Subject Terms: arches - YCBA Collections Search Search Results

101. Plan and View of a Cave, Temple, or Tomb

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 x 15 inches (54 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 x 15 inches (54 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. View of the Ruined Theater of Aezani at Tjaden

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 13/16 x 21 9/16 inches (37.6 x 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. View and Plan of the Theater of Hierapolis (now Pamukkale)

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 3/8 x 14 15/16 inches (54.3 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Ruines à Troye

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 13/16 x 21 9/16 inches (37.6 x 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Unfinished View of the Palatine in Rome

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 13/16 x 21 1/4 inches (37.7 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. View of Ruins at Tivoli

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash, blue wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 x 21 1/4 inches (38.1 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. View of the Ruined Baths at Hadrian's Villa at Tivoli

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 x 21 5/16 inches (38.1 x 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Aquedotto Angolare

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 7/8 x 21 1/4 inches (37.8 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Plan and View of the Third Theater at Laodicea

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 5/16 x 14 7/8 inches (54.1 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Reconstruction of the Proscenium of the Theater at Hierapolis

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 15/16 x 21 1/4 inches (38 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. View of Tivoli

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray and blue wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 15/16 x 21 3/16 inches (37.9 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Passage to the Grand Chartreuse

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 9 1/2 inches (18.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. View of the Arno Between Florence and Arezzo

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 x 7 inches (11.7 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. From the Villa at Posillipo, July 29

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 x 9 1/2 inches (17.8 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Castle at Ferrara, June 21

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 5 7/8 x 9 1/2 inches (14.9 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. The Bridge of Augustus near Narni

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 x 9 inches (14.3 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Cathedrals in England

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Image: 6 15/16 x 5 3/16 inches (17.7 x 13.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Chepstow Castle

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 × 6 11/16 inches (14.5 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Newstead Abbey

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 9/16 × 7 15/16 inches (14.2 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Horse Guards

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: 1911
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 14 5/8 inches (33 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

122. Notre Dame

Creator:: Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:: 1908
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 11/16 x 15 inches (52.5 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

123. The Cathedral, Palma

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1928
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 18 1/8 inches (28.7 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

124. Demolition of St. James's Hall, Interior

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1906
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 20 11/16 x 15 1/4 inches (52.5 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery

125. Westminster Abbey, Hospital &c.

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph with tint on thick, slightly textured, cream card
Dimensions:: Sheet: 14 7/8 x 21 11/16 inches (37.8 x 55.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

126. Architectural View

Creator:: Print made by Edward Jay Cherry, active 1920
Date:: ca. 1920
Materials & Techniques:: Etching on thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 x 6 inches (20.3 x 15.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Horace L. Hotchkiss

127. Auld Brig, Ayr

Creator:: Print made by Robert Bryden, 1865–1939
Date:: 1904
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Plate: 9 15/16 x 13 7/8 inches (25.3 x 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

128. A Tigris Night

Creator:: Print made by Charles William Cain, 1893–1962
Date:: undated
Materials & Techniques:: Drypoint on medium, slightly textured, light blue-green laid paper
Dimensions:: Sheet: 14 5/16 x 18 1/16 inches (36.3 x 45.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

129. A Persian Bazaar

Creator:: Print made by Charles William Cain, 1893–1962
Date:: undated
Materials & Techniques:: Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/16 x 20 inches (38.9 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

130. Belgian Set: Damme [No. 5]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 8 1/4 inches (29.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

131. Bagno della Marchese

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1930
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 1/4 inches (34.3 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

132. The Palace Doorway [North Italian Set: No. 22]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1895
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

133. Siena

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 7 5/8 inches (34 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

134. Roslyn

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1899
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 8 5/8 inches (32.1 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

135. St. Mark's No. 2

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 9 3/8 inches (35.6 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

136. Doge's Palace

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1902
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 16 1/8 inches (26.4 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

137. The Belfry of Bruges [Belgian Set: No. 6]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching with drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 7 7/8 inches (42.5 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

138. Notre Dame, Dinant [Belgian Set: No. 8]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 9 1/2 inches (39.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

139. Dinant [Belgian Set: No. 9]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 1/4 inches (26.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

140. The Five Sisters, York Minister

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 7 3/4 inches (40.6 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

141. The Five Sisters, York Minister

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 7 3/4 inches (40.3 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

142. Beauvais

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1910
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 10 1/4 inches (39.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

143. The Mosque Doorway, Cairo

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1910
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

144. Tewkesbury Abbey

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1915
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

145. Rejouissances pour le Retour de l'Enfant Prodigue

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 5/16 x 18 1/4 inches (36.3 x 46.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

146. View of Leiston Abbey

Creator:: Print made by William Byrne, 1743–1805
Date:: 1781
Materials & Techniques:: Etching and stipple engraving on moderately thick, textured, beige laid paper
Dimensions:: Sheet: 9 11/16 x 11 3/4 inches (24.6 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Two Bunches of Penny Primroses, Two Bunches a Penny

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1793
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 13 1/4 inches (42.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. View of Castle Ruin

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1762 and 1783
Materials & Techniques:: Gray wash, blue wash, graphite, pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/8 × 9 3/8 inches (16.8 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

149. Bath: The New Bridge

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderatelty thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. St. Thomas' Church, Winchelsea

Creator:: Henry Morton, ca. 1807–1825
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 7 1/16 inches (37.8 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Church Interior

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 9 13/16 inches (17.6 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. The South View of Berwick Upon Tweed

Creator:: Samuel Buck, 1696–1779
Date:: ca. 1743-1745
Materials & Techniques:: Pen and black ink, with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/4 x 31 7/8 inches (31.1 x 81 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

153. Baths of Diocletian

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 6 7/8 inches (15.6 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Baroque Arch and Roman Aqueduct Ruins

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 x 9 inches (16.2 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Ye Sybil's Temple at Tivoli

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 x 7 3/4 inches (12.7 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Temple of Janus

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/8 x 6 1/2 inches (13.7 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Baths of Dioclesian

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, white laid paper
Dimensions:: Sheet: 3 7/8 x 7 1/2 inches (9.8 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Temple of Vesta, Tivoli

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, white laid paper
Dimensions:: Sheet: 9 1/8 x 7 3/4 inches (23.2 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. A Sepulchre in the Road near Capua

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 x 5 1/2 inches (24.4 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. A Convent at La Cava near Vietri, 22 September

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 9 1/2 inches (15.9 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Part of Mt. Vesuvius from the Loggia at the Villa, Portici, August 22

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 9 1/2 inches (15.2 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. The Imperial Minister's Villa near the Granabello, Portici, August 28

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 9 5/8 inches (16.5 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Cassino Sannazzaro at Posillipo, October 16

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 5/8 inches (18.1 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Santa Francesca at La Cava, September 20

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 9 inches (16.5 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Sea Shore at Portici, September 7

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 10 inches (16.5 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Walls of Naples, October 19

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 1/4 x 9 1/2 inches (18.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Bridge at Narni

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 x 8 3/4 inches (14.3 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Near Terracina between Rome and Naples, October 1777

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 x 9 1/2 inches (20.3 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Scuola di Virgilio, October 18

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 6 1/2 x 10 inches (16.5 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Beeston Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.1 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. The Greyfriars Tower, Lynn, as it appeared 1801

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 8 1/16 inches (25.3 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. San Marcello, Italy

Creator:: Gertrude Hermes, 1901–1983
Date:: 1925
Materials & Techniques:: Wood-engraving on medium, slightly textured, beige Asian paper
Dimensions:: Sheet: 10 9/16 x 13 1/4 inches (26.9 x 33.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

173. The Inside of St. Peters Church at Rome

Creator:: Print made by Carington Bowles, 1724–1793
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. A View of Paris

Creator:: Print made by Paul Angier, active 1749
Materials & Techniques:: Etching and engraving hand-colored in watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. The Inside View of the Royal Exchange at London

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. The Lord Mayor's Mansion House, shewing the Front of the House & the West Side

Creator:: Print made by unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. An Inside View of the Church of St. Stephen Walbrooke London

Creator:: Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. A Curious Perspective View of the Inside of St. Paul's Cathedral, Shewing part of the Dome, the Piers and Arches which support it; and the Entrances into the Choir and the Isles

A Curious Perspective View of the Inside of St. Paul's Cathedral, Shewing part of the Dome, the Piers and Arches which support it; and the Entrances into the Choir and the Isles

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 9/16 × 13 7/8 inches (24.3 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Twelfth Night, Act V, Scene I: The Street

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1803
Materials & Techniques:: Etching and stipple engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 20 x 29 1/2 inches (50.8 x 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. A-Hunting We Will Go

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 x 5 3/16 inches (12.6 x 13.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. The Finding of Moses

Creator:: Print made by John Baptist Jackson, 1701–1780
Materials & Techniques:: Chiaroscuro woodcut
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Ralph Kirkpatrick, Yale MA (HON.) 1965

183. Edgar's Tower at Worcester

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 7 5/8 x 9 1/4 inches (19.4 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Dudley Priory in Worcestershire, Plate 1

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 8 11/16 inches (17.8 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Dudley Priory in Worcestershire, Plate 2

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 13/16 × 7 5/8 inches (14.7 × 19.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Margain Abbey, Glamorganshire

Creator:: unknown artist
Date:: 1805
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. A View of Little St. Mark's Place at Venice to the Sea

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. The Court of the Magnificent Building of the Ducal Palace over the front are seen the Cupolo's of St. Mark's Church.

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. The Inside of St. Paul's Church in Rome built by Constantine the Great...

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. An Arch at Holy Island, Northumberland

Creator:: John Varley, 1778–1842
Date:: 1809
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/2 x 9 1/2 inches (29.2 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Blockley Church

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: ca. 1793
Materials & Techniques:: Line engraving with etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 5/16 × 11 11/16 inches (21.1 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. The Crypt, Worcester Cathedral

Creator:: John Greig, active 1803–1853
Date:: 1807
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 6 1/4 inches (10.1 × 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.

Creator:: Print made by William Angus, 1752–1821
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 7/16 inches (13.7 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Creator:: Print made by Thomas Barber, ca. 1768–1843
Date:: 1829
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Hawes Bridge near Kendal

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/16 x 16 5/8 inches (33.2 x 42.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Principal Entrance to the Gas Works, Westminster

Creator:: Print made by Thomas Faulkner, active 1825–1838
Date:: ca. 1830
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 13 7/8 x 19 inches (35.2 x 48.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. Dudley Castle from the Court

Creator:: John Greig, active 1803–1853
Date:: 1810
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 15/16 x 6 9/16 inches (10 x 16.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. The Arches Near the East Gate, Bury St. Edmunds Suffolk

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1777
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/16 x 14 9/16in. (26.5 x 37cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

200. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 15 1/2 inches (28.8 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Subject Terms arches

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101. Plan and View of a Cave, Temple, or Tomb

102. Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639

103. View of the Ruined Theater of Aezani at Tjaden

104. View and Plan of the Theater of Hierapolis (now Pamukkale)

105. Ruines à Troye

106. Unfinished View of the Palatine in Rome

107. View of Ruins at Tivoli

108. View of the Ruined Baths at Hadrian's Villa at Tivoli

109. Aquedotto Angolare

110. Plan and View of the Third Theater at Laodicea

111. Reconstruction of the Proscenium of the Theater at Hierapolis

112. View of Tivoli

113. Passage to the Grand Chartreuse

114. View of the Arno Between Florence and Arezzo

115. From the Villa at Posillipo, July 29

116. Castle at Ferrara, June 21

117. The Bridge of Augustus near Narni

118. Cathedrals in England

119. Chepstow Castle

120. Newstead Abbey

121. Horse Guards

122. Notre Dame

123. The Cathedral, Palma

124. Demolition of St. James's Hall, Interior

125. Westminster Abbey, Hospital &c.

126. Architectural View

127. Auld Brig, Ayr

128. A Tigris Night

129. A Persian Bazaar

130. Belgian Set: Damme [No. 5]

131. Bagno della Marchese

132. The Palace Doorway [North Italian Set: No. 22]

133. Siena

134. Roslyn

135. St. Mark's No. 2

136. Doge's Palace

137. The Belfry of Bruges [Belgian Set: No. 6]

138. Notre Dame, Dinant [Belgian Set: No. 8]

139. Dinant [Belgian Set: No. 9]

140. The Five Sisters, York Minister

141. The Five Sisters, York Minister

142. Beauvais

143. The Mosque Doorway, Cairo

144. Tewkesbury Abbey

145. Rejouissances pour le Retour de l'Enfant Prodigue

146. View of Leiston Abbey

147. Two Bunches of Penny Primroses, Two Bunches a Penny

148. View of Castle Ruin

149. Bath: The New Bridge

150. St. Thomas' Church, Winchelsea

151. Church Interior

152. The South View of Berwick Upon Tweed

153. Baths of Diocletian

154. Baroque Arch and Roman Aqueduct Ruins

155. Ye Sybil's Temple at Tivoli

156. Temple of Janus

157. Baths of Dioclesian

158. Temple of Vesta, Tivoli

159. A Sepulchre in the Road near Capua

160. A Convent at La Cava near Vietri, 22 September

161. Part of Mt. Vesuvius from the Loggia at the Villa, Portici, August 22

162. The Imperial Minister's Villa near the Granabello, Portici, August 28

163. Cassino Sannazzaro at Posillipo, October 16

164. Santa Francesca at La Cava, September 20

165. Sea Shore at Portici, September 7

166. Walls of Naples, October 19

167. Bridge at Narni

168. Near Terracina between Rome and Naples, October 1777

169. Scuola di Virgilio, October 18

170. Beeston Priory, Beeston Regis

171. The Greyfriars Tower, Lynn, as it appeared 1801

172. San Marcello, Italy

173. The Inside of St. Peters Church at Rome

174. A View of Paris

175. The Inside View of the Royal Exchange at London