<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Image Use Free to Use

Remove constraint Image Use: Free to Use

Subject Terms whip

Remove constraint Subject Terms: whip

Search Results

101. "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 1/4 inches (16.7 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. "Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One

"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.

Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/16 × 9 1/16 inches (17.9 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road

Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1809 and 1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/16 × 8 7/8 inches (16 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. 'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On

'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. Foxhunter, with Jockey Up

Foxhunter, with Jockey Up
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 7/16 × 8 5/16 inches (13.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Sloven, with Jockey Up, Galloping to Right

Sloven, with Jockey Up, Galloping to Right
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 8 5/16 inches (15.9 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch

Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 10 1/8 × 11 3/4 inches (25.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth

Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Mount: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. A Groom Leading a Bay Horse

A Groom Leading a Bay Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 13 5/16 inches (25.2 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. 'Getting Across the Country Like a Gentleman'

'Getting Across the Country Like a Gentleman'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 3/8 inches (23.5 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. 'Rather Too Slow'

'Rather Too Slow'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 13 1/8 inches (23.7 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. 'Rather Too Fast'

'Rather Too Fast'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 13 1/4 inches (23.7 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. 'Riding to Horses with Difficulty'

'Riding to Horses with Difficulty'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 13 1/4 inches (23.7 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Rider Holding on to a Gray Horse After a Fall

Rider Holding on to a Gray Horse After a Fall
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 9/16 inches (23.2 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Jumping a Wooden Fence

Jumping a Wooden Fence
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Jumping a Double Oxer - A Rider in Difficulties

Jumping a Double Oxer - A Rider in Difficulties
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 5/8 inches (27.3 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Steeplechasing: The Field Coming up to a Ditch

Steeplechasing: The Field Coming up to a Ditch
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 16 3/16 inches (25.1 × 41.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Horse and Rider Walking to Left in a Hilly Landscape

Horse and Rider Walking to Left in a Hilly Landscape
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, graphite, and gouache on moderately thick, moderately textured, beige laid paper
Dimensions:
Mount: 10 13/16 × 13 5/16 inches (27.5 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On

A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Red chalk on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/16 × 12 1/4 inches (23.3 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Harvest

Harvest
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Screen print on medium, slightly textured, beige Asian paper, laid on moderately thick, slightly textured, gray Asian paper
Dimensions:
Mount: 11 5/8 x 8 3/16 inches (29.6 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

123. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 19 3/4 inches (39.7 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

124. Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In

Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Gouache on medium, slightly textured, cream wove paper mounted on stretched canvas
Dimensions:
Sheet: 12 1/8 × 20 inches (30.8 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. A Gentleman on a Managed Horse Riding Out With a Lady

A Gentleman on a Managed Horse Riding Out With a Lady
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Gouache, pen and black ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 5/8 × 7 1/8 inches (14.3 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Westminster Abbey and St. Paul's from Battersea Fields

Westminster Abbey and St. Paul's from Battersea Fields
Creator:
Nathaniel Smith, 1740–1787
Date:
undated
Materials & Techniques:
Watercolor, ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 x 6 3/8in. (10.5 x 16.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Mr. Ashton Smith

Mr. Ashton Smith
Creator:
Richard Dighton, 1795–1880
Date:
1841
Materials & Techniques:
Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:
Frame: 10 11/16 × 26 3/16 × 13/16 inches (27.2 × 66.5 × 2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Mr. Smith Dorian, 1841

Mr. Smith Dorian, 1841
Creator:
Richard Dighton, 1795–1880
Date:
1841
Materials & Techniques:
Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:
Frame: 10 11/16 × 26 3/16 × 13/16 inches (27.2 × 66.5 × 2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. A Family Likeness

A Family Likeness
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
undated
Materials & Techniques:
Watercolor and gouache with pen, brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 x 9 1/2 inches (32.4 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

130. A View of the Prince's House at Kew

A View of the Prince's House at Kew
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1776
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 9/16 × 10 1/16 inches (19.2 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

131. Two Children Wearing Yellow Dresses, the Elder Holding a Rolling Hoop and Stick and the Younger Holding a Whip Top and Whip

Two Children Wearing Yellow Dresses, the Elder Holding a Rolling Hoop and Stick and the Younger Holding a Whip Top and Whip
Creator:
Attributed to James Sharples, ca. 1751–1811
Date:
undated
Materials & Techniques:
Pastel and graphite on medium, smooth, cream wove paper
Dimensions:
Frame: 14 1/2 × 13 × 1 inches (36.8 × 33 × 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ann and Kenneth Rapoport

132. The Young Roscius

The Young Roscius
Creator:
Print made by unknown artist
Date:
1804
Materials & Techniques:
Etching with hand coloring on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 5/8 × 11 1/8 inches (34.6 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

133. Whitehall Showing Holbein's Gate and Banqueting Hall

Whitehall Showing Holbein's Gate and Banqueting Hall
Creator:
Thomas Sandby, 1721–1798
Date:
ca. 1760
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 23 1/2 inches (39.4 x 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Fortune

Fortune
Creator:
Print made by unknown artist
Date:
1796
Materials & Techniques:
Mezzotint with drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 10 3/4 inches (40.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

135. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Print made by L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. John Jehu L'Inghilterra

John Jehu L'Inghilterra
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1772
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 8 1/4 inches (29.6 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Postiglione Germanico

Postiglione Germanico
Creator:
Print made by Charles Bretherton, ca. 1760–1783
Date:
1772
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 10 13/16 x 8 1/2 inches (27.5 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. Englishman at Paris, 1767

Englishman at Paris, 1767
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1799
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 18 7/8 inches (36.7 x 48 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Four Subjects

Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 3/8 x 3 1/4 inches (11.1 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. The Cadger's Trot

The Cadger's Trot
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
1823
Materials & Techniques:
Lithograph on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 1/8 x 10 1/4 inches (20.7 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
Creator:
James Gillray, 1756–1815
Date:
1802
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
Creator:
Print made by James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching with hand coloring on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 x 15 3/4 inches (22.9 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Juif; Paysan d'Ukraine

Juif; Paysan d'Ukraine
Creator:
Print made by Gabriel Charton, active 1810
Date:
ca. 1810
Materials & Techniques:
Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/4 x 15 1/4 inches (26 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. The Cadger's Trot (first State)

The Cadger's Trot (first State)
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
1823
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 x 10 1/4 inches (21 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. The Opening of the Carnival at Rome

The Opening of the Carnival at Rome
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/8 x 22 1/4 inches (38.4 x 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. The Horse Race at Rome During the Carnival

The Horse Race at Rome During the Carnival
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Mount:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
Creator:
Print made by Thomas Barber, ca. 1768–1843
Date:
1829
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
Creator:
Print made by Robert Isaac Cruikshank, 1789–1856
Date:
after 1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/16 x 17 5/8 inches (23.6 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. The Young Squire

The Young Squire
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 x 7 13/16 inches (17.7 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Dr. Syntax Returned from His Tour

No cover image available
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1813
Materials & Techniques:
Etching and aquatint, with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Mount: 8 7/8 × 12 inches (22.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Lisa Thornell-Gargiulo

151. Mail Coach Behind Time

No cover image available
Creator:
Engraved by Henry Pyall, 1795–1833
Date:
1827
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 13/16 x 20 3/16 inches (40.2 x 51.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Blood on Thunder Fording the Red Sea

No cover image available
Creator:
James Gillray, 1756–1815
Date:
1788
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/16 × 13 1/4 inches (24 × 33.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection