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32201. Kelso

Kelso
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; second state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32202. A Flower Piece

A Flower Piece
Creator:
Print made by Benjamin Green, ca. 1736–ca. 1800
Date:
1779
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 7/16 x 9 7/16 inches (34.1 x 23.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32203. The Farmer's Boy

The Farmer's Boy
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 7 1/16 inches (21.8 x 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32204. Thomas Bewick; Restorer of the Art of Engraving on Wood; Born 1753,-Died 1828

Thomas Bewick; Restorer of the Art of Engraving on Wood; Born 1753,-Died 1828
Creator:
unknown artist
Date:
1829
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32205. Sir George Beaumont, Bart.

Sir George Beaumont, Bart.
Creator:
Print made by John Samuel Agar, ca. 1773–1858
Date:
1812
Materials & Techniques:
Crayon manner and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 1/4 x 13 1/8 inches (38.7 x 33.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32206. Henry Fuseli, Esq.

Henry Fuseli, Esq.
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 12 11/16 inches (46.4 x 32.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32207. Henry Fuseli, Esq. R. A.

Henry Fuseli, Esq. R. A.
Creator:
John Rogers, 1808–ca.1888
Date:
1834
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32208. Richard Grainger, Esqr.

Richard Grainger, Esqr.
Creator:
George H. Phillips, active 1819–1825
Date:
1840
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32209. John Greenwood

John Greenwood
Creator:
William Pether, ca. 1738–1821
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32210. John Greenhill

John Greenhill
Creator:
Print made by Alexander Bannerman, ca. 1730–1780
Date:
1762
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 4 7/8 inches (17.8 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32211. Fores's National Sports: Racing - The Run In

Fores's National Sports: Racing - The Run In
Creator:
John Harris, 1811–1865
Date:
1866
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32212. Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty

Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty
Creator:
William Pether, ca. 1738–1821
Date:
1789
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32213. The Housewife's Employment

The Housewife's Employment
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/16 x 10 3/16 inches (36.3 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32214. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Date:
between 1769 and 1787
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32215. Lady Gertrude, Marchioness of Halifax

Lady Gertrude, Marchioness of Halifax
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 5 5/8 inches (15.2 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32216. Ticket: Anacreontic Society Meeting

Ticket: Anacreontic Society Meeting
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Etching, stipple engraving and line engraving in red ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 inches (14 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32217. Dr. John Fothergill

Dr. John Fothergill
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Stipple engraving in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/16 x 6 7/16 inches (23.6 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32218. For Japanning, Plate 3

For Japanning, Plate 3
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 7/8 × 11 3/16 inches (20.1 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32219. Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c.

Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c.
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1781
Materials & Techniques:
Stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 7 3/4 inches (26 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32220. For Japanning, Plate 4

For Japanning, Plate 4
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 7/8 × 10 7/8 inches (17.4 × 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32221. Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 20 1/16 inches (39.1 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

32222. Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1797
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 15/16 x 10 7/8 inches (40.5 x 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32223. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 19 3/4 inches (39.7 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

32224. For Japanning, Plate 6

For Japanning, Plate 6
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 7/8 × 10 7/8 inches (17.5 × 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32225. For Japanning, Plate 2

For Japanning, Plate 2
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 13/16 × 10 13/16 inches (17.3 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32226. For Japanning, Plate 5

For Japanning, Plate 5
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 × 10 9/16 inches (17.7 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32227. Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 18 3/4 inches (37.4 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

32228. McLean's Scraps for Albums

McLean's Scraps for Albums
Creator:
McLean, active 1820s
Date:
1826
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 3/4 x 9 1/4in. (24.8 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32229. Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's

Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32230. Caricature of the County Lancashire

Caricature of the County Lancashire
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 4 inches (17.8 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32231. Caricatures of the counties of Devonshire and Gloucestershire

Caricatures of the counties of Devonshire and Gloucestershire
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32232. Snowballing

Snowballing
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 5/8 × 4 3/8 inches (9.2 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32233. Crinolines by the River

Crinolines by the River
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 5 3/8 inches (10.5 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32234. The Captain on Full Pay

The Captain on Full Pay
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 4 3/8 inches (12.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32235. Highland Regiment in Camp

Highland Regiment in Camp
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/8 × 8 7/8 inches (41 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32236. Iron Bridge on the Outskirts of an Industrial Town

Iron Bridge on the Outskirts of an Industrial Town
Creator:
Thomas Charles Leeson Rowbotham, 1823–1875
Date:
1871
Materials & Techniques:
Watercolor, white gouache, pen and black ink, and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 23 5/8in. (26.4 x 60cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32237. Maid with a Mop

Maid with a Mop
Creator:
John Leech, 1817–1864
Date:
ca. 1862
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 5 1/8 inches (19.1 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32238. Study for the Portrait of Hannah, Countess of Roseberry

Study for the Portrait of Hannah, Countess of Roseberry
Creator:
Frederic Leighton, 1830–1896
Date:
ca. 1880
Materials & Techniques:
Black chalk and white chalk on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 8 1/4 × 5 1/2 inches (21 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32239. Marietta, Capri

Marietta, Capri
Creator:
Frederic Leighton, 1830–1896
Date:
1859
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 8 inches (27 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32240. Pot Valiant: Scene in a Tap-Room

Pot Valiant: Scene in a Tap-Room
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, smooth, blue wove paper
Dimensions:
Sheet: 9 x 6 15/16in. (22.9 x 17.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32241. Boarding a Train

Boarding a Train
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 3 1/8 inches (9.8 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

32242. Landscape with Ruined Castle on the Esk

Landscape with Ruined Castle on the Esk
Creator:
Richard Principle Leitch, 1844–1875
Date:
1874
Materials & Techniques:
Watercolor, gouache, and graphite, with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 x 15 3/4in. (26.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32243. The Reconciliation of the Montagues and the Capulets

The Reconciliation of the Montagues and the Capulets
Creator:
Frederic Leighton, 1830–1896
Date:
1854
Materials & Techniques:
Watercolor with gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 20 3/4 inches (39.6 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32244. Why, what's the matter with Tommy?

Why, what's the matter with Tommy?
Creator:
John Leech, 1817–1864
Date:
1852
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 4 3/4 inches (11.1 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

32245. Porta S. Giovanni, Rome

Porta S. Giovanni, Rome
Creator:
William Leighton Leitch, 1804–1883
Date:
1837
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 18in. (22.9 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32246. Mist on the Downs

Mist on the Downs
Creator:
William Leighton Leitch, 1804–1883
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 x 11 9/16in. (19.2 x 29.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32247. Two Studies of Buildings

Two Studies of Buildings
Creator:
Richard Principle Leitch, 1844–1875
Date:
1849
Materials & Techniques:
Graphite and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 15/16 x 11 7/8in. (20.2 x 30.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32248. The Ascent of Vesuvius

The Ascent of Vesuvius
Creator:
Henry Tresham, 1751–1814
Date:
1785 to 1790
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 27 5/8 inches (44.8 x 70.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32249. Castletown Harbour, Isle of Man

Castletown Harbour, Isle of Man
Creator:
William Leighton Leitch, 1804–1883
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 15/16 x 11 15/16in. (20.2 x 30.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32250. Study for the Portrait of a Lady

Study for the Portrait of a Lady
Creator:
Attributed to Sir Peter Lely, 1618–1680
Date:
undated
Materials & Techniques:
Black chalk, white chalk, red chalk and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 × 6 7/8 inches (22.9 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32251. Studies of Hands

Studies of Hands
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, black chalk and white chalk on moderately thick, rough wove paper
Dimensions:
Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32252. View of Arundel, Sussex

View of Arundel, Sussex
Creator:
Bernard Lens III, 1682–1740
Date:
ca. 1720
Materials & Techniques:
Gray wash and graphite on three joined sheets of medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 37 inches (40.6 × 94 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32253. Bust of a Woman Looking upwards to left

Bust of a Woman Looking upwards to left
Creator:
Bernard Lens III, 1682–1740
Date:
1703
Materials & Techniques:
Red chalk on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 4 3/8 inches (14.3 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32254. View of the Seine

View of the Seine
Creator:
Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 21 inches (21.6 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32255. The Entrance to Wookey Hole, Somerset

The Entrance to Wookey Hole, Somerset
Creator:
Bernard Lens III, 1682–1740
Date:
ca. 1719
Materials & Techniques:
Gray wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/16 x 12 9/16in. (20.8 x 31.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32256. Figures Walking in a Landscape

Figures Walking in a Landscape
Creator:
Bernard Lens III, 1682–1740
Date:
undated
Materials & Techniques:
Gray wash, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 x 12 1/16in. (21.3 x 30.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32257. Figures on Bank of the Long Water, Hampton Court Palace

Figures on Bank of the Long Water, Hampton Court Palace
Creator:
Bernard Lens III, 1682–1740
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 11/16 x 13 5/16in. (22.1 x 33.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32258. Studies of Human Head with Canine Features

Studies of Human Head with Canine Features
Creator:
Peter Paul Lens, 1714–1750
Date:
1728
Materials & Techniques:
Graphite and pen and black ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32259. Victorious Hero Takes Occasion to Conclude Peace

Victorious Hero Takes Occasion to Conclude Peace
Creator:
Bernard Lens III, 1682–1740
Date:
1720
Materials & Techniques:
Watercolor and gouache heightened with gold on vellum
Dimensions:
Frame: 17 1/4 x 20 1/2 x 1 1/2 inches (43.8 x 52.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32260. Visitors at a Ruined Abbey

Visitors at a Ruined Abbey
Creator:
Robert Leman, 1799–1863
Date:
undated
Materials & Techniques:
Black chalk and graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 13 1/4 × 17 5/8 inches (33.7 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32261. The Death of Ananias

The Death of Ananias
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on cream card with cream card cutout pasted on top
Dimensions:
Mount: 7 15/16 x 9 5/8 inches (20.2 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32262. Horatio Walpole, Earl of Orford

Horatio Walpole, Earl of Orford
Creator:
Print made by T. Evans, active 19th century
Date:
ca. 1811
Materials & Techniques:
Stipple engraving on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Lauren E. Brown

32263. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Etching and stipple engraving with aquatint on cream card
Dimensions:
Image: 5 5/16 x 6 3/4 inches (13.5 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32264. The Rocky Bank of a River

The Rocky Bank of a River
Creator:
John Ruskin, 1819–1900
Date:
ca. 1853
Materials & Techniques:
Pen and black ink, gray wash, graphite, and white gouache; verso: pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 7/8 x 18 5/8 inches (32.7 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32265. The Conversion of the Proconsul

The Conversion of the Proconsul
Creator:
Print made by George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32266. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 7 3/4 x 8 9/16 inches (19.7 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32267. The Healing of the Lame Man

The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth cream wove paper mounted on contemporary cream card
Dimensions:
Mount: 8 3/8 x 9 15/16 inches (21.2 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32268. The Healing of the Lame Man

The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 9/16 x 7 3/16 inches (11.6 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32269. Regents Park

Regents Park
Creator:
George Harvey, 1800–1878
Date:
ca. 1875
Materials & Techniques:
Watercolor
Dimensions:
Image: 19 1/2 x 23 1/2 inches (49.5 x 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. & Mrs. Kent Lydecker in honor given in honor of Helen B. Lydecker and Eliot C. Nolen

32270. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 6 15/16 x 7 7/8 inches (17.7 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32271. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:
Image: 4 1/2 x 7 3/16 inches (11.5 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32272. Sketchbook of Portrait Studies

Sketchbook of Portrait Studies
Creator:
Thomas Patch, 1725–1782
Date:
1760s
Materials & Techniques:
Graphite, red chalk, and pen and brown ink on medium, slightly textured, cream laid paper bound in carta fiorentina
Dimensions:
Sheet: 8 3/4 x 6 1/2 inches (22.2 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32273. Ponte Pietra, Verona

Ponte Pietra, Verona
Creator:
circle of John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Watercolor, graphite and gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/4 x 8 7/8 inches (14.6 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

32274. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Etching and stipple engraving with aquatint and red color woodcut on thick, smooth, cream wove paper
Dimensions:
Image: 5 1/4 x 8 1/4 inches (13.4 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32275. Distant View of Saint-Wulfran, Abbeville

Distant View of Saint-Wulfran, Abbeville
Creator:
John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/8 x 10 1/8 inches (17.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

32276. St Paul Preaching in Athens

St Paul Preaching in Athens
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on moderately thick, smooth, beige wove paper
Dimensions:
Image: 5 7/8 x 7 3/8 inches (14.9 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32277. Lausanne

Lausanne
Creator:
attributed to John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 17 inches (12.7 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32278. Doorhead of the Palazzo Contarini della Porta di Ferro

Doorhead of the Palazzo Contarini della Porta di Ferro
Creator:
John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Pen and black ink, brown wash and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 10 7/8 inches (22.5 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

32279. Head of Athena, After a Greek Amphora

Head of Athena, After a Greek Amphora
Creator:
John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Watercolor, gouache and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 5 5/8 inches (21 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

32280. A View of Susa, Italy, from the West

A View of Susa, Italy, from the West
Creator:
John Ruskin, 1819–1900
Date:
1858
Materials & Techniques:
Watercolor, gouache, graphite and pen and black ink on thick, smooth, brown wove paper
Dimensions:
Sheet: 11 1/2 x 14 5/8 inches (29.2 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32281. Shakespeare and His Friends at the Mermaid Tavern

Shakespeare and His Friends at the Mermaid Tavern
Creator:
Print made by James Faed Sr., 1821–1911
Date:
1850
Materials & Techniques:
Engraving on thick beige slightly textured wove paper
Dimensions:
Sheet: 29 x 34 inches (73.7 x 86.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

32282. Mr. Wilkinson as Michael in Free & Easy

Mr. Wilkinson as Michael in Free & Easy
Creator:
Print made by Robert Cooper, active ca. 1800–1836
Date:
1822
Materials & Techniques:
Stipple engraving, line engraving, and etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 11/16 × 7 11/16 inches (27.1 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

32283. Owl, After an Attic Kantharos

Owl, After an Attic Kantharos
Creator:
John Ruskin, 1819–1900
Date:
ca. 1870
Materials & Techniques:
Pen and black ink and watercolor on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 7/8 x 8 3/4 inches (17.5 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

32284. Saturday Night

Saturday Night
Creator:
Print made by Henry Lemon, 1823–1882
Date:
ca. 1850
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 22 1/16 × 26 inches (56 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

32285. Chairs to Mend

Chairs to Mend
Creator:
Print made by unknown artist
Date:
1812
Materials & Techniques:
Engraving on medium cream slightly textured laid paper
Dimensions:
Sheet: 7 1/2 x 6 inches (19.1 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

32286. Who'll Have a Crown - Now's Your Time

Who'll Have a Crown - Now's Your Time
Creator:
Print made by William Heath, 1795–1840
Date:
1830
Materials & Techniques:
Etching, hand-colored on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 3/4 x 15 1/4 inches (27.3 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

32287. View between the Roofs of King's College Chapel

View between the Roofs of King's College Chapel
Creator:
Print made by Ebenezer Challis, active 1837–1859
Date:
1836
Materials & Techniques:
Etching on moderately thick, textured, brown wove paper
Dimensions:
Sheet: 10 11/16 × 16 1/2 inches (27.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

32288. Ruth and Naomi

Ruth and Naomi
Creator:
Print made by Felix Rosenstiel, active from 1880–died 1895
Date:
between 1880 and 1895
Materials & Techniques:
Hand-colored photogravure on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 x 26 inches (54 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

32289. Diagram

Diagram
Creator:
John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 x 3 1/4 inches (12.7 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

32290. Four Species of Grasses

Four Species of Grasses
Creator:
John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 7 3/4 inches (14.3 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

32291. The Lassie Herding Sheep

The Lassie Herding Sheep
Creator:
Print made by John Burnet, 1784–1868
Date:
1843
Materials & Techniques:
Etching, stipple engraving, and mezzotint on thick cream smooth laid paper
Dimensions:
Sheet: 23 x 27 3/4 inches (58.4 x 70.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

32292. Landscape in the Lake District

Landscape in the Lake District
Creator:
unknown artist
Date:
ca. 1813
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 x 12 inches (21 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Renée and Geoffrey H. Hartman, Yale PhD 1953

32293. Landscape with Windmill

Landscape with Windmill
Creator:
Cornelius Varley, 1781–1873
Date:
1853
Materials & Techniques:
Watercolor on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 5/8 x 12 1/4 inches (16.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

32294. Studies of a Flower

Studies of a Flower
Creator:
John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 6 3/8 inches (14.9 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

32295. An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754
Creator:
Print made by workshop of Mark Catesby, 1682–1749
Date:
1754
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 20 1/4 inches (35.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

32296. An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754
Creator:
Print made by Mark Catesby, 1682–1749
Date:
1754
Materials & Techniques:
Aquatint etching and engraving with original hand coloring on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 20 1/2 inches (36.5 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

32297. Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768

Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768
Creator:
Print made by Adam Ludwig Wirsing, 1733–1797
Date:
1768
Materials & Techniques:
Engraving with original hand coloring on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 x 14 inches (50.8 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

32298. Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Creator:
Print made by John Harris the elder, 1767–1832
Date:
1797
Materials & Techniques:
Engraving with original hand color on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 x 12 1/8 inches (40.6 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

32299. The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812

The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
Creator:
Print made by William Ward, 1766–1826
Date:
December 1, 1801
Materials & Techniques:
Color printed mezzotint with hand coloring in waterclor on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 22 1/2 x 18 3/8 inches (57.2 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

32300. The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812

The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
Creator:
Print made by James Caldwall, 1739–1819
Date:
1800
Materials & Techniques:
Aquatint, stipple and line engraving with hand coloring on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 23 1/2 x 18 7/8 inches (59.7 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961