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Collective Title Gilpin's Day

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1. The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The evening glow now pervades the Landscape strongly (Design for Plate 24)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The evening glow now pervades the Landscape strongly (Design for Plate 25)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Sun rises ruddy, and turbid, and just touches the tops of the highest ground (Design for Plate 1)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection