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Casemates
Creator:
George Lothian Hall, 1825–1888
Date:
1843
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 2 7/8 inches (10.5 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Conversion of Saul
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Man and a Saddled Horse
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 11/16 × 2 11/16 inches (6.8 × 6.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One Way to Stop Your Horse
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 4 3/8 x 4 5/8 inches (11.1 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
How to Ride Genteel and Agreeably Downhill
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 4 3/16 x 4 5/16 inches (10.6 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Bit of Blood
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 4 7/16 x 4 7/16 inches (11.3 x 11.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection