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Creator:: Francis Carruthers Gould, 1844–1925
Date:: 1890
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

42113. [A rest during the hunt: King William III and Queen Mary with attendants, dogs, etc.]

Creator:: Print made by Jan van Huchtenburg, 1647–1733
Date:: undated
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 12 1/8 x 14 11/16in. (30.8 x 37.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42114. Fox Hunting [set of four]: 1. The Meet

Creator:: Charles Hunt, 1803–1877
Date:: 1838
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/4 x 19 3/4in. (40 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42115. The Manuscript

Creator:: William Henry Watt, 1804–1845
Date:: 1838
Materials & Techniques:: Etching and engraving on India paper
Dimensions:: Sheet: 17 3/8 x 13 5/8in. (44.1 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42116. Jacob Blessing the Sons of Joseph

Creator:: Valentine Green, 1739–1813
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42117. Coaching: The New London Royal Mail

Creator:: Charles Hunt, 1803–1877
Date:: 1836
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 x 21 7/8in. (38.1 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42118. Agnes and Emma Coke and Sarah Salmond in a Park

Creator:: Octavius Oakley, 1800–1867
Date:: 1827
Materials & Techniques:: Watercolor, gouache, and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 17 1/2 inches (56.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42119. 1st of September

Creator:: George Hunt, active 1820–1840
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/8 x 17 1/2in. (38.4 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42120. Set of four: 1. Partridge Shooting.

Creator:: Henry Pyall, 1795–1833
Date:: undated
Materials & Techniques:: Aquatint, sky printed in color, otherwise hand-colored
Dimensions:: Sheet: 13 3/8 x 17 3/8in. (34 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42121. A Bit of Old Portsmouth

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1910
Materials & Techniques:: Etching
Dimensions:: Sheet: 7 15/16 × 5 15/16 inches (20.2 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42122. An Inland Harbourage: Edam

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1911
Materials & Techniques:: Etching
Dimensions:: Sheet: 4 3/8 x 8in. (11.1 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42123. Landermere

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1911
Materials & Techniques:: Etching; trial proof on laid paper
Dimensions:: Sheet: 4 1/2 × 7 7/8 inches (11.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42124. Landemere

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1911
Materials & Techniques:: Etching
Dimensions:: Sheet: 4 1/2 × 7 7/8 inches (11.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42125. The Studio Window

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1912
Materials & Techniques:: Etching; working proof on laid paper
Dimensions:: Sheet: 4 3/8 × 8 inches (11.1 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42126. The Mouth of the Stour, Kent

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1911
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 7 7/8 × 10 7/8 inches (20 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42127. A Norfolk Bridge

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1910
Materials & Techniques:: Etching
Dimensions:: Sheet: 5 7/8 × 7 15/16 inches (14.9 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42128. Net Poles, Studland Bay

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1912
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 6 7/8 × 8 7/8 inches (17.5 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42129. The Groote Kerk: Doredrecht

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1912
Materials & Techniques:: Etching; working proof
Dimensions:: Sheet: 7 1/8 × 5 inches (18.1 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42130. Stage Coach

Creator:: George Hunt, active 1820–1840
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 5/8 x 19 1/8in. (42.2 x 48.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42131. [Coaching]: Royal Mails, starting from the Post Office, Lombard Street.

Creator:: Charles Hunt, 1803–1877
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 5/8 x 17 1/4in. (34.6 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42132. Jumièges

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1913
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 11 15/16 × 4 1/4 inches (30.3 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42133. The Four Trees, Petit Andely

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1914
Materials & Techniques:: Etching; trial proof
Dimensions:: Sheet: 8 7/8 × 10 7/8 inches (22.5 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42134. A Picardy Plough

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1913
Materials & Techniques:: Etching; trial proof on laid paper
Dimensions:: Sheet: 4 7/8 × 6 13/16 inches (12.4 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42135. Porte des Cordeliers, Falaise

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1913
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/16 × 7 1/8 inches (25.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42136. Arquata: The British Base in Italy

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1919
Materials & Techniques:: Drypoint; trial proof on laid paper
Dimensions:: Sheet: 8 1/2 × 12 1/8 inches (21.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42137. Salmon Fishers, Port Ling

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1920
Materials & Techniques:: Etching and drypoint
Dimensions:: Sheet: 6 9/16 × 9 3/16 inches (16.7 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42138. Iken

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1919
Materials & Techniques:: Drypoint
Dimensions:: Sheet: 6 × 9 1/2 inches (15.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42139. Fox Hunting [a series of 13 numbered according to "The Noble Science, John Leech in the Hunting Field" by Thomas Bodkin, 1948]

