etching begun ca. 1880; impression printed in 1924
3
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
4
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
5
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
6
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
7
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
8
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
9
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
10
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
11
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
12
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
13
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
14
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
15
Print made by Samuel Palmer, 1805–1881
The Willow
1850
16
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
between 1880 and 1883
17
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
18
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
19
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
20
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
21
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
etching begun before 1861; impression printed in 1926
22
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
23
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
24
Print made by Samuel Palmer, 1805–1881
The Willow
1850
25
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
26
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
27
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
1794
28
Print made by John Sell Cotman, 1782–1842
Cader Idris
between 1824 and 1830
29
Print made by Miles Edmund Cotman, 1810–1858
Study of Trees on the Banks of the Yare
1846
30
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
31
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
32
Print made by William Angus, 1752–1821
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
33
Print made by David Allan, 1744–1796
Glaud and Symon
1808
34
Print made by David Allan, 1744–1796
Jenny and Roger
1808
35
George Bickham the Younger, ca. 1706–1771
A View of the House from the Equestrian Statue in the Park of the Earl Temple at Stow, in Buckinghamshire
36
Thomas Bowles, ca. 1712–died 1753
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
37
unknown artist
The City of Ratisbon
38
George Bickham the Younger, ca. 1706–1771
A View from Cap't Grenvilles Monument to the Grecian Temple in the Gardens of Earl Temple at Stow, in Buckinghamshire
39
George Bickham the Elder, 1683/4–1758
A View in the Elysian Fields, from the Spring of Helicon in the Gardens of Earl Temple at Stow, in Buckinghamshire
40
Print made by unknown artist
The City of Breslau
41
Print made by David Allan, 1744–1796
Patie Rebukes Roger
1808
42
Print made by David Allan, 1744–1796
Patie and Peggy
1808
43
Print made by unknown artist
A View of Campo Vaccino at Rome
undated
44
Print made by David Allan, 1744–1796
Peggy and Patie
1808
45
Thomas Gainsborough, 1727–1788
A Moonlit Landscape with Cattle by a Pool
ca. 1780
46
Print made by Letitia Byrne, 1779–1849
Kenilworth Castle
1794-1837
47
Valentine Green, 1739–1813
St. Augustine's Gate, Canterbury
1779
48
Sir Francis Seymour Haden, 1818–1910
Kenarth, South Wales
1864
49
Sir Francis Seymour Haden, 1818–1910
The Moat House
1865
50
Sir Francis Seymour Haden, 1818–1910
Werrington
1868
51
Sir Francis Seymour Haden, 1818–1910
Sawley Abbey
1873
52
Sir Francis Seymour Haden, 1818–1910
A Lancashire River
1881
53
Print made by David Lucas, 1802–1881
Frontispiece, Artist's Home at East Bergholt, Suffolk
1831
54
Print made by Richard Earlom, 1743–1822
A Landscape
1817
55
Print made by Robert Hills, 1769–1844
Cattle Resting
1807
56
Print made by Richard Earlom, 1743–1822
A Landscape, with the Story of Europa
1802
57
Sir Francis Seymour Haden, 1818–1910
Newcastle in Emlyn
1864
58
Sir Francis Seymour Haden, 1818–1910
Kenarth
1864
59
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
between 1779 and 1780
60
M. J. Starling, active 1830
Belvoir Castle, Rutland
1835
61
James Peak, 1703–1782
Mercury and Battus
62
James Mason, 1710–1783
Untitled (duplicate of B1977.14.11857)
1862
63
James Mason, 1710–1783
A View in the Island of Jamaica
1778
64
Print made by David Lucas, 1802–1881
Castle Acre Priory
1830 to 1831
65
Print made by David Lucas, 1802–1881
A Dell, Helmingham Park, Suffolk
1830
66
Print made by John Sell Cotman, 1782–1842
Tan-y-Bwlch, Merionethshire, North Wales
between 1810 and 1817
67
Print made by Thomas Girtin, 1775–1802
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
1802
68
Print made by Edward Calvert, 1799–1883
The Flood
1829
69
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
70
Print made by Richard Earlom, 1743–1822
A Landscape, with the Story of Apollo and Marsyas
1775
71
Print made by Richard Earlom, 1743–1822
A Landscape with Cattle
1775
72
Print made by William Angus, 1752–1821
Witley Court in Worcestershire, the Seat of Lord Foley
1810
73
Sir Francis Seymour Haden, 1818–1910
Cowdray
1882
74
John Greig, active 1803–1853
Godalming, Surrey
1820
75
Print made by Louisa Augusta Greville, 1743–active 1762
Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground