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5701. Castle Above a Waterfall

Castle Above a Waterfall
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1830
Materials & Techniques:
Soft-ground etching on medium, moderately textured, blue wove paper
Dimensions:
Sheet: 7 x 5 3/16 inches (17.8 x 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5702. Lakenham, near Norwich

Lakenham, near Norwich
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1808
Materials & Techniques:
Soft-ground etching on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 1/4 x 7 1/8 inches (26 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5703. Spanish Student

Spanish Student
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1830
Materials & Techniques:
Etching on moderately thick, slightly textured, beige Japan paper
Dimensions:
Sheet: 18 x 12 11/16 inches (45.7 x 32.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5704. Harlech Castle

Harlech Castle
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Soft-ground etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/4 x 7 5/16 inches (13.4 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5705. Le Crotoy from the Mouth of the Somme

Le Crotoy from the Mouth of the Somme
Creator:
Newton Limbird Smith Fielding, 1799–1856
Date:
1825
Materials & Techniques:
Aquatint on moderately thin, lightly textured, white wove paper laid to card
Dimensions:
Mount: 16 1/2 x 19 inches (41.9 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5706. A View of the Cape of Good Hope; below, The Battle previous to the Surrender of the Cape of Good Hope, January 8th, 1806

A View of the Cape of Good Hope; below, The Battle previous to the Surrender of the Cape of Good Hope, January 8th, 1806
Creator:
James Clark, 19th century
Date:
ca. 1806
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5707. Column at Yarmouth to the Memory of Lord Nelson

Column at Yarmouth to the Memory of Lord Nelson
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
1817
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5708. More Park, near Watford, on the River Colne

More Park, near Watford, on the River Colne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 17 1/8 inches (32.1 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5709. French Fishing Boat off the Shears

French Fishing Boat off the Shears
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1846
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream card
Dimensions:
Sheet: 5 9/16 x 6 3/8 inches (14.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5710. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
Creator:
James Clark, 19th century
Date:
1812
Materials & Techniques:
Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:
Sheet: 15 7/8 x 17 1/16 inches (40.3 x 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5711. Rochester, on the River Medway

Rochester, on the River Medway
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824
Materials & Techniques:
Mezzotint with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 20 1/4 inches (33.7 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5712. Untitled (one of three)

Untitled (one of three)
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
undated
Materials & Techniques:
Lithograph, with white gouache and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 2 7/8 x 2 5/16 inches (7.3 x 5.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5713. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint, with graphite and black chalk; touched engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 3/8 inches (28.9 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5714. Study of Trees on the Banks of the Yare

Study of Trees on the Banks of the Yare
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1846
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 1/4 x 6 5/8 inches (13.3 x 16.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5715. More Park, near Watford, on the River Colne

More Park, near Watford, on the River Colne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; first engraver's proof (before a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 10 7/8 inches (21.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5716. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (c) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5717. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint, with graphite, black chalk, and scraping out; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 13 1/4 inches (24.8 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5718. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (2) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5719. The Pavilion & Steyne at Brighton

The Pavilion & Steyne at Brighton
Creator:
James Mitan, 1776–1822
Date:
1806
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 7/16 × 28 7/16 inches (46.8 × 72.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5720. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint with graphite and scraping out; touched engraver's proof (cd) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 5/8 inches (25.4 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5721. Dartmouth Castle, on the River Dart

Dartmouth Castle, on the River Dart
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824
Materials & Techniques:
Mezzotint with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5722. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (g) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 × 19 3/8 inches (33 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5723. Okehampton Castle on the River Okement

Okehampton Castle on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Engraving and mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 19 inches (32.1 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5724. A View of Rochester, the Town and Harbour

A View of Rochester, the Town and Harbour
Creator:
Henry Gastineau, 1791–1876
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, red ink, gouache, graphite, gum arabic, and scratching out on very thick, moderately textured, beige wove paper
Dimensions:
Sheet: 21 × 28 5/16 inches (53.3 × 71.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5725. Okehampton Castle on the River Okement

Okehampton Castle on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Mezzotint and etching, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5726. Okehampton Castle on the River Okement

Okehampton Castle on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Engraving and mezzotint; Turner's copies on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5727. Okehampton Castle on the River Okement

Okehampton Castle on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Engraving and mezzotint; engraver's proof (between a&b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 15 3/8 inches (25.4 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5728. Dartmouth Castle, on the River Dart

Dartmouth Castle, on the River Dart
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 1/8 inches (25.4 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5729. Titlepage to Restes et Fragments

Titlepage to Restes et Fragments
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 8 1/4 x 6 1/4in. (21 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5730. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Brougham Castle, near the Junction of the Rivers Eamont and Lowther
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint, with graphite and scraping out; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 15 inches (29.8 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5731. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Brougham Castle, near the Junction of the Rivers Eamont and Lowther
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5732. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Brougham Castle, near the Junction of the Rivers Eamont and Lowther
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5733. Kirkstall Abbey, on the River Aire

Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and soft ground etching; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 18 inches (31.8 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5734. Dartmouth, on the River Dart

Dartmouth, on the River Dart
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1825
Materials & Techniques:
Etching, mezzotint, and drypoint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 11 3/8 inches (21.9 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5735. Abbeville - Vue Pris, de la route de Calais

Abbeville - Vue Pris, de la route de Calais
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 6 x 8in. (15.3 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5736. Moonlight

Moonlight
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
1839
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 6 3/8 inches (10.8 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5737. Kirkstall Abbey, on the River Aire

Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Etching and soft ground etching with chine collé; etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5738. Bergues - La Tour du Marché

Bergues - La Tour du Marché
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 x 7 1/4 inches (26.1 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5739. The Accoucheur Macaroni

The Accoucheur Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5740. The Blacksmith's Shop

The Blacksmith's Shop
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
1838
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 x 6 1/8 inches (11.4 x 15.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5741. The Antique Architect

The Antique Architect
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5742. Back of the New Mills, Norwich

Back of the New Mills, Norwich
Creator:
Print made by John Crome, 1768–1821
Date:
1812
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 3/8 x 16 3/4 inches (31.5 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5743. The Auretian Macaroni

The Auretian Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5744. The Academic Mac

The Academic Mac
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5745. The Bath Macaroni

The Bath Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5746. The Camblet Macaroni

The Camblet Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5747. The Cambridge

The Cambridge
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5748. The Clerical

The Clerical
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5749. Bergues - La Tour du March,

Bergues - La Tour du March,
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 9 5/8 x 5 1/2in. (24.5 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5750. The Builder Macaroni

The Builder Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5751. The Coursing

The Coursing
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5752. A Female Macaroni

A Female Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5753. The Fortunate Macaroni

The Fortunate Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5754. The Military

The Military
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5755. The Waiter... Drury Lane

The Waiter... Drury Lane
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5756. The Martial

The Martial
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5757. The Female Turf

The Female Turf
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5758. The Oxford

The Oxford
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5759. Caen - Eglise Saint-Sauveur

Caen - Eglise Saint-Sauveur
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 1/16 x 11 5/16 inches (35.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5760. The Porter Macaroni

The Porter Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5761. The Parade Macaroni

The Parade Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5762. The Novicate

The Novicate
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5763. The Original

The Original
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5764. The Scavoir Vivre

The Scavoir Vivre
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5765. The Timourous Sporting Macaroni

The Timourous Sporting Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5766. The Surry

The Surry
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5767. Tommy Trifle the Male Milliner

Tommy Trifle the Male Milliner
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5768. A Temple Macaroni

A Temple Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5769. Caen - Maison Grande Rue Saint-Pierre

Caen - Maison Grande Rue Saint-Pierre
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 11 1/2 x 8 3/4in. (29.3 x 22.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5770. The Unfortunate

The Unfortunate
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5771. The Tiger Macaroni

The Tiger Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5772. A Hibernian

A Hibernian
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5773. The Harrogate

The Harrogate
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5774. The Grubb Street

The Grubb Street
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5775. A Law

A Law
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5776. The Iris

The Iris
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5777. The Knightsbridge

The Knightsbridge
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5778. The Lilly

The Lilly
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5779. The Hunting

The Hunting
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5780. Larpool Beck - Whitby

Larpool Beck - Whitby
Creator:
Joseph John Jenkins, 1811–1885
Date:
undated
Materials & Techniques:
Watercolor with gouache on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 19 3/4 inches (33.7 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of The Friends of British Art at Yale

5781. The Mercer

The Mercer
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5782. The Provider

The Provider
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5783. A Macaroni In Morning Dress

A Macaroni In Morning Dress
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5784. Warkworth Castle on the River Coquet

Warkworth Castle on the River Coquet
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 20 1/8 inches (33 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5785. A Macaroni

A Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5786. A Macaroni Liveryman

A Macaroni Liveryman
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5787. The Apothecary

The Apothecary
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5788. The Schoolmaster

The Schoolmaster
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5789. A Waiter

A Waiter
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5790. The Upper Clapton

The Upper Clapton
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5791. Warkworth Castle on the River Coquet

Warkworth Castle on the River Coquet
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (between a&b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 17 1/4 inches (32.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5792. The Windsor

The Windsor
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5793. The Hen Peckt Husband

The Hen Peckt Husband
Creator:
Butler Clowes, active 1768, died 1782
Date:
ca. 1768
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 15 7/8 x 20in. (40.3 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5794. Mouth of the River Humber

Mouth of the River Humber
Creator:
Print made by George H. Phillips, active 1819–1825
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and graphite; touched engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 5/8 inches (24.1 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5795. The Whale Bone

The Whale Bone
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5796. East Prospect of Elizabeth Castle in Jersy

East Prospect of Elizabeth Castle in Jersy
Creator:
John Boydell, 1720–1804
Date:
undated
Materials & Techniques:
Engraving
Dimensions:
Sheet: 20 3/4 x 28 5/8in. (52.7 x 72.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5797. Udaipur, 1916

Udaipur, 1916
Creator:
Print made by Charles W. Bartlett, 1860–1940
Date:
1916
Materials & Techniques:
Color woodblock print on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 x 15 15/16 inches (28.9 x 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5798. The Hen Peckt Husband

The Hen Peckt Husband
Creator:
Print made by unknown artist
Date:
1768
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 13 1/2 x 10 1/2in. (34.3 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5799. Mouth of the River Humber

Mouth of the River Humber
Creator:
Print made by George H. Phillips, active 1819–1825
Date:
1823 to 1827
Materials & Techniques:
Mezzotint, with graphite and scratching out; touched engraver's proof on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 × 15 1/8 inches (27.9 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5800. Mouth of the River Humber

Mouth of the River Humber
Creator:
Print made by George H. Phillips, active 1819–1825
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 15 3/8 inches (30.8 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection