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1. The Mistletoe Bough

The Mistletoe Bough
Creator:
Francis Wheatley, 1747–1801
Date:
ca. 1790
Materials & Techniques:
Oil on canvas
Dimensions:
22 5/8 × 18 1/2 inches (57.5 × 47 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Jerusalem, Plate 28 Proof Impression

Jerusalem, Plate 28 Proof Impression
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink; proof on medium, smooth wove paper
Dimensions:
Sheet: 4 3/8 x 6 1/4 inches (11.1 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Jerusalem, Plate 18, "From every-one of the Four Regions...."

Jerusalem, Plate 18, "From every-one of the Four Regions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Young's Night Thoughts, Page 13, "The present moment terminates our sight"

Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Picnic

The Picnic
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite; verso: graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 15/16 x 16 7/16 inches (27.8 x 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Betrayal of Christ

The Betrayal of Christ
Creator:
Print made by William Faithorne, ca. 1620–1691
Date:
1653
Materials & Techniques:
Line engraving with stipple engraving on moderately thick, slightly textured cream laid paper
Dimensions:
Sheet: 9 5/8 × 8 inches (24.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Forgiving Lovers

Forgiving Lovers
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Graphite, incised for transfer; verso: graphite shading and watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 6 7/16 inches (23.5 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Figure Leaning over Stairs

Figure Leaning over Stairs
Creator:
Henry Fuseli, 1741–1825
Date:
1789
Materials & Techniques:
Pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 x 7 7/8 inches (30.5 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Comforts of Bath: The Music Master

Comforts of Bath: The Music Master
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 5 3/4 x 8 9/16 inches (14.6 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Loading a Stage-Coach

Loading a Stage-Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 8 15/16 inches (14.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.

Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/16 × 9 1/16 inches (17.9 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Sketch for the Passions: Love

Sketch for the Passions: Love
Creator:
Richard Dadd, 1817–1886
Date:
1853
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:
Sheet: 14 1/8 x 10 1/8 inches (35.9 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17. Bodmin Cornwall: French Prisoners on Parole

Bodmin Cornwall: French Prisoners on Parole
Creator:
Thomas Rowlandson, 1756–1827
Date:
1795
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/8 x 15 1/8 inches (23.8 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Dr. Syntax with Kitty Cowslip

Dr. Syntax with Kitty Cowslip
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink and pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 3/16 x 8 7/16 inches (13.2 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Dr. Syntax Copying the Wit of the Window

Dr. Syntax Copying the Wit of the Window
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1809 and 1812
Materials & Techniques:
Watercolor with pen and gray and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 8 3/16 inches (13.7 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/16 x 20 1/16 inches (38.3 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

21. La colombe chérie

La colombe chérie
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 7/8 x 9 1/16 inches (35.3 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. Angry Scene in a Street

Angry Scene in a Street
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor with pen and red-brown and gray-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Donnybrook Fair, 1782

Donnybrook Fair, 1782
Creator:
Francis Wheatley, 1747–1801
Date:
1782
Materials & Techniques:
Black ink with watercolor on medium, smooth, cream laid paper
Dimensions:
Sheet: 12 5/8 x 21 1/2 inches (32.1 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Holy Family

The Holy Family
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Mezzotint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 11 5/8 inches (39.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

25. Love Scene

Love Scene
Creator:
Print made by Jacob Gole, 1660–1737
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 7/16 x 7 3/8 inches (23.9 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26. Vie debauche de l'Enfant Prodigue

Vie debauche de l'Enfant Prodigue
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint with etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 1/2 x 18 3/16 inches (36.8 x 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. The Reunion of the Soul & the Body

The Reunion of the Soul & the Body
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Meeting of a Family in Heaven

The Meeting of a Family in Heaven
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Prodigal Son with Harlots

Prodigal Son with Harlots
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/16 x 14 1/2 inches (26.5 x 36.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

30. A Maiden Lady and her Family

A Maiden Lady and her Family
Creator:
Print made by unknown artist
Date:
between 1820 and 1840
Materials & Techniques:
Lithograph with hand coloring in watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/2 x 8 7/8 inches (29.2 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Intemperance

Intemperance
Creator:
Print made by Guillaume Sulpice Chevalier, 1804–1866
Date:
undated
Materials & Techniques:
Line engraving, stipple engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:
Sheet: 13 9/16 x 20 inches (34.4 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Web

The Web
Creator:
Print made by John Bell, 1811–1895
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 8 1/8 x 6 5/8 inches (20.6 x 16.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33. Pilgrims Paying Their Devotion in St. Peters at Rome

Pilgrims Paying Their Devotion in St. Peters at Rome
Creator:
Print made by David Allan, 1744–1796
Date:
between 1773 and 1775
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 9 7/8 × 6 15/16 inches (25.1 × 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Blind-Man's Bluff

No cover image available
Creator:
Abraham Raimbach, 1784–1868
Date:
1822
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection