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28401. The Mars in Three Positions

The Mars in Three Positions
Creator:
Nicholas Pocock, 1740–1821
Date:
1779
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly texture, cream laid paper
Dimensions:
Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

28402. An English Frigate and Other Shipping in the Solent off Calshot Castle

An English Frigate and Other Shipping in the Solent off Calshot Castle
Creator:
John Cleveley the younger, 1747–1786
Date:
undated
Materials & Techniques:
Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

28403. A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground

A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground
Creator:
William Anderson, 1757–1837
Date:
1790
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 15 3/4 inches (29.8 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

28404. An Old House and a Man Climbing a Stile

An Old House and a Man Climbing a Stile
Creator:
Attributed to John Berney Ladbrooke, 1803–1879
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 7 3/8 inches (14.6 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28405. Christ Disputing with the Elders in the Temple

Christ Disputing with the Elders in the Temple
Creator:
Louis Laguerre, 1663–1721
Date:
undated
Materials & Techniques:
Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 10 inches (14.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28406. A Village Pond with Farm Buildings

A Village Pond with Farm Buildings
Creator:
George Lambert, 1700–1765
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 x 12 7/16in. (20.3 x 31.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28407. Embankment below Ariccia

Embankment below Ariccia
Creator:
Carlo Labruzzi, 1748–1817
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 7/8 × 21 1/2 inches (37.8 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28408. An Album of 17 Views of Erlestoke House, Park and Surroundings

An Album of 17 Views of Erlestoke House, Park and Surroundings
Creator:
unknown artist
Date:
ca. 1825
Materials & Techniques:
Graphite and wash, or graphite and watercolor, or graphite, pen and ink and watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28409. Design for a Decoration at Chatsworth

Design for a Decoration at Chatsworth
Creator:
Louis Laguerre, 1663–1721
Date:
undated
Materials & Techniques:
Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 x 11 1/4 inches (38.7 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28410. A Woody Landscape

A Woody Landscape
Creator:
George Lambert, 1700–1765
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 5/8 x 14in. (24.4 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28411. Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle

Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28412. Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher

Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28413. Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms

Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28414. Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig

Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28415. Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities

Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28416. Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly

Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28417. Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford

Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28418. Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers

Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28419. St. James's Chapel, Southover, Lewes

St. James's Chapel, Southover, Lewes
Creator:
James Lambert of Lewes, 1725–1788
Date:
1762
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 12 1/2 inches (24.1 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28420. Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences

Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28421. Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy

Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28422. Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate

Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28423. Janie Ellice: Full Length Sketch

Janie Ellice: Full Length Sketch
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
1835 to 1841
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 11 3/4 x 8 inches (29.8 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28424. Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall

Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28425. Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28426. Family Men at Fault, or an Unexpected Visit from the Bishop and his Chaplains

Family Men at Fault, or an Unexpected Visit from the Bishop and his Chaplains
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
ca. 1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28427. Sir Massey Storey Cooking the Turtle

Sir Massey Storey Cooking the Turtle
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
undated
Materials & Techniques:
Brown wash and pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 x 8 5/8 inches (18.4 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28428. Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28429. Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane

Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane
Creator:
J. W. Wageman, active 1824
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28430. Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall

Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28431. Wash proofs to accompany Westmacott's "The English Spy": Morning and in Low Spirits - a Scene in a Lock up House, Vide Cary St. Chancery Lane

Wash proofs to accompany Westmacott's "The English Spy": Morning and in Low Spirits - a Scene in a Lock up House, Vide Cary St. Chancery Lane
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1825
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28432. Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points

Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28433. History of Hartlepool (Durham, 1816)

History of Hartlepool (Durham, 1816)
Creator:
Sir Cuthbert Sharp, active 1816
Date:
1816
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick W. Hilles

28434. A Shooting Party: Lord Ossulston, Mr. W. Wells, Lord Abercorn and Sir E. Landseer

A Shooting Party: Lord Ossulston, Mr. W. Wells, Lord Abercorn and Sir E. Landseer
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
1833
Materials & Techniques:
Watercolor on thin, slightly textured, blue laid paper
Dimensions:
Sheet: 9 1/2 x 13 3/8 inches (24.1 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28435. Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28436. Lions at Play

Lions at Play
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
undated
Materials & Techniques:
Red and black chalk with graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 6 x 9 1/2 inches (15.2 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jane Ritchie in memory of Andrew Carnduff Ritchie

28437. A Shooting Party: Mr. C. Leslie and Mr. John Leslie

A Shooting Party: Mr. C. Leslie and Mr. John Leslie
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
1833
Materials & Techniques:
Pen and brown ink, brown wash, and gray wash on thin, slightly textured, blue laid paper
Dimensions:
Sheet: 9 5/8 x 10 1/2 inches (24.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28438. A Moonlit Landscape with Cattle by a Pool

A Moonlit Landscape with Cattle by a Pool
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1780
Materials & Techniques:
Soft-ground etching, aquatint, black chalk, white chalk, and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/16 × 12 3/4 inches (25.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

28439. Moody Hall: Front Elevation and Principal Floor Plan

Moody Hall: Front Elevation and Principal Floor Plan
Creator:
Attributed to Batty Langley, 1696–1751
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink, pen and black ink, pen and gray ink, watercolor, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 16 1/2in. (31.8 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28440. History of Hartlepool (Durham, 1816)

History of Hartlepool (Durham, 1816)
Creator:
Sir Cuthbert Sharp, active 1816
Date:
1816
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick W. Hilles

28441. Day - Landscape with Rapids and Cattle

Day - Landscape with Rapids and Cattle
Creator:
John Laporte, 1761–1839
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream laid paper mounted to card
Dimensions:
Sheet: 10 3/8 × 15 1/8 inches (26.4 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28442. Night - River Landscape with a Ruined Abbey

Night - River Landscape with a Ruined Abbey
Creator:
John Laporte, 1761–1839
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper mounted to thick, cream card
Dimensions:
Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28443. Moody Hall: Floor Plan of the First Design

Moody Hall: Floor Plan of the First Design
Creator:
Attributed to Batty Langley, 1696–1751
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 13 1/8 inches (19.7 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28444. Evening - Landscape with a Ruined Castle

Evening - Landscape with a Ruined Castle
Creator:
John Laporte, 1761–1839
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28445. Buy my Dish of Great Eels

Buy my Dish of Great Eels
Creator:
Marcellus Laroon the Younger, 1679–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 7 inches (21.9 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28446. Morning - River Scene with Figures near a Cottage

Morning - River Scene with Figures near a Cottage
Creator:
John Laporte, 1761–1839
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28447. A Youth Carrying a Basket

A Youth Carrying a Basket
Creator:
Marcellus Laroon the Younger, 1679–1772
Date:
undated
Materials & Techniques:
Red chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 5/8 x 7 1/2in. (29.5 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28448. A Man in a Broad Brimmed Hat, Smoking a Pipe

A Man in a Broad Brimmed Hat, Smoking a Pipe
Creator:
Marcellus Laroon the Younger, 1679–1772
Date:
undated
Materials & Techniques:
Pen and brown ink on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 × 3 1/4 inches (10.2 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28449. Fencers

Fencers
Creator:
Marcellus Laroon the Younger, 1679–1772
Date:
undated
Materials & Techniques:
Black chalk and white chalk on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 9/16 x 10 1/8in. (19.2 x 25.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28450. Louers in a Glade

Louers in a Glade
Creator:
Marcellus Laroon the Younger, 1679–1772
Date:
1759
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 15/16 x 10 3/8in. (32.9 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28451. Corpulent Man, with Tricorn Hat Under His Arm

Corpulent Man, with Tricorn Hat Under His Arm
Creator:
Marcellus Laroon the Younger, 1679–1772
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 7 3/16in. (31.4 x 18.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28452. Head of a Spaniard

Head of a Spaniard
Creator:
Marcellus Laroon the Younger, 1679–1772
Date:
undated
Materials & Techniques:
Pen and brown ink over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 4 1/8 × 2 3/4 inches (10.5 × 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28453. The Horseman and the Beggar

The Horseman and the Beggar
Creator:
Marcellus Laroon the Younger, 1679–1772
Date:
1730
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/16 x 9 5/8in. (31 x 24.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28454. Head of a Turk

Head of a Turk
Creator:
Marcellus Laroon the Younger, 1679–1772
Date:
undated
Materials & Techniques:
Pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 × 2 7/8 inches (10.5 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28455. Night Walkers Brought before a Justice of the Peace

Night Walkers Brought before a Justice of the Peace
Creator:
Marcellus Laroon the Younger, 1679–1772
Date:
ca. 1740
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/16 x 9 1/2in. (18.9 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28456. Landscape with figures walking

Landscape with figures walking
Creator:
Marcellus Laroon the Younger, 1679–1772
Date:
1744
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 16 1/4 × 13 3/8 inches (41.3 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28457. A Poor Man's Burial

A Poor Man's Burial
Creator:
Marcellus Laroon the Younger, 1679–1772
Date:
1704
Materials & Techniques:
Brown wash with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 11 3/8 inches (12.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28458. The Tea Party

The Tea Party
Creator:
Marcellus Laroon the Younger, 1679–1772
Date:
ca. 1770
Materials & Techniques:
Pen and brown ink, gray wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 17 7/8 × 13 inches (45.4 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28459. Anastasia Gliddon Laurence

Anastasia Gliddon Laurence
Creator:
Samuel Laurence, 1812–1884
Date:
undated
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 20 5/8 × 14 1/4 inches (52.4 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Gordon S. Haight

28460. Portrait Study of Henry Gataker

Portrait Study of Henry Gataker
Creator:
Sir Thomas Lawrence, 1769–1830
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 8 inches (18.7 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28461. Two Children and a dog, called Marcellus and John Laroon

Two Children and a dog, called Marcellus and John Laroon
Creator:
Marcellus Laroon the Younger, 1679–1772
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 9/16 x 7 1/2in. (24.3 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28462. Double Portrait of a Figure in Both Male and Female Attire

Double Portrait of a Figure in Both Male and Female Attire
Creator:
Sir Thomas Lawrence, 1769–1830
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, light blue laid paper
Dimensions:
Sheet: 5 3/4 × 6 3/4 inches (14.6 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28463. Cupid and Psyche

Cupid and Psyche
Creator:
Edward Burne-Jones, 1833–1898
Date:
ca. 1870
Materials & Techniques:
Watercolor, gouache and pastel on moderately thick, moderately textured, wove paper mounted on linen
Dimensions:
Sheet: 27 5/8 x 19 inches (70.2 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Mary Gertrude Abbey Fund

28464. Tours

Tours
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (a) on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28465. St. Julian's, Tours

St. Julian's, Tours
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28466. Study of an Arrangement of Anemones

Study of an Arrangement of Anemones
Creator:
attributed to Sir Thomas Lawrence, 1769–1830
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 7 5/8 inches (24.1 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28467. Blois

Blois
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite; touched engraver's proof (ab) on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28468. Mrs. Thomas Linley, née Mary Johnson

Mrs. Thomas Linley, née Mary Johnson
Creator:
Sir Thomas Lawrence, 1769–1830
Date:
1790 to 1800
Materials & Techniques:
Graphite on medium, slightly textured, pale blue laid paper
Dimensions:
Sheet: 9 × 7 1/4 inches (22.9 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28469. Eastern Letter Writer

Eastern Letter Writer
Creator:
Richard Dadd, 1817–1886
Date:
1863
Materials & Techniques:
Watercolor with brown ink on medium, smooth, beige wove paper
Dimensions:
Frame: 19 1/8 × 14 3/8 inches (48.6 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

28470. Keay Nabee Naia-wi-Praia & Keay Abi Jaya Sedana, Ambassadors from the Sultan of Bantam to His Majesties of Great Britain

Keay Nabee Naia-wi-Praia & Keay Abi Jaya Sedana, Ambassadors from the Sultan of Bantam to His Majesties of Great Britain
Creator:
Edward Luttrell, active 1680–1724
Date:
1682
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 x 8 inches (16.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

28471. Drawing for "Retribution"

Drawing for "Retribution"
Creator:
Edward Armitage, 1817–1896
Date:
1857
Materials & Techniques:
Black chalk, white chalk, and graphite on thick, moderately textured, brown wove paper
Dimensions:
Sheet: 27 1/2 × 30 1/2 inches (69.9 × 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Paul Walter

28472. A Town House on the Thames

A Town House on the Thames
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige laid paper, with thin, slightly textured, blue laid paper border, mounted on linen backed with moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 x 40 1/8 inches (40.6 x 101.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

28473. A Thames Wharf with Westminster Bridge in the Distance

A Thames Wharf with Westminster Bridge in the Distance
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 35 3/4 inches (36.8 x 90.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

28474. The Thames with Montagu House and Westminster Bridge

The Thames with Montagu House and Westminster Bridge
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and black ink and gouache on medium, slightly textured, beige laid paper with medium, slightly textured, cream wove paper border, mounted on linen, backed with medium, slightly textured, blue laid paper
Dimensions:
Sheet: 17 1/4 x 36 inches (43.8 x 91.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

28475. A Wood Yard on the Thames at Nine Elms

A Wood Yard on the Thames at Nine Elms
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 35 1/8 inches (34.9 x 89.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

28476. Design for Bridge over Great Western Road

Design for Bridge over Great Western Road
Creator:
Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1826
Materials & Techniques:
Graphite, pen and brown ink, brown and gray wash on slightly textured, medium, white wove paper
Dimensions:
Sheet: 7 7/16 × 8 15/16 inches (18.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28477. Westminster Bridge under Construction

Westminster Bridge under Construction
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Gray wash, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 x 28 3/8 inches (35.9 x 72.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

28478. Figures and Boats on the Thames

Figures and Boats on the Thames
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 34 7/8 inches (29.8 x 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

