Image Use: Free to Use / Subject Terms: ruins / Classification: Prints

1. The Ruins of Netley Abbey

Creator:: Print made by John Constable, 1776–1837
Date:: 1826
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. Taj Mahal, Agra

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
On View:: On view at YUAG

4. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun before 1861; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 x 9 15/16 inches (17.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Dunstanborough Castle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 16 3/4 inches (29.5 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Christ and the Woman of Samaria

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Dunstanborough Castle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Holy Island Cathedral

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841

Creator:: Edward Lear, 1812–1888
Date:: 1841
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 15/16 x 15 15/16in. (25.2 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

12. My Son! My Son!; Plate 10

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 7/16 inches (32 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/16 x 17 1/16 inches (33.2 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Hadleigh Castle, Large Plate

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830 to 1832
Materials & Techniques:: Mezzotint; proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 x 19 1/2 inches (38.7 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Black Tower Norwich

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 8 3/16 inches (26.8 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Greyfriars Tower, Lynn, as it appeared 1801

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 8 1/16 inches (25.3 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. West Tower, Wymondham Church

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 1/4 inches (27.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Remains of the Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 8 1/4 inches (26.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Views in the Levant: The Sacred Cave of Archidamus

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 20 1/16 inches (29.5 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Ruins of the Old Bridge, Vernon

Creator:: Frederick Goulding, 1842–1909
Date:: 1879
Materials & Techniques:: Etching on moderately thick, slightly texture, beige laid paper
Dimensions:: Sheet: 5 3/8 x 10 1/4 inches (13.7 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

25. Lillebonne - Château d'Harcourt

Creator:: Richard Parkes Bonington, 1802–1828
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 9 15/16 x 6 13/16in. (25.3 x 17.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

26. Beeston Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.1 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Cowdray Ruins

Creator:: Print made by James Clark, 19th century
Date:: 1824
Materials & Techniques:: Colored aquatint on thick, textured, beige wove paper
Dimensions:: Sheet: 15 3/8 × 20 11/16 inches (39 × 52.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Lillebonne, Château

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching and engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Jumièges

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, finished state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/16 × 17 9/16 inches (31 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving, early engraver's proof on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Bacharach on the Rhine

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 13/16 inches (43.5 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Lillebonne, Château and Tower

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Etching and engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 18 1/8 inches (14.5 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Demolition of St. James's Hall, Interior

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1906
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 20 11/16 x 15 1/4 inches (52.5 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery

37. The Desert

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1909
Materials & Techniques:: Etching and drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

38. Inverlochy

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1914
Materials & Techniques:: Drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

39. Chepstow

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1794
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Flint, from Park-Gate

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Elgin Cathedral, Morayshire

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Line engraving, 2nd published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 1/8 inches (20.3 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Ruins of St. Paul Covent Garden

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1795
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Ruins of the College of Lincluden

Creator:: Print made by William Byrne, 1743–1805
Date:: 1782
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 13/16 x 14 15/16 inches (27.5 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Flint

Creator:: Print made by Thomas Tagg, died 1809
Date:: 1795
Materials & Techniques:: Line engraving, published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 1/8 × 4 3/4 inches (7.9 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Maxstoke Priory

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 7/16 x 13 3/4 inches (36.6 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/16 x 17 9/16 inches (30.6 x 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Ticket: For the Benefit of Mr. Salpietro

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 6 1/4 inches (14.6 x 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Jumma Musjid, Mandoo

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

49. Cotton Garden, Westminster

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 7/8 × 9 1/8 inches (30.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

Creator:: Print made by Robert William Billings, 1813–1874
Date:: 1836
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/4 × 4 3/8 inches (19.7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Lillebonne, Château

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Lillebonne, Château and Tower

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Jumièges

Creator:: James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Line engraving, Engraver's proof on moderately textured, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 3/8 inches (28.6 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Entrance into the Temple of the Sun in Palmira from the East

Creator:: unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Margain Abbey, Glamorganshire

Creator:: unknown artist
Date:: 1805
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Remains of the Great Temple in Palmira seen from the West. ...

Creator:: unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol.

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/4 × 16 1/4 inches (28.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Bacharach on the Rhine

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof (early) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Lillebonne, Château

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Jumièges

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Jumièges

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof, touched on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Plate XXVII: St Stephen's Chapel, Looking East, Westminster

Creator:: Print made by John Le Keux, 1783–1846
Date:: ca. 1836
Materials & Techniques:: Engraving proof on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 1/2 × 5 1/8 inches (19.1 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. View of St Stephen's Chapel as it appeared after the Fire in October 1834

Creator:: Print made by Frederick Mackenzie, 1788–1854
Date:: 1843
Materials & Techniques:: Lithograph on slightly textured, thick, cream wove paper
Dimensions:: Sheet: 12 1/8 × 13 3/4 inches (30.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

Creator:: Print made by Robert William Billings, 1813–1874
Date:: 1835
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 13/16 × 5 inches (19.8 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Smailholm Tower

Creator:: Print made by William Forrest, 1802–1889
Date:: 1836
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. David Roberts

Creator:: Print made by Charles Baugniet, 1814–1886
Date:: 1844
Materials & Techniques:: Lithograph on thick, smooth, beige card with gray chine collé
Dimensions:: Sheet: 15 3/8 × 12 3/16 inches (39.1 × 30.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Church of L'Ery, near Pont-de-l'Arche

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 19 15/16 inches (35.6 x 50.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Russell

69. Lillebonne, Château

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Line engraving, and etching, engraver's proof (early) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 8 3/4 × 12 7/8 inches (22.2 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Lillebonne, Château and Tower

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Etching and line-engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Ticket: For the Benefit of Mr. Salpietro

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 5 9/16 inches (10.8 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Ruins of Ancient Rome; Temple of Concord, Temple of Antoninus and Faustina, Arch of Titus, Statue of M. Aurelius, Marcellus Theatre, Trajans Pillar

Creator:: Print made by William Austin, 1721–1820
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A View of the Ruins of the Temple of Jupiter Olympius at Athens

Creator:: unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Flower-Garden Porch at Farnley (Vignette)

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. View with Figures in a Classical Landscape with Ruins

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Etching counterproof with graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Mortmain

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1918
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 14 inches (24.1 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

77. Meppershall Chapel

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching; 1st state on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 5/8 × 9 1/4 inches (21.9 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

78. Meppershall Chapel

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 8 3/8 inches (27.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

79. Meppershall Chapel

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: c.1915
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 6 3/4 inches (27.3 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

80. A Study, with Ancient Ruins

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1810
Materials & Techniques:: Etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 15/16 x 10 3/8 inches (43 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Ralph Kirkpatrick, Yale MA (HON.) 1965

81. Chepstow

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1794
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 inches (22.5 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Stepping Stones

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 13 1/8 inches (27.9 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

83. Epiphany

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1919
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 10 × 7 1/4 inches (25.4 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

84. Maur's Farm

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1913
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 11 3/4 inches (20 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

85. Carnagh

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching; 1st state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 11 inches (19.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

86. Leicester Abbey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Leicester Abbey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1832
Materials & Techniques:: Line engraving and etching, 2nd state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 10 11/16 × 14 15/16 inches (27.1 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1819-1826
Materials & Techniques:: Line engraving, engraver's proof on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 13/16 × 13 3/4 inches (27.5 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and line engraing, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 × 13 3/4 inches (25.4 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Lillebonne, Château and Tower

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Line engraving on moderately thick, smooth textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

92. Lillebonne, Château

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

93. Jumièges

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

94. View of Leiston Abbey

Creator:: Print made by William Byrne, 1743–1805
Date:: 1781
Materials & Techniques:: Etching and stipple engraving on moderately thick, textured, beige laid paper
Dimensions:: Sheet: 9 11/16 x 11 3/4 inches (24.6 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Nymphs Bathing

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 11 11/16 inches (25.7 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Landscape with Classical Ruins

Creator:: Print made by Lydia Bates, active 1784
Date:: 1784
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 16 9/16 inches (29.5 x 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. Sisters Contemplating on Mortality

Creator:: Print made by Robert Dunkarton, 1744–1811
Date:: 1770
Materials & Techniques:: Mezzotint (first state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 14 1/4 inches (50.8 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. Music Has Charms

Creator:: Print made by James Johnson, 1803–1834
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

99. Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: 1779 to 1780
Materials & Techniques:: Soft-ground etching in gray ink on moderately thick, moderately textured, blue laid paper
Dimensions:: Sheet: 11 7/8 × 15 9/16 inches (30.2 × 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Embassy of Hyderbeck to Calcutta

Creator:: Richard Earlom, 1743–1822
Date:: 1800
Materials & Techniques:: Stipple engraving and mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 7/8 x 26 1/4 inches (50.5 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. The Ruins of Netley Abbey

2. The Early Ploughman

3. Taj Mahal, Agra

4. The Early Ploughman

5. The Early Ploughman

6. The Early Ploughman

7. Dunstanborough Castle

8. Christ and the Woman of Samaria

9. Dunstanborough Castle

10. Holy Island Cathedral

11. Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841

12. My Son! My Son!; Plate 10

13. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

14. Moon-Light

15. Evening

16. Evening

17. Moon-Light

18. Hadleigh Castle, Large Plate

19. The Black Tower Norwich

20. The Greyfriars Tower, Lynn, as it appeared 1801

21. West Tower, Wymondham Church

22. Remains of the Priory, Beeston Regis

23. Views in the Levant: The Sacred Cave of Archidamus

24. Ruins of the Old Bridge, Vernon

25. Lillebonne - Château d'Harcourt

26. Beeston Priory, Beeston Regis

27. Cowdray Ruins

28. Lillebonne, Château

29. Jumièges

30. Aldborough

31. Aldborough

32. Aldborough

33. Bacharach on the Rhine

34. Lillebonne, Château and Tower

35. The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

36. Demolition of St. James's Hall, Interior

37. The Desert

38. Inverlochy

39. Chepstow

40. Flint, from Park-Gate

41. Elgin Cathedral, Morayshire

42. Ruins of St. Paul Covent Garden

43. The Ruins of the College of Lincluden

44. Flint

45. Maxstoke Priory

46. A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

47. Ticket: For the Benefit of Mr. Salpietro

48. Jumma Musjid, Mandoo

49. Cotton Garden, Westminster

50. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

51. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

52. Lillebonne, Château

53. Lillebonne, Château and Tower

54. Jumièges

55. The Entrance into the Temple of the Sun in Palmira from the East

56. Margain Abbey, Glamorganshire

57. The Remains of the Great Temple in Palmira seen from the West. ...

58. A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol.

59. Bacharach on the Rhine

60. Lillebonne, Château

61. Jumièges

62. Jumièges

63. Plate XXVII: St Stephen's Chapel, Looking East, Westminster

64. View of St Stephen's Chapel as it appeared after the Fire in October 1834

65. Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

66. Smailholm Tower

67. David Roberts

68. Church of L'Ery, near Pont-de-l'Arche

69. Lillebonne, Château

70. Lillebonne, Château and Tower

71. Ticket: For the Benefit of Mr. Salpietro

72. Ruins of Ancient Rome; Temple of Concord, Temple of Antoninus and Faustina, Arch of Titus, Statue of M. Aurelius, Marcellus Theatre, Trajans Pillar

73. A View of the Ruins of the Temple of Jupiter Olympius at Athens