Image Use: Free to Use / Subject Terms: columns / Classification: Prints

Print made by Robert Polhill Bevan, 1865–1925

A London Church

1924

Etched by Joseph Mallord William Turner, 1775–1851

Holy Island Cathedral

1808

Etched by Joseph Mallord William Turner, 1775–1851

Holy Island Cathedral

1808

Etched by Joseph Mallord William Turner, 1775–1851

Holy Island Cathedral

1808

Print made by Richard Parkes Bonington, 1802–1828

Façade St. Jean

ca. 1824

Print made by Alexander van Haecken, 1701–1758

Juno

undated

Print made by Abraham Blooteling, 1640–1690

Jeune homme tenant un bocal

between 1680 and 1690

Print made by Thomas Bonner, ca. 1740–ca. 1812

Junius

1769

Print made by Richard Parkes Bonington, 1802–1828

Eglise de St. Jean a Lyons

ca. 1824

Paul Sandby, 1731–1809

The Romans Polite to Strangers

ca. 1781

after George Baxter, 1804–1867

Prince Albert

after 1855

Simon Gribelin, 1662–1733

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

ca. 1720

Print made by Charles Grignion, 1717–1810

The Noble Behavior of Caractacus, before the Emperor Claudius

1751

Print made by Thomas Burke, 1749–1815

Andromache and Hecuba Weeping over the Ashes of Hector

1771

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

Print made by unknown artist

The Young Roscius

1804

Print made by Daniel Berger, 1744–1824

Die Maussalle.... - "Hamlet," Act III, Scene II

between 1778 and 1780

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX

1778

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II

1778

Georg Goldberg, 1830–1894

"Antony and Cleopatra," Act III, Scene XI

undated

Andreas Geiger, 1765–1856

Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

undated

James Heath, 1757–1834

William Henry West Betty

1806

Simon Gribelin, 1662–1733

The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

1720

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

Print made by Francesco Bartolozzi, 1728–1815

The Earl of Mansfield

1786

Print made by Bradshaw & Blacklock, active ca.1850

Hampton Court

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Greenwich Hospital

after 1850

after George Baxter, 1804–1867

Queen Victoria

ca. 1860

after George Baxter, 1804–1867

Prince Albert

after 1855

Print made by William Faithorne the Younger, ca. 1669–1703

Thomas Shadwell, Esquire, Poet Laureat & Historiographer

between 1690 and 1703

Print made by Sir David Young Cameron, 1865–1945

Ponte Vecchio [North Italian Set: No. 21]

1895

Print made by Sir David Young Cameron, 1865–1945

Porta del Molo, Genoa [North Italian Set: No. 23]

1896

Print made by Sir David Young Cameron, 1865–1945

Roslyn

1899

Print made by Sir David Young Cameron, 1865–1945

St. Mark's No. 2

1900

Print made by Sir David Young Cameron, 1865–1945

The Abbazia, Venice

1900

Print made by Sir David Young Cameron, 1865–1945

Rosslyn Chapel

1901

Print made by Sir David Young Cameron, 1865–1945

Doge's Palace

1902

Print made by Sir David Young Cameron, 1865–1945

St. Laumer-Blois

1903

Print made by Sir David Young Cameron, 1865–1945

Montivilliers

1903

Print made by Sir David Young Cameron, 1865–1945

The Mosque Doorway, Cairo

1910

Print made by Sir David Young Cameron, 1865–1945

Tewkesbury Abbey

1915

Print made by Johann Ulrich Kraus, 1655–1719

A Bacchanian Scene

undated

Print made by Bernard Lens II, 1659–1725

Venus Attiring by the Graces

undated

Print made by John Simon, 1675–1751

The Devout

undated

Print made by Johann Jacobus Haid, 1704–1767

Rejouissances pour le Retour de l'Enfant Prodigue

undated

Print made by Johann Jacobus Haid, 1704–1767

Das Schachspiel

undated

Print made by Johann Jacobus Haid, 1704–1767

Ornatus Corporis et Animi

undated

John Faber the Younger, ca. 1695–1756

Thomas Smith, Esq

1746

Print made by John Dixon, ca. 1740–1811

Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

1771

Print made by James McArdell, ca. 1729–1765

Lady Mary Coke

1762

Print made by Bradshaw & Blacklock, active ca.1850

Albanian Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Double Hairpin Set

after 1850

Print made by Edward Fisher, 1722–1785

Clara

1777

Print made by Jacob Gole, 1660–1737

Lady with a Fan

1690s

Robert Dixon, 1780–1815

Beeston Priory, Beeston Regis

between 1810 and 1811

Caroline Watson, 1760–1814

Garrick Reading the Ode at the Shakespeare Jubilee

1784

Paul Fourdrinier Blenheim House. Erected at the Publick Expence in Commemoration of the Victory at Blenheim, and setled on the Great Duke of Marlborough and his Descendents for ever

Paul Fourdrinier, 1698–1758

Blenheim House. Erected at the Publick Expence in Commemoration of the Victory at Blenheim, and setled on the Great Duke of Marlborough and his Descendents for ever

Print made by Carington Bowles, 1724–1793

The Inside of St. Peters Church at Rome

Thomas Bowles III, ca. 1712–1767

An Inside View of the Church of St. Stephen Walbrooke London

Print made by Francesco Bartolozzi, 1728–1815

Twelfth Night, Act V, Scene I: The Street

1803

Print made by George Bickham the Younger, ca. 1706–1771

Architectural Designs Incorporating Chinoiserie Motifs: Oblong Paling. A Door. Parallel railing

1751

Print made by John Baptist Jackson, 1701–1780

The Rich Man and Lazarus

1743

Print made by James Basire, 1730–1802

Pylades and Orestes

1771

Print made by James Gillray, 1756–1815

Shakespeare Sacrificed; or, The Offering to Avarice

1789

unknown artist

A Prospect of the Parliament House, in College Green, Dublin

Print made by unknown artist

The Remains of the Great Temple in Palmira seen from the West. ..

between 1780 and 1815

John Greig, active 1803–1853

The Crypt, Worcester Cathedral

1807

Print made by Ebenezer Challis, active 1837–1859

The Baron's Hall

1844

Print made by Thomas Barber, ca. 1768–1843

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

1829

unknown artist

A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford

Print made by Thomas Mann Baynes, 1794–1854

The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

after 1835

Print made by Francesco Bartolozzi, 1728–1815

Virtuous Love

1793

Thomas Malton the Younger, 1748–1804

Hall's Library at Margate

1789

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Valentine Green, 1739–1813

Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III

1776

Edward Fisher, 1722–1785

Sir Thomas Harrison

1765

John Finlayson, 1730–1776

Lord Cardross

1765

Print made by John Dixon, ca. 1740–1811

Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

1771

Johann Gottfried Haid, 1704–1767

The Right Honourable Sir Charles Pratt Knight, (now Lord Camden) Lord Chief Justice of his Majesty's Court of Common Pleas

1766

Richard Cooper the Younger, 1740–1814

The Procession of the Knights of the Most Noble Order of the Garter

1782

Print made by Sir David Young Cameron, 1865–1945

Chartres

1902

Print made by Frederick Landseer Maur Griggs, 1876–1938

Stoke Poges

1918

Print made by James Heath, 1757–1834

General Washington

1800

John Doyle ('H.B.') A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

Print made by John Doyle ('H.B.'), 1797–1868

A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

1847