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Robert Wallis Kelso
Print made by Robert Wallis, 1794–1878
Kelso
1834
Benjamin Green A Flower Piece
Print made by Benjamin Green, ca. 1736–ca. 1800
A Flower Piece
1779
Alfred W. Cooper The Farmer's Boy
Print made by Alfred W. Cooper, active 1850–1901
The Farmer's Boy
undated
unknown artist Thomas Bewick; Restorer of the Art of Engraving on Wood; Born 1753,-Died 1828
unknown artist
Thomas Bewick; Restorer of the Art of Engraving on Wood; Born 1753,-Died 1828
1829
John Samuel Agar Sir George Beaumont, Bart.
Print made by John Samuel Agar, ca. 1773–1858
Sir George Beaumont, Bart
1812
unknown artist Henry Fuseli, Esq.
unknown artist
Henry Fuseli, Esq
1808
John Rogers Henry Fuseli, Esq. R. A.
John Rogers, 1808–ca.1888
Henry Fuseli, Esq. R. A
1834
George H. Phillips Richard Grainger, Esqr.
George H. Phillips, active 1819–1825
Richard Grainger, Esqr
1840
William Pether John Greenwood
William Pether, ca. 1738–1821
John Greenwood
undated
Alexander Bannerman John Greenhill
Print made by Alexander Bannerman, ca. 1730–1780
John Greenhill
1762
John Harris Fores's National Sports: Racing - The Run In
John Harris, 1811–1865
Fores's National Sports: Racing - The Run In
1866
William Pether Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty
William Pether, ca. 1738–1821
Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty
1789
John Faber the Younger The Housewife's Employment
Print made by John Faber the Younger, ca. 1695–1756
The Housewife's Employment
undated
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
between 1769 and 1787
Francesco Bartolozzi Lady Gertrude, Marchioness of Halifax
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
Francesco Bartolozzi Dr. John Fothergill
Print made by Francesco Bartolozzi, 1728–1815
Dr. John Fothergill
1782
Peter P. Benazech For Japanning, Plate 3
Print made by Peter P. Benazech, 1767–1794
For Japanning, Plate 3
1757
Francesco Bartolozzi Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c.
Print made by Francesco Bartolozzi, 1728–1815
Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c
1781
Peter P. Benazech For Japanning, Plate 4
Print made by Peter P. Benazech, 1767–1794
For Japanning, Plate 4
1757
Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
Francesco Bartolozzi Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
before 1797
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
Peter P. Benazech For Japanning, Plate 6
Print made by Peter P. Benazech, 1767–1794
For Japanning, Plate 6
1757
Peter P. Benazech For Japanning, Plate 2
Print made by Peter P. Benazech, 1767–1794
For Japanning, Plate 2
1757
Peter P. Benazech For Japanning, Plate 5
Print made by Peter P. Benazech, 1767–1794
For Japanning, Plate 5
1757
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
McLean McLean's Scraps for Albums
McLean, active 1820s
McLean's Scraps for Albums
1826
Henry Thomas Alken Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
Henry Thomas Alken, 1785–1851
Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
1823
John Leech Caricature of the County Lancashire
John Leech, 1817–1864
Caricature of the County Lancashire
undated
John Leech Caricatures of the counties of Devonshire and Gloucestershire
John Leech, 1817–1864
Caricatures of the counties of Devonshire and Gloucestershire
undated
John Leech Snowballing
John Leech, 1817–1864
Snowballing
undated
John Leech Crinolines by the River
John Leech, 1817–1864
Crinolines by the River
undated
John Leech The Captain on Full Pay
John Leech, 1817–1864
The Captain on Full Pay
undated
John Leech Highland Regiment in Camp
John Leech, 1817–1864
Highland Regiment in Camp
undated
Thomas Charles Leeson Rowbotham Iron Bridge on the Outskirts of an Industrial Town
Thomas Charles Leeson Rowbotham, 1823–1875
Iron Bridge on the Outskirts of an Industrial Town
1871
John Leech Maid with a Mop
John Leech, 1817–1864
Maid with a Mop
ca. 1862
Frederic Leighton Study for the Portrait of Hannah, Countess of Roseberry
Frederic Leighton, 1830–1896
Study for the Portrait of Hannah, Countess of Roseberry
ca. 1880
Frederic Leighton Marietta, Capri
Frederic Leighton, 1830–1896
Marietta, Capri
1859
John Leech Pot Valiant: Scene in a Tap-Room
John Leech, 1817–1864
Pot Valiant: Scene in a Tap-Room
undated
John Leech Boarding a Train
John Leech, 1817–1864
Boarding a Train
undated
Richard Principle Leitch Landscape with Ruined Castle on the Esk
Richard Principle Leitch, 1844–1875
Landscape with Ruined Castle on the Esk
1874
Frederic Leighton The Reconciliation of the Montagues and the Capulets
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
John Leech Why, what's the matter with Tommy?
John Leech, 1817–1864
Why, what's the matter with Tommy?
1852
William Leighton Leitch Porta S. Giovanni, Rome
William Leighton Leitch, 1804–1883
Porta S. Giovanni, Rome
1837
William Leighton Leitch Mist on the Downs
William Leighton Leitch, 1804–1883
Mist on the Downs
undated
Richard Principle Leitch Two Studies of Buildings
Richard Principle Leitch, 1844–1875
Two Studies of Buildings
1849
Henry Tresham The Ascent of Vesuvius
Henry Tresham, 1751–1814
The Ascent of Vesuvius
1785 to 1790
William Leighton Leitch Castletown Harbour, Isle of Man
William Leighton Leitch, 1804–1883
Castletown Harbour, Isle of Man
undated
Sir Peter Lely Study for the Portrait of a Lady
Attributed to Sir Peter Lely, 1618–1680
Study for the Portrait of a Lady
undated
unknown artist Studies of Hands
unknown artist
Studies of Hands
undated
Bernard Lens III View of Arundel, Sussex
Bernard Lens III, 1682–1740
View of Arundel, Sussex
ca. 1720
Bernard Lens III Bust of a Woman Looking upwards to left
Bernard Lens III, 1682–1740
Bust of a Woman Looking upwards to left
1703
Bernard Lens II View of the Seine
Bernard Lens II, 1659–1725
View of the Seine
undated
Bernard Lens III The Entrance to Wookey Hole, Somerset
Bernard Lens III, 1682–1740
The Entrance to Wookey Hole, Somerset
ca. 1719
Bernard Lens III Figures Walking in a Landscape
Bernard Lens III, 1682–1740
Figures Walking in a Landscape
undated
Bernard Lens III Figures on Bank of the Long Water, Hampton Court Palace
Bernard Lens III, 1682–1740
Figures on Bank of the Long Water, Hampton Court Palace
undated
Peter Paul Lens Studies of Human Head with Canine Features
Peter Paul Lens, 1714–1750
Studies of Human Head with Canine Features
1728
Bernard Lens III Victorious Hero Takes Occasion to Conclude Peace
Bernard Lens III, 1682–1740
Victorious Hero Takes Occasion to Conclude Peace
1720
Robert Leman Visitors at a Ruined Abbey
Robert Leman, 1799–1863
Visitors at a Ruined Abbey
undated
George Baxter The Death of Ananias
after George Baxter, 1804–1867
The Death of Ananias
after 1855
T. Evans Horatio Walpole, Earl of Orford
Print made by T. Evans, active 19th century
Horatio Walpole, Earl of Orford
ca. 1811
George Baxter The Miraculous Draught of Fishes
after George Baxter, 1804–1867
The Miraculous Draught of Fishes
after 1855
John Ruskin The Rocky Bank of a River
John Ruskin, 1819–1900
The Rocky Bank of a River
ca. 1853
George Baxter The Conversion of the Proconsul
Print made by George Baxter, 1804–1867
The Conversion of the Proconsul
after 1855
George Baxter The Miraculous Draught of Fishes
after George Baxter, 1804–1867
The Miraculous Draught of Fishes
after 1855
George Baxter The Healing of the Lame Man
after George Baxter, 1804–1867
The Healing of the Lame Man
after 1855
George Baxter The Healing of the Lame Man
after George Baxter, 1804–1867
The Healing of the Lame Man
after 1855
George Harvey Regents Park
George Harvey, 1800–1878
Regents Park
ca. 1875
George Baxter The Sacrifice at Lystra
George Baxter, 1804–1867
The Sacrifice at Lystra
after 1855
George Baxter The Sacrifice at Lystra
George Baxter, 1804–1867
The Sacrifice at Lystra
after 1855
Thomas Patch Sketchbook of Portrait Studies
Thomas Patch, 1725–1782
Sketchbook of Portrait Studies
1760s
John Ruskin Ponte Pietra, Verona
circle of John Ruskin, 1819–1900
Ponte Pietra, Verona
undated
George Baxter The Sacrifice at Lystra
George Baxter, 1804–1867
The Sacrifice at Lystra
after 1855
John Ruskin Distant View of Saint-Wulfran, Abbeville
John Ruskin, 1819–1900
Distant View of Saint-Wulfran, Abbeville
undated
George Baxter St Paul Preaching in Athens
George Baxter, 1804–1867
St Paul Preaching in Athens
after 1855
John Ruskin Lausanne
attributed to John Ruskin, 1819–1900
Lausanne
undated
John Ruskin Doorhead of the Palazzo Contarini della Porta di Ferro
John Ruskin, 1819–1900
Doorhead of the Palazzo Contarini della Porta di Ferro
undated
John Ruskin Head of Athena, After a Greek Amphora
John Ruskin, 1819–1900
Head of Athena, After a Greek Amphora
undated
John Ruskin A View of Susa, Italy, from the West
John Ruskin, 1819–1900
A View of Susa, Italy, from the West
1858
James Faed Sr. Shakespeare and His Friends at the Mermaid Tavern
Print made by James Faed Sr., 1821–1911
Shakespeare and His Friends at the Mermaid Tavern
1850
Robert Cooper Mr. Wilkinson as Michael in Free & Easy
Print made by Robert Cooper, active ca. 1800–1836
Mr. Wilkinson as Michael in Free & Easy
1822
John Ruskin Owl, After an Attic Kantharos
John Ruskin, 1819–1900
Owl, After an Attic Kantharos
ca. 1870
Henry Lemon Saturday Night
Print made by Henry Lemon, 1823–1882
Saturday Night
ca. 1850
unknown artist Chairs to Mend
Print made by unknown artist
Chairs to Mend
1812
William Heath Who'll Have a Crown - Now's Your Time
Print made by William Heath, 1795–1840
Who'll Have a Crown - Now's Your Time
1830
Ebenezer Challis View between the Roofs of King's College Chapel
Print made by Ebenezer Challis, active 1837–1859
View between the Roofs of King's College Chapel
1836
Felix Rosenstiel Ruth and Naomi
Print made by Felix Rosenstiel, active from 1880–died 1895
Ruth and Naomi
between 1880 and 1895
John Ruskin Diagram
John Ruskin, 1819–1900
Diagram
undated
John Ruskin Four Species of Grasses
John Ruskin, 1819–1900
Four Species of Grasses
undated
John Burnet The Lassie Herding Sheep
Print made by John Burnet, 1784–1868
The Lassie Herding Sheep
1843
unknown artist Landscape in the Lake District
unknown artist
Landscape in the Lake District
ca. 1813
Cornelius Varley Landscape with Windmill
Cornelius Varley, 1781–1873
Landscape with Windmill
1853
John Ruskin Studies of a Flower
John Ruskin, 1819–1900
Studies of a Flower
undated
Mark Catesby An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754
Print made by workshop of Mark Catesby, 1682–1749
An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754
1754
Mark Catesby An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754
Print made by Mark Catesby, 1682–1749
An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754
1754
Adam Ludwig Wirsing Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768
Print made by Adam Ludwig Wirsing, 1733–1797
Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768
1768
John Harris the elder Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Print made by John Harris the elder, 1767–1832
Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
1797
William Ward The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
Print made by William Ward, 1766–1826
The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
December 1, 1801
James Caldwall The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
Print made by James Caldwall, 1739–1819
The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
1800