Width [cm]: 65 / Image Use: Free to Use - YCBA Collections Search Search Results

1. Hampstead Heath

Creator:: John Constable, 1776–1837
Date:: ca. 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 18 × 25 1/2 inches (45.7 × 64.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. The Low Lighthouse, North Shields

Creator:: Robert Salmon, 1775–ca.1845
Date:: 1828
Materials & Techniques:: Oil on panel
Dimensions:: 16 1/2 x 25 3/4 inches (41.9 x 65.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A Winter Landscape

Creator:: George Smith, 1714–1776
Date:: 1752
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 25 1/2 inches (40.6 x 64.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. An Unknown Woman

Creator:: James Ward, 1769–1859
Date:: 1811
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 25 1/2 inches (76.2 x 64.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Diana at the Bath

Creator:: James Ward, 1769–1859
Date:: 1830
Materials & Techniques:: Oil on panel
Dimensions:: 30 x 25 1/2 inches (76.2 x 64.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Venus Rising from her Couch

Creator:: James Ward, 1769–1859
Date:: 1828
Materials & Techniques:: Oil on panel
Dimensions:: 30 x 25 3/4 inches (76.2 x 65.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Major John Dade of Tannington, Suffolk

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1755
Materials & Techniques:: Oil on canvas
Dimensions:: 30 × 25 1/2 inches (76.2 × 64.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. The Salmon Leap, Leixlip

Creator:: Francis Wheatley, 1747–1801
Date:: 1783
Materials & Techniques:: Oil on canvas
Dimensions:: 26 5/8 x 25 1/2 inches (67.6 x 64.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. The Ghost of Clytemnestra Awakening the Furies

Creator:: John Downman, 1750–1824
Date:: 1781
Materials & Techniques:: Oil on panel
Dimensions:: 20 x 25 1/2 inches (50.8 x 64.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. John Quick and John Fawcett in Thomas Moreton's "The Way to Get Married"

Creator:: Samuel De Wilde, 1748–1832
Date:: 1796
Materials & Techniques:: Oil on canvas
Dimensions:: 28 3/4 x 25 3/4 inches (73 x 65.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Lake Windermere

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: between 1801 and 1805
Materials & Techniques:: Oil on canvas
Dimensions:: 19 3/4 x 25 1/2 inches (50.2 x 64.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Robert Dudley, first Earl of Leicester (1532/3–1588)

Creator:: unknown artist
Date:: ca. 1595
Materials & Techniques:: Oil on panel
Dimensions:: Sheet: 32 x 25 1/2 inches (81.3 x 64.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Borlase Cokayne as a Boy riding Sultana

Creator:: Thomas Smith of Derby, ca. 1720–1767
Date:: 1751
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 x 25 3/8 inches (47 x 64.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Lincoln Cathedral

Creator:: Thomas Malton, 1726–1801
Date:: 1800
Materials & Techniques:: Color aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 29 3/8 inches (56.8 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Landscape

Creator:: Marie C. Prestel, 1747–1794
Materials & Techniques:: Sepia aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 26 5/16 inches (50.2 × 66.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. "Arch of Marcus Aurelius at Tripoli "

Creator:: James Bruce, 1730–1794
Date:: ca. 1766
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, slightly textured,cream laid paper
Dimensions:: Sheet: 19 1/4 × 25 3/4 inches (48.9 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Arch of Trajan Mactar Modern Makther set in Landscape

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite, gray wash, pen and black ink on moderately textured, thick, cream laid paper
Dimensions:: Sheet: 19 1/4 × 25 1/2 inches (48.9 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Plate twenty-one: Arch at Zanfour

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 25 3/4 inches (48.9 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Twenty-eight Arch at Tripoli

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 25 5/8 inches (49.2 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Design for a Country House

Creator:: James Lewis, 1751–1820
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, watercolor on smooth, thick, brown laid paper
Dimensions:: Sheet: 8 × 25 3/4 inches (20.3 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Deepdene, South West Front and North West Front Elevations

Creator:: unknown artist
Date:: 1841
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, medium, cream wove paper
Dimensions:: Image: 12 1/4 × 17 3/16 inches (31.1 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Rendezvous Island, Solomon Islands

Creator:: Lt. James George, ca. 1755–1795
Date:: ca. 1812
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 25 5/8 inches (47 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Cobham Hall, Kent: Elevations of Stables

Creator:: James Wyatt, 1746–1813
Date:: 1789
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 x 25 3/4 inches (53.3 x 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Colored engraving on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 19 3/8 × 25 3/4 inches (49.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Engraving on slightly textured, thick, cream wove paper
Dimensions:: Sheet: 18 3/4 × 25 1/2 inches (47.6 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Engraving on smooth, thick, cream wove paper
Dimensions:: Sheet: 19 × 25 3/8 inches (48.3 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Headfort House, Ireland: Elevation of the Eating Parlor

Creator:: Robert Adam, 1728–1792
Date:: 1771
Materials & Techniques:: Pen and black ink with gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 25 5/8 inches (36.8 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Milton

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 32 3/4 × 25 3/4 inches (83.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Design for a Country House

Creator:: James Lewis, 1751–1820
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, watercolor on smooth, thick, brown laid paper
Dimensions:: Sheet: 8 5/8 × 25 5/8 inches (21.9 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Cobham Hall, Kent: Plan of the Stables

Creator:: James Wyatt, 1746–1813
Date:: 1790
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 3/8 x 25 1/2 inches (54.3 x 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Cobham Hall, Kent: Elevations of Stables

Creator:: James Wyatt, 1746–1813
Date:: 1790
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 25 1/2 inches (54 x 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Cobham Hall, Kent: Elevations of Stables

Creator:: James Wyatt, 1746–1813
Date:: 1789
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 25 1/2 inches (54.3 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Temple of Jupiter and Minerva

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 38 5/8 × 25 5/8 inches (98.1 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: 1850
Materials & Techniques:: Black ink, graphite and watercolor on thin, smooth, beige wove paper
Dimensions:: Sheet: 17 5/8 × 25 3/4 inches (44.8 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Conway Castle

Creator:: Paul Sandby, 1731–1809
Date:: 1789
Materials & Techniques:: Watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 18 7/8 x 25 3/8 inches (47.9 x 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Headfort House, Ireland: Eating Parlor Ceiling

Creator:: Robert Adam, 1728–1792
Date:: 1775
Materials & Techniques:: Graphite, pen and black ink, and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 7/8 x 25 5/8 inches (47.9 x 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Design for the Gothic Library at Felbrigg Hall in Norfolk

Creator:: James Paine, 1717–1789
Date:: ca. 1750
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 20 × 25 3/8 inches (50.8 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Walenstadt, from Weesen, Switzerland

Creator:: William Callow, 1812–1908
Date:: 1842
Materials & Techniques:: Watercolor with pen in brown ink, graphite, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 9/16 x 25 7/16 inches (44.6 x 64.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Mr. Thompson's Wire Mill, Tintern

Creator:: James Ward, 1769–1859
Date:: 1807
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 25 1/2 inches (40.6 x 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Loch Coruisk, Isle of Skye, Dawn

Creator:: George Fennell Robson, 1788–1833
Date:: between 1826 and 1832
Materials & Techniques:: Watercolor, gouache, scraping out and gum on thick, moderately textured, cream wove paper mounted on card
Dimensions:: Sheet: 17 3/4 x 25 3/4 inches (45.1 x 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. High Street, Oxford

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1812
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on medium, slightly textured, cream wove paper, mounted to thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/8 × 24 5/8 inches (49.2 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. A View of Oxford from the Abingdon Road

Creator:: Print made by John Pye, 1782–1874
Date:: 1818
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving with graphite and white chalk; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis

Creator:: Print made by Daniel Orme, 1766–1837
Date:: 1793
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 x 25 3/8 inches (51.4 x 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Mont Saint-Michel

Creator:: Charles Reginald Aston, 1832–1908
Date:: undated
Materials & Techniques:: Watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Frame: 16 × 25 3/4 × 1 1/4 inches (40.6 × 65.4 × 3.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

46. Trees in a Landscape

Creator:: Charles Reginald Aston, 1832–1908
Date:: ca. 1842 - 1980
Materials & Techniques:: Watercolor with scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Frame: 18 1/2 × 25 1/2 × 1 inches (47 × 64.8 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

47. Amateurs at Tye Wig Music

Creator:: Edward Francis Burney, 1760–1848
Date:: Undated
Materials & Techniques:: Pen and black ink over red graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/4 x 25 5/8 inches (43.8 x 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Louis W. Hill, Jr., transfer from the Beinecke Rare Book and Manuscript Library

48. A General View of Paris taken from Chaillot

Creator:: etching by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Freetown, Sierra Leone

Creator:: Auguste François Laby, 1784–1860
Date:: ca. 1850
Materials & Techniques:: Colored lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 29 3/4 inches (33.3 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. A Sailing Dinghy with Three Men Leaving a Rocky Inlet

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 1/8 × 25 3/8 inches (48.6 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Yellow-eyed Babbler (Chrysomma sinense) perched on Chinese hat plant (Holmskioldia sanguinea)

Creator:: unknown artist
Date:: ca. 1770
Materials & Techniques:: Watercolor, gouache, pen and ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/4 × 25 1/2 inches (46.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Garden Design for Northwick Park

Creator:: William E. Emes, 1729/30–1803
Date:: 1778
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 25 7/16 inches (44.5 × 64.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Cottage Door

Creator:: Attributed to Thomas Barker, 1769–1847
Date:: undated
Materials & Techniques:: Brown wash, gray wash, black chalk, brown chalk, and graphite on medium, slightly textured, cream wove paper, mounted on card
Dimensions:: Mount: 25 1/4 × 30 inches (64.1 × 76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. View of Skiddaw and Derwentwater

Creator:: Joseph Farington, 1747–1821
Date:: ca. 1780
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 26 inches (49.2 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. View of London Bridge and St. Paul's Cathedral

Creator:: William Daniell, 1769–1837
Date:: ca. 1804
Materials & Techniques:: Watercolor and graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/8 x 25 3/8 inches (38.4 x 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 25 3/8 inches (26.5 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Twelfth Night, Act III, Scene IV: Olivia's House

Creator:: Thomas Ryder, 1746–1810
Date:: 1803
Materials & Techniques:: Stipple engraving on medium, smooth, cream laid paper
Dimensions:: Sheet: 20 x 29 1/2 inches (50.8 x 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Bijaigarh (Bidze Gur)

Creator:: Thomas Daniell, 1749–1840
Date:: 1788
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 11 3/8 × 25 7/16 inches (28.9 × 64.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

60. Coaching: The Royal Mails Preparing to Start for the West of England

Creator:: Frederick Rosenberg, active 1816–1832
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 3/4 x 25 3/8in. (50.2 x 64.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. View of London Bloomsbury Square

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 25 3/4 inches (50.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Ulysses Deriding Polyphemus

Creator:: Print made by Henry Robert Robertson, 1839–1921
Date:: ca. 1887
Materials & Techniques:: Etching printed in brown ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/8 × 29 inches (56.2 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968

66. Fortified House with Four Octagonal Courts: First Floor Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink with graphite on thick, smooth, cream vellum
Dimensions:: Sheet: 26 1/4 x 25 3/4 inches (66.7 x 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Fortified House with Four Octagonal Courts: Attic Floor Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink with graphite on thick, smooth, cream vellum
Dimensions:: Sheet: 26 1/4 x 25 3/4 inches (66.7 x 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Promenade in St. James's Park

Creator:: Francis David Soiron, Born 1764
Date:: 1793
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/8 × 28 1/4 inches (48.6 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. View of Hanover Square

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 9/16 × 25 5/8 inches (49.7 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Mezzotint and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 25 1/2 inches (52.7 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1829
Materials & Techniques:: Pen and brown ink, red ink, and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/16 × 25 1/2 inches (48.7 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. View of Tashichoedzong, Bhutan and Foot Bridge

Creator:: Samuel Davis, 1760–1819
Date:: 1783
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 18 3/16 × 25 3/8 inches (46.2 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper, laid down on thick, slightly textured, beige wove paper with drawn border
Dimensions:: Sheet: 16 1/4 × 25 1/8 inches (41.3 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1829
Materials & Techniques:: Pen and red and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 7/8 × 25 5/8 inches (47.9 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Sugar Loaf, Cape of Good Hope

Creator:: Samuel Davis, 1760–1819
Date:: 1779
Materials & Techniques:: Watercolor, pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 18 × 25 7/16 inches (45.7 × 64.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Departure Of The Sons Of Tippoo From The Zenana

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 25 1/2 inches (52.1 x 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Headfort House: Cornice and Frieze

Creator:: Robert Adam, 1728–1792
Date:: undated
Materials & Techniques:: Pen and black and brown ink, graphite on moderately thick, moderately textured, cream laid paper mounted on linen
Dimensions:: Sheet: 20 13/16 x 25 1/2 inches (52.9 x 64.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Headfort House, Ireland: Elevation of the Eating Parlor

Creator:: Robert Adam, 1728–1792
Date:: 1771
Materials & Techniques:: Pen and black ink with gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 9/16 x 25 9/16 inches (37 x 65 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. A South West Prospect of the City of Bath

Creator:: Henry Roberts, ca. 1710–1790
Date:: 1757
Materials & Techniques:: Hand colored engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 16 × 25 5/8 inches (40.6 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Headfort House: Ceiling Rose in Staircase

Creator:: Robert Adam, 1728–1792
Date:: 1772
Materials & Techniques:: Pen and brown ink, graphite on moderately thick, moderately textured, cream laid paper mounted on linen
Dimensions:: Sheet: 20 15/16 x 25 11/16 inches (53.2 x 65.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Review of the Queens Own Regiment of the Yeomanry Cavalry

Creator:: Henry Papprill, 1816–d.after 1883
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 25 1/2 inches (46.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Brothers of Joseph Showing his Bloody Coat

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1782
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 9/16 × 25 3/4 inches (54.8 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. The Centurion Cornelius

Creator:: Print made by James Ward, 1769–1859
Date:: 1800
Materials & Techniques:: Mezzotint on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 24 × 28 1/16 inches (61 × 71.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. The Encampment at Brighton

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 13/16 × 25 7/8 inches (52.9 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Lord Viscount Duncan

Creator:: Charles Turner, 1774–1857
Date:: 1798
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 x 25 3/4in. (45.7 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

86. The Right Honorable Admiral Lord Viscount Duncan When Victorious off Camperdown

Creator:: John Raphael Smith, 1752–1812
Date:: 1800
Materials & Techniques:: Mezzotint
Dimensions:: Plate: 17 7/8 x 25 3/4in. (45.4 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

87. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. St. Mark's Place, Venice - Juliet and her Nurse

Creator:: Print made by George Hollis, 1792–1842
Date:: 1842
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 33 3/8 inches (64.5 × 84.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. St. Mark's Place, Venice - Juliet and her Nurse

Creator:: Print made by George Hollis, 1792–1842
Date:: 1842
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 1/8 × 30 1/2 inches (61.3 × 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Ancient Italy - Ovid Banished from Rome

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1842
Materials & Techniques:: Etching and line engraving, with scraping out and touched with graphite and white chalk; engraver's proof (a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 26 3/4 × 38 1/2 inches (67.9 × 97.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. King Edward VI presenting the Charter for Bridewell to Sir George Barnes

Creator:: George Vertue, 1684–1756
Date:: 1750
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 9/16 × 25 3/4 inches (49.7 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Game Keepers. To the Right Honorable. Lord Viscount Torrington

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Mezzotint, color printed
Dimensions:: Sheet: 15 5/16 x 25 5/8in. (38.9 x 65.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Spottiswoode Ox

Creator:: Print made by James Ward, 1769–1859
Date:: 1804
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 25 1/2 inches (51.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. Game Keepers. To the Right Honorable. Lord Viscount Torrington

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Uncolored proofs, open letter
Dimensions:: Sheet: 15 5/16 x 25 5/8in. (38.9 x 65.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. View of the Forum in Rome

Creator:: Hugh William "Grecian" Williams, 1773–1829
Date:: 1828
Materials & Techniques:: Watercolor over graphite with stopping-out, scraping out and gum on medium, smooth, white wove paper
Dimensions:: Sheet: 15 7/8 x 25 1/2 inches (40.3 x 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Hiram King of Tyre, Sends Presents to King Solomon

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1790
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/16 × 25 1/2 inches (49.1 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. Labourers

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Mezzotint, second state, finished proof
Dimensions:: Sheet: 17 7/16 x 25 5/8in. (44.3 x 65.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. "Ghuznee", Winner of The Oaks - 1841 / with Characteristic Portraits of Mr. John Scott & Mr. William Scott

Creator:: James R. Mackrell, c.1815–1846
Date:: 1841
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 21 x 25 1/2in. (53.3 x 64.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. One of a set of four: The Liverpool Great National Steeple-Chase

Creator:: John Harris, 1811–1865
Date:: 1839
Materials & Techniques:: Color printed aquatint
Dimensions:: Sheet: 19 3/8 x 25 3/4in. (49.2 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. One of a set of four: The Liverpool Great National Steeple-Chase

Creator:: John Harris, 1811–1865
Date:: 1839
Materials & Techniques:: Color printed aquatint
Dimensions:: Sheet: 19 3/8 x 25 3/4in. (49.2 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Results

1. Hampstead Heath

2. The Low Lighthouse, North Shields

3. A Winter Landscape

4. An Unknown Woman

5. Diana at the Bath

6. Venus Rising from her Couch

7. Major John Dade of Tannington, Suffolk

8. The Salmon Leap, Leixlip

9. The Ghost of Clytemnestra Awakening the Furies

10. John Quick and John Fawcett in Thomas Moreton's "The Way to Get Married"

11. Lake Windermere

12. Robert Dudley, first Earl of Leicester (1532/3–1588)

13. Borlase Cokayne as a Boy riding Sultana

14. Lincoln Cathedral

15. Landscape

16. "Arch of Marcus Aurelius at Tripoli "

17. Arch of Trajan Mactar Modern Makther set in Landscape

18. Plate twenty-one: Arch at Zanfour

19. Twenty-eight Arch at Tripoli

20. Design for a Country House

21. Deepdene, South West Front and North West Front Elevations

22. Rendezvous Island, Solomon Islands

23. Cobham Hall, Kent: Elevations of Stables

24. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

25. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

26. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

27. Headfort House, Ireland: Elevation of the Eating Parlor

28. Milton

29. Design for a Country House

30. Cobham Hall, Kent: Plan of the Stables

31. Cobham Hall, Kent: Elevations of Stables

32. Cobham Hall, Kent: Elevations of Stables

33. Temple of Jupiter and Minerva

34. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

35. Conway Castle

36. Headfort House, Ireland: Eating Parlor Ceiling

37. Design for the Gothic Library at Felbrigg Hall in Norfolk

38. Walenstadt, from Weesen, Switzerland

39. Mr. Thompson's Wire Mill, Tintern

40. Loch Coruisk, Isle of Skye, Dawn

41. High Street, Oxford

42. A View of Oxford from the Abingdon Road

43. Cologne

44. The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis

45. Mont Saint-Michel

46. Trees in a Landscape

47. Amateurs at Tye Wig Music

48. A General View of Paris taken from Chaillot

49. A View of Pont Neuf, the Mint, &c.

50. Freetown, Sierra Leone

51. A Sailing Dinghy with Three Men Leaving a Rocky Inlet

52. Yellow-eyed Babbler (Chrysomma sinense) perched on Chinese hat plant (Holmskioldia sanguinea)

53. Garden Design for Northwick Park

54. The Cottage Door

55. View of Skiddaw and Derwentwater

56. View of London Bridge and St. Paul's Cathedral

57. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

58. Twelfth Night, Act III, Scene IV: Olivia's House

59. Bijaigarh (Bidze Gur)

60. Coaching: The Royal Mails Preparing to Start for the West of England

61. View of London Bloomsbury Square

62. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

63. A View of Pont Neuf, the Mint, &c.

64. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

65. Ulysses Deriding Polyphemus

66. Fortified House with Four Octagonal Courts: First Floor Plan

67. Fortified House with Four Octagonal Courts: Attic Floor Plan

68. The Promenade in St. James's Park

69. View of Hanover Square

70. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

71. Design for Grosvenor House, London: Plan

72. View of Tashichoedzong, Bhutan and Foot Bridge

73. A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

74. Design for Grosvenor House, London: Plan