robert Walker Macbeth, 1848–1910
Date:
1880
Materials & Techniques:
Etching on thin, slightly textured, cream wove paper
Dimensions:
Image: 11 3/4 × 17 7/8 inches (29.8 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

18. Francis Noel Clark Mundy and His Grandson, William

Francis Noel Clark Mundy and His Grandson, William
Creator:
Charles Turner, 1774–1857
Date:
1810
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 13/16 × 24 1/4 inches (50.3 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Launch of H.M.S. 'Resistance' at Isle of Dogs

Launch of H.M.S. 'Resistance' at Isle of Dogs
Creator:
unknown artist
Date:
1861
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 17 x 24 1/4in. (43.2 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Rubens' Son and Nurse

Rubens' Son and Nurse
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1785
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 24 1/4 inches (51.4 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. Caligula's Palace and Bridge

Caligula's Palace and Bridge
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1842
Materials & Techniques:
Etching and line engraving, first published state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 25 1/4 × 36 1/8 inches (64.1 × 91.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Caligula's Palace and Bridge

Caligula's Palace and Bridge
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 1/8 × 36 3/8 inches (66.4 × 92.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. King Edward VI presenting the Charter for Bridewell to Sir George Barnes

King Edward VI presenting the Charter for Bridewell to Sir George Barnes
Creator:
George Vertue, 1684–1756
Date:
1750
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 9/16 × 25 3/4 inches (49.7 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. View of the Pont St. Michael, taken from the Pont Neuf

View of the Pont St. Michael, taken from the Pont Neuf
Creator:
Etched by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Image: 10 x 17 7/8in. (25.4 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. A General View of Paris, taken from Chaillot 1803.

A General View of Paris, taken from Chaillot 1803.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:
Plate: 11 3/4 × 22 1/4 inches (29.8 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Views of the Pantheon, taken from the Arsenal

Views of the Pantheon, taken from the Arsenal
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint over soft ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

The Water Works at Marli,and St. Germain en Laye Seen in the Distance.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 24 1/2 inches (39.4 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. View of the Gate of St. Denis Taken from the Suburbs.

View of the Gate of St. Denis Taken from the Suburbs.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. View of the Village of Chaillot & C. taken from Pont de la Concorde

View of the Village of Chaillot & C. taken from Pont de la Concorde
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. View of St. Cloud and Mt. Calvary taken from Pont de Seve

View of St. Cloud and Mt. Calvary taken from Pont de Seve
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. John Howard, Esq. Visiting and Relieving the Miseries of a Prison

John Howard, Esq. Visiting and Relieving the Miseries of a Prison
Creator:
Print made by Jacob Hogg, active 1751
Date:
1790
Materials & Techniques:
Etching and engraving on medium, moderately textured, cream wove paper
Dimensions:
Plate: 19 1/2 × 24 1/4 inches (49.5 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Alexander

38. Garrick in the Green Room

Garrick in the Green Room
Creator:
William Ward, 1766–1826
Date:
1829
Materials & Techniques:
Mezzotint on moderately thick, smooth, cream wove paper mounted on canvas
Dimensions:
Sheet: 22 7/8 × 27 inches (58.1 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

39. Colombo and Cabral (Floating Batteries Built for the Imperial Brazilian Navy)

Colombo and Cabral (Floating Batteries Built for the Imperial Brazilian Navy)
Creator:
Thomas Goldsworth Dutton, 1819/20–1891
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 14 1/2 x 24 1/2in. (36.8 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Gardens of Carleton House with Neapolitan Ballad Singers

The Gardens of Carleton House with Neapolitan Ballad Singers
Creator:
William Dickinson, 1746–1823
Date:
1784
Materials & Techniques:
Stipple engraving, brown ink
Dimensions:
Sheet: 16 x 24 7/16in. (40.6 x 62cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Wanstead House in Essex

Wanstead House in Essex
Creator:
Victor Marie Picot, 1744–1805
Date:
1775
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 24 5/16 inches (45.7 × 61.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Locomotive Engine and Train of the Birmingham and Liverpool Rail Road

Locomotive Engine and Train of the Birmingham and Liverpool Rail Road
Creator:
unknown artist
Date:
1825
Materials & Techniques:
Aquatint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/4 × 24 5/8 inches (21 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Old Téméraire

The Old Téméraire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1845
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 3/4 × 24 1/2 inches (47.6 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Harwich

Harwich
Creator:
Charles Rosenberg, active 1828–1848
Date:
1841
Materials & Techniques:
Colored aquatint on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 9/16 × 26 1/2 inches (49.7 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Representation of the Festival for the Return of Peace

Representation of the Festival for the Return of Peace
Creator:
William Johnstone White, active 1804–died c.1870
Date:
1814
Materials & Techniques:
Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/8 × 24 9/16 inches (51.8 × 62.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Encampment at Fornham near St. Edmund's Bury

Encampment at Fornham near St. Edmund's Bury
Creator:
Peltro W. Tomkins, 1760–1840
Date:
1782
Materials & Techniques:
Aquatint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/8 × 25 5/16 inches (38.4 × 64.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Morning of the Gale, November 23 1824 in Catwater at Plymouth

Morning of the Gale, November 23 1824 in Catwater at Plymouth
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
ca. 1825
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 19 x 24 1/2in. (48.3 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. A Correct View of the Golden Lake Genuine Brewery

A Correct View of the Golden Lake Genuine Brewery
Creator:
Print made by William S. Barnard, 1774–1849
Date:
1807
Materials & Techniques:
Mezzotint on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 19 5/8 × 24 1/2 inches (49.8 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Cambridge University: Queens College

Cambridge University: Queens College
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1800
Materials & Techniques:
Aquatint with etched outline
Dimensions:
Sheet: 19 1/2 x 24 1/4in. (49.5 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The Sessions House for the County of Middlesex

The Sessions House for the County of Middlesex
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Aquatint with etched outline
Dimensions:
Sheet: 19 1/2 x 24 1/4in. (49.5 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Launch of the 'Edinburgh', Blackwall, Nov. 9, 1825

Launch of the 'Edinburgh', Blackwall, Nov. 9, 1825
Creator:
Edward Duncan, 1803–1882
Date:
1825
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 7/8 x 24 3/8in. (45.4 x 61.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Reaping

Reaping
Creator:
William Ward, 1766–1826
Date:
1810
Materials & Techniques:
Mezzotint, proof before all letters
Dimensions:
Sheet: 19 x 24 1/4in. (48.3 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Parish Beadle

The Parish Beadle
Creator:
Abraham Raimbach, 1784–1868
Date:
1834
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 13/16 × 24 5/16 inches (47.8 × 61.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Riot in Broad Street on the Seventh of June 1780

The Riot in Broad Street on the Seventh of June 1780
Creator:
Print made by James Heath, 1757–1834
Date:
1790
Materials & Techniques:
Etching and engraving, printed in color and hand-colored
Dimensions:
Sheet: 18 1/2 x 24 1/4in. (47 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. This Celebrated Ewe was Bred and Fed, by Mr. Wilcox.

This Celebrated Ewe was Bred and Fed, by Mr. Wilcox.
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 x 24 3/8 inches (50.8 x 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. A South Down Ram; Aged 3 Years, bred by Mr. Thomas Crisp, Gedgrave Hall, Suffolk, for which a Prize of 30 Severeigns was awarded at the Annual Meeting of the R.A.S. at Cambridge, July 15th 1840

A South Down Ram; Aged 3 Years, bred by Mr. Thomas Crisp, Gedgrave Hall, Suffolk, for which a Prize of 30 Severeigns was awarded at the Annual Meeting of the R.A.S. at Cambridge, July 15th 1840
Creator:
William Henry Davis, active 1803–1849
Date:
1840
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 18 1/2 x 24 1/4in. (47 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. A View of Windsor Castle

A View of Windsor Castle
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 19 1/2 x 24 1/2in. (49.5 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Distribution of His Majesty's Maundy...Chapel Royal at Whitehall

Distribution of His Majesty's Maundy...Chapel Royal at Whitehall
Creator:
James Basire, 1730–1802
Date:
1777
Materials & Techniques:
engraving
Dimensions:
Sheet: 16 1/2 x 24 1/2in. (41.9 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. View of the Port of Liverpool

View of the Port of Liverpool
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1836
Materials & Techniques:
Color printed etching and aquatint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 × 27 1/8 inches (54 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Representation of the Festival for the Return of Peace

Representation of the Festival for the Return of Peace
Creator:
William Johnstone White, active 1804–died c.1870
Date:
1815
Materials & Techniques:
Colored aquatint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 19 3/4 × 24 7/16 inches (50.2 × 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. View of Old Aberdeen, Including King's College and the Cathedral

View of Old Aberdeen, Including King's College and the Cathedral
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1808
Materials & Techniques:
Colored aquatint on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 21 1/4 × 28 3/8 inches (54 × 72.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. The Death of Abercrombie

The Death of Abercrombie
Creator:
Print made by Edward Mitchell, active 1805–1816
Date:
1805
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 22 5/8 × 24 1/4 inches (57.5 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. The Murder of James I, King of Scotland

The Murder of James I, King of Scotland
Creator:
Thomas Ryder, 1746–1810
Date:
1792
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 7/8 × 24 3/8 inches (50.5 × 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Design of a Ruineous Bridge for the Garden at Sion

Design of a Ruineous Bridge for the Garden at Sion
Creator:
Thomas Vivares, c.1735–c.1790
Date:
1778
Materials & Techniques:
Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 × 24 5/16 inches (47.9 × 61.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Perspective View of the Bridge at Sion

Perspective View of the Bridge at Sion
Creator:
Edward Rooker, 1724–1774
Date:
1768
Materials & Techniques:
Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 24 3/8 inches (47.6 × 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Carnarvon Castle

Carnarvon Castle
Creator:
William Byrne, 1743–1805
Date:
1775
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/2 x 24 1/4 inches (44.5 x 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Niobe

Niobe
Creator:
Print made by William Sharp, 1749–1824
Date:
1792
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/4 x 26 1/8 inches (50.2 x 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. View of the Tuilleries and Bridge taken from the Quay D'Orsai

View of the Tuilleries and Bridge taken from the Quay D'Orsai
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde

View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 24 7/8 inches (41.3 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Distraining for Rent

Distraining for Rent
Creator:
Abraham Raimbach, 1784–1868
Date:
1828
Materials & Techniques:
Engraving on thick, moderately textured, cream laid paper with cream chine-collé
Dimensions:
Sheet: 21 5/8 × 27 7/8 inches (54.9 × 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. The Riot in Broad Street on the Seventh of June 1780

The Riot in Broad Street on the Seventh of June 1780
Creator:
James Heath, 1757–1834
Date:
1790
Materials & Techniques:
Colored engraving
Dimensions:
Sheet: 18 1/2 x 24 1/4in. (47 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. The Village Politicians

The Village Politicians
Creator:
Abraham Raimbach, 1784–1868
Date:
1814
Materials & Techniques:
Engraving and etching
Dimensions:
Plate: 20 x 24 1/2in. (50.8 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. The Water Mill above the Bridge at Charenton

The Water Mill above the Bridge at Charenton
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. A Shipwreck

No cover image available
Creator:
Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:
1825
Materials & Techniques:
Etching and aquatint; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 21 × 27 1/2 inches (53.3 × 69.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Dido Building Carthage

No cover image available
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1863
Materials & Techniques:
Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 24 3/8 × 31 5/8 inches (61.9 × 80.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. The Bay of Baiae - Apollo and the Sibyl

No cover image available
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1873
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 27 1/4 × 39 7/8 inches (69.2 × 101.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Battue Shooting

No cover image available
Creator:
George Archibald Turner, 1821–1845
Date:
1840
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 20 1/2 x 24 3/8in. (52.1 x 61.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. The Straits of Dover

No cover image available
Creator:
Print made by William Chapman, 1817–1879
Date:
1863
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 27 × 34 3/8 inches (68.6 × 87.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Aegisthus discovers the body of Clytemnestra

No cover image available
Creator:
Valentine Green, 1739–1813
Date:
1786
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 20 x 24 1/2in. (50.8 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. A View of both Squadrons lying in Ramsay Bay......after the defeat of the daring Monsieur Thurot...

No cover image available
Creator:
John Goldar, 1729–1795
Date:
1762
Materials & Techniques:
Colored engraving
Dimensions:
Sheet: 17 x 24 1/2in. (43.2 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection