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701. Twelve Illustrations of Robinson Crusoe

Twelve Illustrations of Robinson Crusoe
Creator:
Carington Bowles, 1724–1793
Date:
1783
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

702. Twelve Illustrations of Robinson Crusoe

Twelve Illustrations of Robinson Crusoe
Creator:
Carington Bowles, 1724–1793
Date:
1783
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

703. Twelve Illustrations of Robinson Crusoe

Twelve Illustrations of Robinson Crusoe
Creator:
Carington Bowles, 1724–1793
Date:
1783
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

704. Twelve Illustrations of Robinson Crusoe

Twelve Illustrations of Robinson Crusoe
Creator:
Carington Bowles, 1724–1793
Date:
1783
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

705. Twelve Illustrations of Robinson Crusoe

Twelve Illustrations of Robinson Crusoe
Creator:
Carington Bowles, 1724–1793
Date:
1783
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

706. Twelve Illustrations of Robinson Crusoe

Twelve Illustrations of Robinson Crusoe
Creator:
Carington Bowles, 1724–1793
Date:
1783
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

707. Bolton Abbey

Bolton Abbey
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof (early) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/16 × 6 3/4 inches (30.6 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

708. The Boy of Egremond

The Boy of Egremond
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/4 × 10 1/16 inches (38.7 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

709. Abbotsford, Vignette Title

Abbotsford, Vignette Title
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 × 10 7/8 inches (40.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

710. Carlisle

Carlisle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

711. Jack Sheppard Exhibits a Vindictive Character

Jack Sheppard Exhibits a Vindictive Character
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1835
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 9/16 x 7 1/16 inches (21.7 x 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

712. King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
Creator:
Print made by Robert Thew, 1758–1802
Date:
1801
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/8 × 29 1/2 inches (51.1 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

713. "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 1/2 x 7 1/8 inches (21.6 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

714. Grandpapa's Story or The Witches Frolick

Grandpapa's Story or The Witches Frolick
Creator:
Print made by unknown artist
Date:
1838
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/4 × 5 11/16 inches (23.5 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

715. Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 9 x 7 1/2 inches (22.9 x 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

716. The Name on the Beams

The Name on the Beams
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 1/4 x 7 3/8 inches (21 x 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

717. Jack Sheppard and Blueskin in Mr. Woods Bedroom

Jack Sheppard and Blueskin in Mr. Woods Bedroom
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 9/16 x 7 3/8 inches (21.8 x 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

718. Jonathan Wild Discovers Darrell in the Loft

Jonathan Wild Discovers Darrell in the Loft
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1835
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 9 1/2 x 7 11/16 inches (24.2 x 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

719. Venus and Adonis

Venus and Adonis
Creator:
Print made by Pellissier & Allen, active late 19th century
Date:
1900
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

720. David Garrick in the Character of Richard III

David Garrick in the Character of Richard III
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1798
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 18 3/8 x 22 3/4in. (46.7 x 57.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

721. Angelica and Medoro

Angelica and Medoro
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1768
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 22 5/16 x 15in. (56.7 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

722. Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Creator:
Samuel Howitt, 1756–1822
Date:
1807
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 1/16 inches (29.8 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

723. The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Creator:
Samuel Howitt, 1756–1822
Date:
1807
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 14 1/8 × 19 1/8 inches (35.9 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

724. Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
Creator:
Print made by Peter Simon, 1750–1810
Date:
1791
Materials & Techniques:
Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

725. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
Creator:
Print made by Robert Thew, 1758–1802
Date:
1792
Materials & Techniques:
Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 3/8 × 20 1/16 inches (74.6 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

726. King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
Creator:
Print made by Jean B. Michel, active 1803
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 1/2 × 19 3/4 inches (74.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

727. King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)

King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
Creator:
Print made by Robert Thew, 1758–1802
Date:
1789
Materials & Techniques:
Stipple engraving and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

728. Othello, Act II, Scene I, A Platform -- Desdemona, Othello etc.

Othello, Act II, Scene I, A Platform -- Desdemona, Othello etc.
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1803
Materials & Techniques:
Engraver's proof
Dimensions:
Sheet: 17 3/8 x 23 11/16in. (44.1 x 60.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

729. Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc.

Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc.
Creator:
Thomas Ryder, 1746–1810
Date:
1803
Materials & Techniques:
Engraver's early proof
Dimensions:
Sheet: 17 3/8 x 23 11/16in. (44.1 x 60.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

730. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

731. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 5 11/16 inches (21.3 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

732. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 6 9/16 inches (10.5 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

733. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

734. Jack Sheppard Gets Drunk and Orders his Mother off

Jack Sheppard Gets Drunk and Orders his Mother off
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 1/4 x 7 1/8 inches (21 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

735. Tancred Entering the Enchanted Forest, Vide "Jerusalem Delivered"--Canto XIII

Tancred Entering the Enchanted Forest, Vide "Jerusalem Delivered"--Canto XIII
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 3/8 inches (31 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

736. A Scene From the Farce of "The Critic," a Little Altered.

A Scene From the Farce of "The Critic," a Little Altered.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

737. Bauldy, Symon and Sir William Worthy

Bauldy, Symon and Sir William Worthy
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

738. Berwick-on-Tweed

Berwick-on-Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

739. Abbotsford from the Northern Bank of the Tweed

Abbotsford from the Northern Bank of the Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Line engraving, India proof, published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

740. Dryburgh Abbey

Dryburgh Abbey
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, before title on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

741. Junction of the Greta and the Tees

Junction of the Greta and the Tees
Creator:
Print made by John Pye, 1782–1874
Date:
1834
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

742. Abbotsford, Vignette Title

Abbotsford, Vignette Title
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834, reprinted 1851
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 3 3/4 inches (16.8 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

743. John Henderson as Iago

John Henderson as Iago
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 13/16 × 8 1/16 inches (27.5 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

744. Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 20 1/16 inches (39.1 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

745. Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 18 3/4 inches (37.4 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

746. The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 21 1/4 inches (39 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

747. Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 21 5/16 inches (39.3 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

748. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 19 3/4 inches (39.7 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

749. Timon of Athens Before His Cave

Timon of Athens Before His Cave
Creator:
Richard Cosway, 1742–1821
Date:
ca. 1805
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 7 7/16 inches (24.5 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

750. Othello and Desdemona, 'Othello', Act V, Scene II

Othello and Desdemona, 'Othello', Act V, Scene II
Creator:
attributed to Richard Cosway, 1742–1821
Date:
ca. 1805
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

751. Hamlet and the Ghost

Hamlet and the Ghost
Creator:
George Cruikshank, 1792–1878
Date:
ca. 1825
Materials & Techniques:
Watercolor with black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/8 x 8 5/16 inches (17.4 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

752. Macbeth and the Witch

Macbeth and the Witch
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Watercolor with black and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

753. Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd

Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
Creator:
David Allan, 1744–1796
Date:
1788
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 6 5/8 inches (22.9 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

754. Doctor Ass (A Satire on the Law)

Doctor Ass (A Satire on the Law)
Creator:
Abraham van Diepenbeeck, 1596–1675
Date:
undated
Materials & Techniques:
Pen and brown ink, brown was and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

755. John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"

John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
Creator:
John Downman, 1750–1824
Date:
1787
Materials & Techniques:
Watercolor with gouache, black chalk and stumping on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/16 x 12 5/8 inches (41.4 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

756. Robin Hood and Clarinda Hunting Deer

Robin Hood and Clarinda Hunting Deer
Creator:
Joseph Slater, c. 1750– died after 1789
Date:
undated
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 3 7/8 inches (13.7 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

757. The Garden Court

The Garden Court
Creator:
After Edward Burne-Jones, 1833–1898
Date:
1892
Materials & Techniques:
Photogravure on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 30 1/2 inches (41.9 × 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

758. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
Creator:
Joshua Cristall, 1768–1847
Date:
between 1820 and 1822
Materials & Techniques:
Brown wash and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 x 15 1/2 inches (33 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

759. Sketch for the Passions: Pride

Sketch for the Passions: Pride
Creator:
Richard Dadd, 1817–1886
Date:
ca. 1854
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/8 inches (36.8 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

760. Macbeth and the Apparition of the Armed Head

Macbeth and the Apparition of the Armed Head
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with gray wash and watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/16 × 8 15/16 inches (28.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

761. A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper, laid down on thick, slightly textured, beige wove paper with drawn border
Dimensions:
Sheet: 16 1/4 × 25 1/8 inches (41.3 × 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

762. Sketch for the Passions: Jealousy

Sketch for the Passions: Jealousy
Creator:
Richard Dadd, 1817–1886
Date:
1853
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:
Sheet: 14 x 10 1/8 inches (35.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

763. Illustration to Fielding's Amelia

Illustration to Fielding's Amelia
Creator:
George Chinnery, 1774–1852
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, brown ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 × 5 1/8 inches (9.5 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

764. Sketch for the Passions: Love

Sketch for the Passions: Love
Creator:
Richard Dadd, 1817–1886
Date:
1853
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:
Sheet: 14 1/8 x 10 1/8 inches (35.9 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

765. The Princes in the Tower

The Princes in the Tower
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 x 8 11/16 inches (27.5 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

766. Hamlet and the Ghost

Hamlet and the Ghost
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 x 8 3/16 inches (27.2 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

767. Mrs. Yates in the Character of Medea

Mrs. Yates in the Character of Medea
Creator:
unknown artist
Date:
after 1771
Materials & Techniques:
Watercolor with pen and brown ink on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige laid paper
Dimensions:
Mount: 15 x 10 1/4 inches (38.1 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

768. Castle of Udolpho

Castle of Udolpho
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

769. Scene from 'The Mysteries of Udolpho'

Scene from 'The Mysteries of Udolpho'
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

770. Dr. Syntax and his Counterpart

Dr. Syntax and his Counterpart
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Aquatint and etching with hand coloring in watercolor on medium, slightly texture, cream wove paper
Dimensions:
Frame: 23 11/16 × 30 inches (60.2 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Eugene Galleries, Inc.

771. Olivia and Maria

Olivia and Maria
Creator:
Robert Smirke, 1752–1845
Date:
1822
Materials & Techniques:
Brown ink with brown wash, gouache and oil on medium, smooth, beige wove paper
Dimensions:
Sheet: 4 3/16 x 3 3/8 inches (10.7 x 8.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

772. Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"

Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Oil and pen and brown ink on wove paper mounted on board
Dimensions:
Sheet: 2 1/2 x 3 3/4 inches (6.4 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

773. Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)

Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Oil, pen and brown ink, and graphite on medium, lightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 x 3in. (11.4 x 7.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

774. Sophia, Honour, and the Chambermaid

Sophia, Honour, and the Chambermaid
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 5/8 x 10 7/8 inches (39.7 x 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

775. A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting

A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

776. Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"

Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

777. Cordelia

Cordelia
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

778. Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus

Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
Creator:
Print made by Henry J. Townsend, 1810–1890
Date:
1853
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 x 5 5/8 inches (10.2 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

779. David Garrick in the Character of 'Kitely'

David Garrick in the Character of 'Kitely'
Creator:
John Finlayson, 1730–1776
Date:
1769
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 7/8 × 10 13/16 inches (37.8 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

780. The Rustics Perform from "A Midsummer Night's Dream"

The Rustics Perform from "A Midsummer Night's Dream"
Creator:
John Massey Wright, 1777–1866
Date:
undated
Materials & Techniques:
Watercolor with brown ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 11/16 x 9 9/16 inches (14.4 x 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

781. Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/16 x 20 1/16 inches (38.3 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

782. Mrs. Cibber in the Character of Cordelia in Play of King Lear, Act III

Mrs. Cibber in the Character of Cordelia in Play of King Lear, Act III
Creator:
Pieter van Bleeck, 1700–1764
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 16 x 13 3/8in. (40.6 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

783. 'The Gamester,' Act V, Scene IV

'The Gamester,' Act V, Scene IV
Creator:
James Fittler, 1758–1835
Date:
1792
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/2 × 3 1/16 inches (14 × 7.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

784. Comedies

Comedies
Creator:
Print made by John Hall, 1739–1797
Date:
ca. 1776
Materials & Techniques:
Line engraving and etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 5/8 × 3 9/16 inches (16.9 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

785. A Scene from "The Abbot"

A Scene from "The Abbot"
Creator:
Sir David Wilkie, 1785–1841
Date:
1833
Materials & Techniques:
Watercolor with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, Fund

786. Mefistofile II

Mefistofile II
Creator:
George Augustus Sala, 1828–1895
Date:
1880
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 11/16 × 9 1/2 inches (19.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

787. Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore

Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
Creator:
George Augustus Sala, 1828–1895
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 8 7/8 inches (16.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

788. Designs for Illustrations to Mozart's Operas

Designs for Illustrations to Mozart's Operas
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink on medium, smooth, beige wove paper
Dimensions:
Sheet: 7 7/8 × 7 1/2 inches (20 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

789. Literary Characters Assembled around the Medallion of Shakespeare

Literary Characters Assembled around the Medallion of Shakespeare
Creator:
Print made by Lydia Bates, active 1784
Date:
ca. 1777
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 16 9/16 inches (28.5 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

790. Scenes from an Eastern Romance [Arabian Nights]

Scenes from an Eastern Romance [Arabian Nights]
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Oil and graphite on medium, moderately textured, cream wove paper mounted to medium, moderately textured, gray wove paper
Dimensions:
Sheet: 4 1/8 × 3 inches (10.5 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

791. She Never Told Her Love, But Sat Like Patience on a Monument

She Never Told Her Love, But Sat Like Patience on a Monument
Creator:
Robert Smirke, 1752–1845
Date:
1827
Materials & Techniques:
Brown ink with brown wash and gouache and oil on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

792. Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing

Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Oil and graphite on wove paper mounted on board
Dimensions:
Sheet: 4 1/2 × 3 1/2 inches (11.4 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

793. Mrs. Siddons, in the Character of the Tragic Muse

Mrs. Siddons, in the Character of the Tragic Muse
Creator:
Print made by Francis Haward, 1759–1797
Date:
1787
Materials & Techniques:
Mezzotint, etching and stipple engraving (first state) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 28 × 20 inches (71.1 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

794. David Garrick as Richard III

David Garrick as Richard III
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1772
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 26 1/4 × 17 1/8 inches (66.7 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

795. One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Creator:
Thomas Stothard, 1755–1834
Date:
ca. 1784
Materials & Techniques:
Pen and gray ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 9/16 x 2 13/16in. (11.6 x 7.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Wilmarth S. Lewis, B.A. 1918

796. Sigismunda

Sigismunda
Creator:
Print made by Thomas Watson, 1743–1781
Date:
1779
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/16 × 10 3/16 inches (33.5 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

797. Kitty Clive as Lady Easy in "The Careless Husband"

Kitty Clive as Lady Easy in "The Careless Husband"
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1739
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/8 × 13 inches (27.6 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

798. Sylvio and Dorinda

Sylvio and Dorinda
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
between 1752 and 1768
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/16 x 14 1/8 inches (26.2 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

799. Edwin

Edwin
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 9 3/16 inches (30.1 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

800. Don Ferdinand

Don Ferdinand
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 5/8 x 10 3/8 inches (37.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund