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36201. End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the posssession of George Daniel, Esqr.

End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the posssession of George Daniel, Esqr.
Creator:
Robert Bremmel Schnebbelie, active 1803–1849
Materials & Techniques:
Print
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36202. The Church of Stratford Upon Avon. taken from the Water.

The Church of Stratford Upon Avon. taken from the Water.
Creator:
Thomas Medland, 1755–1823
Date:
1793
Materials & Techniques:
Print
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36203. A Merchant's Office

A Merchant's Office
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Watercolor with pen and black, brown, and gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 15/16 x 13 1/8 inches (27.8 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36204. Shakspeare's Desk

Shakspeare's Desk
Creator:
James Fahey, 1804–1885
Date:
1824
Materials & Techniques:
Print
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36205. Front and Back View of Cassolette made from the Mulberry Tree planted by Shakespeare.

Front and Back View of Cassolette made from the Mulberry Tree planted by Shakespeare.
Creator:
Charles John Smith, 1803–1838
Date:
1837
Materials & Techniques:
Print
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36206. Cassolette made from Shakspeare's Mulberry Tree

Cassolette made from Shakspeare's Mulberry Tree
Creator:
Charles John Smith, 1803–1838
Materials & Techniques:
Print
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36207. A South View of the Falcon Tavern, on the Bankside, Southwark; as it appeared in 1805: celebrated for the daily resort of Shakspeare, and his Dramatic Companions with a Plan of the site and its vicinity.

A South View of the Falcon Tavern, on the Bankside, Southwark; as it appeared in 1805: celebrated for the daily resort of Shakspeare, and his Dramatic Companions with a Plan of the site and its vicinity.
Creator:
William Wise, Active 1823–1876
Date:
1811
Materials & Techniques:
Print
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36208. An Old Coquette Outstood her Market

An Old Coquette Outstood her Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown and red-brown ink, over graphite, with pen and gray ink wash line on border; verso: graphite and watercolor blots on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 5 1/8 inches (16.8 x 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36209. Cassolette made from Shakspeare's Mulberry Tree.

Cassolette made from Shakspeare's Mulberry Tree.
Creator:
Charles John Smith, 1803–1838
Materials & Techniques:
Print
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36210. The Arrival of the Fire Engine

The Arrival of the Fire Engine
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red brown and brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 7/16 x 7 inches (11.3 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36211. Portrait of a Man

Portrait of a Man
Creator:
Attributed to Sir William Beechey, 1753–1839
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 13 3/8 × 9 3/4 inches (34 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of W. Stephen Jeffrey

36212. Two Gigs in Trouble

Two Gigs in Trouble
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 7/16 x 7 3/16 inches (11.3 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36213. Six Putti Playing

Six Putti Playing
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching
Dimensions:
Sheet: 7 3/4 x 9in. (19.7 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36214. Lady Rowe, Standing Small Full Length on a Terrace, a Moonlit Jamaican Landscape beyond

Lady Rowe, Standing Small Full Length on a Terrace, a Moonlit Jamaican Landscape beyond
Creator:
Isaac Mendes Belisario, 1795–1849
Date:
1835
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper, mounted on heavy cream card
Dimensions:
Sheet: 13 1/4 × 9 1/8 inches (33.7 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36215. Nude Figure Carrying Jars

Nude Figure Carrying Jars
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 19 x 7 3/4in. (48.3 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36216. The Adoration of the Magi

The Adoration of the Magi
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 10 x 7 1/2in. (25.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36217. End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the possession of George Daniel, Esqr.

End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the possession of George Daniel, Esqr.
Creator:
Robert Bremmel Schnebbelie, active 1803–1849
Materials & Techniques:
Print
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36218. Mucius Scaevola Burning his Hand

Mucius Scaevola Burning his Hand
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 9 x 12in. (22.9 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36219. Cavalry Advancing to the Charge

Cavalry Advancing to the Charge
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 8 3/4 x 10 1/2in. (22.2 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36220. A Kingfisher, Clutching a Fish Skeleton

A Kingfisher, Clutching a Fish Skeleton
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 12 1/2 x 9in. (31.8 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36221. Landscape with Five Figures Bathing

Landscape with Five Figures Bathing
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 9 1/8 x 12 7/8in. (23.2 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36222. Going to Market

Going to Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and red-brown ink, gray ink, gray wash, and graphite; verso: watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 8 9/16 inches (14 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36223. River Landscape with a Waterfall

River Landscape with a Waterfall
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1800
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink, pen and red-black ink, and gray ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 11/16 x 8 3/8 inches (14.4 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36224. Landscape with a River

Landscape with a River
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 8 1/8 x 10 3/4in. (20.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36225. Landscape with Trees in the Foreground

Landscape with Trees in the Foreground
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 5 3/4 x 10 3/4in. (14.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36226. Landscape with Ruins

Landscape with Ruins
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 8 x 9 3/4in. (20.3 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36227. Landscape with a Tree in the Foreground

Landscape with a Tree in the Foreground
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 11 1/4 x 8 1/2in. (28.6 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36228. Landscape with a River in the Middle Distance

Landscape with a River in the Middle Distance
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 9 1/8 x 12 3/4in. (23.2 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36229. Two Studies of Reclining Male Nude Figures

Two Studies of Reclining Male Nude Figures
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1732 to 1736
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 6 x 7 3/4in. (15.2 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36230. Profile of an Unidentified Man

Profile of an Unidentified Man
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1735
Materials & Techniques:
Etching
Dimensions:
Sheet: 8 1/2 x 6 1/4in. (21.6 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36231. Saint Anthony Pursued by Demons

Saint Anthony Pursued by Demons
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 17 x 11 1/8in. (43.2 x 28.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36232. Classical Scene, Group of Five Figures

Classical Scene, Group of Five Figures
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 6 1/4 x 4 1/4in. (15.9 x 10.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36233. A Seated Astronomer

A Seated Astronomer
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1732 to 1736
Materials & Techniques:
Etching
Dimensions:
Sheet: 7 1/8 x 7 3/8in. (18.1 x 18.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36234. Seated Female Figure with a Large Book

Seated Female Figure with a Large Book
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1732 to 1736
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 5 7/8 x 1/16in. (14.9 x 0.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36235. Pastoral Scene with Figures in a Box-chair Carried by Horses

Pastoral Scene with Figures in a Box-chair Carried by Horses
Creator:
Print made by Louisa Augusta Greville, 1743–active 1762
Date:
1759
Materials & Techniques:
Etching
Dimensions:
Sheet: 16 3/8 x 11 7/8in. (41.6 x 30.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36236. Man Seated on a Rock

Man Seated on a Rock
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Plate: 16 1/2 x 12 5/8in. (41.9 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36237. The Holy Family with Saint John

The Holy Family with Saint John
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 10 1/8 x 7in. (25.7 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36238. Ruin of an Ionic Temple

Ruin of an Ionic Temple
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1740
Materials & Techniques:
Etching and mezzotint
Dimensions:
Sheet: 7 1/4 x 4in. (18.4 x 10.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36239. View of a Ruin, with Four Figures by a Pool

View of a Ruin, with Four Figures by a Pool
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1740
Materials & Techniques:
Etching and mezzotint
Dimensions:
Sheet: 8 3/4 x 6 3/16in. (22.2 x 15.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36240. Caricature Heads of a Pope and Six Cardinals

Caricature Heads of a Pope and Six Cardinals
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736
Materials & Techniques:
Soft ground etching printed in brown ink
Dimensions:
Sheet: 8 3/8 x 14in. (21.3 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36241. Philosopher Seated under a Tree

Philosopher Seated under a Tree
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 16 3/8 x 12 1/2in. (41.6 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36242. Interior of the Pantheon in Rome

Interior of the Pantheon in Rome
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1740
Materials & Techniques:
Etching and mezzotint
Dimensions:
Sheet: 9 3/4 x 6 3/4in. (24.8 x 17.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36243. Wapping Old Stairs

Wapping Old Stairs
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36244. Classical Ruins with the Arch of Constantine

Classical Ruins with the Arch of Constantine
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1740
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 5 3/4 x 9 3/8in. (14.6 x 23.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36245. Juno Confiding Io to the Custody of Argus

Juno Confiding Io to the Custody of Argus
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 11 9/16 x 13 5/16in. (29.4 x 33.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36246. View in a Classical Ruin, with a Statue on a Plinth

View in a Classical Ruin, with a Statue on a Plinth
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1740
Materials & Techniques:
Etching, mezzotint, and roulette
Dimensions:
Sheet: 7 1/4 x 4in. (18.4 x 10.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36247. Two Men on Horseback Seen from Behind

Two Men on Horseback Seen from Behind
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 3/4 x 4 1/2 inches (14.6 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36248. The Virgin and Child Seated with St Joseph

The Virgin and Child Seated with St Joseph
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1735
Materials & Techniques:
Etching
Dimensions:
Sheet: 10 1/4 x 7 7/8in. (26 x 20cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36249. Monks in a Garden

Monks in a Garden
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1740
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 13 5/8 x 9 9/16in. (34.6 x 24.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36250. Il Gobbo dei Carracci

Il Gobbo dei Carracci
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 12 x 8 1/8in. (30.5 x 20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36251. Two Studies of a Standing Nude Male Figure

Two Studies of a Standing Nude Male Figure
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1740
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 11 x 7 5/16in. (27.9 x 18.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36252. A Monkey on a Man's Shoulder, and a Study of Its Face

A Monkey on a Man's Shoulder, and a Study of Its Face
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736
Materials & Techniques:
Crayon manner, printed in red ink
Dimensions:
Sheet: 7 1/2 x 8 5/8in. (19.1 x 21.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36253. River Landscape with Three Women

River Landscape with Three Women
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 7 1/2 × 11 1/8 inches (19.1 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36254. Two Studies of Mens' Heads

Two Studies of Mens' Heads
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1747
Materials & Techniques:
Crayon manner
Dimensions:
Sheet: 9 x 10 1/8in. (22.9 x 25.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36255. Village Dance Under a Tree

Village Dance Under a Tree
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 16 x 11 3/4in. (40.6 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36256. Three Figures Under a Tree, One Reading a Book

Three Figures Under a Tree, One Reading a Book
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1735
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 6 1/2 x 8 1/4in. (16.5 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36257. Landscape with Two Figures Talking under a Rocky Cliff

Landscape with Two Figures Talking under a Rocky Cliff
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1740
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 1/8 x 17in. (28.3 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36258. Two Allegorical Female Figures, with Two Putti

Two Allegorical Female Figures, with Two Putti
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 8 3/8 x 7 1/2in. (21.3 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36259. Landscape by a River, with Large Trees

Landscape by a River, with Large Trees
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 10 3/4 x 13 1/2in. (27.3 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36260. Two Sleeping Figures

Two Sleeping Figures
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Gray wash with pen and gray ink and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 x 8 1/2 inches (16.7 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36261. Landscape with a Couple Wading across a River

Landscape with a Couple Wading across a River
Creator:
Print made by Louisa Augusta Greville, 1743–active 1762
Date:
1770
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 10 3/4 x 16 3/4in. (27.3 x 42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36262. Landscape with a Large Tree, and Two Figures, One with a Hawk

Landscape with a Large Tree, and Two Figures, One with a Hawk
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 8 1/4 x 11 3/4in. (21 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36263. The Elect

The Elect
Creator:
Conrad Martin Metz, 1749–1827
Date:
1801
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 25 7/8 inches (28.6 × 65.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Geoffrey and Renée Hartman

36264. Time and Death and Goody Barton

Time and Death and Goody Barton
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/16 x 8 3/8 inches (13.2 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36265. Kenilworth Castle, Warwickshire

Kenilworth Castle, Warwickshire
Creator:
James Moore, 1762–1799
Date:
ca. 1790
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/2 x 8 1/2in. (14 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36266. Corfe Castle

Corfe Castle
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36267. Newark Priory, Surrey

Newark Priory, Surrey
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36268. Wimborne Minster, Dorset, Englad

Wimborne Minster, Dorset, Englad
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36269. Conwy Castle, Wales

Conwy Castle, Wales
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36270. Denbigh Castle, Wales

Denbigh Castle, Wales
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 × 8 1/4 inches (15.2 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36271. Warkworth Castle, Northumberland

Warkworth Castle, Northumberland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36272. Dryburgh Abbey, Scotland

Dryburgh Abbey, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36273. Kelso Abbey, Scotland

Kelso Abbey, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36274. Lindisfarne Priory, Holy Island, Northumberland

Lindisfarne Priory, Holy Island, Northumberland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36275. Melrose Abbey, Scotland

Melrose Abbey, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 3/16 × 9 inches (18.3 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36276. Melrose Abbey, Scotland

Melrose Abbey, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 × 7 3/16 inches (22.9 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36277. Lanercost Priory, England

Lanercost Priory, England
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 7 3/16 inches (22.7 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36278. Kendal Castle, England

Kendal Castle, England
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 7 1/8 inches (22.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36279. Sweetheart Abbey, Scotland

Sweetheart Abbey, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 × 7 1/8 inches (22.9 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36280. Glasgow Cathedral, Scotland

Glasgow Cathedral, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 × 8 15/16 inches (17.8 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36281. Alton Castle, England

Alton Castle, England
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36282. Carlisle Castle, England

Carlisle Castle, England
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 × 8 15/16 inches (17.8 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36283. Bothwell Castle, Scotland

Bothwell Castle, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36284. Bothwell Castle, Scotland

Bothwell Castle, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 7 1/16 inches (22.7 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36285. Alton Castle, England

Alton Castle, England
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36286. A Fair in the Country

A Fair in the Country
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown, brown, and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 9 5/16 inches (13.7 x 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36287. Brighton, England

Brighton, England
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 4 1/16 × 6 3/16 inches (10.3 × 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36288. Church of St. Mary the Virgin, Hurley, Berkshire, England

Church of St. Mary the Virgin, Hurley, Berkshire, England
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Pen and gray iink, black ink, graphite, gray wash and blue wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 × 9 inches (17.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36289. Church of St. Nicholas, Thames Ditton, Surrey, England

Church of St. Nicholas, Thames Ditton, Surrey, England
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Pen and black ink, gray ink, graphite, gray wash and blue wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 × 9 inches (17.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36290. Medmenham, England

Medmenham, England
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36291. Uckfield Holy Cross Church, East Sussex, England

Uckfield Holy Cross Church, East Sussex, England
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36292. Brighthelmstone, England

Brighthelmstone, England
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36293. Holy Trinity Parish Church, Cookham, England

Holy Trinity Parish Church, Cookham, England
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 15/16 × 9 inches (17.6 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36294. Unidentified Church

Unidentified Church
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36295. Tonbridge Castle, Kent, England

Tonbridge Castle, Kent, England
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 7 1/16 inches (22.7 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36296. Duff House, Scotland

Duff House, Scotland
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36297. The Ballad Singers

The Ballad Singers
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 5 5/16 x 4 3/8 inches (13.5 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36298. A Sporting Cove

A Sporting Cove
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown ink over graphite; verso: watercolor blots on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 6 inches (19.7 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36299. A Man Buying Snuff

A Man Buying Snuff
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 5 5/8 inches (18.7 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36300. The Duchess of Gordon's Rout

The Duchess of Gordon's Rout
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite; verso: gray watercolor blot on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 9/16 x 8 3/4 inches (11.6 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection