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101. A Sportsman

Creator:: Edward Haytley, active 1740–1761
Date:: 1752
Materials & Techniques:: Oil on canvas
Dimensions:: 20 3/8 x 14 3/8 inches (51.8 x 36.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

102. Portrait of Thomas Cholmondeley, first Lord Delamere, on His Hunter (study for "The Cheshire Hunt at Tatton Park")

Creator:: Henry Calvert, 1798–1869
Date:: ca. 1839
Materials & Techniques:: Oil on panel
Dimensions:: 16 x 12 inches (40.6 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

103. Mid-Day Rest, Harvest

Creator:: William Frederick Witherington, 1785–1865
Date:: ca. 1840
Materials & Techniques:: Oil on board
Dimensions:: 8 x 11 1/2 inches (20.3 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

104. A Soldier's Return

Creator:: George Morland, 1763–1804
Date:: late 18th century
Materials & Techniques:: Oil on panel
Dimensions:: 6 7/8 x 10 5/8 inches (17.5 x 27 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

105. Figure of the Artist's Father

Creator:: George Paul Eckstein, 1739–1828
Date:: between 1775 and 1800
Materials & Techniques:: Terracotta, with separate gilded base
Dimensions:: Overall: 7 x 8 x 8 inches (17.8 x 20.3 x 20.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

106. Mr. Punch

Creator:: John Cheere, 1709–1787
Date:: ca. 1760
Materials & Techniques:: Lead
Dimensions:: Overall: 33 3/4 inches (85.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

107. Ivy Cottage, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and brown ink ; verso: graphite and white chalk on thick, slightly textured, blue wove paper
Dimensions:: Frame: 23 1/4 x 30 x 1in. (59.1 x 76.2 x 2.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Study for "The Shearers"

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Frame: 19 5/16 × 15 7/8 × 1 1/16 inches (49 × 40.3 × 2.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 7/8 x 16 3/8 inches (27.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, beige wove paper with beige chine collé
Dimensions:: Sheet: 9 x 12 3/16 inches (22.8 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 10 3/8 x 13 3/4 inches (26.3 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 9 inches (15.3 x 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, beige wove paper
Dimensions:: Sheet: 6 7/16 x 9 3/16 inches (16.3 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/16 inches (27.6 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 3/4 x 14 5/16 inches (27.3 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

120. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 9/16 x 16 3/8 inches (29.4 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

121. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

122. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/16 x 7 inches (21.1 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

123. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

124. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun before 1861; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 x 9 15/16 inches (17.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1920
Materials & Techniques:: Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 x 8 1/2 inches (28.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, retouched with graphite on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 4 13/16 x 4 inches (12.3 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 x 11 9/16 inches (21.5 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/16 x 6 11/16 inches (20.4 x 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

133. Greek Woodcutter, June 13 /56

Creator:: Edward Lear, 1812–1888
Date:: 1856
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/16 x 6 1/8 inches (23 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

134. A Standing Male Figure

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 4 inches (17.1 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

135. Lord Salisbury, Standing by a Pillar

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink with brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 x 13 1/4 inches (50.2 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

136. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Jerusalem, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Alas!; Plate 9

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. The Traveller Hasteth in the Evening; Plate 16

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. The Poems of Thomas Gray, Design 27, "A Long Story."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Europe. A Prophecy, Plate 13 (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Mrs. Cosway

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1787
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 9/16 x 13 9/16 inches (47.1 x 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Spanish Student

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: ca. 1830
Materials & Techniques:: Etching on moderately thick, slightly textured, beige Japan paper
Dimensions:: Sheet: 18 x 12 11/16 inches (45.7 x 32.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Morning

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 16 7/8 inches (32.2 x 42.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Paysan des Alpes

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: 1769-1770
Materials & Techniques:: Drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 7 15/16 inches (24.7 x 20.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Monsieur Le Fouet, La Francia

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1772
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 6 3/4 inches (26.4 × 17.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Man with a Walking Stick in a Landscape

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1773
Materials & Techniques:: Etching on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 10 1/16 x 9 1/16 inches (25.6 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Postiglione Inglese

Creator:: Print made by Charles Bretherton, ca. 1760–1783
Date:: 1772
Materials & Techniques:: Etching on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 10 11/16 x 8 3/8 inches (27.2 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Study

Creator:: Print made by John Chalon, 1738 – 1795
Date:: 1789-1790
Materials & Techniques:: Etching on medium, smooth, beige laid paper
Dimensions:: Sheet: 3 1/16 × 2 15/16 inches (7.8 × 7.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. A Fisherwoman, Hands under Apron

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Pen and black ink, and watercolor on medium, slightly textured, beige laid paper mounted to medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 inches (16.5 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Man Asleep in a Long Blue Coat

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, beige laid paper mounted to medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 1/2 x 5in. (19.1 x 12.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Studies of Boats, Figures, Carts, and Buildings

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 11 3/4 inches (24.8 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Studies for Shylock

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Pen and brown ink on thin, slightly textured, cream laid paper joined to thin, slightly textured, cream laid paper, mounted on card
Dimensions:: Mount: 15 × 18 7/8 inches (38.1 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

Creator:: Print made by Hugh Downman, d. 1789
Date:: ca. 1787
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, beige laid paper, pasted on mount
Dimensions:: Sheet: 19 × 13 1/4 inches (48.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. A Lady with a Fan

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1760
Materials & Techniques:: Red chalk and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 4 1/16 inches (21 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Portrait of a Man

Creator:: Joseph Wright of Derby, 1734–1797
Date:: ca. 1768
Materials & Techniques:: Black chalk, white chalk and brown chalk on medium, slightly textured, white laid paper
Dimensions:: Sheet: 14 1/2 x 11 1/4 inches (36.8 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. The Reflection: Grotesque Fat man Looking in a Hand Mirror

Creator:: Imitator of James Gillray, 1756–1815
Date:: undated
Materials & Techniques:: Graphite and pen and black ink; verso: black chalk on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 13 3/4 x 10 5/8in. (34.9 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Man Sleeping Outdoors

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, blue-green laid paper
Dimensions:: Sheet: 7 1/2 x 12 1/4 inches (19.1 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. French Coast Scene with Fisherboy

Creator:: James Duffield Harding, 1798–1863
Date:: 1829
Materials & Techniques:: Watercolor, pen and brown ink, pen and red ink, pen and gray ink, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 x 10 3/4 inches (37.8 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. A Man with a Bottle-Nose Wearing a Hat

Creator:: Francis Le Piper, 1640–1698
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 × 4 3/8 inches (11.4 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. A Portly Man in a Wide-Brimmed Hat

Creator:: Francis Le Piper, 1640–1698
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 4 1/8 inches (11.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Study of J.M.W. Turner Sketching

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Gray wash on medium, slightly textured, wove paper
Dimensions:: Sheet: 6 5/8 x 6 7/16in. (16.8 x 16.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Chinese Flower Seller

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 5/8 × 7 1/2 inches (24.4 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. The Foundlings

Creator:: Print made by François M. la Cave, active 1726–1766
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 8 3/8 inches (12.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. How to Ride without a Bridle

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on thin, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/4 x 7 1/8in. (22.2 x 18.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. A Lady Copying at a Drawing Table

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1765
Materials & Techniques:: Red chalk, black chalk, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 6 inches (19.4 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Rembrandt in a fur hat

Creator:: Thomas Worlidge, 1700–1766
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 7 inches (16.8 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Country Scene: Figures by a Cottage Door and Cattle in a Stream

Creator:: Francis Wheatley, 1747–1801
Date:: 1795
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 7/8 x 10 3/4 inches (25.1 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Officer with Cockade and Sword

Creator:: James Roberts, active 1766–1809
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 3 3/4 inches (15.2 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Woman and Child

Creator:: James Roberts, active 1766–1809
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 3 7/8 inches (15.2 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. A Postilion

Creator:: Thomas Sewell Robins, 1814–1880
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 7 1/8 inches (26.7 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Study of a Man Asleep on a Bench

Creator:: John Taylor, 1739–1838
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/16 × 6 13/16 inches (15.7 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. A Horse, Dog and Figures outside a Cottage

Creator:: Conrad Gessner, 1764–1826
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 9 inches (17.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Miss Charlotte Sandby

Creator:: William Hamilton, 1751–1801
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Ferdinand Riding the Waves

Creator:: Theodor von Holst, 1810–1844
Date:: ca. 1830
Materials & Techniques:: Watercolor with gray wash and gouache over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 7 1/4 inches (24.8 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. A Study for "Seeing -- La Vue" ( One of the Five Senses)

Creator:: Francis Hayman, 1707/8–1776
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 7/8 × 5 3/4 inches (9.8 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. The Welsh Curate

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash, pen and gray ink, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Contemporary drawn border: 7 1/4 × 9 7/8 inches (18.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Man in a Blue Cloak

Creator:: attributed to Thomas Barker, 1769–1847
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 × 6 1/4 inches (24.4 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. A Lady in a Picture Hat

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured. cream laid paper
Dimensions:: Sheet: 6 5/8 × 3 1/2 inches (16.8 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Soldiers and Country Women

Creator:: Francis Wheatley, 1747–1801
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 x 7 3/8 inches (12.7 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Prospero and Ariel

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 x 4 3/4 inches (15 x 12 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Falstaff Instructing Bardolph

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 4 1/2 inches (15.2 x 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Falstaff Dragging the Body of Hotspur

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 4 15/16 inches (16.2 x 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Beggar with Staff Holding Tricorn Hat

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 × 4 inches (17.8 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. An Elderly Hook-nosed Man in a Cocked Hat: Profile Facing Right

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 4 5/8 inches (16.8 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. A Dishevelled Man Grimacing and Walking Awkwardly with a Cane: full length

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 4 3/4 inches (16.8 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. Landscape with two figures beside an old building

Creator:: David Charles Read, 1790–1851
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 6 3/4 inches (11.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

199. London Cries: Last Dying Speech and Confession

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Back View of Country Woman in Hat and Shawl

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 x 3 inches (9.8 x 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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101. A Sportsman

102. Portrait of Thomas Cholmondeley, first Lord Delamere, on His Hunter (study for "The Cheshire Hunt at Tatton Park")

103. Mid-Day Rest, Harvest

104. A Soldier's Return

105. Figure of the Artist's Father

106. Mr. Punch

107. Ivy Cottage, Shoreham

108. Study for "The Shearers"

109. The Rising Moon

110. The Rising Moon

111. The Rising Moon

112. The Weary Ploughman

113. The Rising Moon

114. The Weary Ploughman

115. The Rising Moon

116. Opening the Fold

117. The Sleeping Shepherd

118. The Sleeping Shepherd

119. The Rising Moon

120. The Weary Ploughman

121. The Early Ploughman

122. The Sleeping Shepherd

123. Opening the Fold

124. The Early Ploughman

125. The Early Ploughman

126. The Early Ploughman

127. Opening the Fold

128. Opening the Fold

129. The Skylark

130. The Skylark

131. The Weary Ploughman

132. The Skylark

133. Greek Woodcutter, June 13 /56

134. A Standing Male Figure

135. Lord Salisbury, Standing by a Pillar

136. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

137. The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

138. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

139. There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

140. Jerusalem, Plate 1, Frontispiece

141. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

142. The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."

143. The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

144. The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

145. Alas!; Plate 9

146. The Traveller Hasteth in the Evening; Plate 16

147. Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

148. For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

149. Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

150. The Poems of Thomas Gray, Design 27, "A Long Story."

151. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

152. Europe. A Prophecy, Plate 13 (Bentley 10)

153. Mrs. Cosway

154. Spanish Student

155. Morning

156. Paysan des Alpes

157. Monsieur Le Fouet, La Francia

158. Man with a Walking Stick in a Landscape

159. Postiglione Inglese

160. Study

161. A Fisherwoman, Hands under Apron

162. Man Asleep in a Long Blue Coat

163. Studies of Boats, Figures, Carts, and Buildings

164. Studies for Shylock

165. Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

166. A Lady with a Fan

167. Portrait of a Man

168. The Reflection: Grotesque Fat man Looking in a Hand Mirror

169. Man Sleeping Outdoors

170. French Coast Scene with Fisherboy

171. A Man with a Bottle-Nose Wearing a Hat

172. A Portly Man in a Wide-Brimmed Hat

173. Study of J.M.W. Turner Sketching

174. Chinese Flower Seller