Width [cm]: 62 - YCBA Collections Search Search Results

101. View of Queen Square

Creator:: Engraved by Robert Pollard, 1755–1838
Date:: 1789
Materials & Techniques:: Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. ...Plan of Windsor Park

Creator:: John Rocque, 1704?–1762
Date:: 1738
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 3/8 × 27 7/8 inches (51.8 × 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Distant View of Windsor Castle in a Storm (The Great Oak, Windsor Castle in the Distance)

Creator:: Raphael Lamar West, 1769–1850
Date:: undated
Materials & Techniques:: Pen and black ink on thick, rough, brown wove paper
Dimensions:: Sheet: 17 7/8 × 24 1/4 inches (45.4 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Three Sculptural Forms

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1973
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 32 x 24 1/4in. (81.3 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lillian Heidenberg Reitman

105. Three Reclining Figures

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1973
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 32 x 24 1/4in. (81.3 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lillian Heidenberg Reitman

106. Eve

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1980
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 21 x 24 1/4in. (53.3 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lillian Heidenberg Reitman

107. A View from Peterborough Tower at Tangier

Creator:: Wenceslaus Hollar, 1607–1677
Date:: 1669
Materials & Techniques:: Graphite, pen and brown ink, gray wash, brown wash, and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 24 3/8 inches (20.3 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. At the Curragh Races

Creator:: Paul Arthur Hogarth, 1917–2001
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on moderately thick, smooth, light pink laid paper
Dimensions:: Sheet: 18 3/16 x 24 3/16 inches (46.2 x 61.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

109. View of Edinburgh from Calton Hill

Creator:: Francis Nicholson, 1753–1844
Date:: 1811
Materials & Techniques:: Watercolor, gouache, and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 24 1/4 inches (47 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Church, Churchyard and Figures (The Graveyard)

Creator:: John Roe of Warwick, active 1771–1812
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 24 1/2 inches (47 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. View of the Pont St. Michael, taken from the Pont Neuf

Creator:: Etched by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 10 x 17 7/8in. (25.4 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Plate: 11 3/4 × 22 1/4 inches (29.8 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. A General View of Paris, taken from Chaillot 1803.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. View of the Gate of St. Denis Taken from the Suburbs.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Views of the Pantheon, taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint over soft ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. View of the Village of Chaillot & C. taken from Pont de la Concorde

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. View of St. Cloud and Mt. Calvary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 24 1/2 inches (39.4 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. John Howard, Esq. Visiting and Relieving the Miseries of a Prison

Creator:: Print made by Jacob Hogg, active 1751
Date:: 1790
Materials & Techniques:: Etching and engraving on medium, moderately textured, cream wove paper
Dimensions:: Plate: 19 1/2 × 24 1/4 inches (49.5 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Alexander

125. Football

Creator:: Andrew Power, 1898–1992
Date:: 1933
Materials & Techniques:: Lithograph on canvas
Dimensions:: Sheet: 39 5/8 x 24 7/16 inches (100.6 x 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

126. 41,271 Engineering Workmen

Creator:: Print made by Duncan Grant, 1885–1978
Date:: 1939
Materials & Techniques:: Chromolithograph on canvas
Dimensions:: Sheet: 20 x 24 9/16 inches (50.8 x 62.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

127. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Mezzotint and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 25 1/2 inches (52.7 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

128. A South Down Ram; Aged 3 Years, bred by Mr. Thomas Crisp, Gedgrave Hall, Suffolk, for which a Prize of 30 Severeigns was awarded at the Annual Meeting of the R.A.S. at Cambridge, July 15th 1840

A South Down Ram; Aged 3 Years, bred by Mr. Thomas Crisp, Gedgrave Hall, Suffolk, for which a Prize of 30 Severeigns was awarded at the Annual Meeting of the R.A.S. at Cambridge, July 15th 1840

Creator:: William Henry Davis, active 1803–1849
Date:: 1840
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 18 1/2 x 24 1/4in. (47 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. The Sportsman's Return

Creator:: William Ward, 1766–1826
Date:: 1792 (re-issue of 1791)
Materials & Techniques:: Mezzotint, printed in color and hand colored
Dimensions:: Sheet: 19 1/2 x 24 1/2in. (49.5 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Marlow Ferry

Creator:: Print made by Robert Walker Macbeth, 1848–1910
Date:: 1880
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Image: 11 3/4 × 17 7/8 inches (29.8 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

131. Morning of the Gale, November 23 1824 in Catwater at Plymouth

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: ca. 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 x 24 1/2in. (48.3 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Tremal Naig's Choultry, Madura

Creator:: Thomas Daniell, 1749–1840
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 19 3/8 × 25 15/16 inches (49.2 × 65.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

133. See India: Travancore State

Creator:: D. Newsome, active 1935
Date:: ca. 1935
Materials & Techniques:: Chromolithograph
Dimensions:: Sheet: 39 7/16 x 24 7/16 inches (100.2 x 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

134. Hyde Park Corner

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 15/16 x 24 7/16 inches (22.7 x 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Study for Gassed Soldiers

Creator:: John Singer Sargent, 1856–1925
Date:: 1918
Materials & Techniques:: Charcoal and graphite on medium, moderately textured, cream wove paper mounted on card
Dimensions:: Sheet: 18 1/2 x 24 1/4 inches (47 x 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

136. The Fighting Téméraire

Creator:: Print made by Henry Robert Robertson, 1839–1921
Date:: ca. 1887
Materials & Techniques:: Etching printed in brown ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 22 × 29 1/4 inches (55.9 × 74.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968

137. The Early Repast

Creator:: Day and Son
Date:: 1851
Materials & Techniques:: Hand-colored lithograph
Dimensions:: Sheet: 17 3/4 x 24 1/4in. (45.1 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968

138. Come Out To Live | Buy A Season Ticket

Creator:: Paul Nash, 1889–1946
Date:: 1936
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 39 1/2 x 24 1/2 inches (100.3 x 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

139. Come In To Play | Use A Season Ticket

Creator:: Print made by Paul Nash, 1889–1946
Date:: 1936
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 39 1/2 x 24 1/2 inches (100.3 x 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

140. A View of Pont Neuf, the Mint, & c.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching, drypoint and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Easter Monday. 2. A View of Fair Mead Bottom Epping Forest.

Creator:: James Pollard, 1792–1867
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/8 x 24 1/2in. (31.4 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Watch or Catch

Creator:: Tom Eckersley, 1914–1997
Date:: 1954
Materials & Techniques:: Chromolithograph
Dimensions:: Sheet: 40 x 24 9/16 inches (101.6 x 62.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

143. Palindrome

Creator:: Richard Hamilton, 1922–2011
Date:: 1974
Materials & Techniques:: Lenticular acrylic laminated on color collotype
Dimensions:: Frame: 34 1/2 × 24 1/2 × 2 1/4 inches (87.6 × 62.2 × 5.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara Sunderman Hoerner

144. Headfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan

Creator:: Sir William Chambers, 1723–1796
Date:: 1765
Materials & Techniques:: Gray and brown wash with pen and brown and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 15/16 x 24 5/16 inches (40.5 x 61.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Headfort House: Chamber Floor Plan

Creator:: Sir William Chambers, 1723–1796
Date:: 1765
Materials & Techniques:: Gray wash with pen and brown and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 15/16 x 24 3/8 inches (40.5 x 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Headfort House: Plan of the Cellar Story

Creator:: Sir William Chambers, 1723–1796
Date:: 1765
Materials & Techniques:: Gray wash with pen and brown and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 x 24 7/16 inches (40.6 x 62 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Headfort House, Ireland: Elevations of the North and South Fronts

Creator:: Sir William Chambers, 1723–1796
Date:: 1765
Materials & Techniques:: Graphite, pen and black and brown ink, and gray and brown wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 x 24 3/16 inches (40.4 x 61.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Headfort House, Ireland: Sections of the House and Offices

Creator:: Sir William Chambers, 1723–1796
Date:: 1765
Materials & Techniques:: Graphite, watercolor and pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 7/8 x 24 5/16 inches (40.3 x 61.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Headfort House, Ireland: Plan of Principal Floor

