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24501. Tivoli

Tivoli
Creator:
Print made by John Pye, 1782–1874
Date:
1830
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24502. Rietz, near Saumur

Rietz, near Saumur
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24503. Amboise

Amboise
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24504. Saumur

Saumur
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24505. St. Florent

St. Florent
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24506. Montjen

Montjen
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24507. The Campagna of Rome

The Campagna of Rome
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24508. Temples of Paestum

Temples of Paestum
Creator:
Print made by John Pye, 1782–1874
Date:
1830
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 1/2 inches (37.5 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24509. Scene on the Loire

Scene on the Loire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24510. Château Hamelin

Château Hamelin
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 15 7/8 inches (27.6 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24511. A Farewell - Lake of Como, II

A Farewell - Lake of Como, II
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24512. Between Clairmont and Mauves

Between Clairmont and Mauves
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24513. Clairmont

Clairmont
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24514. The Lake of Geneva

The Lake of Geneva
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1829
Materials & Techniques:
Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 11 3/4 inches (44.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24515. William Tell's Chapel

William Tell's Chapel
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24516. Hospice of the Great St. Bernard II (The Dead-House)

Hospice of the Great St. Bernard II (The Dead-House)
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1829
Materials & Techniques:
Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24517. Coteaux de Mauves

Coteaux de Mauves
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Etching and engraving; engraver's proof (d) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24518. Marengo

Marengo
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24519. St. Maurice

St. Maurice
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24520. Château de Nantes

Château de Nantes
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24521. Havre

Havre
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (4) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24522. Havre, Tower of Francis I

Havre, Tower of Francis I
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Etching and engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 9 inches (16.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24523. Malta

Malta
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 11/16 × 16 7/8 inches (29.7 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24524. The Acropolis of Athens

The Acropolis of Athens
Creator:
Print made by John Cousen, 1804–1880
Date:
1832-1834
Materials & Techniques:
Etching and engraving, with graphite, scraping out, and chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 5/16 inches (26.8 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24525. Old London Bridge and Vicinity

Old London Bridge and Vicinity
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24526. Dudley, Worcestershire

Dudley, Worcestershire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1835
Materials & Techniques:
Etching with chine-collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 22 3/4 inches (41.6 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24527. Flint Castle, North Wales

Flint Castle, North Wales
Creator:
Print made by James H. Kernot, 1802–1858
Date:
1836
Materials & Techniques:
Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 22 1/4 inches (41.3 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24528. Boston, Lincolnshire

Boston, Lincolnshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24529. Longships Lighthouse, Lands End

Longships Lighthouse, Lands End
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Etching and engraving with chine collé; first published state on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 22 inches (41.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24530. Kilgarren Castle, Pembroke

Kilgarren Castle, Pembroke
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1827-1838
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 22 inches (42.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24531. Chain Bridge over the River Tees

Chain Bridge over the River Tees
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1838
Materials & Techniques:
Etching with chine-collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 18 7/8 inches (37.5 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24532. Llangollen, North Wales

Llangollen, North Wales
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1837
Materials & Techniques:
Etching with chine-collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 22 1/4 inches (41.3 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24533. Durham Cathedral

Durham Cathedral
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching with chine-collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 22 1/4 inches (41.3 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24534. Orford Castle and Church

Orford Castle and Church
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching with chine collé on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/16 × 11 13/16 inches (43.3 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24535. Lowestoffe, Suffolk

Lowestoffe, Suffolk
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1837
Materials & Techniques:
Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 22 1/8 inches (41 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24536. Temple of Minerva, Cape Colonna

Temple of Minerva, Cape Colonna
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
ca. 1832
Materials & Techniques:
Etching and engraving with chine collé on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 7/8 × 17 3/16 inches (30.2 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24537. Tomb of Cecilia Metella, Rome

Tomb of Cecilia Metella, Rome
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24538. Whitby

Whitby
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching with chine collé on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/8 × 20 1/2 inches (36.5 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24539. Rhodes

Rhodes
Creator:
Print made by William Finden, 1787–1852
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's finished proof on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24540. Lowestoffe

Lowestoffe
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 20 3/4 inches (37.8 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24541. Mount Blanc

Mount Blanc
Creator:
Print made by B. R. Davies, active ca. 1833
Date:
1828
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 13 1/4 inches (25.2 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24542. The Drachenfels

The Drachenfels
Creator:
Print made by William Finden, 1787–1852
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 11/16 × 17 5/16 inches (29.7 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24543. Cephalonia

Cephalonia
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving; engraver's proof on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/8 × 17 7/16 inches (30.2 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24544. Bolton Abbey, Wharfdale

Bolton Abbey, Wharfdale
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1826
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24545. Gate of Theseus, Athens

Gate of Theseus, Athens
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/16 × 11 7/8 inches (43.7 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24546. Buckfastleigh Abbey, Devonshire

Buckfastleigh Abbey, Devonshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24547. Santa Maria della Spina, Pisa

Santa Maria della Spina, Pisa
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 17 3/16 × 11 13/16 inches (43.7 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24548. The Plain of Troy

The Plain of Troy
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24549. Gibraltar

Gibraltar
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/16 × 17 1/4 inches (30.6 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24550. Corinth from the Acropolis

Corinth from the Acropolis
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 17 3/16 × 11 7/8 inches (43.7 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24551. Bacharach on the Rhine

Bacharach on the Rhine
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 13/16 inches (43.5 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24552. Negropont

Negropont
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 17 3/8 inches (31 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24553. The Castle of St. Angelo

The Castle of St. Angelo
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 3/8 × 11 11/16 inches (44.1 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24554. Tours, Looking Backwards

Tours, Looking Backwards
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, sliightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24555. Road Between Hills

Road Between Hills
Creator:
pupil of John Malchair, 1730–1812
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 × 12 inches (24.4 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24556. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24557. Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 × 9 inches (12.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24558. The North Foreland Lighthouse, Kent

The North Foreland Lighthouse, Kent
Creator:
James Malton, 1761–1803
Date:
1791
Materials & Techniques:
Watercolor and graphite with pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 7/16 inches (18.3 × 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24559. Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24560. Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24561. Preparatory drawing for the Title page, "Designs for Villas" (A Collection of Designs for Rural Retreats)

Preparatory drawing for the Title page, "Designs for Villas" (A Collection of Designs for Rural Retreats)
Creator:
James Malton, 1761–1803
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/16 × 7 7/8 inches (13.2 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24562. Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, pink laid paper
Dimensions:
Sheet: 3 3/16 × 7 3/8 inches (8.1 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24563. Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats

Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 × 3 1/2 inches (10.2 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24564. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24565. Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, sligihtly textured, cream laid paper
Dimensions:
Sheet: 4 13/16 × 4 1/2 inches (12.2 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24566. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, pen and black ink, and graphite on thin, slightly textured, pink laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 7 13/16in. (23.2 x 19.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24567. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 7 9/16 inches (13 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24568. Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 x 9 1/4in. (20.3 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24569. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/16 x 8 5/8in. (26.2 x 21.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24570. Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 9 3/8in. (18.1 x 23.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24571. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 7 3/4in. (23.5 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24572. Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 x 7 13/16in. (24.4 x 19.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24573. Bromley Hill, Kent

Bromley Hill, Kent
Creator:
Amelia Long, 1762–1837
Date:
1823
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 × 12 3/8 inches (40.6 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24574. Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite and pen and black ink on thin, slightly textured, pink and cream laid paper laid mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 x 8 1/16in. (25.1 x 20.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24575. Old Church and House

Old Church and House
Creator:
Amelia Long, 1762–1837
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/16 x 10 1/4in. (36.4 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24576. Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats

Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 15/16 x 7 7/8in. (25.2 x 20cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24577. On the Cam . . . back of St. John's College, Cambridge

On the Cam . . . back of St. John's College, Cambridge
Creator:
Amelia Long, 1762–1837
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 inches (23.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24578. Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats

Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 10in. (18.1 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24579. On the Colne, Middlesex

On the Colne, Middlesex
Creator:
John Preston Neale, 1771/80–1847
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 10 5/16 inches (16.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24580. Fashionable Men and Women Promenading

Fashionable Men and Women Promenading
Creator:
Joseph Nash, 1808–1878
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 5 5/8 inches (11.1 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24581. The Quadrangle of the Royal Exchange

The Quadrangle of the Royal Exchange
Creator:
John Preston Neale, 1771/80–1847
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 11/16 × 8 1/2 inches (14.4 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24582. Addington Place, Surrey

Addington Place, Surrey
Creator:
John Preston Neale, 1771/80–1847
Date:
1813
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 9 inches (15.6 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24583. Sketches of Towns People

Sketches of Towns People
Creator:
Joseph Nash, 1808–1878
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 × 5 9/16 inches (11.3 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24584. Corsham Court, Wiltshire: Elevation of the North Front

Corsham Court, Wiltshire: Elevation of the North Front
Creator:
John Nash, 1752–1835
Date:
ca. 1797
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 14 3/8 inches (19.2 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24585. Street Activity

Street Activity
Creator:
Joseph Nash, 1808–1878
Date:
ca. 1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 5 9/16 inches (11.1 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24586. Fashionable Men and Women Conversing

Fashionable Men and Women Conversing
Creator:
Joseph Nash, 1808–1878
Date:
ca. 1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove
Dimensions:
Sheet: 4 7/16 × 5 9/16 inches (11.3 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24587. Greenwich Hospital

Greenwich Hospital
Creator:
Richard Henry Nibbs, 1816–1893
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 17 3/4 × 24 7/8 inches (45.1 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24588. Winchester Tower, Windsor Castle

Winchester Tower, Windsor Castle
Creator:
Thomas Malton, 1726–1801
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24589. Skating in St. James' Park

Skating in St. James' Park
Creator:
John Nixon, ca. 1760–1818
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper mounted to board
Dimensions:
Sheet: 12 3/4 × 27 7/8 inches (32.4 × 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24590. York Water Gate

York Water Gate
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1795
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 11 3/4 inches (21.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24591. Sketched at the Cockpit, Nottingham

Sketched at the Cockpit, Nottingham
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Pen and brown ink with gray wash on laid paper
Dimensions:
Sheet: 4 3/8 x 6 7/8in. (11.1 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Melville and Naomi Stone

24592. Woodland Scene with a Path Across a Stream

Woodland Scene with a Path Across a Stream
Creator:
attributed to John Middleton, 1826–1856
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 15/16 x 13 15/16in. (25.2 x 35.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24593. The North Front of St. Paul's

The North Front of St. Paul's
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1785
Materials & Techniques:
Watercolor, pen and black ink, and graphite on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 27 1/8 × 38 1/8 inches (68.9 × 96.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24594. Accepted

Accepted
Creator:
Sir John Everett Millais, 1829–1896
Date:
1853
Materials & Techniques:
Pen and brown ink; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 6 7/8 inches (25.1 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24595. Interior of Rag Chapel, Sir Robert Vaugn's Place, North Wales

Interior of Rag Chapel, Sir Robert Vaugn's Place, North Wales
Creator:
Attributed to John Middleton, 1826–1856
Date:
ca. 1849
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, greenish gray wove paper
Dimensions:
Sheet: 20 7/8 × 14 1/2 inches (53 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24596. An Evening Party

An Evening Party
Creator:
Sir John Everett Millais, 1829–1896
Date:
1846
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 9 3/8 inches (15.9 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24597. Interior of St. Paul's Cathedral

Interior of St. Paul's Cathedral
Creator:
Thomas Malton the Younger, 1748–1804
Date:
ca. 1792
Materials & Techniques:
Watercolor, pen and black ink, and graphite on smooth, medium, cream laid paper laid down on card
Dimensions:
Sheet: 26 1/4 x 36 1/8 inches (66.7 x 91.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24598. The Funeral of the Duke of Wellington

The Funeral of the Duke of Wellington
Creator:
Sir John Everett Millais, 1829–1896
Date:
1852
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24599. Rejected

Rejected
Creator:
Sir John Everett Millais, 1829–1896
Date:
1853
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 6 7/8 inches (25.1 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24600. Stained Glass Study, Water Plant with Grasshoper, Fish and Newt

Stained Glass Study, Water Plant with Grasshoper, Fish and Newt
Creator:
Sir John Everett Millais, 1829–1896
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 2 1/2 inches (14.3 x 6.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection