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301. The Barbican

The Barbican
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1920
Materials & Techniques:
Etching; 2nd state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 11 5/8 inches (40.3 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

302. The Barbican

The Barbican
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1920
Materials & Techniques:
Etching; 3rd state on medium, slightly textured, light blue wove paper
Dimensions:
Sheet: 10 × 7 3/4 inches (25.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

303. The Barbican

The Barbican
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1920
Materials & Techniques:
Etching; 1st state on medium, slightly textured, light blue laid paper
Dimensions:
Sheet: 10 3/8 × 9 inches (26.4 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

304. Anglia Perdita

Anglia Perdita
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1921
Materials & Techniques:
Etching; 1st state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/8 × 9 1/4 inches (33.3 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

305. Anglia Perdita

Anglia Perdita
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1925
Materials & Techniques:
Etching; 4th state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 11 inches (42.5 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

306. St. Wendred's, March

St. Wendred's, March
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1922
Materials & Techniques:
Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 9 1/2 inches (34.9 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

307. Anglia Perdita

Anglia Perdita
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1921
Materials & Techniques:
Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 10 inches (38.7 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

308. Anglia Pedita

Anglia Pedita
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1925
Materials & Techniques:
Etching; 5th state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 11 inches (41 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

309. Laneham

Laneham
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1922
Materials & Techniques:
Etching; 3rd state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 7 1/4 inches (24.8 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

310. Laneham

Laneham
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1923
Materials & Techniques:
Etching; 4th state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 8 inches (25.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

311. Barbara

Barbara
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
between 1928 and 1930
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 8 3/8 inches (27.6 x 21.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

312. Still Life, Perugia

Still Life, Perugia
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1933
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 9 5/8 inches (22.3 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

313. L'Eglise Saint-Vaast, Armentieres

L'Eglise Saint-Vaast, Armentieres
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1928
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 6 7/8 x 9 3/16 inches (17.4 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

314. Glasgow Exhibition: Entrance from the Piazza

Glasgow Exhibition: Entrance from the Piazza
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper, laid on mount
Dimensions:
Sheet: 11 1/8 × 7 1/4 inches (28.3 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

315. Glasgow Exhibition: From the Dome

Glasgow Exhibition: From the Dome
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 7/16 x 6 7/16 inches (26.5 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

316. The Fishmarket, Venice, No. 2

The Fishmarket, Venice, No. 2
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1912
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 3/8 x 15 7/8 inches (26.4 x 40.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

317. Ayr Prison

Ayr Prison
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1905
Materials & Techniques:
Drypoint and etching with plate tone on moderately thick, slightly textured, beige Asian paper
Dimensions:
Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

318. L'Eglise de St. Gervais et St. Protais

L'Eglise de St. Gervais et St. Protais
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

319. Cobham Hall, Kent: Plan of Stables

Cobham Hall, Kent: Plan of Stables
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink on two joined sheets of moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 34 x 34 inches (86.4 x 86.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

320. Cobham Hall, Kent: Elevations of Stables

Cobham Hall, Kent: Elevations of Stables
Creator:
James Wyatt, 1746–1813
Date:
1789
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 x 25 3/4 inches (53.3 x 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

321. Cobham Hall, Kent: New Passage by Butler's Pantry

Cobham Hall, Kent: New Passage by Butler's Pantry
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 x 25 1/4 inches (54.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

322. Ruins at Pergamon, Probably of the Amphitheatre

Ruins at Pergamon, Probably of the Amphitheatre
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Watercolor with black ink over graphite on moderately thick, moderately textured, cream laid paper with gray wash
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (38 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

323. The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background

The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1832
Materials & Techniques:
Watercolor with pen in brown ink over graphite with gouache and arabic gum on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 11/16 x 10 5/8 inches (34.8 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

324. The Blinding of Elymas

The Blinding of Elymas
Creator:
Sir James Thornhill, 1675–1734
Date:
between 1709 and 1717
Materials & Techniques:
Black chalk and gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 x 5 3/4 inches (20.6 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

325. A Group of Men on Westminster Pier

A Group of Men on Westminster Pier
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1752
Materials & Techniques:
Watercolor, pen and black ink over graphite on medium, moderatelty textured, cream laid paper
Dimensions:
Sheet: 3 5/8 x 6 5/8 inches (9.2 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

326. Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)

Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 5 1/2 inches (10.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

327. View of York

View of York
Creator:
John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 5/16 x 7 1/2 inches (13.5 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

328. Inside View of Tintern Abbey looking from the Nave to the East Window

Inside View of Tintern Abbey looking from the Nave to the East Window
Creator:
Thomas Sunderland, 1744–1828
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 x 10 5/8 inches (38.1 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

329. Designs for Gothic Stained Glass Windows

Designs for Gothic Stained Glass Windows
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on thin, smooth, blue wove paper
Dimensions:
Sheet: 9 7/8 x 15 7/8 inches (25.1 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

330. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 7 9/16 inches (13 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

331. York Water Gate

York Water Gate
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1795
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 11 3/4 inches (21.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

332. View of the Bridge over Uduanulla, near Rahamahal, Bihar

View of the Bridge over Uduanulla, near Rahamahal, Bihar
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 11/16 × 19 3/4 inches (37.3 × 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

333. Bolton Abbey

Bolton Abbey
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite with gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 17 inches (26.6 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

334. Bewdley Bridge, Worcester

Bewdley Bridge, Worcester
Creator:
Attributed to Peter Rashleigh, active 1775
Date:
1775
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

335. Bridgenorth Bridge

Bridgenorth Bridge
Creator:
Attributed to Peter Rashleigh, active 1775
Date:
1775
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 12 7/8 inches (23.5 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

336. Rome, A View of the Arch of Constantine with Other Ruins

Rome, A View of the Arch of Constantine with Other Ruins
Creator:
James Barry, 1741–1806
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 16 3/4 inches (15.2 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

337. View of Old Somerset House from the Thames

View of Old Somerset House from the Thames
Creator:
Canaletto, 1697–1768
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/4 x 28 7/8 inches (41.3 x 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

338. Temple Bar

Temple Bar
Creator:
Thomas Hosmer Shepherd, 1792–1864
Date:
undated
Materials & Techniques:
Watercolor, brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 7 5/8 inches (14.6 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

339. Ruined Abbey

Ruined Abbey
Creator:
Thomas Crofton Croker, 1798–1854
Date:
undated
Materials & Techniques:
Pen and brown ink, black ink, and brown wash on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 3/4 × 9 1/2 inches (17.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

340. Change

Change
Creator:
George Augustus Sala, 1828–1895
Date:
undated
Materials & Techniques:
Graphite with pen and black ink on medium slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/16 × 3 3/4 inches (7.8 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

341. The South-West View of Battel-Abbey, in the County of Sussex

The South-West View of Battel-Abbey, in the County of Sussex
Creator:
Print made by Samuel Buck, 1696–1779
Date:
1737
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/16 x 17 13/16 inches (28.4 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

342. The Great Bull and Pagoda at Tanjore

The Great Bull and Pagoda at Tanjore
Creator:
William Daniell, 1769–1837
Date:
undated
Materials & Techniques:
Gray wash and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 17 7/8 inches (28.3 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. Old Walton Bridge seen from the Middlesex Shore

Old Walton Bridge seen from the Middlesex Shore
Creator:
Canaletto, 1697–1768
Date:
1755
Materials & Techniques:
Pen and brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 x 26 3/4 inches (28.9 x 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

344. A View of Esq. Turner's Garden at Valence in Kent

A View of Esq. Turner's Garden at Valence in Kent
Creator:
John Donowell, active 1753–1786
Date:
undated
Materials & Techniques:
Pen and gray ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 x 16 1/8 inches (25.4 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

345. Corn Hill and Moot Hall, Ipswich

Corn Hill and Moot Hall, Ipswich
Creator:
George Frost, 1745–1821
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 13 1/4 inches (22.5 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

346. Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh

Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
Creator:
Thomas Hearne, 1744–1817
Date:
1778
Materials & Techniques:
Gray wash, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 13 5/8 x 10 3/8 inches (34.6 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

347. Ruins of the Basilica of Maxentius in the Roman Forum

Ruins of the Basilica of Maxentius in the Roman Forum
Creator:
Abraham Louis Rodolphe Ducros, 1748–1810
Date:
1779
Materials & Techniques:
Watercolor with pen and black ink over graphite on laid paper
Dimensions:
Sheet: 20 7/8 x 29 1/8 inches (53 x 74 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

348. Old Bridge at Shrewsbury

Old Bridge at Shrewsbury
Creator:
Paul Sandby, 1731–1809
Date:
1772
Materials & Techniques:
Watercolor and gouache on canvas
Dimensions:
Sheet: 28 1/2 x 37 3/8 inches (72.4 x 94.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

349. The Basilica at Pergamon

The Basilica at Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 3/16 x 21 1/4 inches (38.5 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

350. Design for a public building in a park: Perspective, with figures and landscape added in a different (draughtsman's) hand

Design for a public building in a park: Perspective, with figures and landscape added in a different (draughtsman's) hand
Creator:
Decimus Burton, 1800–1881
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 18 9/16 x 32 1/2 inches (47.1 x 82.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

351. Herstmonceux Castle, East Sussex: South View of the Green Court

Herstmonceux Castle, East Sussex: South View of the Green Court
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/4 x 18 5/8in. (64.1 x 47.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. Herstmonceux Castle, East Sussex: The Porter's Lodge

Herstmonceux Castle, East Sussex: The Porter's Lodge
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

353. Herstmonceux Castle, East Sussex: North View of the Green Court

Herstmonceux Castle, East Sussex: North View of the Green Court
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 25 1/4 inches (47.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

354. Herstmonceux Castle, East Sussex: The Hall

Herstmonceux Castle, East Sussex: The Hall
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/4 x 18 5/8 inches (64.1 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

355. Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone

Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite and watercolor triple-ruled and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/4 × 18 5/8 inches (64.1 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

356. Le Château de Blois

Le Château de Blois
Creator:
attributed to Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor with pen in brown ink over graphite with gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 x 25 5/16 inches (45.7 x 64.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

357. Gateway to Battle Abbey

Gateway to Battle Abbey
Creator:
Henry Morton, ca. 1807–1825
Date:
after 1819
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 × 11 7/16 inches (20.8 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

358. Design for a Greenhouse at Kew Gardens

Design for a Greenhouse at Kew Gardens
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black and brown ink, watercolor and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 19 13/16 inches (31.4 x 50.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

359. Design for a Lunette

Design for a Lunette
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 3/4 x 13 9/16 inches (19.7 x 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

360. Hinton St. George, Somerset: Plan of the New Staircase

Hinton St. George, Somerset: Plan of the New Staircase
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/4 x 13 3/8 inches (55.2 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

361. Design for Hyde Park and St. James' Park Entrance

Design for Hyde Park and St. James' Park Entrance
Creator:
Sir John Soane, 1753–1837
Date:
ca. 1826
Materials & Techniques:
Watercolor and graphite on three joined sheets of moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 50 1/4 inches (40 × 127.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

362. A View of Several Palaces at Naples at Sun Rise

A View of Several Palaces at Naples at Sun Rise
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 5/8 x 12 1/8 inches (24.5 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

363. Hawkstone Hall, Shropshire

Hawkstone Hall, Shropshire
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Graphite, chalk and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 5/16 × 19 3/8 inches (33.8 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

364. St. John's College, Oxford

St. John's College, Oxford
Creator:
Alfred William Rich, 1856–1921
Date:
undated
Materials & Techniques:
Watercolor, graphite, and red pencil on thick, rough, cream wove paper
Dimensions:
Sheet: 9 1/2 × 11 7/8 inches (24.1 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

365. The Colosseum, Rome

The Colosseum, Rome
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and gouache, with stumping on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

366. Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right

Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
Creator:
pupil of John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Mount: 11 1/2 x 23 5/8 inches (29.2 x 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

367. Temple of Venus, Bay of Baie

Temple of Venus, Bay of Baie
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
ca. 1788-1820
Materials & Techniques:
Black chalk and stump on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 8 inches (14.6 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

368. Figures in an eastern colonnade

Figures in an eastern colonnade
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 4 3/4 inches (21 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

369. The Ruins of the College of Lincluden

The Ruins of the College of Lincluden
Creator:
Print made by William Byrne, 1743–1805
Date:
1782
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 13/16 x 14 15/16 inches (27.5 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

370. The Porta Nigra, Trier

The Porta Nigra, Trier
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 16 3/8 inches (27.6 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

371. Byland Abbey, Yorkshire

Byland Abbey, Yorkshire
Creator:
John Varley, 1778–1842
Date:
1808
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on thick, smooth, cream wove paper
Dimensions:
Sheet: 10 7/8 x 15 1/4 inches (27.6 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

372. Norwich

Norwich
Creator:
John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 7/8 x 11 1/2 inches (30.2 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

373. Pont-y-Pier near Llanroost, Denbighshire

Pont-y-Pier near Llanroost, Denbighshire
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1800
Materials & Techniques:
Watercolor and gouache on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 x 10 1/2 inches (19.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

374. Interior of Fort Nicholas, Sebastopol, Crimea

Interior of Fort Nicholas, Sebastopol, Crimea
Creator:
William Simpson, 1823–1899
Date:
undated
Materials & Techniques:
watercolor and gouache with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 x 17 1/4 inches (26 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

375. Ambulatory, Westminster Abbey

Ambulatory, Westminster Abbey
Creator:
Frederick Nash, 1782–1856
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 5/8 inches (23.2 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

376. Nîmes from the Tour Magne

Nîmes from the Tour Magne
Creator:
William Marlow, 1740–1813
Date:
ca. 1765
Materials & Techniques:
Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:
Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

377. Knaresborough

Knaresborough
Creator:
Alexander Monro, 1802–1844
Date:
undated
Materials & Techniques:
Graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 3 1/8 × 4 1/2 inches (7.9 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

