Image Use: Free to Use / Subject Terms: interior - YCBA Collections Search Search Results

101. The Billiard Room

Creator:: unknown artist
Date:: ca. 1725
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/8 x 27 1/4 inches (46 x 69.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

102. Study of a Woman Sewing

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor, gouache and black chalk on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 11/16 × 17 inches (34.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

103. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/16 x 8 1/2 inches (25.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper (Japanese paper)
Dimensions:: Sheet: 8 3/4 x 6 7/16 inches (22.2 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching retouched with black ink, watercolor, gray gouache, and white gouache on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 3/16 inches (12.3 x 10.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 10 1/4 inches (30 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

107. Standing Woman

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 4 inches (16.5 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

108. Study No. 2: Listening

Creator:: Print made by John Copley, 1875–1950
Date:: 1914
Materials & Techniques:: Lithograph on thin, slightly textured, beige Asian paper
Dimensions:: Sheet: 17 x 13 15/16 inches (43.2 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

109. The Damnation of Obadiah

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1773
Materials & Techniques:: Etching on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 12 1/16 x 15 11/16 inches (30.6 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Morning Prayer

Creator:: Print made by Charles West Cope, 1811–1890
Date:: 1844
Materials & Techniques:: Etching on thick, slightly textured, cream card with cream chine collé
Dimensions:: Sheet: 6 1/16 x 4 3/4 inches (15.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Spanish Student

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: ca. 1830
Materials & Techniques:: Etching on moderately thick, slightly textured, beige Japan paper
Dimensions:: Sheet: 18 x 12 11/16 inches (45.7 x 32.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Fille d'Auberge

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1774
Materials & Techniques:: Etching and drypoint on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 10 1/16 x 7 3/4 inches (25.5 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Preparing to Administer the Sacrament

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1838
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper mounted to medium, smooth cream card
Dimensions:: Sheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. Paul Moore

121. Interior of a Blacksmith's Forge

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Gray wash, brown wash and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 5 7/8 × 6 inches (14.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Chantrey's Studio

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 4 3/4 x 4 1/2 inches (12.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

123. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. The Eleventh Hour

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Interior of Fort Nicholas, Sebastopol, Crimea

Creator:: William Simpson, 1823–1899
Date:: undated
Materials & Techniques:: watercolor and gouache with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 17 1/4 inches (26 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Herstmonceux Castle, East Sussex: The Kitchen

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/4 x 18 5/8 inches (64.1 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. The Spoiled Child, Scene I

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 20 1/8 inches (39 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. The Spoiled Child, Scene II

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 x 20 3/8 inches (39.1 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. The Spoiled Child, Scene IV

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 1/8 inches (39.4 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. The Spoiled Child, Scene III

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 19 1/2 inches (39.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. The Spoiled Child, Scene VI

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 19 5/8 inches (38.1 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Two Prize Fighters

Creator:: Hubert-François Gravelot, 1699–1773
Date:: ca. 1742
Materials & Techniques:: Brown wash, pen and brown ink and red chalk on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 1/2 × 10 inches (24.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Interior of the Church of San Giovanni e Paolo, Venice

Creator:: James Holland, 1799–1870
Date:: 1835ated
Materials & Techniques:: Watercolor, white gouache and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 7/8 inches (25.4 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. A Dramatic Scene with Three Women in an Interior

Creator:: William Hamilton, 1751–1801
Date:: 1794
Materials & Techniques:: Watercolor, gray wash, pen and black ink, pen and blue ink, black chalk, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 × 13 5/8 inches (24.4 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Kitchen: Interior, Stone Crouch

Creator:: Sir George Hayter, 1792–1871
Date:: 1822
Materials & Techniques:: Black chalk and white chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. The Welsh Curate

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash, pen and gray ink, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Contemporary drawn border: 7 1/4 × 9 7/8 inches (18.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Roman Pilgrims

Creator:: John Frederick Lewis, 1804–1876
Date:: 1854
Materials & Techniques:: Watercolor, gouache, gum and graphite on thick, moderately textured, cream wove paper mounted on board
Dimensions:: Sheet: 21 7/8 × 30 1/8 inches (55.6 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Peter Callam & Elvira

Creator:: J. Findlay, active 1825–1857
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to card, with attached offset print
Dimensions:: Sheet: 3 1/2 × 6 inches (8.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Halle au Blé, - Interior

Creator:: Benjamin Ferrey, 1810–1880
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 6 1/8 inches (14.6 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Sir Violet Sighaway & Mr. Villiers

Creator:: J. Findlay, active 1825–1857
Date:: undated
Materials & Techniques:: Pen and black ink, graphite and watercolor on medium, slightly textured, cream wove paper mounted to card, with attached offset print
Dimensions:: Sheet: 3 1/2 × 6 inches (8.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Interior of the Belfry, Bushey Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 16 7/8 x 13 inches (42.9 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. The Essex Chantry, Watford Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 3/16 × 14 1/4 inches (46.2 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary

Creator:: John Claude Nattes, 1765–1822
Date:: 1812
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 1/4 x 12 13/16in. (23.5 x 32.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Poulterer's Shop

Creator:: William Henry Pyne, 1769–1843
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink and pen and red ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 5/16 × 4 5/16 inches (11 × 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Demolition of St. James's Hall, Interior

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1906
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 20 11/16 x 15 1/4 inches (52.5 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery

146. Notre Dame, Dinant [Belgian Set: No. 8]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 9 1/2 inches (39.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

147. Studies of Napoleon, arms folded, with other figures

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 8 inches (12.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Kitchen Scene: Dunkerrin, September 1835

Creator:: Sir David Wilkie, 1785–1841
Date:: 1835
Materials & Techniques:: Watercolor and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 5/8 inches (20.6 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Grace Before Meat

Creator:: Sir David Wilkie, 1785–1841
Date:: 1839
Materials & Techniques:: Watercolor with brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 10 1/8 inches (21 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. The Spoiled Child, Scene V

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Sarcophagus in a Church

Creator:: John Kendall, 1766–1829
Date:: May 10, 1806
Materials & Techniques:: Gray and brown wash with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 7 1/8 inches (19.7 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Girl in a Red Belt

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1830
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 4 5/8 x 3 3/4 inches (11.7 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Denial and Disappointment

Creator:: William Mulready, 1786–1863
Date:: undated
Materials & Techniques:: Black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 x 3 3/8 inches (9.8 x 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Study of a Rustic Interior Scene

Creator:: William James Muller, 1812–1845
Date:: undated
Materials & Techniques:: Watercolor with pen in brown ink, over graphite with gouache on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 × 13 7/8 inches (27 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. At Mrs. Bulley's, Hooe, near Plymouth

Creator:: Henry Perlee Parker, 1795–1873
Date:: undated
Materials & Techniques:: Watercolor, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 9 inches (14 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1838
Materials & Techniques:: Gray wash, brown wash, and graphite with pen and black and pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 7 1/2 inches (31.3 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Study for "Reading the Will"

Creator:: Sir David Wilkie, 1785–1841
Date:: 1820
Materials & Techniques:: Watercolor with gray ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 x 5 5/8 inches (10.2 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. No. 5 interior part of the 2nd temple seen from the North Side

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 11/16 x 12 1/16 inches (37.3 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Paestum: No. 4 View of the Interior part of the 2nd temple from the east front

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 x 11 7/8 inches (34.3 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Interior of a Gothic Church

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 3 3/4 inches (13.3 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. The Hazard Room at Crockford's

Creator:: T. J. Rawlins, active 1837–1840
Date:: 1837
Materials & Techniques:: Watercolor, graphite, and gouache on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 1/4 inches (12.1 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Interior of a Stable

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 9 1/4 inches (15.1 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. The Undergraduate's Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and brown-gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 7 9/16 inches (12.1 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. A Tudor Room with Figures, Possibly Hardwick Hall or Haddon Hall

Creator:: David Cox, 1783–1859
Date:: mid to late 1830s
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 3 7/8 x 5 1/4 inches (9.8 x 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. A Modern Diversion

Creator:: Robert Dighton, 1752–1814
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. The Harmonious Family

Creator:: Robert Dighton, 1752–1814
Date:: undated
Materials & Techniques:: Pen and black ink, brushed gray ink, gray wash, and black wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. The Exhibition Stare-Case, Somerset House

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1800
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 11 11/16 inches (44.5 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Bridewell, The Pass Room, House of Correction

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 11 1/16 inches (19.4 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Register Office for the Hiring of Servants

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1800 and 1805
Materials & Techniques:: Watercolor with pen and brown and gray ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 13 3/4 inches (23.5 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Dr Graham's Bathing Establishment

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen black and gray ink over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 16 3/8 inches (26.5 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Bookseller and Author

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Watercolor and gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 3/8 x 12 5/8 inches (26.4 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Dr Syntax & Dairymaid

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1821
Materials & Techniques:: Watercolor with pen and red ink and graphite on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 8 11/16 x 11 1/4 inches (22.1 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Sir Charles Eastlake, R. A.

Creator:: Print made by George T Doo, 1800–1886
Date:: 1873
Materials & Techniques:: Line engraving and etching on thick, slightly textured, cream card with cream chine collé
Dimensions:: Sheet: 13 5/8 x 10 3/8 inches (34.6 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

Creator:: Charles Grignion, 1717–1810
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 13/16 x 9 3/16 inches (30 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Philippe Mercier

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1735
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, yellow-cream laid paper
Dimensions:: Sheet: 12 1/4 × 9 7/8 inches (31.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Sir William Worthy and Patie

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

181. Sir William Worthy's Blessing

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

182. Portrait of a Divine Called Reverend John Wesley

Creator:: John Downman, 1750–1824
Date:: ca. 1781
Materials & Techniques:: Black and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Mount: 9 x 7 1/2 inches (22.9 x 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Stainborough Hall, Yorkshire: Three Floor Plans

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/2 x 4 5/8 inches (24.1 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Nun of the Order of Santa Clara

Creator:: Alfred Diston, active 1818–1829
Date:: 1828
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 5 5/8 inches (23.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. The Card Party

Creator:: Francis Hayman, 1707/8–1776
Date:: between late 1720s to early 1730s
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Interior with Mother and Two Children

Creator:: Edward Thompson Davis, 1833–1867
Date:: undated
Materials & Techniques:: Watercolor and graphite and pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 7/8 inches (15.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Theatrical Figures About a Throne

Creator:: Richard Westall, 1765–1836
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 23 3/4 inches (48.3 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

188. Woman Reading, Seated Before a Window

Creator:: Henry Fuseli, 1741–1825
Date:: 1805
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 7 7/8 inches (25.1 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. The French Lady in London

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: ca. 1771
Materials & Techniques:: Gray wash black ink and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 9 inches (29.2 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Comforts of Bath: The Pump Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. A Legal Wrangle

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 x 12 3/16 inches (16.2 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 9/16 inches (10.3 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Breakfast before the Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. "The Poacher's Progress:" Poachers Before the Magistrates

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Cottager's Hospitality to Travellers of The Coach Broke Down

Creator:: James Pollard, 1792–1867
Date:: 1819
Materials & Techniques:: Watercolor over etched outline, and pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/2 inches (29.8 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink and pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Glaud and Peggy

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

198. Foxhunting: The Toast

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/16 × 12 3/8 inches (23.3 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. "The Poacher's Progress:" Poachers in Prison (The Pardon)

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, rough, brown wove paper
Dimensions:: Sheet: 13 1/16 × 17 1/4 inches (33.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Four O'Clock in the Country

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1788 and 1790
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 x 15 3/4 inches (32.7 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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101. The Billiard Room

102. Study of a Woman Sewing

103. Christmas

104. Christmas

105. Christmas

106. Christmas

107. Standing Woman

108. Study No. 2: Listening

109. The Damnation of Obadiah

110. Morning Prayer

111. Spanish Student

112. Fille d'Auberge

113. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

114. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

115. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

116. The Smock Exposed

117. The Reconcilation

118. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

119. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

120. Preparing to Administer the Sacrament

121. Interior of a Blacksmith's Forge

122. Chantrey's Studio

123. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

124. The Eleventh Hour

125. Interior of Fort Nicholas, Sebastopol, Crimea

126. Herstmonceux Castle, East Sussex: The Kitchen

127. The Spoiled Child, Scene I

128. The Spoiled Child, Scene II

129. The Spoiled Child, Scene IV

130. The Spoiled Child, Scene III

131. The Spoiled Child, Scene VI

132. Two Prize Fighters

133. Interior of the Church of San Giovanni e Paolo, Venice

134. A Dramatic Scene with Three Women in an Interior

135. Kitchen: Interior, Stone Crouch

136. The Welsh Curate

137. Roman Pilgrims

138. Peter Callam & Elvira

139. Halle au Blé, - Interior

140. Sir Violet Sighaway & Mr. Villiers

141. Interior of the Belfry, Bushey Church

142. The Essex Chantry, Watford Church

143. A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary

144. Poulterer's Shop

145. Demolition of St. James's Hall, Interior

146. Notre Dame, Dinant [Belgian Set: No. 8]

147. Studies of Napoleon, arms folded, with other figures

148. Kitchen Scene: Dunkerrin, September 1835

149. Grace Before Meat

150. The Spoiled Child, Scene V

151. Sarcophagus in a Church

152. Girl in a Red Belt

153. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

154. Hogarth Drawing Sarah Malcolm

155. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

156. Hogarth Sitting to Roubiliac for His Bust

157. Denial and Disappointment

158. Study of a Rustic Interior Scene

159. At Mrs. Bulley's, Hooe, near Plymouth

160. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

161. Study for "Reading the Will"

162. No. 5 interior part of the 2nd temple seen from the North Side

163. Paestum: No. 4 View of the Interior part of the 2nd temple from the east front

164. Interior of a Gothic Church

165. The Hazard Room at Crockford's

166. Interior of a Stable

167. The Undergraduate's Room

168. A Tudor Room with Figures, Possibly Hardwick Hall or Haddon Hall

169. A Modern Diversion

170. The Harmonious Family

171. The Exhibition Stare-Case, Somerset House

172. Bridewell, The Pass Room, House of Correction

173. Register Office for the Hiring of Servants

174. Dr Graham's Bathing Establishment