Image Use: Free to Use / Subject Terms: plants - YCBA Collections Search Search Results

1. Landscape near Clifton

Creator:: Francis Danby, 1793–1861
Date:: 1822 to 1823
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 28 inches (91.4 x 71.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Parham Mill, Gillingham

Creator:: John Constable, 1776–1837
Date:: ca. 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 19 3/4 x 23 3/4 inches (50.2 x 60.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Undergrowth

Creator:: John Constable, 1776–1837
Date:: ca. 1815
Materials & Techniques:: Oil on paper on board
Dimensions:: 6 1/2 x 11 1/2 inches (16.5 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Rushes by a pool

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on paper on board
Dimensions:: 9 x 11 3/4 inches (22.9 x 29.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Sleeping Leopard

Creator:: George Stubbs, 1724–1806
Date:: 1777
Materials & Techniques:: Enamel on Wedgwood biscuit earthenware
Dimensions:: 4 1/4 x 6 5/8 inches (10.8 x 16.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Butrinto, Albania

Creator:: Edward Lear, 1812–1888
Date:: 1861
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
On View:: Not on view

7. West Gate of Pevensey Castle, Sussex

Creator:: John Hamilton Mortimer, 1740–1779
Date:: between 1773 and 1774
Materials & Techniques:: Oil on canvas
Dimensions:: 27 7/8 x 35 3/4 inches (70.8 x 90.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

8. Two Fishing Boats on the Banks of Inland Waters

Creator:: George Chambers, 1803–1840
Date:: 1831
Materials & Techniques:: Oil on panel
Dimensions:: 13 1/2 x 17 5/8 inches (34.3 x 44.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. A Man Carrying Faggots

Creator:: George Chinnery, 1774–1852
Date:: ca. 1799
Materials & Techniques:: Oil on paper on board
Dimensions:: 11 3/4 x 9 1/2 inches (29.8 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Tiger in a Cave

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: ca. 1814
Materials & Techniques:: Oil on panel
Dimensions:: 32 1/2 x 24 3/4 inches (82.6 x 62.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. The Pool of Bethesda

Creator:: Robert Bateman, 1842–1922
Date:: 1877
Materials & Techniques:: Oil on canvas
Dimensions:: 20 × 29 inches (50.8 × 73.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Home Dreams

Creator:: Charles West Cope, 1811–1890
Date:: 1869
Materials & Techniques:: Oil on canvas on panel
Dimensions:: 25 1/8 x 30 1/4 inches (63.8 x 76.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

13. West Country Landscape

Creator:: Attributed to Benjamin Barker, 1776–1838
Date:: ca. 1810
Materials & Techniques:: Oil on canvas
Dimensions:: 18 x 23 inches (45.7 x 58.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Landscape with Trees and a Figure

Creator:: Thomas Churchyard, 1798–1865
Date:: ca. 1840
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/2 x 5 inches (16.5 x 12.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. In the Forest at Fontainebleau

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1825
Materials & Techniques:: Oil on millboard
Dimensions:: 12 3/4 x 9 1/2 inches (32.4 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Puck and Fairies, from "A Midsummer Night's Dream"

Creator:: Joseph Noel Paton, 1821–1901
Date:: ca. 1850
Materials & Techniques:: Oil on millboard
Dimensions:: 10 3/8 x 12 1/4 inches (26.4 x 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

17. Rocky Hillside

Creator:: Frederick W. Watts, 1800–1862
Date:: ca. 1830
Materials & Techniques:: Oil on millboard
Dimensions:: 9 5/8 x 14 inches (24.4 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. A Horse Frightened by a Lioness

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Enamel plaque
Dimensions:: 3 13/16 × 4 11/16 inches (9.7 × 11.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Partridge Shooting

Creator:: Henry Thomas Alken, 1785–1851
Date:: ca. 1825
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 11 inches (22.9 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. A Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1791
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. A Tiger and a Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1788
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Bassenthwaite

Creator:: Edward Lear, 1812–1888
Date:: 1836
Materials & Techniques:: Graphite and white gouache on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 6 13/16 x 10 1/8 inches (17.3 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

23. Villa Torlania, formerly Villa Conti, Erascati

Creator:: Edward Lear, 1812–1888
Date:: ca. 1844
Materials & Techniques:: Graphite on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 5 1/4 x 9 11/16 inches (13.3 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

24. Reggio, 26 July 1847

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 x 18 7/8 inches (28.6 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

25. Reggio

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen in brown ink over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 16 3/8 x 11 7/16 inches (41.6 x 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

26. Sorrento, 2 August 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite on moderately thick, slightly textured, greenish-gray wove paper
Dimensions:: Sheet: 6 3/4 x 10 1/8 inches (17.1 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

27. The Book of Thel, Plate 4, "Why should the mistress . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Book of Thel, Plate 4, "Why should the mistress . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. America. A Prophecy, Plate 8, "The Morning Comes...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Europe. A Prophecy, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Ruins of the Old Bridge, Vernon

Creator:: Frederick Goulding, 1842–1909
Date:: 1879
Materials & Techniques:: Etching on moderately thick, slightly texture, beige laid paper
Dimensions:: Sheet: 5 3/8 x 10 1/4 inches (13.7 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

37. Study of a Tree on a Grassy Bank

Creator:: George Richmond, 1809–1896
Date:: 1866
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 5 inches (21 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Study of Trees, etc., in a Meadow

Creator:: George Richmond, 1809–1896
Date:: 1866
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 5 1/4 inches (20.3 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. View of Gibraltar

Creator:: William Wyld, 1806–1889
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on medium, rough, white laid paper
Dimensions:: Sheet: 15 1/8 x 21 5/16 inches (38.4 x 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A Wooded Track

Creator:: Henry Monro, 1791–1814
Date:: 1813
Materials & Techniques:: Gray wash, pen and black ink, white chalk, and graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 14 7/8 x 10 7/8 inches (37.8 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Head of Loch Lomond, with Ben Lomond in the Distance

Creator:: Paul Jacob Naftel, 1817–1891
Date:: 1859
Materials & Techniques:: Watercolor and gouache on moderately textured, cream wove paper
Dimensions:: Sheet: 25 × 31 1/2 inches (63.5 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

42. The Mill Pond, Evelyn Woods

Creator:: George Vicat Cole, 1833–1893
Date:: 1860
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 7/8 × 21 7/8 inches (40.3 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

43. Cottage

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. On the Cimaronero River

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and brown ink, black ink, brown wash, graphite and scratching out on medium, slightly texturer, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 7/8 inches (18.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. A Study in Pinks and Roses

Creator:: Stefano della Bella, 1610–1664
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 21 1/2 inches (9.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A Study of Pinks and Roses

Creator:: Stefano della Bella, 1610–1664
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 21 1/2 inches (9.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A Study of Pinks and Roses

Creator:: Stefano della Bella, 1610–1664
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 21 1/2 inches (9.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A Study of Pinks and Roses

Creator:: Stefano della Bella, 1610–1664
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 21 1/2 inches (9.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Study of a Climbing Plant (Pumpkin Family)

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite and white chalk on medium, moderately textured, blue laid paper
Dimensions:: Sheet: 21 1/2 x 17 1/4 inches (54.6 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Covent Garden Market

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and brown ink, and graphite, with pen and gray line and gray wash on border; verso: watercolor blots and pen and ink lines on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/16 x 9 9/16 inches (15.7 x 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Oxford Physic Garden

Creator:: Print made by Benjamin Green, ca. 1736–ca. 1800
Date:: 1766
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 17 3/8 inches (33.7 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

52. Four Species of Grasses

Creator:: John Ruskin, 1819–1900
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 7 3/4 inches (14.3 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

53. An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

Creator:: Print made by Mark Catesby, 1682–1749
Date:: 1754
Materials & Techniques:: Aquatint etching and engraving with original hand coloring on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 20 1/2 inches (36.5 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

54. Study

Creator:: Print made by John Chalon, 1738 – 1795
Date:: 1789-1790
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 7/8 x 3 1/16 inches (9.8 x 7.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Brahmins at a Toolsee Altar

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 5/8 x 6 5/16 inches (24.5 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. By Twickenham

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1865
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 9 3/4 x 14 15/16 inches (24.8 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

57. For Japaning, Where may be 200 Different Sorts

Creator:: Peter P. Benazech, 1767–1794
Date:: 1757
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper mounted on medium, textured, beige laid paper
Dimensions:: Mount: 9 1/4 x 14 1/16 inches (23.5 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Hop Picking

Creator:: Thales Fielding, 1793–1837
Date:: 1832
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 10 3/8 inches (18.4 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. A Stone Curlew

Creator:: George Edwards, 1694–1773
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen, black ink, brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 × 11 1/4 inches (25.4 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland.

Creator:: Print made by Thomas Bewick, 1753–1828
Date:: 1789
Materials & Techniques:: Wood-engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/16 × 9 1/16 inches (18.6 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Quaritch Ltd.

61. "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 inches (16.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk and white gouache on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 5/16 inches (16.5 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Hare Hunting

Creator:: Francis Barlow, 1622–1704
Date:: undated
Materials & Techniques:: Pen and brown ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Mr Crump's Extreme Politeness

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 5 13/16 inches (20.3 × 14.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

65. Sketches

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 7 1/4 inches (14 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

66. Wrapper for six prints from Alfred Crowquill's Christmas Pieces

Creator:: Print made by Alfred Henry Forrester, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, smooth, brown wove paper
Dimensions:: Sheet: 18 1/8 × 13 5/16 inches (46 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Gardener's Offering

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1803 and 1805
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 7/8 x 14 15/16 inches (27.6 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. "Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 12 3/8 inches (20 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. "Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/16 × 12 1/2 inches (21.1 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Pheasant Shooting

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 9/16 × 13 15/16 inches (24.3 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. "The Poacher's Progress:" 'Poachers Snaring Pheasants'

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 1/8 × 17 7/16 inches (30.8 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Court at Blithfield

Creator:: John Buckler FSA, 1770–1851
Date:: 1823
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Drawing Covert

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 10 11/16 inches (21.9 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Patience in a Punt

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 8 1/16 × 12 1/2 inches (20.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Jumping a Wooden Fence

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. For Japaning, Where may be 200 Different Sorts

Creator:: Peter P. Benazech, 1767–1794
Date:: 1757
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper mounted on medium, textured, beige laid paper
Dimensions:: Mount: 9 1/2 x 14 inches (24.2 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. For Japaning, Where may be 200 Different Sorts

Creator:: Peter P. Benazech, 1767–1794
Date:: 1757
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper mounted on medium, textured, beige laid paper
Dimensions:: Mount: 9 7/16 x 14 inches (24 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 18 3/4 inches (37.4 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

79. Supported by a Bramble

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/8 × 3 inches (6 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. tms:4641

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. In the Farnese Gardens, Rome

Creator:: attributed to Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 x 11 1/16 inches (39.1 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Near Raito on the Gulf of Salerno

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 10 inches (19.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Woman of El Miradero, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1828
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 7 5/8 inches (24.8 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Young Woodcutter

Creator:: Joshua Cristall, 1768–1847
Date:: 1818
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, beige wove paper, laid on thick, slightly textured, beige card
Dimensions:: Mount: 15 3/8 x 14 3/16 inches (39 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Isaac Willis

Creator:: Joshua Cristall, 1768–1847
Date:: 1816
Materials & Techniques:: Graphite on medium, moderately textured, blue laid paper
Dimensions:: Sheet: 15 x 10 1/4 inches (38.1 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Sketches of Myrtle and a Head Crowned with Myrtle

Creator:: Edward Burne-Jones, 1833–1898
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 7 inches (24.8 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

87. Plums and Apple

Creator:: William Cruickshank, 1836–1917
Date:: 1864
Materials & Techniques:: Watercolor and white gouache on medium, smooth, cream wove paper mounted to card
Dimensions:: Sheet: 6 5/8 × 9 1/8 inches (16.8 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

88. The Flower Seller

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/8 x 3 inches (10.5 x 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Vinery

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and brown ink with pale brown and pale green wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 11/16 x 11 inches (19.5 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Dr. Syntax Soliloquising

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1812 and 1820
Materials & Techniques:: Watercolor, pen and gray ink, and graphite; verso: graphite, traced and incised for transfer on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 x 8 inches (12.4 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Mytton Hall

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 5 7/8 x 11 1/8 inches (14.9 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

92. Mytton Hall

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 6 1/16 x 11 7/16 inches (15.4 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

93. Dusty Millers

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on thin, smooth, cream Asian paper (2 layers)
Dimensions:: Sheet: 7 7/8 x 10 7/8 inches (20 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

94. Shere Mill Pond, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream antique laid paper
Dimensions:: Sheet: 12 1/2 x 18 3/8 inches (31.7 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

95. The Three Sisters

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1867
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 12 3/16 inches (24.7 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

96. A Salmon River, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1884
Materials & Techniques:: Etching and mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 11/16 x 11 1/8 inches (19.5 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Stanley J. Halle, Yale BA 1912, in memory of His Parents Jacques S. and Hattie S. Halle, transfer from the Yale University Art Gallery

97. Encombe Woods, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1881-1882
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 11 11/16 x 17 inches (29.7 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

98. Landscape with Trees, Girl Crossing a Footbridge

Creator:: Print made by William Havell, 1782–1857
Date:: 1804
Materials & Techniques:: Lithograph on medium, slightly textured, gray laid paper
Dimensions:: Sheet: 12 7/16 x 8 13/16 inches (31.6 x 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

99. Henry Bunbury Esqr.

Creator:: Print made by John Blackmore, active 1740–1780
Date:: ca. 1769
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 15/16 × 9 15/16 inches (35.4 × 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Mytton Hall

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:: Sheet: 6 1/16 x 10 15/16 inches (15.4 x 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

YCBA Collections Search

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1. Landscape near Clifton

2. Parham Mill, Gillingham

3. Undergrowth

4. Rushes by a pool

5. Sleeping Leopard

6. Butrinto, Albania

7. West Gate of Pevensey Castle, Sussex

8. Two Fishing Boats on the Banks of Inland Waters

9. A Man Carrying Faggots

10. Tiger in a Cave

11. The Pool of Bethesda

12. Home Dreams

13. West Country Landscape

14. Landscape with Trees and a Figure

15. In the Forest at Fontainebleau

16. Puck and Fairies, from "A Midsummer Night's Dream"

17. Rocky Hillside

18. A Horse Frightened by a Lioness

19. Partridge Shooting

20. A Sleeping Leopard

21. A Tiger and a Sleeping Leopard

22. Bassenthwaite

23. Villa Torlania, formerly Villa Conti, Erascati

24. Reggio, 26 July 1847

25. Reggio

26. Sorrento, 2 August 1838

27. The Book of Thel, Plate 4, "Why should the mistress . . . ."

28. America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."

29. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

30. The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

31. The Book of Thel, Plate 4, "Why should the mistress . . . ."

32. America. A Prophecy, Plate 8, "The Morning Comes...."

33. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

34. The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

35. Europe. A Prophecy, Plate 2, Title Page

36. Ruins of the Old Bridge, Vernon

37. Study of a Tree on a Grassy Bank

38. Study of Trees, etc., in a Meadow

39. View of Gibraltar

40. A Wooded Track

41. Head of Loch Lomond, with Ben Lomond in the Distance

42. The Mill Pond, Evelyn Woods

43. Cottage

44. On the Cimaronero River

45. A Study in Pinks and Roses

46. A Study of Pinks and Roses

47. A Study of Pinks and Roses

48. A Study of Pinks and Roses

49. Study of a Climbing Plant (Pumpkin Family)

50. Covent Garden Market

51. Oxford Physic Garden

52. Four Species of Grasses

53. An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

54. Study

55. Brahmins at a Toolsee Altar

56. By Twickenham

57. For Japaning, Where may be 200 Different Sorts

58. Hop Picking

59. A Stone Curlew

60. The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland.

61. "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

62. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

63. Hare Hunting

64. Mr Crump's Extreme Politeness

65. Sketches

66. Wrapper for six prints from Alfred Crowquill's Christmas Pieces

67. The Gardener's Offering

68. "Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'

69. "Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'

70. Pheasant Shooting

71. "The Poacher's Progress:" 'Poachers Snaring Pheasants'

72. The Court at Blithfield

73. Drawing Covert

74. Patience in a Punt