28479. A View of Bristol with Ratcilffe Church and Lime Kiln Dock

A View of Bristol with Ratcilffe Church and Lime Kiln Dock
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, gray wash and graphite on medium, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 10 1/4 x 24 3/4 inches (26 x 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund in honor of John Baskett

28480. Thames Side Buildings

Thames Side Buildings
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 33 inches (36.5 x 83.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

28481. Mr. Vaughan's, Boys Hill, Dorset

Mr. Vaughan's, Boys Hill, Dorset
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 21 1/4 x 42 1/2 inches (54 x 108 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

28482. A View of Edinburgh from the South Looking towards Dalkeith

A View of Edinburgh from the South Looking towards Dalkeith
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 1/4 x 38 1/4 inches (38.7 x 97.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

28483. Design for the Hermitage, Virginia Water

Design for the Hermitage, Virginia Water
Creator:
Sir Jeffry Wyatville, 1766–1840
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink, brown wash on slightly textured, medium, white wove paper
Dimensions:
Sheet: 7 7/8 × 12 1/2 inches (20 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28484. Design for Covered Bridge over the Great Western Road

Design for Covered Bridge over the Great Western Road
Creator:
Sir Jeffry Wyatville, 1766–1840
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink and wash on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 3/4 × 8 13/16 inches (14.6 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28485. Design for Rustic Bridge below the Cascade, Virginia Water

Design for Rustic Bridge below the Cascade, Virginia Water
Creator:
Sir Jeffry Wyatville, 1766–1840
Date:
1828
Materials & Techniques:
Pen and black and brown ink, brown and gray wash on slightly textured, medium, white wove paper
Dimensions:
Sheet: 7 11/16 × 12 1/4 inches (19.5 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28486. A View of the Estate at Esholt Hall, Yorkshire

A View of the Estate at Esholt Hall, Yorkshire
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 x 33 5/8 inches (40 x 85.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

28487. Design for the Old Lime Kiln Seat, Home Park, Windsor

Design for the Old Lime Kiln Seat, Home Park, Windsor
Creator:
Sir Jeffry Wyatville, 1766–1840
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash on slightly textured, medium, white wove paper
Dimensions:
Sheet: 11 7/16 × 7 1/2 inches (29.1 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28488. Taormina

Taormina
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor, gouache, black chalk and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 1/4 x 10 1/2 inches (20.9 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

28489. Tangiers

Tangiers
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor on medium, moderately textured, beige laid paper mounted on thick, slightly textured, beige board
Dimensions:
Mount: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

28490. Coast near Tunis

Coast near Tunis
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 x 6 1/16 inches (11.8 x 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

28491. Windsor Castle, Berkshire: The Round Tower, King Edward III Tower and King George IV Gateway

Windsor Castle, Berkshire: The Round Tower, King Edward III Tower and King George IV Gateway
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 3/8 × 13 7/8 inches (46.7 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28492. Stag Brought down by a Pack of Dogs

Stag Brought down by a Pack of Dogs
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink and gray ink on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 11 7/8 inches (21.9 x 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

28493. Temple of Gerf Hussein

Temple of Gerf Hussein
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, beige wove paper, laid in mount
Dimensions:
Sheet: 6 15/16 x 9 1/2 inches (17.6 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

28494. Portrait of Thomas Estcourt Esq. of Estcourt

Portrait of Thomas Estcourt Esq. of Estcourt
Creator:
Henry Edridge, 1769–1821
Date:
1806
Materials & Techniques:
Graphite blue and red chalk on medium, smooth, brown wove paper mounted on card
Dimensions:
Sheet: 10 3/8 x 8 3/8 inches (26.4 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

28495. Windsor Castle, Berkshire: Distant View from the North

Windsor Castle, Berkshire: Distant View from the North
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
1830
Materials & Techniques:
Graphite, pen and black ink and graphite on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/8 × 2 7/8 inches (20.6 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28496. A Moorish Citadel

A Moorish Citadel
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream board
Dimensions:
Mount: 9 1/4 x 6 1/2 inches (23.5 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

28497. The Colosseum at Rome

The Colosseum at Rome
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Pastel on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

28498. An Indian Tomb

An Indian Tomb
Creator:
George Chinnery, 1774–1852
Date:
between 1803 and 1825
Materials & Techniques:
Watercolor, gouache, and black ink on medium, slightly textured, cream wove paper mounted on board
Dimensions:
Sheet: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

28499. A Park

A Park
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

28500. Taormina

Taormina
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphie on medium, slightly textured, brown wove paper mounted on board
Dimensions:
Sheet: 10 3/8 x 13 7/8 inches (26.4 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948