Creator:: Vincent Robert Alfred Brooks, 1814–1885
Date:: 1865-1866
Materials & Techniques:: Chromolithograph
Dimensions:: Sheet: 18 x 25 1/8in. (45.7 x 63.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42140. Sunset at Heybridge Basin

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1923
Materials & Techniques:: Drypoint on laid paper
Dimensions:: Sheet: 7 7/8 × 9 7/8 inches (20 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42141. The Bridge, Chioggia

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1926
Materials & Techniques:: Etching and drypoint on laid paper
Dimensions:: Sheet: 7 15/16 × 11 5/16 inches (20.2 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42142. The Suffolk Farm

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1924
Materials & Techniques:: Drypoint; trial proof
Dimensions:: Sheet: 5 × 5 7/8 inches (12.7 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42143. The Bathing Place, Bordighera

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1922
Materials & Techniques:: Etching; trial proof on laid paper
Dimensions:: Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42144. [Set of 10]: Social Subjects, Sports and Pastimes

Creator:: Vincent Robert Alfred Brooks, 1814–1885
Date:: 1865
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42145. San Barnaba, Venice

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1926
Materials & Techniques:: Drypoint; 1st state on laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42146. San Barnaba, Venice

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1926
Materials & Techniques:: Drypoint; engraver's proof
Dimensions:: Sheet: 10 1/2 × 6 15/16 inches (26.7 × 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42147. Cafés of St. Malo

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1923
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 7 5/16 × 10 3/4 inches (18.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

42148. Head of a Lion in Three-quarter Profile to Left

Creator:: Print made by John Frederick Lewis, 1804–1876
Date:: 1824
Materials & Techniques:: Etching with chine-collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/8 × 13 1/8 inches (46.7 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42149. Equestrian Match against Time for 600 Guineas, to Ride from Canterbury to London Bridge in Three Hours ...

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: 1819
Materials & Techniques:: Color printed aquatint
Dimensions:: Sheet: 9 3/8 x 13 5/8in. (23.8 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42150. Skittles

Creator:: George Hunt, active 1820–1840
Date:: undated
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 x 15 3/4in. (30.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42151. [Fox-Hunting]: A Hunting Phaeton - A Party Going to Cover

Creator:: Charles Hunt, 1803–1877
Date:: undated
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 1/2 x 17 3/8in. (31.8 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42152. Coursing [a pair]: 1.Coursers taking the Field at Hatfield Park

Creator:: James Pollard, 1792–1867
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/8 x 18 3/4in. (31.4 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42153. Epsom Races

Creator:: James Pollard, 1792–1867
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 x 17 5/8 inches (30.5 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42154. Pony Race for One Hundred Guineas...3 November 1819.

Creator:: James Pollard, 1792–1867
Date:: 1819
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 1/2 x 14 1/4in. (24.1 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42155. Racing: Emilius / was bred by J.R. Udny Esq. in 1820, got by Orville, his dam Emily by Stamford, grand dam by Whiskey, out of Grey Dorimont by Dorimont - Dizzy by Blank - Dizzy by Driver. In 1823, at Newmarket Craven Meeting...

Creator:: James Pollard, 1792–1867
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/8 x 17 3/4in. (31.4 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42156. Doncaster Race for the Great St. Leger Stakes

Creator:: James Pollard, 1792–1867
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 1/2 x 25 3/8in. (31.8 x 64.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42157. Racing [two of a set of four]: Epsom Races. 1 Now They're Off

Creator:: Robert William Smart, active 1820–1834
Date:: 1834
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/2 x 25 5/8in. (44.5 x 65.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42158. Racing: A View of the Grand Stand, Dorcaster, with portraits of the Winning Horses of the Great St. Leger Stakes for the last 20 years...

Creator:: Henry Pyall, 1795–1833
Date:: 1835
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 18 x 25 3/4in. (45.7 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42159. Racing [set of six]: Epsom. 1. Saddling in the Warren

Creator:: Charles Hunt, 1803–1877
Date:: 1836
Materials & Techniques:: Color printed and hand colored aquatint
Dimensions:: Sheet: 11 5/8 x 18 1/4in. (29.5 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42160. Mail Coach by Moonlight

Creator:: Charles Hunt, 1803–1877
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 1/4in. (21.6 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42161. Coaching: The Mail Coach in a Flood

Creator:: Frederick Rosenberg, active 1816–1832
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/8 x 17 7/8in. (33.3 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42162. Set of eight, printed wrappers, two sheets of text: 'Drawings from Original pictures of Philip Reinangle Esq. by an Amateur.

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 14 x 21 1/2in. (35.6 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42163. The Spaniel

Creator:: John Scott, 1774–1828
Date:: 1830
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 x 16in. (32.7 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42164. One of a Set of Twenty-Two Portraits of Horses: 'Lamprie'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42165. One of a Set of Twenty-Two Portraits of Horses: 'Old Partner'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42166. One of a Set of Twenty-Two Portraits of Horses: 'Bald Charlotte' or 'Lady Legs'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42167. One of a Set of Twenty-Two Portraits of Horses: 'Crab'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42168. One of a Set of Twenty-Two Portraits of Horses: 'Bonny Black'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42169. One of a Set of Twenty-Two Portraits of Horses: 'Starling'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42170. One of a Set of Twenty-Two Portraits of Horses: 'Fearnought'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42171. One of a Set of Twenty-Two Portraits of Horses: 'Old Cartouch'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42172. One of a Set of Twenty-Two Portraits of Horses: 'Conqueror'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42173. One of a Set of Twenty-Two Portraits of Horses: 'Squirril'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42174. One of a Set of Twenty-Two Portraits of Horses: 'Young Cartouch'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42175. One of a Set of Twenty-Two Portraits of Horses: 'Second'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42176. One of a Set of Twenty-Two Portraits of Horses: 'Regulus'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42177. One of a Set of Twenty-Two Portraits of Horses: 'Silver Leg'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42178. One of a Set of Twenty-Two Portraits of Horses: 'Whynot'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42179. One of a Set of Twenty-Two Portraits of Horses: 'Othello' or 'Black & All Black'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42180. One of a Set of Twenty-Two Portraits of Horses: 'Victorious'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42181. One of a Set of Twenty-Two Portraits of Horses: 'Sampson'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42182. One of a Set of Twenty-Two Portraits of Horses: 'Bay Arabian'

Creator:: James Roberts the Elder, 1725–1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42183. Aspin

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42184. Weeping Willows

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42185. Cedar

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42186. Italian Pine and Cypress

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/2 × 21 3/8 inches (36.8 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42187. Birch

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 1/4 inches (36.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42188. Hawthorn

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/8 inches (36.5 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42189. Poplar

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 inches (36.2 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42190. Beech

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 1/4 inches (36.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42191. Horse Chestnut

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 inches (36.2 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42192. [Coaching] Stage Waggon

Creator:: James Baily, active 1815–1834
Date:: 1820
Materials & Techniques:: Aquatint, printed in color
Dimensions:: Sheet: 14 15/16 x 16 7/8in. (37.9 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42193. [Coaching] The Mail Guard

Creator:: Matthew Dubourg, active 1786–1838
Date:: 1825
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 15 7/8 x 12 7/8in. (40.3 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42194. [Coaching] Mail Coach

Creator:: Matthew Dubourg, active 1786–1838
Date:: 1824
Materials & Techniques:: Aquatint, printed in color but mostly hand colored
Dimensions:: Sheet: 14 3/4 x 16 5/8in. (37.4 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42195. [Coaching ] The Road-Side

Creator:: after Charles Rosenberg, active 1828–1848
Date:: 1833
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 21 1/4 x 30 1/8in. (54 x 76.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42196. [Fencing ] Backswords

Creator:: Charles Turner, 1774–1857
Date:: 1825
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 9 7/8 x 11 7/8in. (25.1 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42197. Set of Four - Racing: Exercising

Creator:: George Alken, 1794–active 1837
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 11/16 x 10 15/16in. (22 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42198. Set of Four - Racing: Preparing to Start

Creator:: George Alken, 1794–active 1837
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 11/16 x 10 15/16in. (22 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42199. Set of Four - Racing: Coming In

Creator:: George Alken, 1794–active 1837
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 11/16 x 10 15/16in. (22 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42200. Set of Four - Racing: Running

Creator:: George Alken, 1794–active 1837
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 11/16 x 10 15/16in. (22 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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42101. Coaching: Tandem

42102. Morning, or Hounds Coming out of Kennell

42103. Mr. Cowper Thornhill Master of the bell Inn at Stilton in Huntingdonshire

42104. Set of four [Steeple-chasing]: 1. The Start

42105. Miss Shuttle-Cock / Ladies like Shuttlecocks are now array'd, The tail is Cork'd & feather'd is the Head.

42106. Mr. Henry Alkin, alais Ben Tally O.

42107. Fox Hunters Meeting

42108. Set of three: Kangaroo Hunting. No 1. The Meet

42109. Jupiter, by Eclipse. The Property of Colonel Thornton

42110. Stag and doe

42111. Portrait of Mr. Thos. George of Henley, near Iudlow and his mare, Little Thought of November 1820

42112. Vanity Fair: Stock Exchange Officials; 'Jack in the Box', Mr. Bernard John Angle, April 5, 1890

42113. [A rest during the hunt: King William III and Queen Mary with attendants, dogs, etc.]

42114. Fox Hunting [set of four]: 1. The Meet

42115. The Manuscript

42116. Jacob Blessing the Sons of Joseph

42117. Coaching: The New London Royal Mail

42118. Agnes and Emma Coke and Sarah Salmond in a Park

42119. 1st of September

42120. Set of four: 1. Partridge Shooting.

42121. A Bit of Old Portsmouth

42122. An Inland Harbourage: Edam

42123. Landermere

42124. Landemere

42125. The Studio Window

42126. The Mouth of the Stour, Kent

42127. A Norfolk Bridge

42128. Net Poles, Studland Bay

42129. The Groote Kerk: Doredrecht

42130. Stage Coach

42131. [Coaching]: Royal Mails, starting from the Post Office, Lombard Street.

42132. Jumièges

42133. The Four Trees, Petit Andely

42134. A Picardy Plough

42135. Porte des Cordeliers, Falaise

42136. Arquata: The British Base in Italy

42137. Salmon Fishers, Port Ling

42138. Iken

42139. Fox Hunting [a series of 13 numbered according to "The Noble Science, John Leech in the Hunting Field" by Thomas Bodkin, 1948]

42140. Sunset at Heybridge Basin

42141. The Bridge, Chioggia

42142. The Suffolk Farm

42143. The Bathing Place, Bordighera

42144. [Set of 10]: Social Subjects, Sports and Pastimes

42145. San Barnaba, Venice

42146. San Barnaba, Venice

42147. Cafés of St. Malo

42148. Head of a Lion in Three-quarter Profile to Left

42149. Equestrian Match against Time for 600 Guineas, to Ride from Canterbury to London Bridge in Three Hours ...

42150. Skittles

42151. [Fox-Hunting]: A Hunting Phaeton - A Party Going to Cover

42152. Coursing [a pair]: 1.Coursers taking the Field at Hatfield Park

42153. Epsom Races

42154. Pony Race for One Hundred Guineas...3 November 1819.

42155. Racing: Emilius / was bred by J.R. Udny Esq. in 1820, got by Orville, his dam Emily by Stamford, grand dam by Whiskey, out of Grey Dorimont by Dorimont - Dizzy by Blank - Dizzy by Driver. In 1823, at Newmarket Craven Meeting...

42156. Doncaster Race for the Great St. Leger Stakes

42157. Racing [two of a set of four]: Epsom Races. 1 Now They're Off

42158. Racing: A View of the Grand Stand, Dorcaster, with portraits of the Winning Horses of the Great St. Leger Stakes for the last 20 years...

42159. Racing [set of six]: Epsom. 1. Saddling in the Warren

42160. Mail Coach by Moonlight

42161. Coaching: The Mail Coach in a Flood

42162. Set of eight, printed wrappers, two sheets of text: 'Drawings from Original pictures of Philip Reinangle Esq. by an Amateur.

42163. The Spaniel

42164. One of a Set of Twenty-Two Portraits of Horses: 'Lamprie'

42165. One of a Set of Twenty-Two Portraits of Horses: 'Old Partner'

42166. One of a Set of Twenty-Two Portraits of Horses: 'Bald Charlotte' or 'Lady Legs'

42167. One of a Set of Twenty-Two Portraits of Horses: 'Crab'

42168. One of a Set of Twenty-Two Portraits of Horses: 'Bonny Black'

42169. One of a Set of Twenty-Two Portraits of Horses: 'Starling'

42170. One of a Set of Twenty-Two Portraits of Horses: 'Fearnought'

42171. One of a Set of Twenty-Two Portraits of Horses: 'Old Cartouch'

42172. One of a Set of Twenty-Two Portraits of Horses: 'Conqueror'

42173. One of a Set of Twenty-Two Portraits of Horses: 'Squirril'

42174. One of a Set of Twenty-Two Portraits of Horses: 'Young Cartouch'

42175. One of a Set of Twenty-Two Portraits of Horses: 'Second'