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2101. Plate VI, Human Body, Frontal View

Creator:: Print made after George Stubbs, 1724–1806
Date:: 1804
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George and Olga Kenney

2102. Plate VII, Human Body, Lateral View

Creator:: Print made after George Stubbs, 1724–1806
Date:: 1804
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 1/4 inches (67.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George and Olga Kenney

2103. Plate X, Fowl Body, Lateral View

Creator:: Print made after George Stubbs, 1724–1806
Date:: 1804
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George and Olga Kenney

2104. Plate VIII, Human Body, Posterior View

Creator:: Print made after George Stubbs, 1724–1806
Date:: 1804
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George and Olga Kenney

2105. Get Thee Behind Me, Satan

Creator:: John Flaxman, 1755–1826
Date:: between 1783 and 1787
Materials & Techniques:: Gray ink with graphite and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 21 7/8 inches (40.6 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

2106. The Creation of the Heavens

Creator:: John Flaxman, 1755–1826
Date:: ca. 1790
Materials & Techniques:: Gray ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 10 inches (23.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

2107. Study for the Horse Dealers

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1917
Materials & Techniques:: Graphite, squared for transfer
Dimensions:: Sheet: 11 3/4 x 11 1/4in. (29.8 x 28.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2108. The Pink Apron

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1904
Materials & Techniques:: Charcoal and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 9/16 × 10 1/2 inches (42.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2109. Sussex Cart Horse

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1905 and 1906
Materials & Techniques:: Black chalk on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 11/16 × 18 1/8 inches (37.3 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2110. The Caller at the Mill, with sketches outside margin

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1918-1919
Materials & Techniques:: Crayon
Dimensions:: Sheet: 13 3/4 x 17 1/16in. (34.9 x 43.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2111. The Meet, with further sketches in margin

Creator:: Robert Polhill Bevan, 1865–1925
Materials & Techniques:: Graphite, crayon and wash heightened with white
Dimensions:: Sheet: 13 1/2 x 20 5/16in. (34.3 x 51.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2112. Found, with further sketches in the margin

Creator:: Robert Polhill Bevan, 1865–1925
Materials & Techniques:: Graphite, crayon and wash
Dimensions:: Sheet: 13 1/8 x 19 5/8in. (33.3 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2113. Fields Farm, Clayhidon

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1917
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 14 7/8 inches (35.2 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2114. The Flying Pack

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/16 × 20 9/16 inches (33.8 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2115. Hounds in Covert

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Black chalk and graphite, incised for transfer on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/8 × 17 inches (31.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2116. The Hunt

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk and red watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2117. Hay Carts, Cumberland Market (sketch)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1915
Materials & Techniques:: Black chalk on thin, smooth, beige wove tracing paper
Dimensions:: Sheet: 14 × 18 1/4 inches (35.6 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2118. Study for Hay Carts, Cumberland Market

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1915
Materials & Techniques:: Black chalk on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 15/16 × 18 1/2 inches (35.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2119. Horses Threshing, Pont Aven

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1893
Materials & Techniques:: Black chalk and graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 × 17 3/4 inches (33 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2120. Horse Dealers

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1918
Materials & Techniques:: Black chalk and graphite, incised for transfer; verso: red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 17 1/16 inches (34 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2121. The Meet

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1898
Materials & Techniques:: Pastel, graphite and charcoal on medium, smooth, cream laid paper
Dimensions:: Sheet: 5 1/4 × 7 5/16 inches (13.3 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2122. The Meet

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1901 and 1925
Materials & Techniques:: Black chalk, white chalk, and gray wash; verso: graphite and black chalk, incised for transfer on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2123. Huntsman and Hounds

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1898
Materials & Techniques:: Black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/16 × 16 3/8 inches (28.7 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2124. A Sussex Cart Horse

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1905 and 1906
Materials & Techniques:: Black crayon
Dimensions:: Sheet: 9 13/16 x 13 1/4in. (24.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2125. Two Bridges

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1912-1913
Materials & Techniques:: Charcoal and watercolor; squared for transfer on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 × 18 3/8 inches (36.2 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2126. Horse in Breton Yard

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Charcoal on medium, smooth, beige wove paper
Dimensions:: Sheet: 10 3/16 × 13 13/16 inches (25.9 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2127. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 1/2 inches (28.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2128. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2129. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé, retouched with graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 inches (12.3 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2130. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 x 11 9/16 inches (21.5 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2131. The Willow

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/8 x 5 3/4 inches (18.8 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2132. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching retouched with black ink, watercolor, gray gouache, and white gouache on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 3/16 inches (12.3 x 10.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2133. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper (Japanese paper)
Dimensions:: Sheet: 8 3/4 x 6 7/16 inches (22.2 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2134. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2135. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 x 9 15/16 inches (17.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2136. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun before 1861; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2137. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2138. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1920
Materials & Techniques:: Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2139. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/16 x 6 11/16 inches (20.4 x 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

2140. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 10 1/4 inches (30 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

2141. Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII

Creator:: William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 1/2 x 10 1/2in. (41.9 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2142. Painting of Pharoah's Daughter and Moses in the Foundling Hospital

Creator:: William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2143. Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey

Creator:: William Hogarth, 1697–1764
Date:: 1718
Materials & Techniques:: Line engraving (reprint)
Dimensions:: Plate: 7 x 5 1/8 inches (17.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2144. Hudibras Vanquished by Trulla

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

2145. Southwark Fair

Creator:: William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Dimensions:: Sheet: 18 1/4 × 24 3/4 inches (46.4 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

2146. Mr. Garrick in the Character of Richard III

Creator:: William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

2147. The Distressed Poet

Creator:: William Hogarth, 1697–1764
Date:: 1740
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

2148. Scholars at a Lecture (A Chorus of Singers)

Creator:: William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 1/8 x 6 7/8in. (20.6 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2149. The Four Times of Day, Plate I: Morning

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 18 x 14 7/8in. (45.7 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2150. The Four Times of Day, Plate II: Noon

Creator:: William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Etching and engraving, second state
Dimensions:: Sheet: 19 3/8 x 16 1/16in. (49.2 x 40.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2151. The Four Times of Day, Plate IV: Night

Creator:: William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 3/8 x 14 1/2in. (44.1 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2152. A Midnight Modern Conversation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 × 17 7/8 inches (32.7 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2153. Southwark Fair

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 7/16 × 17 3/4 inches (34.1 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2154. A Rake's Progress, Plate I: He Takes Possession

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 12 1/2 x 15 3/16in. (31.8 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2155. A Rake's Progress, Plate III: He Revels

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line Engraving
Dimensions:: Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2156. A Rake's Progress, Plate II: His Levee

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/4 x 15 1/4in. (31.1 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2157. A Rake's Progress, Plate IV: Goes to Court

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line Engraving
Dimensions:: Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2158. A Rake's Progress, Plate V: He Marries

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 16in. (35.6 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2159. Colombus breaking the Egg

Creator:: William Hogarth, 1697–1764
Date:: 1753
Materials & Techniques:: Etching
Dimensions:: Sheet: 5 1/2 x 6 7/8in. (14 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2160. A Rake's Progress, Plate VI: He Gambles

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/4 x 15 1/8in. (31.1 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2161. A Rake's Progress, Plate VIII: In Bedlam

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2162. A Rake's Progress, Plate VII: In Fleet Street Prison

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2163. A Consultation of Physicians

Creator:: William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 5/8 x 7in. (21.9 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2164. The Sleeping Congregation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 3/8 × 8 1/4 inches (26.4 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2165. The Stage Coach; Or Country Inn Yard

Creator:: William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 1/16 x 11 3/4in. (20.5 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2166. Strolling Actresses Dressing in a Barn

Creator:: William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 1/2 x 21 3/16in. (41.9 x 53.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2167. The Distrest(ed) Poet

Creator:: William Hogarth, 1697–1764
Date:: 1740
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/4 x 15 3/16in. (31.1 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2168. The Enraged Musician

Creator:: William Hogarth, 1697–1764
Date:: 1741
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 14 1/8 x 16 1/8in. (35.9 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2169. Subscription Ticket: Three Characters and Four Caricaturas

Creator:: William Hogarth, 1697–1764
Date:: 1743
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 3/8 x 8 15/16in. (23.8 x 22.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2170. Gulielmus Hogarth

Creator:: William Hogarth, 1697–1764
Date:: 1749
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/16 x 11 3/8in. (38.3 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2171. The First Stage of Cruelty: First, Children Torturing Animals

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2172. The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 11 3/4in. (35.6 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2173. The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2174. Simon Lord Lovat

Creator:: William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 1/8 x 8 7/8in. (33.3 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2175. Analysis of Beauty, Plate I: A Statuary's Yard

Creator:: William Hogarth, 1697–1764
Date:: 1753
Materials & Techniques:: Engraving on paper
Dimensions:: Sheet: 14 1/4 x 19in. (36.2 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2176. Analysis of Beauty, Plate II: A Country Dance

Creator:: William Hogarth, 1697–1764
Date:: 1753
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/4 x 19 3/8in. (36.2 x 49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2177. The Invasion, Plate I: France

Creator:: William Hogarth, 1697–1764
Date:: 1756
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 1/2 x 15in. (29.2 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2178. An Election Entertainment, Plate I

Creator:: William Hogarth, 1697–1764
Date:: 1755-58
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/4 x 21 1/4in. (40 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2179. The Polling, Plate III

Creator:: William Hogarth, 1697–1764
Date:: 1758
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 3/8 x 22 1/8in. (44.1 x 56.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2180. The Invasion, Plate II: England

Creator:: William Hogarth, 1697–1764
Date:: 1756
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 1/2 x 14 3/4in. (29.2 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2181. Chairing the Members, Plate IV

Creator:: William Hogarth, 1697–1764
Date:: 1758
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 5/8 x 21 1/4in. (39.7 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2182. The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2183. The Bench

Creator:: William Hogarth, 1697–1764
Date:: 1758
Materials & Techniques:: Engraving on wove paper
Dimensions:: Sheet: 12 3/8 x 8 1/4in. (31.4 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2184. The Cockpit

Creator:: William Hogarth, 1697–1764
Date:: 1759
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/2 x 15in. (31.8 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2185. Hogarth Painting the Comic Muse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2186. The Laughing Audience

Creator:: William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 1/2 x 6 7/8in. (19.1 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2187. Beer Street

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale Univesrity Art Gallery

2188. Paul before Felix

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

2189. Fair Scene

Creator:: William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2190. Characters and Caricatures: subscription ticket for 'Marriage à la Mode'

Creator:: William Hogarth, 1697–1764
Date:: 1743
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 11 1/8 x 9 1/2in. (28.3 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

2191. Simon, Lord Lovat

Creator:: Print made by William Hogarth, 1697–1764
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memoiral Collection

2192. A Silver Mine at Sala, I: illustration for La Motraye's 'Travels'

Creator:: William Hogarth, 1697–1764
Date:: 1723
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 13 x 8 1/4in. (33 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

2193. Pit Ticket

Creator:: William Hogarth, 1697–1764
Date:: 1759
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mr. Arthur F. Tuttle

2194. Lewis Theobald: Detail of the Poet

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Etching on wove paper
Dimensions:: Sheet: 12 3/8 x 9 1/2in. (31.4 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

2195. John Wilkes, Esq.

Creator:: William Hogarth, 1697–1764
Date:: 1763
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 15 1/2 x 10 1/4in. (39.4 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Allen Evarts Foster, B.A.

2196. Self-portrait

Creator:: William Hogarth, 1697–1764
Date:: 1749
Materials & Techniques:: Etching and engraving on laid paper
Dimensions:: Sheet: 15 7/8 x 11in. (40.3 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

2197. Subscription Ticket for: 'Four Prints of an Election'

Creator:: William Hogarth, 1697–1764
Date:: 1754
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 10 x 7 3/4in. (25.4 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

2198. The Company of Undertakers

Creator:: William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Etching and engraving on wove paper
Dimensions:: Sheet: 10 3/8 x 7in. (26.4 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Carl Lohmann

2199. And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses

Creator:: William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/8 x 19 3/4in. (38.4 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2200. And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled

Creator:: William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Etching
Dimensions:: Sheet: 15 1/8 x 20in. (38.4 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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2101. Plate VI, Human Body, Frontal View

2102. Plate VII, Human Body, Lateral View

2103. Plate X, Fowl Body, Lateral View

2104. Plate VIII, Human Body, Posterior View

2105. Get Thee Behind Me, Satan

2106. The Creation of the Heavens

2107. Study for the Horse Dealers

2108. The Pink Apron

2109. Sussex Cart Horse

2110. The Caller at the Mill, with sketches outside margin

2111. The Meet, with further sketches in margin

2112. Found, with further sketches in the margin

2113. Fields Farm, Clayhidon

2114. The Flying Pack

2115. Hounds in Covert

2116. The Hunt

2117. Hay Carts, Cumberland Market (sketch)

2118. Study for Hay Carts, Cumberland Market

2119. Horses Threshing, Pont Aven

2120. Horse Dealers

2121. The Meet

2122. The Meet

2123. Huntsman and Hounds

2124. A Sussex Cart Horse

2125. Two Bridges

2126. Horse in Breton Yard

2127. The Skylark

2128. Opening the Fold

2129. The Skylark

2130. The Weary Ploughman

2131. The Willow

2132. Christmas

2133. Christmas

2134. The Early Ploughman

2135. The Early Ploughman

2136. The Early Ploughman

2137. The Morning of Life

2138. Opening the Fold

2139. The Skylark

2140. Christmas

2141. Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII

2142. Painting of Pharoah's Daughter and Moses in the Foundling Hospital

2143. Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey

2144. Hudibras Vanquished by Trulla

2145. Southwark Fair

2146. Mr. Garrick in the Character of Richard III

2147. The Distressed Poet

2148. Scholars at a Lecture (A Chorus of Singers)

2149. The Four Times of Day, Plate I: Morning

2150. The Four Times of Day, Plate II: Noon

2151. The Four Times of Day, Plate IV: Night

2152. A Midnight Modern Conversation

2153. Southwark Fair

2154. A Rake's Progress, Plate I: He Takes Possession

2155. A Rake's Progress, Plate III: He Revels

2156. A Rake's Progress, Plate II: His Levee

2157. A Rake's Progress, Plate IV: Goes to Court

2158. A Rake's Progress, Plate V: He Marries

2159. Colombus breaking the Egg

2160. A Rake's Progress, Plate VI: He Gambles

2161. A Rake's Progress, Plate VIII: In Bedlam

2162. A Rake's Progress, Plate VII: In Fleet Street Prison

2163. A Consultation of Physicians

2164. The Sleeping Congregation

2165. The Stage Coach; Or Country Inn Yard

2166. Strolling Actresses Dressing in a Barn

2167. The Distrest(ed) Poet

2168. The Enraged Musician

2169. Subscription Ticket: Three Characters and Four Caricaturas

2170. Gulielmus Hogarth

2171. The First Stage of Cruelty: First, Children Torturing Animals

2172. The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)

2173. The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse

2174. Simon Lord Lovat

2175. Analysis of Beauty, Plate I: A Statuary's Yard