Image Use: Free to Use / Subject Terms: book - YCBA Collections Search Search Results

1. Landscape near Clifton

Creator:: Francis Danby, 1793–1861
Date:: 1822 to 1823
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 28 inches (91.4 x 71.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. John and Elizabeth Jeffreys and Their Children

Creator:: William Hogarth, 1697–1764
Date:: 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/4 x 35 3/4 inches (71.8 x 90.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

3. The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii

Creator:: Robert Smirke, 1752–1845
Date:: between 1798 and 1801
Materials & Techniques:: Pen and ink and oil on panel
Dimensions:: 15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

4. An Unknown Man Seated at a Table

Creator:: Arthur Devis, 1712–1787
Date:: between 1744 and 1746
Materials & Techniques:: Oil on canvas
Dimensions:: 20 x 14 inches (50.8 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. The Lady Betty Germain Bedroom at Knole, Kent

Creator:: James Holland, 1799–1870
Date:: 1845
Materials & Techniques:: Oil on canvas
Dimensions:: 27 x 37 1/2 inches (68.6 x 95.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Portrait of a Boy

Creator:: Sir William Beechey, 1753–1839
Date:: ca. 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 30 1/16 x 25 3/16 inches (76.4 x 64 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Mrs. Stevens

Creator:: Francis Wheatley, 1747–1801
Date:: ca. 1795
Materials & Techniques:: Oil on canvas
Dimensions:: 26 x 18 1/2 inches (66 x 47 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Portrait of a Woman

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 29 7/8 x 26 1/4 inches (75.9 x 66.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Lovers in Richmond Park

Creator:: James Smetham, 1821–1889
Date:: 1864
Materials & Techniques:: Oil on panel
Dimensions:: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

10. Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)

Creator:: Arthur Devis, 1712–1787
Date:: 1763
Materials & Techniques:: Oil on canvas
Dimensions:: 30 1/8 x 25 inches (76.5 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Mr. Ernest Hillman, Jr.
On View:: Not on view

11. John Eardley Wilmot

Creator:: Benjamin West, 1738–1820
Date:: 1812
Materials & Techniques:: Oil on canvas
Dimensions:: 41 1/2 x 58 1/4 inches (105.4 x 148 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. A Couple, Traditionally Identified as Mr. and Mrs. Hill

Creator:: Arthur Devis, 1712–1787
Date:: between 1750 and 1751
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 25 inches (76.2 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt

Creator:: David Roberts, 1796–1864
Date:: 1849
Materials & Techniques:: Oil on panel
Dimensions:: 14 1/2 x 21 1/2 inches (36.8 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. St. Paul before Agrippa

Creator:: Sir James Thornhill, 1675–1734
Date:: ca. 1710
Materials & Techniques:: Oil on canvas
Dimensions:: 32 1/4 x 29 1/4 inches (81.9 x 74.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. A Woman, possibly Anne (née Ward) Morland, Wife of the Artist

Creator:: George Morland, 1763–1804
Date:: ca. 1795
Materials & Techniques:: Oil on canvas
Dimensions:: 11 11/16 x 9 11/16 inches (29.7 x 24.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Woman Reading by a Paper-Bell Shade

Creator:: Henry Robert Morland, 1730–1797
Date:: 1766
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 25 inches (76.2 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss

Creator:: Sir Godfrey Kneller, 1646–1723
Date:: between 1697 and 1716
Materials & Techniques:: Oil on canvas
Dimensions:: 31 x 26 inches (78.7 x 66 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

18. John Varley

Creator:: John Linnell, 1792–1882
Date:: 1820
Materials & Techniques:: Oil on panel
Dimensions:: 12 5/8 x 10 1/8 inches (32.1 x 25.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Conversation Piece

Creator:: Mason Chamberlin, 1727–1787
Date:: 1761
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 26 3/4 inches (63.5 x 67.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. An Unknown Woman with a Book

Creator:: Bartholomew Dandridge, baptized 1691–died in or after 1754
Date:: ca. 1735
Materials & Techniques:: Oil on canvas
Dimensions:: 20 7/8 × 16 1/2 inches (53 × 41.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Elizabeth Erskine, (née Pierrepont), Countess of Kellie

Creator:: Paul van Somer, ca. 1576–1621
Date:: ca. 1619
Materials & Techniques:: Oil on canvas
Dimensions:: 81 x 48 1/2 inches (205.7 x 123.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. The Gore Family with George, third Earl Cowper

Creator:: Johan Joseph Zoffany, 1733–1810
Date:: ca. 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 31 x 38 1/2 inches (78.7 x 97.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. A Family, Traditionally Identified as the Swaine Family of Fencroft, Cambridgeshire

Creator:: Arthur Devis, 1712–1787
Date:: 1749
Materials & Techniques:: Oil on canvas
Dimensions:: 25 1/4 × 40 3/4 inches (64.1 × 103.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. The Harlowe Family, from Samuel Richardson's "Clarissa"

Creator:: Joseph Highmore, 1692–1780
Date:: between 1745 and 1747
Materials & Techniques:: Oil on canvas
Dimensions:: 25 1/2 x 30 7/8 inches (64.8 x 78.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. Schoolgirls

Creator:: Sir George Clausen, 1852–1944
Date:: 1880
Materials & Techniques:: Oil on canvas
Dimensions:: 20 1/2 x 30 3/8 inches (52.1 x 77.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. Christening of the Heir

Creator:: William Redmore Bigg, 1755–1828
Date:: ca. 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. George Robertson

Creator:: Portrait by John Francis Rigaud, 1742–1810
Date:: 1776
Materials & Techniques:: Oil on canvas
Dimensions:: 44 1/4 × 34 5/8 inches (112.4 × 87.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. An Unknown Man in a Library

Creator:: Arthur Devis, 1712–1787
Date:: between 1740 and 1741
Materials & Techniques:: Oil on canvas
Dimensions:: 19 3/4 x 13 3/4 inches (50.2 x 34.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

29. A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading

Creator:: unknown artist
Date:: late 18th century?
Materials & Techniques:: Oil on panel
Dimensions:: 20 1/2 × 18 inches (52.1 × 45.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

30. An Unknown Man

Creator:: John Downman, 1750–1824
Date:: ca. 1780
Materials & Techniques:: Oil on panel
Dimensions:: 14 x 10 1/2 inches (35.6 x 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

31. George and Margaret Rogers

Creator:: Francis Hayman, 1707/8–1776
Date:: between 1748 and 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 35 1/2 x 27 1/2 inches (90.2 x 69.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

32. Study for a Group Portrait

Creator:: Joseph Highmore, 1692–1780
Date:: between 1729 and 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/8 × 18 1/2 inches (35.9 × 47 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

33. An Unknown Man

Creator:: Philippe Mercier, 1691–1760
Date:: 1746
Materials & Techniques:: Oil on canvas
Dimensions:: 35 3/4 × 27 3/4 inches (90.8 × 70.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

34. Mary Adam

Creator:: Allan Ramsay, 1713–1784
Date:: 1754
Materials & Techniques:: Oil on canvas
Dimensions:: 37 x 28 inches (94 x 71.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

35. A Cleric: rotund figure in white clerical collar and black robes, with a red book tucked under his arm

Creator:: Derby porcelain factory, founded 1756
Date:: ca. 1810
Materials & Techniques:: Derby figure
Dimensions:: Sheet: 6in. (15.2cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

36. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/16 x 7 inches (21.1 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

39. Simon, Lord Lovat

Creator:: Print made by William Hogarth, 1697–1764
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memoiral Collection

40. Tail Piece, or the Bathos

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 12 3/8 × 13 1/4 inches (31.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

41. Infant Joy (Plate 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief and white-line etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The First Book of Urizen, Title Page (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching printed in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. "In living creations appear'd..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Songs of Innocence, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief and white-line etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Lamb (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor; verso: relief and white-line etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. "In living creations appear'd..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. "Albions Angel rose upon the Stone of Night..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The First Book of Urizen; Title Page (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Songs of Innocence, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Lamb (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Poems by Mr. Gray; Title Page

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Elizabeth. "Girt with many a Baron bold..." (Design 63)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. "Therefore God becomes as we are..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. VI. "The desires & perceptions of man untaught..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. "Bath who is Legions..." (Plate 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. "Of the Mundane Shell which froze..." (Plate 64)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Epitaph on Mrs. Clarke; Title Page