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1765
Materials & Techniques:: Graphite, gray wash, watercolor and pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 15/16 x 24 3/8 inches (40.5 x 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Study - The River Taw (Sycamore) June 13, 1998

Creator:: Susan Derges, born 1955
Date:: 1998
Materials & Techniques:: Dye destruction print on photographic paper
Dimensions:: Sheet: 66 1/2 × 24 1/4 inches (168.9 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

151. Boree Timranze Durgum Taken from the Pehher River Near Cavenpatan-Barramah'l (South India)

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 18 7/16 × 24 1/2 inches (46.8 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Mountainous Landscape with River

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 19 1/8 × 24 1/2 inches (48.6 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Near Chiavenna in the Grisons

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1779
Materials & Techniques:: Watercolor, black ink, graphite and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 x 24 1/2 inches (42.5 x 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. The Bay of Naples from Capodimonte

Creator:: John Robert Cozens, 1752–1797
Date:: 1790
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured wove paper
Dimensions:: Mount: 17 7/8 x 24 1/4 inches (45.4 x 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. View of St. Nicholas Church at Valenciennes after the Siege

Creator:: Joseph Farington, 1747–1821
Date:: 1793
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 19 × 26 13/16 inches (48.3 × 68.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Square of Twelve Cottages, for the Co-partnership Tenants Ltd, Erskine Hill, Hampstead

Creator:: William Henry Ward M.A., A.R.I.B.A., 1865–1924
Date:: ca. 1909
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 24 3/8 inches (27.9 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

157. Design for Grosvenor House, London: South Elevation

Creator:: Thomas Cundy, 1790–1867
Date:: 1845
Materials & Techniques:: Graphite and wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 3/4 × 24 3/8 inches (47.6 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Design for Grosvenor House, London: North Elevation

Creator:: Thomas Cundy, 1790–1867
Date:: 1845
Materials & Techniques:: Graphite and wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 1/4 × 24 3/8 inches (43.8 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Galleria di Sopra, Albano

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1778
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 18 3/8 x 24 1/2 inches (46.7 x 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. The Lake of Albano and Castel Gandolfo

Creator:: John Robert Cozens, 1752–1797
Date:: between 1783 and 1785
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 x 24 3/8 inches (43.2 x 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Chukha Castle in Bhutan

Creator:: Samuel Davis, 1760–1819
Date:: 1783
Materials & Techniques:: Watercolor, graphite, and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Mount: 18 7/16 × 24 3/8 inches (46.8 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Old British Camp in Bulstrode Park

Creator:: George Arthur Fripp, 1813–1896
Date:: 1860
Materials & Techniques:: Watercolor, gouache, graphite, and gum with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 24 1/4 inches (35.2 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. The Three Witches from Macbeth: Double, Double, Toil and Trouble

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 20 3/4 x 24 3/16 inches (52.7 x 61.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. The Great Fair in Hyde Park on the 28th of June 1838 to Celebrate the Coronation of her most gracious Majesty Queen Victoria the First

Creator:: John Howe, active 1838
Date:: 1838
Materials & Techniques:: Watercolor, gouache, and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 24 1/2 inches (23.8 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 27 1/2 inches (53.3 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. The Straits of Dover

Creator:: Print made by William Chapman, 1817–1879
Date:: 1863
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 27 × 34 3/8 inches (68.6 × 87.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Dido Building Carthage

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1863
Materials & Techniques:: Etching and engraving with chine collé; first published state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 3/8 × 31 5/8 inches (61.9 × 80.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. The Bay of Baiæ, Apollo and the Sibyl

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1873
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 27 1/4 × 39 7/8 inches (69.2 × 101.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Battue Shooting

Creator:: George Archibald Turner, 1821–1845
Date:: 1840
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 20 1/2 x 24 3/8in. (52.1 x 61.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Aegisthus discovers the body of Clytemnestra

Creator:: Valentine Green, 1739–1813
Date:: 1786
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 20 x 24 1/2in. (50.8 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Monument to Victor Emmanuel, Rome, under Scaffolding

Creator:: Print made by William Walcot, 1874–1943
Date:: 1908
Materials & Techniques:: Etching, drypoint, and roulette on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/4 × 24 1/4 inches (50.2 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

172. A View of both Squadrons lying in Ramsay Bay......after the defeat of the daring Monsieur Thurot...

Creator:: John Goldar, 1729–1795
Date:: 1762
Materials & Techniques:: Colored engraving
Dimensions:: Sheet: 17 x 24 1/2in. (43.2 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Corpus Christi College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: 1836
Materials & Techniques:: Watercolor, pen and gray ink, black ink, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Cover: 18 3/4 × 24 3/8 inches (47.6 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Design for a villa: `The Ground Plan and Elevations of a Villa'

Creator:: Stephen Riou, 1720–1780
Date:: 1770
Materials & Techniques:: Graphite, pen and brown and black ink, watercolor on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 15 3/4 × 24 7/16 inches (40 × 62 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

175. Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan.

Creator:: Stephen Riou, 1720–1780
Date:: 1763
Materials & Techniques:: Graphite, pen and brown and black ink, watercolor on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 16 9/16 × 24 7/16 inches (42 × 62 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

176. Design for a substantial villa. The `Forefront' and profile plan of the front elevation.

Creator:: Stephen Riou, 1720–1780
Date:: 1770
Materials & Techniques:: Graphite, pen and brown and black ink, watercolor on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 16 15/16 × 24 7/16 inches (43 × 62 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

177. Flower Garden at Middleton Park, Oxfordshire

Creator:: Lewis Kennedy, active 1775–1811
Date:: 1811
Materials & Techniques:: Gray wash, pen and black ink, graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 18 7/8 × 24 3/8 inches (47.9 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Newlyn from Penzance

Creator:: Capt. Henry Pendarves Tremenheere, c.1763–1841
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/8 × 24 1/4 inches (36.5 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Newlyn Town

Creator:: Capt. Henry Pendarves Tremenheere, c.1763–1841
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 24 3/8 inches (36.8 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Hinton St. George, Somerset: Plan of the Vestibule

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 22 3/8 × 24 1/2 inches (56.8 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Untitled

Creator:: Damien Hirst, born 1965
Date:: 1992
Materials & Techniques:: Screen print on 300gsm Somerset Satin white wove paper
Dimensions:: Sheet: 33 1/2 x 24 1/2in. (85.1 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

182. Mural Design of Palms

Creator:: Eliot Hodgkin, 1905–1987
Date:: undated
Materials & Techniques:: Graphite, watercolor, and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 24 1/4 inches (21.9 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Estate of Brian Sewell

183. By Green Line Coach D to Westerham

Creator:: Clive Gardiner, 1891–1960
Date:: 1937
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 39 1/2 x 24 5/16 inches (100.3 x 61.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

184. A Boy Blowing Soap Bubbles

Creator:: John Russell, 1745–1806
Date:: 1800
Materials & Techniques:: Pastel on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 24 × 18 inches (61 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

185. Balaklava Looking Seawards

Creator:: Roger Fenton, 1819–1869
Date:: 1855
Materials & Techniques:: Salted paper print from wet collodion glass negative on thin, smooth, cream wove paper
Dimensions:: Frame: 18 3/4 × 24 1/2 × 1 inches (47.6 × 62.2 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

186. The Thames, Maidenhead Bridge

Creator:: Roger Fenton, 1819–1869
Date:: ca. 1856
Materials & Techniques:: Albumen print from wet collodion glass negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 3/8 × 11 inches (21.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

187. A Victorian House in a Garden

Creator:: unknown artist
Date:: ca. 1866
Materials & Techniques:: Watercolor, pen and black ink, white gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 24 1/2 inches (43.2 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

188. British, Neoclassical Revival frame

Creator:: unknown framemaker
Date:: mid-19th century
Materials & Techniques:: Wood and compo, canvas, later gilding over original gilding
Dimensions:: Frame: 17 × 24 1/2 × 2 inches (43.2 × 62.2 × 5.1 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

189. British, Neoclassical Revival frame

Creator:: unknown framemaker
Date:: 19th century
Materials & Techniques:: Wood and compo, original oil and water gilding, partially regilded
Dimensions:: Frame: 17 × 24 1/2 × 2 inches (43.2 × 62.2 × 5.1 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

YCBA Collections Search

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101. View of Queen Square

102. ...Plan of Windsor Park

103. Distant View of Windsor Castle in a Storm (The Great Oak, Windsor Castle in the Distance)

104. Three Sculptural Forms

105. Three Reclining Figures

106. Eve

107. A View from Peterborough Tower at Tangier

108. At the Curragh Races

109. View of Edinburgh from Calton Hill

110. Church, Churchyard and Figures (The Graveyard)

111. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

112. View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

113. View of the Pont St. Michael, taken from the Pont Neuf

114. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

115. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.

116. A General View of Paris, taken from Chaillot 1803.

117. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

118. View of the Gate of St. Denis Taken from the Suburbs.

119. Views of the Pantheon, taken from the Arsenal

120. View of the Village of Chaillot & C. taken from Pont de la Concorde

121. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

122. View of St. Cloud and Mt. Calvary taken from Pont de Seve

123. The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

124. John Howard, Esq. Visiting and Relieving the Miseries of a Prison

125. Football

126. 41,271 Engineering Workmen

127. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

128. A South Down Ram; Aged 3 Years, bred by Mr. Thomas Crisp, Gedgrave Hall, Suffolk, for which a Prize of 30 Severeigns was awarded at the Annual Meeting of the R.A.S. at Cambridge, July 15th 1840

129. The Sportsman's Return

130. Marlow Ferry

131. Morning of the Gale, November 23 1824 in Catwater at Plymouth

132. Tremal Naig's Choultry, Madura

133. See India: Travancore State

134. Hyde Park Corner

135. Study for Gassed Soldiers

136. The Fighting Téméraire

137. The Early Repast

138. Come Out To Live | Buy A Season Ticket

139. Come In To Play | Use A Season Ticket

140. A View of Pont Neuf, the Mint, & c.

141. Easter Monday. 2. A View of Fair Mead Bottom Epping Forest.

142. Watch or Catch

143. Palindrome

144. Headfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan

145. Headfort House: Chamber Floor Plan

146. Headfort House: Plan of the Cellar Story

147. Headfort House, Ireland: Elevations of the North and South Fronts

148. Headfort House, Ireland: Sections of the House and Offices

149. Headfort House, Ireland: Plan of Principal Floor

150. Study - The River Taw (Sycamore) June 13, 1998

151. Boree Timranze Durgum Taken from the Pehher River Near Cavenpatan-Barramah'l (South India)

152. Mountainous Landscape with River

153. Near Chiavenna in the Grisons

154. The Bay of Naples from Capodimonte

155. View of St. Nicholas Church at Valenciennes after the Siege

156. Square of Twelve Cottages, for the Co-partnership Tenants Ltd, Erskine Hill, Hampstead

157. Design for Grosvenor House, London: South Elevation

158. Design for Grosvenor House, London: North Elevation

159. Galleria di Sopra, Albano

160. The Lake of Albano and Castel Gandolfo

161. Chukha Castle in Bhutan

162. Old British Camp in Bulstrode Park

163. The Three Witches from Macbeth: Double, Double, Toil and Trouble

164. The Great Fair in Hyde Park on the 28th of June 1838 to Celebrate the Coronation of her most gracious Majesty Queen Victoria the First

165. A Shipwreck

166. The Straits of Dover

167. Dido Building Carthage

168. The Bay of Baiæ, Apollo and the Sibyl

169. Battue Shooting

170. Aegisthus discovers the body of Clytemnestra

171. Monument to Victor Emmanuel, Rome, under Scaffolding

172. A View of both Squadrons lying in Ramsay Bay......after the defeat of the daring Monsieur Thurot...

173. Corpus Christi College, Cambridge

174. Design for a villa: `The Ground Plan and Elevations of a Villa'

175. Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan.