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unknown artist View of the Entrance front, Malvern Hall

unknown artist

View of the Entrance front, Malvern Hall

1789

Robert W. Sievier Portrait of John Crome in volume pub'd by R. N. Racon Norfolk: Picturesque Scenery 1834

Robert W. Sievier, 1794–1865

Portrait of John Crome in volume pub'd by R. N. Racon Norfolk: Picturesque Scenery 1834

1834

John Crome Mousehold Heath, Norwich

Print made by John Crome, 1768–1821

Mousehold Heath, Norwich

between 1810 and 1811

P. Crotchet Grown Ladies Taught to Dance

Print made by P. Crotchet, active 1768

Grown Ladies Taught to Dance

1768

James Ross A Plan of the Camp on the Malvern Hill, Commonly called the Herefordshire Beacon

James Ross, 1745–1823

A Plan of the Camp on the Malvern Hill, Commonly called the Herefordshire Beacon

undated

James Ross Saxon Architecture

James Ross, 1745–1823

Saxon Architecture

undated

George Gladwin Plans and Elevation of Goldsmiths Hall, erected 1835

George Gladwin, active 1820s–1830s

Plans and Elevation of Goldsmiths Hall, erected 1835

ca. 1835

Francesco Bartolozzi Jesus lying in a Manger

Francesco Bartolozzi, 1728–1815

Jesus lying in a Manger

Francesco Bartolozzi Woman teaching Infant the Alphabet, Lettered: "Delightful task, to learn the kinder thought...."

Francesco Bartolozzi, 1728–1815

Woman teaching Infant the Alphabet, Lettered: "Delightful task, to learn the kinder thought...."

1785

Francesco Bartolozzi Flora with Four Putti

Francesco Bartolozzi, 1728–1815

Flora with Four Putti

1765

unknown artist Arrangement and Alterations to Tank and Brake Gear for Narrow Gauge Sandwich Framed Six Wheeled Tenders

unknown artist

Arrangement and Alterations to Tank and Brake Gear for Narrow Gauge Sandwich Framed Six Wheeled Tenders

1874

Francesco Bartolozzi Gio, Francesco, Barbieri, detto il Guercina da Centa

Francesco Bartolozzi, 1728–1815

Gio, Francesco, Barbieri, detto il Guercina da Centa

1764

Francesco Bartolozzi, 1728–1815

Medallion: Profile of Woman facing Right (numbered XXIV)

Francesco Bartolozzi Medallion: Man with Wreath of Laurels (numbered XVII)

Francesco Bartolozzi, 1728–1815

Medallion: Man with Wreath of Laurels (numbered XVII)

Francesco Bartolozzi, 1728–1815

Medallion: Profile of a Woman wearing an Ivy Wreath facing Right

undated

Francesco Bartolozzi Medallion: Profiles of two Bearded Men facing each Other

Francesco Bartolozzi, 1728–1815

Medallion: Profiles of two Bearded Men facing each Other

undated

Francesco Bartolozzi, 1728–1815

Medallion: Profile of a Woman wearing an Ivy Wreath facing Right

undated

Francesco Bartolozzi Medallion: Head of a Man with Short Hair (Lettered AEXIOE)

Francesco Bartolozzi, 1728–1815

Medallion: Head of a Man with Short Hair (Lettered AEXIOE)

undated

Francesco Bartolozzi Medallion: Bust of Woman with bared Shoulder and an Arrow or Spear

Francesco Bartolozzi, 1728–1815

Medallion: Bust of Woman with bared Shoulder and an Arrow or Spear

undated

Francesco Bartolozzi Medallion: Fantastic Head of an Animal (? Canine) wearing a Collar Lettered (VIXEI7O1E1)

Francesco Bartolozzi, 1728–1815

Medallion: Fantastic Head of an Animal (? Canine) wearing a Collar Lettered (VIXEI7O1E1)

undated

Francesco Bartolozzi, 1728–1815

Medallion: Head and Shoulders of a Man in Profile Helmet and Armour with Grotesque Faces on It

undated

Francesco Bartolozzi Ticket? Two Medallions linked by Mercury's Staff, Left Medallion Lettered: "Georgius III...", Right Medallion lettered Academ "Institut"

Francesco Bartolozzi, 1728–1815

Ticket? Two Medallions linked by Mercury's Staff, Left Medallion Lettered: "Georgius III...", Right Medallion lettered Academ "Institut"

Francesco Bartolozzi Coat of Amis of the Right Honable Willoughby Bertie, Earl of Abingdon and Baron Norris of Rycot

Francesco Bartolozzi, 1728–1815

Coat of Amis of the Right Honable Willoughby Bertie, Earl of Abingdon and Baron Norris of Rycot

undated

Francesco Bartolozzi Fragment of a Frieze from Temple at Ephesus

Francesco Bartolozzi, 1728–1815

Fragment of a Frieze from Temple at Ephesus

1764

Francesco Bartolozzi Fragment of a Frieze from Temple at Ephesus

Francesco Bartolozzi, 1728–1815

Fragment of a Frieze from Temple at Ephesus

1764

Francesco Bartolozzi Specchio son L'Acque a Rustica Beltade

Francesco Bartolozzi, 1728–1815

Specchio son L'Acque a Rustica Beltade

Francesco Bartolozzi Da' L'esca un picciol rivo a sobria mensa

Francesco Bartolozzi, 1728–1815

Da' L'esca un picciol rivo a sobria mensa

Francesco Bartolozzi The Departure of Abram and Lot from Egypt

Francesco Bartolozzi, 1728–1815

The Departure of Abram and Lot from Egypt

1777

Francesco Bartolozzi The Rural Italian's Wedding

Francesco Bartolozzi, 1728–1815

The Rural Italian's Wedding

1775

Francesco Bartolozzi Ruins, Three Figures and a Lamb in the Center

Francesco Bartolozzi, 1728–1815

Ruins, Three Figures and a Lamb in the Center

Francesco Bartolozzi Ruins, Three Men on the Left

Francesco Bartolozzi, 1728–1815

Ruins, Three Men on the Left

Francesco Bartolozzi Ruins, Woman riding a Horse and Man Driving a Cow in Foreground

Francesco Bartolozzi, 1728–1815

Ruins, Woman riding a Horse and Man Driving a Cow in Foreground

Francesco Bartolozzi Ruins, Woman leaning against Horse talking to Man sitting on a Stone

Francesco Bartolozzi, 1728–1815

Ruins, Woman leaning against Horse talking to Man sitting on a Stone

Francesco Bartolozzi Classical Landscape with Deer on the Left and Travellers on the Right

Francesco Bartolozzi, 1728–1815

Classical Landscape with Deer on the Left and Travellers on the Right

1763

Francesco Bartolozzi Woman Picnicing on River Bank with Men Bathing

Francesco Bartolozzi, 1728–1815

Woman Picnicing on River Bank with Men Bathing

Francesco Bartolozzi Laban searching for his Idols

Francesco Bartolozzi, 1728–1815

Laban searching for his Idols

Francesco Bartolozzi Joseph, Virgin and Child

Francesco Bartolozzi, 1728–1815

Joseph, Virgin and Child

Francesco Bartolozzi Classical Landscape with a Man and a Boy fishing from a River Bank

Francesco Bartolozzi, 1728–1815

Classical Landscape with a Man and a Boy fishing from a River Bank

Francesco Bartolozzi Soldiers resting among Ruins

Francesco Bartolozzi, 1728–1815

Soldiers resting among Ruins

Francois Vivares The Rustic Travellers

Francois Vivares, 1709–1780

The Rustic Travellers

1779

Louisa Augusta Greville Horseman approaching three arched bridge. Pedestrians on road.

Louisa Augusta Greville, 1743–active 1762

Horseman approaching three arched bridge. Pedestrians on road

undated

Domenico Cunego Priam redeems the Dead Body of Hector

Domenico Cunego, 1726–1803

Priam redeems the Dead Body of Hector

Valentine Green Ragland Castle, Monmouthshire

Valentine Green, 1739–1813

Ragland Castle, Monmouthshire

1778

Valentine Green Jupiter and Io

Valentine Green, 1739–1813

Jupiter and Io

1785

Jean Marie Delatre The Death of Mark Antony

Print made by Jean Marie Delatre, 1746–1840

The Death of Mark Antony

1805

Robert Cockburn Mourad Pasha, 22nd Sept.

Robert Cockburn, 1812–1836

Mourad Pasha, 22nd Sept

1835-1836

Robert Cockburn Antioch - Above The Bridge

Robert Cockburn, 1812–1836

Antioch - Above The Bridge

1835 to 1836

Robert Cockburn [Two Men]

Robert Cockburn, 1812–1836

[Two Men]

1835-1836

Robert Cockburn [Landscape]

Robert Cockburn, 1812–1836

[Landscape]

1835-1836

Joseph Crawhall “The Master.” Hark to Statesman

Joseph Crawhall, 1861–1913

“The Master.” Hark to Statesman

ca. 1900

Arthyr Hayman Selections from the Poetry of Robert Herrick, with drawings by Edwin A. Abbey

Arthyr Hayman, active 1850

Selections from the Poetry of Robert Herrick, with drawings by Edwin A. Abbey

1880

Arthyr Hayman Selections from the Poetry of Robert Herrick, with drawings by Edwin A. Abbey

Arthyr Hayman, active 1850

Selections from the Poetry of Robert Herrick, with drawings by Edwin A. Abbey

1880

Arthyr Hayman Selections from the Poetry of Robert Herrick, with drawings by Edwin A. Abbey

Arthyr Hayman, active 1850

Selections from the Poetry of Robert Herrick, with drawings by Edwin A. Abbey

1880

Arthyr Hayman Selections from the Poetry of Robert Herrick, with drawings by Edwin A. Abbey

Arthyr Hayman, active 1850

Selections from the Poetry of Robert Herrick, with drawings by Edwin A. Abbey

1880

Arthyr Hayman Selections from the Poetry of Robert Herrick, with drawings by Edwin A. Abbey

Arthyr Hayman, active 1850

Selections from the Poetry of Robert Herrick, with drawings by Edwin A. Abbey

1880

Arthyr Hayman Selections from the Poetry of Robert Herrick, with drawings by Edwin A. Abbey

Arthyr Hayman, active 1850

Selections from the Poetry of Robert Herrick, with drawings by Edwin A. Abbey

1880

James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History

James Clark, 19th century

Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History

undated

James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History

James Clark, 19th century

Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History

undated

James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History

James Clark, 19th century

Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History

undated

James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History

James Clark, 19th century

Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History

undated

James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History

James Clark, 19th century

Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History

undated

James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History

James Clark, 19th century

Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History

undated

James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History

James Clark, 19th century

Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History

undated

James Clark Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History

James Clark, 19th century

Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History

Henry Thomas Alken The Beaufort Hunt: Crossing the River Avon

Henry Thomas Alken, 1785–1851

The Beaufort Hunt: Crossing the River Avon

undated

Henry Thomas Alken The Beaufort Hunt: Hold Hard

Henry Thomas Alken, 1785–1851

The Beaufort Hunt: Hold Hard

undated

Henry Thomas Alken The Beaufort Hunt: The Death and Treeing

Henry Thomas Alken, 1785–1851

The Beaufort Hunt: The Death and Treeing

undated

Henry Thomas Alken The Beaufort Hunt: The Return Home

Henry Thomas Alken, 1785–1851

The Beaufort Hunt: The Return Home

undated

Richard Ansdell Rabbit Shooting

Richard Ansdell, 1815–1885

Rabbit Shooting

undated

Henry Bernard Chalon Studies of Horses: '...A Mare Enclosed - a Horse Looking Over'

Henry Bernard Chalon, 1771–1849

Studies of Horses: '...A Mare Enclosed - a Horse Looking Over'

undated

Henry Bernard Chalon Studies of Horses: 'Hunter at Grass-Property of His Grace the Duke of Beaufort'

Henry Bernard Chalon, 1771–1849

Studies of Horses: 'Hunter at Grass-Property of His Grace the Duke of Beaufort'

undated

Henry Bernard Chalon Studies of Horses: 'Artillery Horses Taking Fright at Lightning'

Henry Bernard Chalon, 1771–1849

Studies of Horses: 'Artillery Horses Taking Fright at Lightning'

undated

Henry Bernard Chalon Studies of Horses: 'Various Actions of Flemish Horses'

Henry Bernard Chalon, 1771–1849

Studies of Horses: 'Various Actions of Flemish Horses'

undated

Henry Bernard Chalon Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'

Henry Bernard Chalon, 1771–1849

Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'

undated

Henry Bernard Chalon Studies of Horses: 'Explanation to the Second Anatomical Table of Outline of the Horse - Muscles in Action'

Henry Bernard Chalon, 1771–1849

Studies of Horses: 'Explanation to the Second Anatomical Table of Outline of the Horse - Muscles in Action'

undated

Henry Bernard Chalon Studies of Horses: 'The First Action of Leapin at the Bar-Shewing the Horse With His Muscles'

Henry Bernard Chalon, 1771–1849

Studies of Horses: 'The First Action of Leapin at the Bar-Shewing the Horse With His Muscles'

undated

Henry Bernard Chalon Studies of Horses: 'Second Action in Leaping - Clearing the Bar Cleverley & Shewing His Muscles'

Henry Bernard Chalon, 1771–1849

Studies of Horses: 'Second Action in Leaping - Clearing the Bar Cleverley & Shewing His Muscles'

undated

Henry Bernard Chalon Studies of Horses: 'Third Action - Leaping Down From Over the Bar - Shewing the Horse With His Muscles'

Henry Bernard Chalon, 1771–1849

Studies of Horses: 'Third Action - Leaping Down From Over the Bar - Shewing the Horse With His Muscles'

undated

Henry Bernard Chalon Studies of Horses: 'Leaping ...Starting off Again From the Bar and Shewing the Horse With His Muscles'

Henry Bernard Chalon, 1771–1849

Studies of Horses: 'Leaping ...Starting off Again From the Bar and Shewing the Horse With His Muscles'

undated

Henry Bernard Chalon Studies of Horses: 'Officers Chargers With Their Muscles in Action'

Henry Bernard Chalon, 1771–1849

Studies of Horses: 'Officers Chargers With Their Muscles in Action'

undated

Henry Bernard Chalon Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'

Henry Bernard Chalon, 1771–1849

Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'

undated

Henry Bernard Chalon Studies of Horses: 'Outline of Wounded Horses with Their Muscles in Action in the Field of Battle' (Study of Four Horses on a Page)

Henry Bernard Chalon, 1771–1849

Studies of Horses: 'Outline of Wounded Horses with Their Muscles in Action in the Field of Battle' (Study of Four Horses on a Page)

undated

Henry Bernard Chalon Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'

Henry Bernard Chalon, 1771–1849

Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'

undated

Walter Parry Hodges The Quorn Hunt: Tally-Ho and Away!

Walter Parry Hodges, 1760–1845

The Quorn Hunt: Tally-Ho and Away!

1832

Henry Thomas Alken The Quorn Hunt: The Meet at Ashby Pastures

Henry Thomas Alken, 1785–1851

The Quorn Hunt: The Meet at Ashby Pastures

undated

Henry Thomas Alken The Quorn Hunt: Drawing Cover

Henry Thomas Alken, 1785–1851

The Quorn Hunt: Drawing Cover

undated

Henry Thomas Alken The Quorn Hunt: The Pace Begins to Tell

Henry Thomas Alken, 1785–1851

The Quorn Hunt: The Pace Begins to Tell

undated

Henry Thomas Alken The Quorn Hunt: 'Snob is Beat'

Henry Thomas Alken, 1785–1851

The Quorn Hunt: 'Snob is Beat'

undated

Henry Thomas Alken The Quorn Hunt: Full Cry

Henry Thomas Alken, 1785–1851

The Quorn Hunt: Full Cry

undated

Henry Thomas Alken The Quorn Hunt: The Whissendine Appears in View

Henry Thomas Alken, 1785–1851

The Quorn Hunt: The Whissendine Appears in View

undated

Henry Thomas Alken The Quorn Hunt: The Death

Henry Thomas Alken, 1785–1851

The Quorn Hunt: The Death

undated

Henry Thomas Alken The Beaufort Hunt: Going out of a Kennel

Henry Thomas Alken, 1785–1851

The Beaufort Hunt: Going out of a Kennel

undated

Henry Thomas Alken The Beaufort Hunt: Finding (in a Bog)

Henry Thomas Alken, 1785–1851

The Beaufort Hunt: Finding (in a Bog)

undated

Henry Thomas Alken Symptoms: of Coming From the Hunt, of Star Gazing, Going to the Hunt, of an Elegant Writer, of Toasting and Old Friend.

Henry Thomas Alken, 1785–1851

Symptoms: of Coming From the Hunt, of Star Gazing, Going to the Hunt, of an Elegant Writer, of Toasting and Old Friend

between 1818 and 1822

James Gillray Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough

James Gillray, 1756–1815

Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough

1806

James Gillray Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico

James Gillray, 1756–1815

Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico

1805

James Gillray Political Mathematician's Shaking the Broad Bottom'd Hemispheres

James Gillray, 1756–1815

Political Mathematician's Shaking the Broad Bottom'd Hemispheres

ca. 1811

John William Edy Views of Quebec: View of St. Anthony's Nose, on the North River Province of New York

John William Edy, 1760–1820

Views of Quebec: View of St. Anthony's Nose, on the North River Province of New York

1795

Francis Jukes Four Aquatints of American Scenery: Passaic Falls in the State of New Jersey

Francis Jukes, 1747–1812

Four Aquatints of American Scenery: Passaic Falls in the State of New Jersey

1802

Peter Mazell Views in the River and Gulph of St. Lawrence: A View of the Gaspe Bay, in the Gulf of St. Lawrence

Peter Mazell, active 1761–1797

Views in the River and Gulph of St. Lawrence: A View of the Gaspe Bay, in the Gulf of St. Lawrence

1760