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Elegy Written in a Country Church-Yard; Title Page

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. "Up stairs in a whirlwind rattle..." (Design 29)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. "And purple tyrants vainly groan..." (Design 37)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Thomas Hayley, the Disciple of John Flaxman, from a Medallion

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Engraving and stipple on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 3/4 × 6 1/8 inches (22.3 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles J. Rosenbloom, B.A. 1920

70. Moses Receiving the Law

Creator:: William Blake, 1757–1827
Date:: ca. 1780
Materials & Techniques:: Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Thomas Alphonso Hayley, Half-Length Drawing

Creator:: attributed to William Blake, 1757–1827
Date:: ca. 1800
Materials & Techniques:: Graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 5 1/4 inches (17.1 x 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles Rosenbloom

72. Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

Creator:: Prints made by William Blake, 1757–1827
Date:: 1789-1794
Materials & Techniques:: Bound volume of relief etchings printed in dark-brown ink, with hand coloring in watercolor on wove paper
Dimensions:: Spine: 7 3/8 inches (18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Thomas Hayley the Disciple of John Flaxman, from a Medallion

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Engraving and stipple on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/16 x 8 11/16 inches (28.7 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Sibyl

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 5 3/8 inches (14.6 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

76. Couple Examining a Book

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Pen and brown ink; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 6 1/2 inches (19.7 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

77. Thomas Ashton D.D.

Creator:: James McArdell, ca. 1729–1765
Date:: 1756
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 10 1/4 inches (37.5 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Frontispiece for Town and Country Magazine, for Vol. III for 1771, No. 1

Creator:: Isaac Taylor, 1730–1807
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/16 × 3 15/16 inches (15.7 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. Repose in Egypt

Creator:: Print made by James Barry, 1741–1806
Date:: ca. 1776
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 1/8 x 10 9/16 inches (20.6 x 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Repose in Egypt

Creator:: Print made by James Barry, 1741–1806
Date:: ca. 1776
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Sunday Morning, A Cottage Family Going to Church

Creator:: William Nutter, 1754–1802
Date:: 1795
Materials & Techniques:: Stipple engraving, colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Damnation of Obadiah

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1773
Materials & Techniques:: Etching on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 12 1/16 x 15 11/16 inches (30.6 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Damnation of Obadiah

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: between 1773 and 1817
Materials & Techniques:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 17 1/2 inches (27.5 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Miss Crockatt as Julia de Roubigné

Creator:: Print made by John Dean, 1754–1798
Date:: 1786
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 13/16 x 11 7/16 inches (37.7 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. The Dilettanti Society

Creator:: Print made by William Say, 1768–1834
Date:: 1812
Materials & Techniques:: Mezzotint (proof before letters) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/4 × 18 inches (61.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. Mary Elizabeth, Countess Grey, with Her Two Children

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1831
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 13 3/4 inches (43.5 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Hiram King of Tyre, Sends Presents to King Solomon

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1790
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/16 × 25 1/2 inches (49.1 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. Lady Rushout and her Children

Creator:: Print made by Thomas Watson, 1743–1781
Date:: 1778
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Plate: 19 1/2 × 21 5/8 inches (49.5 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Devotion in Such Looks Does Gracefull Shine, and Forces Us to Own Her Pow'r Divine...

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: 1705
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 10 1/16 inches (34.9 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

90. The Visionary

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1833
Materials & Techniques:: Mezzotint, stipple engraving, and line engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 9/16 x 11 1/8 inches (42 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. Connubial Happiness

Creator:: Print made by E. J. Dumée, active 1790
Date:: 1786
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/16 × 17 1/2 inches (56 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. Rabbi with a White Turban

Creator:: Print made by William Pether, ca. 1738–1821
Date:: 1778
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 22 3/4 × 16 1/2 inches (57.8 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. Rabbi with a White Turban

Creator:: Print made by William Pether, ca. 1738–1821
Date:: 1778
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 24 7/8 × 17 15/16 inches (63.2 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. Courtship for Money

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 10 7/16 inches (36.2 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. Reading by a Paper-Bell Shade

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1768
Materials & Techniques:: Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/8 x 11 1/8 inches (42.8 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. St. Paul

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1741
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/8 × 10 9/16 inches (37.8 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. St. Paul

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1741
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 9 11/16 inches (34 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. She Never Told Her Love, But Sat Like Patience on a Monument

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Brown ink with brown wash and gouache and oil on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Junius

Creator:: Print made by Thomas Bonner, ca. 1740–ca. 1812
Date:: 1769
Materials & Techniques:: Etching and stipple engraving on medium, smooth, cream laid paper in contemporary laid paper insert
Dimensions:: Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

100. 'The Gamester,' Act V, Scene IV

Creator:: James Fittler, 1758–1835
Date:: 1792
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 3 1/16 inches (14 × 7.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

YCBA Collections Search

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1. Landscape near Clifton

2. John and Elizabeth Jeffreys and Their Children

3. The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii

4. An Unknown Man Seated at a Table

5. The Lady Betty Germain Bedroom at Knole, Kent

6. Portrait of a Boy

7. Mrs. Stevens

8. Portrait of a Woman

9. Lovers in Richmond Park

10. Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)

11. John Eardley Wilmot

12. A Couple, Traditionally Identified as Mr. and Mrs. Hill

13. The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt

14. St. Paul before Agrippa

15. A Woman, possibly Anne (née Ward) Morland, Wife of the Artist

16. Woman Reading by a Paper-Bell Shade

17. Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss

18. John Varley

19. Conversation Piece

20. An Unknown Woman with a Book

21. Elizabeth Erskine, (née Pierrepont), Countess of Kellie

22. The Gore Family with George, third Earl Cowper

23. A Family, Traditionally Identified as the Swaine Family of Fencroft, Cambridgeshire

24. The Harlowe Family, from Samuel Richardson's "Clarissa"

25. Schoolgirls

26. Christening of the Heir

27. George Robertson

28. An Unknown Man in a Library

29. A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading

30. An Unknown Man

31. George and Margaret Rogers

32. Study for a Group Portrait

33. An Unknown Man

34. Mary Adam

35. A Cleric: rotund figure in white clerical collar and black robes, with a red book tucked under his arm

36. The Sleeping Shepherd

37. The Sleeping Shepherd

38. The Sleeping Shepherd

39. Simon, Lord Lovat

40. Tail Piece, or the Bathos

41. Infant Joy (Plate 28)

42. 'What, though my soul fantastick measures trod' (Page 4)

43. The First Book of Urizen, Title Page (Plate 1)

44. "In living creations appear'd..." (Plate 6)

45. Songs of Innocence, Title Page (Plate 2)

46. The Lamb (Plate 18)

47. "In living creations appear'd..." (Plate 8)

48. "Albions Angel rose upon the Stone of Night..." (Plate 12)

49. The First Book of Urizen; Title Page (Plate 1)

50. Songs of Innocence, Title Page (Plate 2)

51. The Lamb (Plate 8)

52. 'O treacherous conscience! while she seems to sleep" (Page 27)

53. 'What, though my soul fantastick measures trod' (Page 4)

54. 'Till at Death's toll, whose restless iron tongue' (Page 7)

55. Poems by Mr. Gray; Title Page

56. Elizabeth. "Girt with many a Baron bold..." (Design 63)

57. "Therefore God becomes as we are..." (Plate 9)

58. VI. "The desires & perceptions of man untaught..." (Plate 8)

59. "Bath who is Legions..." (Plate 41)

60. "Of the Mundane Shell which froze..." (Plate 64)

61. 'The longest night though longer far, would fail' (Page 15)

62. Epitaph on Mrs. Clarke; Title Page

63. Elegy Written in a Country Church-Yard; Title Page

64. The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

65. "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

66. "Up stairs in a whirlwind rattle..." (Design 29)

67. "And purple tyrants vainly groan..." (Design 37)

68. "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

69. Thomas Hayley, the Disciple of John Flaxman, from a Medallion

70. Moses Receiving the Law

71. Thomas Alphonso Hayley, Half-Length Drawing

72. Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

73. 'The longest night though longer far, would fail' (Page 15)

74. Thomas Hayley the Disciple of John Flaxman, from a Medallion