Image Use: Free to Use / Subject Terms: light - YCBA Collections Search Search Results

101. Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales

Creator:: Samuel Palmer, 1805–1881
Date:: 1835 or 1836
Materials & Techniques:: Gouache, watercolor, graphite and black chalk on medium, smooth, brown wove paper
Dimensions:: Sheet: 15 x 18 1/8 inches (38.1 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. The Lonely Tower

Creator:: Samuel Palmer, 1805–1881
Date:: 1868
Materials & Techniques:: Watercolor, gouache and gum arabic on London board: a high-quality pasteboard sheet made of Whatman's finest drawing paper
Dimensions:: Sheet: 20 1/4 x 27 7/8 inches (51.4 x 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, retouched with graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 10 3/8 inches (36.6 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper
Dimensions:: Sheet: 4 3/4 x 6 5/16 inches (12 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, retouched with white watercolor, gouache or chalk on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 9/16 x 8 1/4 inches (29.3 x 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 13/16 x 9 1/4 inches (32.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

109. Moeris and Galatea

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880-1883
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

110. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun ca. 1880
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint retouched with graphite on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Moeris and Galatea

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched between 1880 and 1883; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 13 13/16 inches (29.1 x 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 1/2 x 11 3/4 inches (21.6 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

119. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

120. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/16 x 7 inches (21.1 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

121. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

122. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun before 1861; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 x 9 15/16 inches (17.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1920
Materials & Techniques:: Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Barnard Castle

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and black ink, gouache and scratching out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 x 16 1/4 inches (29.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. The Moselle Bridge, Coblenz

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1842
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/8 x 24 1/4in. (48.6 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. The Drawing of the Clyde

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Windmill and Lock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 5/8 inches (27.3 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Moses Receiving the Law

Creator:: William Blake, 1757–1827
Date:: ca. 1780
Materials & Techniques:: Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Jerusalem, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Fear & Hope Are -- Vision; Plate 15

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Morning Prayer

Creator:: Print made by Charles West Cope, 1811–1890
Date:: 1844
Materials & Techniques:: Etching on thick, slightly textured, cream card with cream chine collé
Dimensions:: Sheet: 6 1/16 x 4 3/4 inches (15.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Wooded Landscape with Herdsman and Cows

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: between 1785 and 1788
Materials & Techniques:: Soft-ground etching with aquatint, in gray ink on thick, slightly textured, brown laid paper
Dimensions:: Sheet: 11 5/8 x 14 1/4 inches (29.5 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Fountain in the Gardens, Paris: Evening

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/8 x 8 1/4 inches (14.3 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Evening Sky on the Coast

Creator:: James Holland, 1799–1870
Date:: between 1859 and 1861
Materials & Techniques:: Watercolor, graphite and white gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/4 × 6 3/4 inches (10.8 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. View near Auckland: Evening-Trees and Ferns

Creator:: Lt. Gen. Charles Emilius Gold, 1803?–1871
Date:: ca. 1849
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 5 5/8 inches (19.7 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Roslin Castle, Midlothian

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1780
Materials & Techniques:: Gouache on medium laid paper, mounted on board
Dimensions:: Sheet: 18 1/8 x 25 1/8 inches (46 x 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Romantic Landscape

Creator:: Samuel Jackson, 1794–1869
Date:: ca. 1830
Materials & Techniques:: Watercolor, gouache, and graphite, with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. A Greek Girl Standing on a Balcony

Creator:: John Frederick Lewis, 1804–1876
Date:: 1840
Materials & Techniques:: Watercolor and gouache over graphite on off-white wove paper, laid down on contemporary mount
Dimensions:: Sheet: 16 3/4 x 11 7/16 inches (42.5 x 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Roman Pilgrims

Creator:: John Frederick Lewis, 1804–1876
Date:: 1854
Materials & Techniques:: Watercolor, gouache, gum and graphite on thick, moderately textured, cream wove paper mounted on board
Dimensions:: Sheet: 21 7/8 × 30 1/8 inches (55.6 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Sketch for the Oil Painting "The Conversion of St. Paul"

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 17 1/2 × 11 3/4 inches (44.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Tynemouth Pier - Lighting the Lamps at Sundown

Creator:: Alfred William Hunt, 1830–1896
Date:: 1868
Materials & Techniques:: Watercolor, pen and brown ink, gouache, gum, and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 21 1/4 inches (37.1 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

153. The Rescue of Lot

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Brown wash and brown ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. The Baptism of Christ

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Rainy Night in Rome

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1914
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 16 x 10 7/8 inches (40.6 x 27.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

156. Demolition of St. James's Hall, Interior

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1906
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 20 11/16 x 15 1/4 inches (52.5 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery

157. Landscape

Creator:: Paul Nash, 1889–1946
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen, and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 inches (28.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

158. A View on the Brathay near Ambleside

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 × 10 1/8 inches (17.8 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Landscape with Sheep

Creator:: William Callow, 1812–1908
Date:: undated
Materials & Techniques:: Watercolor over graphite, with gum arabic and goauche on medium, rough, gray wove paper
Dimensions:: Sheet: 5 1/8 × 10 inches (13 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Celadon and Amelia from Thomson's 'The Seasons'

Creator:: Alexander Runciman, 1736–1785
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 9 3/8 inches (15.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. A Street in Florence with the Duomo and Campanile in the Background

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 18 1/4 x 22 1/2 inches (46.3 x 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Landscape near Ageles - Gazost at the foot of the Pyrenees

Creator:: Edward John Poynter, 1836–1919
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 9/16 × 8 3/8 inches (14.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

163. Ship Building

Creator:: William Callow, 1812–1908
Date:: 1841
Materials & Techniques:: Watercolor with pen and brown and black ink, over graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 13 3/8 inches (21.7 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Walter Sickert

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: 1895
Materials & Techniques:: Lithograph on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/8 x 10 1/4 inches (37.8 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

165. Horses and cows in a hilly landscape

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Oil on linen on Linen
Dimensions:: Sheet: 10 5/8 x 14 7/8in. (27 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Study

Creator:: Print made by John Chalon, 1738 – 1795
Date:: 1790
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/16 x 4 inches (11.2 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Study

Creator:: Print made by John Chalon, 1738 – 1795
Date:: 1789-1790
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/16 x 4 3/16 inches (12.8 x 10.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1834
Materials & Techniques:: Watercolor, gouache, blue chalk, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 1/2 x 36 1/4 inches (64.8 x 92.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. A Woodland Glade

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 8 7/8 x 11 3/8 inches (22.5 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. The Fatal Bellman

Creator:: Print made by George Richmond, 1809–1896
Date:: 1827
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 13/16 x 5 3/8 inches (17.3 x 13.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

171. Light of Asia

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Brown wash with graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 7 9/16 inches (26 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

172. Grandpapa's Story or The Witches Frolick

Creator:: Print made by unknown artist
Date:: 1838
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/4 × 5 11/16 inches (23.5 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

173. Jonathan Wild Discovers Darrell in the Loft

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 9 1/2 x 7 11/16 inches (24.2 x 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

174. Watchman shining a torch on a Drunken Figure

Creator:: George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Graphite and watercolor
Dimensions:: Image: 2 7/16 × 3 15/16 inches (6.2 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. On the Side of the Rhine near the Source, Light Coming from the Right

Creator:: Francis Towne, 1740–1816
Date:: undated
Materials & Techniques:: Watercolor and brown wash and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 11 5/8 inches (28.3 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. The Inside of the Pantheon at Rome

Creator:: Carington Bowles, 1724–1793
Materials & Techniques:: Hand-colored engraving
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. A Castle Tower, Caernarvon Castle

Creator:: imitator of John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Watercolor on medium, moderately textured, white wove paper
Dimensions:: Sheet: 11 x 7 3/4 inches (27.9 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Monte della Madonna, near Argua

Creator:: John Robert Cozens, 1752–1797
Date:: 1783
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, white laid paper, mounted on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 14 3/4 inches (25.7 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Crossing Lancaster Sands

Creator:: David Cox, 1783–1859
Date:: mid-1830s
Materials & Techniques:: Watercolor, gouache and graphite and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 14 5/16 × 20 1/16 inches (36.4 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Beach Scene - Sunrise

Creator:: David Cox, 1783–1859
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 7 1/2 inches (12.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. The Passing of 1880

Creator:: Thomas Danby, 1818–1886
Date:: ca. 1880
Materials & Techniques:: Watercolor with gouache and scraping out on thick, rough, cream wove paper
Dimensions:: Sheet: 12 3/8 x 19in. (31.4 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Mrs. Yates in the Character of Medea

Creator:: unknown artist
Date:: after 1771
Materials & Techniques:: Watercolor with pen and brown ink on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige laid paper
Dimensions:: Mount: 15 x 10 1/4 inches (38.1 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

183. The Two Asses

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 x 5 3/8 inches (22.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

184. The Two Asses

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 6 7/8in. (26.4 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

185. The Two Asses

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 1/8 inches (26.7 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

186. Harlech, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1880
Materials & Techniques:: Etching, drypoint and mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 14 7/8 inches (27.5 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

187. A Lady Reading

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1858
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream Asian paper
Dimensions:: Sheet: 4 3/4 x 6 3/8 inches (12.1 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

188. Kensington Gardens, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on medium, smooth, cream Asian paper
Dimensions:: Sheet: 10 13/16 x 6 3/4 inches (27.4 x 17.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

189. Kensington Gardens, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 3/16 x 12 1/2 inches (43.6 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

190. A Byroad in Tipperary

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 x 15 5/8 inches (30.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

191. A Byroad in Tipperary

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, retouched with graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 11/16 x 11 1/4 inches (14.5 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

192. The Holly Field

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 9/16 inches (10.5 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard C. Morse

193. The Two Asses

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/16 x 6 7/8 inches (28.1 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

194. An Early Riser

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1897
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/16 x 13 3/4 inches (26.5 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

195. Interior of Hall of Christ Church

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 1/8 inches (34 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Portrait of a Woman

Creator:: Print made by Johann Lorenz Haid, 1702–1750
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 3/16 x 14 5/16 inches (51.3 x 36.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

197. Joshua Delivering Gibeon

Creator:: William John Chamberlayne, 1821–1910
Date:: undated
Materials & Techniques:: Watercolor, brown wash and white chalk on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 10 1/4 inches (20 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. The Calling of Samuel

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint (second state) on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 16 5/16 × 12 3/16 inches (41.4 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

199. The Ecstasy of St. Francis

Creator:: Print made by William Say, 1768–1834
Date:: 1809
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 16 1/2 inches (54.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

200. The Pretty Ballad Singer

Creator:: Print made by Philip Dawe, ca.1745–ca.1809
Date:: 1769
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper, laid in mount
Dimensions:: Sheet: 16 3/4 x 11 1/2 inches (42.6 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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101. Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales

102. The Lonely Tower

103. The Vine

104. The Herdsman's Cottage

105. The Homeward Star

106. The Vine

107. The Vine

108. The Vine

109. Moeris and Galatea

110. The Homeward Star

111. The Herdsman's Cottage

112. The Morning of Life

113. The Homeward Star

114. Opening the Fold

115. Moeris and Galatea

116. The Sleeping Shepherd

117. The Sleeping Shepherd

118. The Morning of Life

119. The Early Ploughman

120. The Sleeping Shepherd

121. Opening the Fold

122. The Early Ploughman

123. The Early Ploughman

124. The Early Ploughman

125. Opening the Fold

126. The Morning of Life

127. Opening the Fold

128. Barnard Castle

129. The Moselle Bridge, Coblenz

130. The Drawing of the Clyde

131. Windmill and Lock

132. Moses Receiving the Law

133. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

134. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

135. Jerusalem, Plate 1, Frontispiece

136. Jerusalem, Plate 53, "Jerusalem / Chap. 3"

137. The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

138. The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

139. Fear & Hope Are -- Vision; Plate 15

140. The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

141. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

142. Morning Prayer

143. Wooded Landscape with Herdsman and Cows

144. Fountain in the Gardens, Paris: Evening

145. Evening Sky on the Coast

146. View near Auckland: Evening-Trees and Ferns

147. Roslin Castle, Midlothian

148. Romantic Landscape

149. A Greek Girl Standing on a Balcony

150. Roman Pilgrims

151. Sketch for the Oil Painting "The Conversion of St. Paul"

152. Tynemouth Pier - Lighting the Lamps at Sundown

153. The Rescue of Lot

154. The Baptism of Christ

155. Rainy Night in Rome

156. Demolition of St. James's Hall, Interior

157. Landscape

158. A View on the Brathay near Ambleside

159. Landscape with Sheep

160. Celadon and Amelia from Thomson's 'The Seasons'

161. A Street in Florence with the Duomo and Campanile in the Background

162. Landscape near Ageles - Gazost at the foot of the Pyrenees

163. Ship Building

164. Walter Sickert

165. Horses and cows in a hilly landscape

166. Study

167. Study

168. A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

169. A Woodland Glade

170. The Fatal Bellman

171. Light of Asia

172. Grandpapa's Story or The Witches Frolick

173. Jonathan Wild Discovers Darrell in the Loft

174. Watchman shining a torch on a Drunken Figure