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23001. A Survey and Ground Plot of the Royal Palace of White Hall

Creator:: George Vertue, 1684–1756
Date:: 1747
Materials & Techniques:: Engraving
Dimensions:: Sheet: 21 1/4 x 28 1/8in. (54 x 71.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23002. White Tower, or Tower of London

Creator:: unknown artist
Date:: 1784
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23003. North, or inside, View of Traitor's Gate

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23004. The Hon. Samuel Barrington, 1729/30-1800

Creator:: Print made by Gaetano Stefano Bartolozzi, 1757–1821
Date:: 1812
Materials & Techniques:: Soft-ground etching and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 9/16 × 9 inches (34.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Hill Morgan

23005. Three Views of the Tower of London

Creator:: after James Basire II, 1769–1822
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23006. South Elevation of the White Tower, in the Tower of London

Creator:: James Basire II, 1769–1822
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23007. The Tower of London from the Excavations for St. Katherine's Dock

Creator:: George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23008. Keep of the Tower, London

Creator:: William Woolnoth, active 1806–1830
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23009. The Tower of London

Creator:: William Woolnoth, active 1806–1830
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23010. Plan of the Tower of London..1681/1689

Creator:: James Basire II, 1769–1822
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23011. A New and Exact Plan of the City of London and Suburbs thereof....1739

Creator:: Sutton Nicholls, active 1725
Date:: undated
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23012. The Tower and the Mill

Creator:: Thomas Shotter Boys, 1803–1874
Materials & Techniques:: Hand colored lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23013. Plan of the Tower of London MDCCXXVI

Creator:: James Basire II, 1769–1822
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23014. View of the Tower of London and the Mint

Creator:: Robert Havell, 1769–1832
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23015. The Tower of London

Creator:: James Tibbits Willmore, 1800–1863
Date:: 1842
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23016. The Chapel in the White Tower, London

Creator:: James S. Storer, 1771–1853
Date:: 1807
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23017. Tower of London

Creator:: William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23018. View of the Tower

Creator:: Philip Audinet, 1766–1837
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23019. View of the Tower from the Pool

Creator:: Thomas Abiel Prior, 1809–1886
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23020. South View of the Bloody Tower

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23021. Bloody Gate, Tower of London

Creator:: unknown artist
Materials & Techniques:: Lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23022. Gate-Way of the Bloody Tower

Creator:: Frederick Nash, 1782–1856
Date:: 1821
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23023. View of London, taken from Albion Place, Blackfryar Bridge

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23024. A View of the East India Docks

Creator:: William Daniell, 1769–1837
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23025. Vue de Charing Cross a Londres

Creator:: Charles H. Onghena, 1806–1886
Date:: undated
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23026. An Elevated View of the New Dock in Wapping

Creator:: William Daniell, 1769–1837
Date:: 1803
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 34 5/8 × 21 5/8 inches (87.9 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23027. The Death of Chatham

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Line engraving, and stipple engraving, published state
Dimensions:: Plate: 25 3/8 x 31 3/4in. (64.5 x 80.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23028. Annual Ceremony of adminishing the Oaths of Allegiance and Church on November 8th, the Day proceeding Lord Mayors Day

Creator:: Benjamin Smith, 1775–1833
Date:: 1801
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23029. This Print Representing His Majesty Reviewing the Volunteer Corps assembled in Hyde Park, in honor of his Birthday, June 4 1799

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23030. Views of the Cities of Westminster and London taken from the Opposite Bank of the Thames

Creator:: Samuel Buck, 1696–1779
Date:: 1749
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23031. Key To The Figures In "The Death Of Chatham"

Creator:: Abraham Raimbach, 1784–1868
Date:: 1794
Materials & Techniques:: Etching and engraving, published state
Dimensions:: Plate: 10 5/8 x 30 5/8in. (27 x 77.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23032. The White Tower from S. E.

Creator:: unknown artist
Date:: 1888
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23033. The Reform Bill receiving The King's Assent by Royal Commission

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1836
Materials & Techniques:: Mezzotint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 33 1/4 × 23 3/4 inches (84.5 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23034. Views of the Cities of Westminster and London taken from the Opposite Bank of the Thames

Creator:: Samuel Buck, 1696–1779
Date:: 1749
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23035. A New and Exact Prospect of the North side of the City of London taken from the Upper Pond near Islington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23036. St. Johns Chapel in the White Tower London

Creator:: James Peller Malcolm, 1767–1815
Date:: 1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23037. Chapel of St. Peter's ad Vincula

Creator:: unknown artist
Date:: 1889
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23038. The Tower from the River

Creator:: unknown artist
Date:: 1888
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23039. Views of the Cities of Westminster and London taken from the Opposite Bank of the Thames

Creator:: Samuel Buck, 1696–1779
Date:: 1749
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23040. The Beauchamp Tower

Creator:: unknown artist
Date:: 1888
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23041. The West Side of London Bridge, The East Side of London Bridge

Creator:: Sutton Nicholls, active 1725
Date:: 1710
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23042. The Harvest Moon

Creator:: Print made by Charles Henry Baskett, 1872–1953
Date:: between 1910 and 1913
Materials & Techniques:: Aquatint and soft-ground etching on moderately thick, slightly textured, cream wove paper laid on mount
Dimensions:: Sheet: 9 15/16 x 13 7/8 inches (25.3 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Emerson Tuttle

23043. Key of names to "The Interior of the Fives Court, with Randall, and Turner Sparring"

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23044. Views of the Cities of Westminster and London taken from the Opposite Bank of the Thames

Creator:: Samuel Buck, 1696–1779
Date:: 1749
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23045. The West Front of the Cathedral Church of St. Paul's in London

Creator:: Print made by William Emmett, 1671–1736
Date:: between 1700 and 1710
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23046. The Interior of the Fives Court, with Randall, and Turner Sparring

Creator:: Charles Turner, 1774–1857
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 22 7/8 x 31 5/8in. (58.1 x 80.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23047. The Cathedral Church of St. Paul's in London: A Section of the Cross Isle from North to South with a Prospect of the Choir and Dome

Creator:: Print made by William Emmett, 1671–1736
Date:: between 1700 and 1710
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23048. Cover of "The Yellow Book: an Illustrated Quarterly", Volume I, April 1894

Creator:: Print made by Aubrey Vincent Beardsley, 1872–1898
Date:: 1894
Materials & Techniques:: Photomechanical reproduction on medium, smooth, contemporary glossy paper, laid on contemporary mount made of medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 x 8 1/2 inches (28.1 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

23049. Cover of "The Yellow Book: an Illustrated Quarterly", Volume II, July 1894

Creator:: Print made by Aubrey Vincent Beardsley, 1872–1898
Date:: 1894
Materials & Techniques:: Photomechanical reproduction on thin, slightly textured, orange wove paper, laid on contemporary mount made of moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 11 x 8 9/16 inches (27.9 x 21.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

23050. A View of the Bridge now Building over the Thames at Vauxhall

Creator:: William Daniell, 1769–1837
Date:: 1810
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23051. "The Mute Swan" or "Tame Swan"

Creator:: Print made by Thomas Bewick, 1753–1828
Date:: undated
Materials & Techniques:: Wood-engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/16 × 5 3/16 inches (12.8 × 13.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Emerson Tuttle, B.A. 1914

23052. The Goshawk

Creator:: Print made by Thomas Bewick, 1753–1828
Date:: undated
Materials & Techniques:: Wood-engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 4 15/16 inches (11.4 × 12.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Emerson Tuttle, B.A. 1914

23053. Fisherman

Creator:: Print made by Thomas Bewick, 1753–1828
Date:: undated
Materials & Techniques:: Wood-engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 4 11/16 inches (9.8 × 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

23054. The Trinity House

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23055. Seat of the Rt. Hon. Welbore Ellis, at Twickenham in Middlesex

Creator:: William Watts, 1752–1851
Date:: 1782
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23056. San Frediano in Cestello, Florence

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1915
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 7/8 x 15 15/16 inches (27.6 x 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of The Edwin M. Herr Memorial Collection by Mrs. Herr in memory of her husband Edwin M. Herr, Yale PhD 1884, transfer from the Yale University Art Gallery

23057. Chiswick House in Middlesex, the Seat of the Duke of Devonshire

Creator:: William Watts, 1752–1851
Date:: 1781
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23058. The House at Chiswick in the County of Middlesex one of the Seats of the Rt. Hon. Charles Boyle

Creator:: Johannes Kip, 1653–1722
Date:: ca. 1715
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 3/8 x 19 1/4in. (34 x 48.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23059. A View of the Rt. Hon. The Earl of Burlington's House at Chiswick, and part of the Town

Creator:: J. Fougeron, active 1761
Date:: 1750
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23060. Chiswick House in Middlesex, the Seat of Duke of Devonshire

Creator:: William Watts, 1752–1851
Date:: 1783
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23061. Twickenham Park House in Middlesex

Creator:: William Angus, 1752–1821
Date:: 1795
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23062. Twickenham Meadows

Creator:: John Landseer, 1769–1852
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23063. A View near Twickenham

Creator:: John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23064. Glasgow Exhibition: Entrance from the Piazza

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper, laid on mount
Dimensions:: Sheet: 11 1/8 × 7 1/4 inches (28.3 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

23065. Glasgow Exhibition: Ireland and Russia

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige Asian paper, laid on mount
Dimensions:: Sheet: 6 1/4 x 9 1/16 inches (15.9 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

23066. Glasgow Exhibition: From the Dome

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 7/16 x 6 7/16 inches (26.5 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

23067. Baroness Howe's Villa & Pope's Grotto

Creator:: James C. Allen, active 1821–1831
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23068. Arundel

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1908
Materials & Techniques:: Drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 5 1/2 x 8 9/16 inches (13.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

23069. The Fishmarket, Venice, No. 2

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1912
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 3/8 x 15 7/8 inches (26.4 x 40.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

23070. East Blatchington

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1908
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 7 3/4 x 10 1/4 inches (19.7 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

23071. Self-Portrait

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1908
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 11 5/16 x 9 1/8 inches (28.7 x 23.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

23072. Under the Pincian Trees

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1911
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 8 1/16 x 10 3/4 inches (20.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

23073. The Ballantrae Road

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1907
Materials & Techniques:: Drypoint and etching, with plate tone on medium, slightly textured, cream Asian paper, laid on mount
Dimensions:: Sheet: 7 13/16 x 10 3/8 inches (19.9 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

23074. Ayr Prison

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1905
Materials & Techniques:: Drypoint and etching with plate tone on moderately thick, slightly textured, beige Asian paper
Dimensions:: Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

23075. Portrait of Joseph Conrad

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1923
Materials & Techniques:: Drypoint on moderately thick, slightly textured, beige Asian paper
Dimensions:: Sheet: 14 3/4 x 11 3/16 inches (37.5 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

23076. Mansion at Twickenham

Creator:: James Peller Malcolm, 1767–1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23077. A View of the Earl of Radner's House at Twickenham

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23078. L'Eglise de St. Gervais et St. Protais

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

23079. A View of Governour Pitt's House at Twickenham

Creator:: John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23080. To the King's most excellect Majesty, This Plate of Westminster Abbey

Creator:: Joseph Collyer, 1748–1827
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23081. Bologna

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1828
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 x 7 3/8 inches (26.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund