'Sultan' at the Marquess of Exeter's Stud, Burghley House
1826
Not on view
3
Richard Redgrave, 1804–1888
The Deserter's Home
1847
Not on view
4
Johan Joseph Zoffany, 1733–1810
David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return"
ca. 1762
Not on view
5
Samuel De Wilde, 1748–1832
Samuel Thomas Russell in Samuel Foote's "The Mayor of Garratt"
between 1810 and 1811
Not on view
6
Robert Bateman, 1842–1922
The Pool of Bethesda
1877
Not on view
7
William Redmore Bigg, 1755–1828
Birth of the Heir
ca. 1799
Not on view
8
Thomas Beach, 1738–1806
Four Servants of Ston Easton Estate
1776
Not on view
9
Robert Smirke, 1752–1845
The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
10
George Morland, 1763–1804
The Squire's Door
ca. 1790
Not on view
11
Sir Edwin Henry Landseer, 1802–1873
Favourites, the Property of H.R.H. Prince George of Cambridge
1834 to 1835
Not on view
12
James Holland, 1799–1870
The Lady Betty Germain Bedroom at Knole, Kent
1845
Not on view
13
Alexander Nasmyth, 1758–1840
Stage Design for Heart of Midlothian; Deans' Cottage
ca. 1819
Not on view
14
Samuel Palmer, 1805–1881
Ivy Cottage, Shoreham
undated
15
Edward Lear, 1812–1888
Leonessa, 3 October 1844
1844
16
George Romney, 1734–1802
Howard Visiting a Prison
undated
17
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
18
Print made by William Blake, 1757–1827
Jerusalem, Plate 1, Frontispiece
1804 to 1820
19
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
20
Print made by William Blake, 1757–1827
Death's Door; Plate 17
1793
21
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
22
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
1826
23
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
24
Print made by John Browne, 1741–1801
Evening
ca. 1797
25
Print made by John Browne, 1741–1801
Evening
ca. 1797
26
William Callow, 1812–1908
Farmhouse with Church in Distance
undated
27
Cornelius Varley, 1781–1873
Cottages at Llanllyfni, North Wales
1805
28
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
29
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
30
attributed to Hubert-François Gravelot, 1699–1773
Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background
undated
31
Thomas Heaphy, 1775–1835
Inattention
1808
32
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
33
Francis Wheatley, 1747–1801
Traveling Potter Outside a Cottage
1798
34
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
35
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
36
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
37
George John Pinwell, 1842–1875
Study for "The Goose", 1867: Interior of a Barn
1866
38
James Wyatt, 1746–1813
Hinton St. George, Somerset: Plan of the Dressing Room
1801
39
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
40
Frederick Mackenzie, 1788–1854
The West Door, Rochester Cathedral, Kent
undated
41
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
42
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
43
Joseph Powell, 1780–1834
Farmhouse with Figures at Door and Window
undated
44
James Paine, 1717–1789
Design for a Church: Elevation of the West Front
ca. 1750
45
John Monro, 1801–1880
Capel Church, Near Dorking, Surrey
undated
46
Francis Wheatley, 1747–1801
The Rustic Lover
1786
47
Thomas Rowlandson, 1756–1827
The Undergraduate's Room
undated
48
Thomas Rowlandson, 1756–1827
The Recruiting Officer
1797
49
Charles Tomkins, 1757–1823
Painter-Stainers’ Hall
1799
50
Thomas Girtin, 1775–1802
St. Alban's Cathedral, Hertfordshire
ca. 1797
51
Thomas Rowlandson, 1756–1827
Register Office for the Hiring of Servants
between 1800 and 1805
52
Thomas Rowlandson, 1756–1827
The Inn Door (A Man escorted by two link boys to a door to the left)
undated
53
Print made by David Allan, 1744–1796
Sir William Worthy and Patie
1808
54
George Hicks, 1824–1914
The Sinews of Old England
1857
55
Henry Edridge, 1769–1821
The Lecture House, Watford
1806
56
John Augustus Atkinson, 1775–1831
Going to School
between 1801 and 1810
57
Print made by Sir Muirhead Bone, 1876–1953
Entrance from the Piazza
1901
58
Print made by John Thomas Smith, 1766–1833
Oak Door Discovered in the Speaker's State Dining Room
1806
59
Thomas Rowlandson, 1756–1827
Comforts of Bath: Coaches Arriving
1798
60
Thomas Rowlandson, 1756–1827
Comforts of Bath: Private Practice Previous to the Ball
1798
61
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
62
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
63
James Pollard, 1792–1867
Cottager's Hospitality to Travellers of The Coach Broke Down
1819
64
Print made by George Cruikshank, 1792–1878
Mrs. Sheppard Expostulating with her Son
1839
65
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
66
Henry Thomas Alken, 1785–1851
A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"
1821
67
Print made by John Thomas Smith, 1766–1833
Eight Illustrations of Westminster
1806
68
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
69
Thomas Rowlandson, 1756–1827
Kitty Overcome
1821
70
Print made by David Allan, 1744–1796
Bauldy, Symon and Sir William Worthy
1808
71
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
72
Thomas Rowlandson, 1756–1827
Jealousy, Rage, Disappointment..
1817
73
Charles Robert Cockerell, 1788–1863
St. George's Hall, Liverpool: Interior Elevation
ca. 1853
74
John Sell Cotman, 1782–1842
Porch of the Church of Stratton Saint Mary's, Norfolk
undated
75
John Sell Cotman, 1782–1842
South Door, Arminghall Hall, Norfolk
1811
76
Peter Nicholson, 1765–1844
Barshaw House
1802
77
unknown artist
Front Elevation of a House with Porch in the Gothic Style
undated
78
William Edmunds, 1801–1847
The Street, Church, Parsonage and Grammar School, Bankside, Southampton
1839
79
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
80
Thomas Girtin, 1775–1802
St. Alban's Cathedral, Hertfordshire
ca. 1797
81
Print made by Sir Francis Seymour Haden, 1818–1910
Mytton Hall
1859
82
Print made by Sir Francis Seymour Haden, 1818–1910
Mytton Hall
1859
83
Print made by Sir Francis Seymour Haden, 1818–1910
Mytton Hall
1859
84
Print made by Sir Muirhead Bone, 1876–1953
Glasgow Exhibition: Entrance from the Piazza
1901
85
Edward Francis Burney, 1760–1848
Watley
undated
86
Edward Francis Burney, 1760–1848
Country House
undated
87
Print made by Johann Friedrich Bodecker, German, 1658–1727
Cornelis Solingen
undated
88
Print made by Richard Brookshaw, 1736–1804
The Ragged Concert
1770
89
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808, published 1813
90
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
91
Richard Parkes Bonington, 1802–1828
The Church of St. Wulfran, Abbeville: The North Door of the West Front