378. Raglan Castle

Raglan Castle
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 17 7/8 inches (28.3 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

379. Chepstow Castle

Chepstow Castle
Creator:
John Varley, 1778–1842
Date:
1832
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 25 1/4 inches (30.5 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

380. The Monnow Bridge, Monmouthshire

The Monnow Bridge, Monmouthshire
Creator:
Samuel Prout, 1783–1852
Date:
before 1814
Materials & Techniques:
Watercolor and graphite with brown ink and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 20 3/8 inches (39.7 × 51.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

381. The Church of the Holy Sepulchre

The Church of the Holy Sepulchre
Creator:
William James Muller, 1812–1845
Date:
between 1838 and 1840
Materials & Techniques:
Watercolor with pen in brown ink, over graphite, with gouache on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

382. The Queen Elizabeth Gate

The Queen Elizabeth Gate
Creator:
Paul Sandby, 1731–1809
Date:
1767
Materials & Techniques:
Gouache and watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 18 1/2 inches (36.5 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

383. West Window of Tintern Abbey

West Window of Tintern Abbey
Creator:
Thomas Sunderland, 1744–1828
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown and pen and gray ink on medium, slightly texture, cream wove paper
Dimensions:
Sheet: 15 × 10 5/8 inches (38.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

384. Arch of Janus, after Piranesi

Arch of Janus, after Piranesi
Creator:
Thomas Girtin, 1775–1802
Date:
between 1798 and 1799
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 5/16 x 12 1/8 inches (21.1 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

385. Rochester, Kent: from the North

Rochester, Kent: from the North
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 17 5/16 x 23 inches (44 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

386. An Indian Tomb

An Indian Tomb
Creator:
George Chinnery, 1774–1852
Date:
between 1803 and 1825
Materials & Techniques:
Watercolor, gouache, and black ink on medium, slightly textured, cream wove paper mounted on board
Dimensions:
Sheet: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

387. A Bridge

A Bridge
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor, gouache, and black chalk on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige card
Dimensions:
Mount: 7 5/8 x 10 3/16 inches (19.3 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

388. Avignon: Bridge over a River

Avignon: Bridge over a River
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

389. The Quwwat-ul-Islam (or Might of Islam) mosque and the Iron Pillar of Delhi, Qtub Minar complex

The Quwwat-ul-Islam (or Might of Islam) mosque and the Iron Pillar of Delhi, Qtub Minar complex
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 11 1/4 inches (22.2 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

390. Lugano

Lugano
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on thick, smooth, gray wove paper
Dimensions:
Sheet: 5 1/2 × 7 inches (14 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

391. Gateway

Gateway
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, smooth, cream wove paper mounted on medium, smooth, beige wove paper
Dimensions:
Mount: 9 3/16 x 7 1/2 inches (23.4 x 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

392. The Bridge at St. Valery

The Bridge at St. Valery
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 x 6 5/16 inches (9.8 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

393. River Landscape with a Single Arched Bridge

River Landscape with a Single Arched Bridge
Creator:
John Warwick Smith, 1749–1831
Date:
1797
Materials & Techniques:
Watercolor and gouache on medium, smooth wove paper mounted on thick slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 7 5/8 inches (13 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

394. Architectural Caprice

Architectural Caprice
Creator:
Giulio Aristide Sartorio, 1860–1932
Date:
undated
Materials & Techniques:
Pen and black ink on thin, smooth, beige wove paper
Dimensions:
Sheet: 7 5/8 × 10 1/8 inches (19.4 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

395. George Fox in Carlisle Dungeon

George Fox in Carlisle Dungeon
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 x 12 5/16 inches (24.7 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

396. The Headless Christ

The Headless Christ
Creator:
Print made by Sir Frank William Brangwyn, 1867–1956
Date:
1910
Materials & Techniques:
Etching on medium, slightly textured, white wove paper
Dimensions:
Plate: 15 3/8 × 12 inches (39 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel and Pearl K. Bell

397. Abbey St-Amand, Rouen

Abbey St-Amand, Rouen
Creator:
Richard Parkes Bonington, 1802–1828
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 inches (19.1 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

398. Sacra Christi Familia

Sacra Christi Familia
Creator:
Print made by James Barry, 1741–1806
Date:
undated
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 3/16 × 10 inches (33.5 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

399. Newstead Abbey, The Seat of the Late Lord Byron

Newstead Abbey, The Seat of the Late Lord Byron
Creator:
Louis Haghe, 1806–1885
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 12 15/16 inches (22.9 x 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

400. Edgar's Tower at Worcester

Edgar's Tower at Worcester
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 8 1/4 inches (15.3 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection