Studies for or after "The third Duke of Richmond with the Charleton Hunt"
late 1750s
Not on view
3
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: The Death
1842
Not on view
4
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: The Chase
1842
Not on view
5
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: Full Cry
1842
Not on view
6
John Frederick Herring, 1795–1865
'Margrave' with James Robinson Up
1833
Not on view
7
John Wootton, 1682–1764
Lamprey, with His Owner Sir William Morgan, at Newmarket
1723
Not on view
8
Thomas Gooch, 1750–1802
Lord Abergavenny's Dark Bay Carriage Horse with a Terrier
1785
Not on view
9
Richard Roper, active 1749–1765
The Match between Aaron and Driver at Maidenhead, Aug. 1754: Aaron winning the Second Heat
ca. 1754
Not on view
10
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: The Meet
1842
Not on view
11
John Frederick Herring, 1795–1865
Exercising the Royal Horses
between 1847 and 1855
Not on view
12
Benjamin Marshall, 1768–1835
Diamond, with Dennis Fitzpatrick Up
1799
Not on view
13
James Seymour, 1702–1752
Sir Roger Burgoyne Riding "Badger"
1740
Not on view
14
William Webb, ca. 1780–1845
Euphrates
1825
Not on view
15
Jacques-Laurent Agasse, 1767–1849
A Lady's Grey Hunter
ca. 1806
Not on view
16
William Barraud, 1810–1850
Lord and Lady Twemlow
late 1840s
Not on view
17
Sir Francis Grant, 1803–1878
James Keith Fraser
1844
Not on view
18
George Garrard, 1760–1826
Portrait of a Racehorse, Possibly Disguise, the Property of the Duke of Hamilton, with Jockey Up
1786
Not on view
19
Charles Cooper Henderson, 1803–1877
A Scene on the Road in France
1835
Not on view
20
James Seymour, 1702–1752
Old Fox held by a Groom
1721
Not on view
21
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket
ca. 1730
Not on view
22
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
23
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body
ca. 1730
Not on view
24
Thomas Smith of Derby, ca. 1720–1767
Borlase Cokayne as a Boy riding Sultana
1751
Not on view
25
Benjamin Herring, 1830–1871
Silks and Satins of the Turf
1865
Not on view
26
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
ca. 1730
Not on view
27
Henry Walton, 1746–1813
Elizabeth Bridgman (née Walton)
between 1771 and 1775
Not on view
28
James Ward, 1769–1859
The Reapers
1800
Not on view
29
Sir Edwin Henry Landseer, 1802–1873
Favourites, the Property of H.R.H. Prince George of Cambridge
1834 to 1835
Not on view
30
Thomas Spencer, 1700–1753
Scipio, a spotted hunter, the property of Colonel Roche
ca. 1750
Not on view
31
Edmund Bristow, 1787–1876
Outside the Guard House at Windsor
between 1817 and 1821
Not on view
32
Edwin W. Cooper of Beccles, 1785–1833
A Sportsman with Shooting Pony and Gun Dogs
ca. 1815
Not on view
33
Jacques-Laurent Agasse, 1767–1849
A Grey Pony and a Black Charger in a Stable
1804
Not on view
34
John Ferneley, 1782–1860
Study of a Saddled Bay Hunter
1828
Not on view
35
Francis Wheatley, 1747–1801
Donnybrook Fair
1788
36
John Frederick Lewis, 1804–1876
A Bedouin Encampment; or, Bedouin Arabs
between 1841 and 1851
37
Print made by unknown artist
Duke of Monmouth as a Boy
between 1673 and 1685
38
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
39
John Frederick Tayler, 1802–1889
Stable Boy with Cart Horses
undated
40
Thomas Rowlandson, 1756–1827
Three Horses in Stalls
undated
41
Sawrey Gilpin, 1733–1807
Study of a Saddled Horse and Horse's Head
undated
42
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
43
Henry William Bunbury, 1750–1811
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
undated
44
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
45
Jacques-Laurent Agasse, 1767–1849
Saddled Gray Horse Walking
undated
46
Sawrey Gilpin, 1733–1807
A Racing Saddle on a Horse's Back, With Details of Stirrup
undated
47
Paul Sandby, 1731–1809
A Man and a Saddled Horse
undated
48
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
49
Thomas Rowlandson, 1756–1827
A Saddled Cavalry Horse
undated
50
James Seymour, 1702–1752
Saddled Horse Facing Left
undated
51
Thomas Hartley Cromek, 1809–1873
Turk on a Horse
undated
52
John Collet, ca. 1725–1780
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
53
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
54
Possibly Sir Thomas Lawrence, 1769–1830
The Duke of Wellington Riding Copenhagen
undated
55
Attributed to Inigo Jones, 1573–1652
A Plumed Saddle-Horse
ca. 1640
56
Robert Hills, 1769–1844
A Wagon With Hops and Two Sketches of Horses
undated
57
James Seymour, 1702–1752
Thirteen Drawings of Horses, Horsemen, Hounds, etc
undated
58
Arthur James Stark, 1831–1902
Stable Boy on a Pony
undated
59
Francis Wheatley, 1747–1801
Donnybrook Fair, 1782
1782
60
Print made by Henry William Bunbury, 1750–1811
How to Ride Without a Bridle
undated
61
Robert Mabon, died 1798
Sketch of an Elaborately Saddled Horse
ca. 1792
62
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will