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32701. A Masonic Anecdote

A Masonic Anecdote
Creator:
James Gillray, 1756–1815
Date:
1786
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32702. Royal Recreation

Royal Recreation
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32703. The Triumph of Sentiment / The Prospect of Happiness

The Triumph of Sentiment / The Prospect of Happiness
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32704. A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)

A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32705. A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)

A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32706. A Laudable Partnership or Souls and Bodies cured without lots of Time

A Laudable Partnership or Souls and Bodies cured without lots of Time
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32707. Table D'Hote

Table D'Hote
Creator:
Isaac Cruikshank, 1764–1811
Date:
1821
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32708. Close Shaveing or the will our own way

Close Shaveing or the will our own way
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32709. Britania's Assassination or The Republican's Amusement

Britania's Assassination or The Republican's Amusement
Creator:
James Gillray, 1756–1815
Date:
1782
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32710. The Westminster Watchman

The Westminster Watchman
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32711. [ Caricature of two men and a woman, one of the men blowing smoke ]

[ Caricature of two men and a woman, one of the men blowing smoke ]
Creator:
Print made by unknown artist
Date:
ca. 1823
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32712. Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard

Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 5/8 x 9 3/4in. (19.4 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32713. Greater Sulphur Crested Cockatoo

Greater Sulphur Crested Cockatoo
Creator:
unknown artist
Date:
ca. 1832
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 21 3/8 x 15 1/8 inches (54.3 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

32714. Self-portrait of Arthur Pond

Self-portrait of Arthur Pond
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1739
Materials & Techniques:
Etching
Dimensions:
Sheet: 8 11/16 x 6 7/16in. (22.1 x 16.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

32715. The Fall of Dagon or Rare News for Leadenhall Street

The Fall of Dagon or Rare News for Leadenhall Street
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32716. Angelica and Medoro

Angelica and Medoro
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1768
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 22 5/16 x 15in. (56.7 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

32717. David Garrick in the Character of Richard III

David Garrick in the Character of Richard III
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1798
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 18 3/8 x 22 3/4in. (46.7 x 57.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

32718. A Difference of Opinion

A Difference of Opinion
Creator:
Print made by Auguste Boulard, 1852–1927
Date:
1897
Materials & Techniques:
Etching and drypoint on vellum
Dimensions:
Sheet: 18 15/16 × 12 3/16 inches (48.1 × 30.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Bryan Fuermann

32719. The Nabob Rumbled or a Lord Advocates Amusement

The Nabob Rumbled or a Lord Advocates Amusement
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32720. William, Duke of Gloucester

William, Duke of Gloucester
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
ca. 1700
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 13 3/4 x 10in. (34.9 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

32721. Baudins Cockatoo

Baudins Cockatoo
Creator:
unknown artist
Date:
1832
Materials & Techniques:
Watercolor and pen and black ink on beige board
Dimensions:
Sheet: 18 × 14 inches (45.7 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

32722. Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the...

Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the...
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

32723. Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot.

Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot.
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

32724. Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her.

Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her.
Creator:
L. Truchy, 1721–1764
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

32725. Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue.

Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue.
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

32726. The Funeral of the Duke of Wellington. The Funeral Car Passing the Archway at Apsley House, November 18th 1852.

The Funeral of the Duke of Wellington. The Funeral Car Passing the Archway at Apsley House, November 18th 1852.
Creator:
Print made by Thomas Picken, 1815–1870
Date:
1853
Materials & Techniques:
Colored lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 21 1/4 x 28 3/4in. (54 x 73cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32727. Patagonian Parakeet Macaw

Patagonian Parakeet Macaw
Creator:
unknown artist
Date:
1832
Materials & Techniques:
Watercolor and pen and black ink on beige board
Dimensions:
Sheet: 18 × 14 inches (45.7 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

32728. One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of Bethlem, the Great Morovian Settlement in the Province of Pennsylvania.

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of Bethlem, the Great Morovian Settlement in the Province of Pennsylvania.
Creator:
Paul Sandby, 1731–1809
Date:
1761
Materials & Techniques:
Color engraving
Dimensions:
Sheet: 13 3/8 x 20 15/16in. (34 x 53.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32729. Red and Yellow Macaw

Red and Yellow Macaw
Creator:
unknown artist
Date:
1832
Materials & Techniques:
Watercolor and pen and black ink on beige board
Dimensions:
Sheet: 22 × 16 inches (55.9 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

32730. One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad.

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad.
Creator:
William Elliot, active 1774, died 1792
Date:
1761
Materials & Techniques:
Color engraving
Dimensions:
Sheet: 13 1/4 x 20 15/16in. (33.7 x 53.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32731. Dwarf Parakeet Macaw

Dwarf Parakeet Macaw
Creator:
unknown artist
Date:
1832
Materials & Techniques:
Watercolor and pen and black ink on beige board
Dimensions:
Sheet: 18 × 14 inches (45.7 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

32732. One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A Design to represent the beginning and completion of an American Settlement or Farm.

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A Design to represent the beginning and completion of an American Settlement or Farm.
Creator:
James Peak, 1703–1782
Date:
1761
Materials & Techniques:
Color engraving
Dimensions:
Sheet: 13 1/8 x 20 9/16in. (33.3 x 52.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32733. Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over...

Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over...
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

32734. Views of Montreal and Louisburg: An East View of Montreal in Canada

Views of Montreal and Louisburg: An East View of Montreal in Canada
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1762
Materials & Techniques:
Color engraving
Dimensions:
Sheet: 13 3/16 x 21 1/16in. (33.5 x 53.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32735. Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island

Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island
Creator:
unknown artist
Date:
1769-1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 16 3/4 x 21 7/8in. (42.5 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32736. Spilsbury's Views of Jamaica: A Prospect of Ora Cabeca in the Parish of St. Maries the North Side Jamaica taken from the Road leading to St. Ann's 1766

Spilsbury's Views of Jamaica: A Prospect of Ora Cabeca in the Parish of St. Maries the North Side Jamaica taken from the Road leading to St. Ann's 1766
Creator:
unknown artist
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 5/8 x 22in. (44.8 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32737. Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica

Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica
Creator:
unknown artist
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/4 x 21 7/8in. (45.1 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32738. Spilsbury's Views of Jamaica: A View of Dry Harbour in the Parish of St. Ann's Jamaica, Taken from the West end of the Tavern, with the Fort & Barracks view in Ruins

Spilsbury's Views of Jamaica: A View of Dry Harbour in the Parish of St. Ann's Jamaica, Taken from the West end of the Tavern, with the Fort & Barracks view in Ruins
Creator:
unknown artist
Date:
1769
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 5/8 x 21 5/8in. (44.8 x 54.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32739. Portraits of Four Indian Kings of Canada: Tee Yee Neen Ho Ga Row, Emperour of the Six Nations

Portraits of Four Indian Kings of Canada: Tee Yee Neen Ho Ga Row, Emperour of the Six Nations
Creator:
Print made by John Simon, 1675–1751
Date:
ca. 1755
Materials & Techniques:
Mezzotint, third state
Dimensions:
Sheet: 13 3/4 x 10in. (34.9 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32740. Portraits of Four Indian Kings of Canada: On Nee Yeath Tow no Riow

Portraits of Four Indian Kings of Canada: On Nee Yeath Tow no Riow
Creator:
Pieter Schenck I, 1660–1719
Date:
1710
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 10 x 7 5/8in. (25.4 x 19.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32741. Tee Yee Neen Ho Ga Row, Keyser Vande Ses Natien

Tee Yee Neen Ho Ga Row, Keyser Vande Ses Natien
Creator:
Pieter Schenck I, 1660–1719
Date:
1710
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 8 1/2 x 6 5/16in. (21.6 x 16cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32742. Portraits of Four Indian Kings of Canada: The Four Indian Kings

Portraits of Four Indian Kings of Canada: The Four Indian Kings
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
1710
Materials & Techniques:
Mezzotint; four oval busts on one sheet, each with an elaborate frame, incorporating a feathered crown and crossed weapons above.
Dimensions:
Sheet: 17 13/16 x 11 3/8in. (45.2 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32743. Portraits of Four Indian Kings of Canada: Sa Ga Yean Qua Rash Tow

Portraits of Four Indian Kings of Canada: Sa Ga Yean Qua Rash Tow
Creator:
John Faber the Elder, ca. 1660–1721
Date:
1710
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 8 x 5 15/16in. (20.3 x 15.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32744. Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States

Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
Creator:
Francis Jukes, 1747–1812
Date:
1800
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 14 7/16 x 19in. (36.7 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32745. A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r
Creator:
Print made by James Mason, 1710–1783
Date:
1778
Materials & Techniques:
Line engraving on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 18 1/2 × 22 1/4 inches (47 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32746. A View in the Island of Jamaica, of Fort William Estate, with part of Roaring River belonging to Mr. William Beckford, Esq.r near Savannah la Marr

A View in the Island of Jamaica, of Fort William Estate, with part of Roaring River belonging to Mr. William Beckford, Esq.r near Savannah la Marr
Creator:
Thomas Vivares, c.1735–c.1790
Date:
1778
Materials & Techniques:
Engraving
Dimensions:
Sheet: 18 1/2 x 22 5/16in. (47 x 56.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32747. Scenographia Americana: Untitled view (perhaps of Boston?)

Scenographia Americana: Untitled view (perhaps of Boston?)
Creator:
unknown artist
Date:
1758-1760
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 1/4 × 22 1/16 inches (38.7 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32748. A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr

A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr
Creator:
Print made by Thomas Vivares, c.1735–c.1790
Date:
1778
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 18 1/2 x 22 1/4in. (47 x 56.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32749. Brown's Parakeet

Brown's Parakeet
Creator:
unknown artist
Date:
1832
Materials & Techniques:
Watercolor and pen and black ink on beige board
Dimensions:
Sheet: 18 × 14 inches (45.7 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

32750. Two Studies of Tumbler, a Dog

Two Studies of Tumbler, a Dog
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/4 × 5 5/8 inches (8.3 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32751. Horse with Rider Wearing Tricorne Hat, Walking to Right

Horse with Rider Wearing Tricorne Hat, Walking to Right
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 3 3/4 inches (11.1 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32752. A Horse Lying Down

A Horse Lying Down
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 × 6 inches (10.5 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32753. Studies of Stags' Heads

Studies of Stags' Heads
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/2 × 6 3/8 inches (8.9 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32754. Horse and Rider Walking to Right

Horse and Rider Walking to Right
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 7 3/4 inches (15.2 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32755. Mr. Hawks thinks he had Better Turn Back

Mr. Hawks thinks he had Better Turn Back
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite and black chalk
Dimensions:
Sheet: 4 1/4 x 7in. (10.8 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32756. An Artist Sketching, possibly Paul Sandby

An Artist Sketching, possibly Paul Sandby
Creator:
Attributed to Francis Cotes, 1726–1770
Date:
ca. 1755
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Frame: 13 1/4 × 10 11/16 × 13/16 inches (33.6 × 27.2 × 2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32757. A Zebra

A Zebra
Creator:
Samuel Howitt, 1756–1822
Date:
ca. 1807
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 × 12 3/4 inches (40.6 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32758. Cheeta, or Hunting Tiger, Belonging to Durjun Saul, Brought by Lord Combermere to Barrackpore, after the Fall of Bhurtpore, March 1826

Cheeta, or Hunting Tiger, Belonging to Durjun Saul, Brought by Lord Combermere to Barrackpore, after the Fall of Bhurtpore, March 1826
Creator:
Unknown artist (Company style)
Date:
1826
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 18 1/8 inches (29.5 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32759. Ponte Lucano and the Tomb of Plautii, Tivoli

Ponte Lucano and the Tomb of Plautii, Tivoli
Creator:
Robert MacPherson, 1814–1872
Date:
1860s
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 8 15/16 × 13 7/8 inches (22.7 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery

32760. Portsmouth Children

Portsmouth Children
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1887
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 3/4 × 3 7/8 inches (7 × 9.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

32761. Old Chairs to Mend

Old Chairs to Mend
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textures, cream wove paper
Dimensions:
Sheet: 16 7/8 × 13 3/8 inches (42.9 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32762. Mode of Travel in Greenland

Mode of Travel in Greenland
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 x 9 1/8in. (15.2 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

32763. Plan of Westminster Showing the Coronation Route of George II

Plan of Westminster Showing the Coronation Route of George II
Creator:
unknown artist
Date:
ca. 1727
Materials & Techniques:
Graphite and pen and black ink on smooth, thin, brown wove paper
Dimensions:
Sheet: 11 13/16 x 18 5/16in. (30 x 46.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32764. Hills and Sky

Hills and Sky
Creator:
attributed to John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 9 7/8 inches (10.8 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32765. Mountainous Landscape

Mountainous Landscape
Creator:
John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 x 9 1/4 inches (11.7 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32766. A Scene on Mount Olympus

A Scene on Mount Olympus
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, and white gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32767. Mrs. Carnac

Mrs. Carnac
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1778
Materials & Techniques:
Mezzotint on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 25 1/2 × 16 7/8 inches (64.8 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32768. Painting

Painting
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1783
Materials & Techniques:
Mezzotint; open letter proof on wove paper
Dimensions:
Sheet: 17 1/4 × 13 inches (43.8 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32769. A Wife - Une Femme Mariee

A Wife - Une Femme Mariee
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 14 1/2 inches (50.5 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32770. What You Will - Ce Qui Vous Plaira

What You Will - Ce Qui Vous Plaira
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/16 × 17 1/4 inches (58.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32771. Emma Hart as Bacchante

Emma Hart as Bacchante
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1784
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 3/4 × 12 15/16 inches (42.5 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32772. Lady Hamilton as 'Nature'

Lady Hamilton as 'Nature'
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1784
Materials & Techniques:
Mezzotint, with border in aquatint (first state, Horne.IIa) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 13/16 × 11 5/16 inches (37.6 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32773. Thoughts on Matrimony

Thoughts on Matrimony
Creator:
Print made by William Ward, 1766–1826
Date:
1786
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 9 3/16 inches (31.6 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32774. Serena

Serena
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1782
Materials & Techniques:
Mezzotint with hand coloring in watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/16 × 15 3/16 inches (53.8 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32775. The Charmer

The Charmer
Creator:
John Raphael Smith, 1752–1812
Date:
ca. 1780
Materials & Techniques:
Black chalk, white chalk, and gray ground on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 × 10 1/2 inches (36.5 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32776. An Evening Walk

An Evening Walk
Creator:
John Raphael Smith, 1752–1812
Date:
ca. 1783
Materials & Techniques:
Black chalk, graphite, red chalk, white chalk, and gray ground on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 8 1/8 inches (21 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32777. Men-of-War and Sailing Boats Near a Shore

Men-of-War and Sailing Boats Near a Shore
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red brown and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/16 x 18 1/4 inches (20.5 x 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

32778. Soldiers Carousing at an Inn

Soldiers Carousing at an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown ink, gray ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Mount: 12 11/16 × 16 5/16 inches (32.2 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32779. A Town Crier

A Town Crier
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown ink, gray ink over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 9 1/8 inches (29.5 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32780. Rustic Scene with a River and a Bridge

Rustic Scene with a River and a Bridge
Creator:
Thomas Rowlandson, 1756–1827
Date:
1818
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 9in. (14.3 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32781. 'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'

'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/4 x 5 7/8in. (8.3 x 14.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32782. Soldiers Embarking

Soldiers Embarking
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 1/4 × 5 9/16 inches (8.3 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32783. The Doctor's Consultation

The Doctor's Consultation
Creator:
Thomas Rowlandson, 1756–1827
Date:
1815-1820
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 × 8 11/16 inches (27.5 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32784. A Village Street with Cattle and Sheep Being Driven Through

A Village Street with Cattle and Sheep Being Driven Through
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink, and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 1/2 × 5 3/4 inches (8.9 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32785. Pidcock, Dealer in Birds and Beasts

Pidcock, Dealer in Birds and Beasts
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/16 × 10 7/16 inches (17.9 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32786. Portrait of a Bearded Man

Portrait of a Bearded Man
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown ink, gouache and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/16 × 8 1/16 inches (28.4 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32787. Loading a Cart for Market

Loading a Cart for Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 × 9 1/4 inches (16.4 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32788. The Shipwrecked Sailors

The Shipwrecked Sailors
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/16 × 8 inches (26.2 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32789. Dunmow

Dunmow
Creator:
Thomas Rowlandson, 1756–1827
Date:
Undated
Materials & Techniques:
Pan and brown ink, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 3 7/16 inches (14.6 × 8.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32790. The Glass Works

The Glass Works
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 9 1/8 inches (14 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32791. A Village Fountain

A Village Fountain
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 × 7 3/16 inches (11.3 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32792. Two Coaches - Travelling in France?

Two Coaches - Travelling in France?
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, gray ink, blue ink and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 11 11/16 inches (19.2 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32793. An Elderly Buck walking with a Lady

An Elderly Buck walking with a Lady
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1810 and 1820
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink and pen and gray ink on medium, moderately textured, blue laid paper
Dimensions:
Sheet: 6 5/8 x 5 3/4 inches (16.8 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32794. Dr Syntax & Dairymaid

Dr Syntax & Dairymaid
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor with pen and red ink and graphite on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 8 11/16 x 11 1/4 inches (22.1 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32795. Hyde Park Corner

Hyde Park Corner
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 15/16 x 24 7/16 inches (22.7 x 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32796. Newbury Market Place, Berkshire

Newbury Market Place, Berkshire
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown, red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 x 15 7/8 inches (25.4 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32797. An Audience Watching a Play at Drury Lane Theatre

An Audience Watching a Play at Drury Lane Theatre
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/8 x 14 5/16 inches (23.8 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32798. Feeding the Ducklings

Feeding the Ducklings
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 11 1/2 inches (22.9 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32799. A Woodcutter's Picnic

A Woodcutter's Picnic
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and vermillion ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 10 13/16 x 15 1/16 inches (27.5 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32800. A Potter Returning from Market

A Potter Returning from Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and brown and gray ink on medium, slightly textured, light blue, laid paper
Dimensions:
Sheet: 8 9/16 x 11 5/16 inches (21.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection