Subject Terms: architectural subject / Topic subjectplace ss: City of Westminster

1. Westminster Abbey from Tothill Fields

Creator:: John Varley, 1778–1842
Date:: 1832
Materials & Techniques:: Oil on panel
Dimensions:: 7 1/4 x 10 inches (18.4 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Interior View of Westminster Abbey on the Commemoration of Handel, Taken from the Manager's Box

Creator:: Edward Edwards, 1738–1806
Date:: ca. 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 50 3/8 x 40 inches (128 x 101.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Somerset House, London

Creator:: Frederick Nash, 1782–1856
Date:: ca. 1825
Materials & Techniques:: Oil on artist's board
Dimensions:: 5 5/8 × 8 1/2 inches (14.3 × 21.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. The Thames at Westminster

Creator:: Claude de Jongh, ca. 1600–1663
Date:: ca. 1630
Materials & Techniques:: Oil on panel
Dimensions:: 17 1/16 × 23 3/4 inches (43.3 × 60.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Arches of Westminster Bridge

Creator:: Samuel Scott, 1701/2–1772
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 42 3/4 × 47 3/4 inches (108.6 × 121.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The Interior of Westminster Abbey

Creator:: unknown artist
Date:: ca. 1714
Materials & Techniques:: Oil on canvas
Dimensions:: 48 1/8 x 38 1/2 inches (122.2 x 97.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Creator:: Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Perspective View: the New Houses of Parliament

Creator:: Sir Charles Barry, 1795–1860
Date:: ca. 1840-1849
Materials & Techniques:: Watercolor over traces of graphite, with gouache, pen and black and brown ink on medium, smooth, weige wove paper
Dimensions:: Sheet: 15 7/8 x 30 1/8 inches (40.3 x 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Gunpowder Magazine, Hyde Park

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1793
Materials & Techniques:: Watercolor, pen and gray ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 19 3/8 inches (37.1 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

Creator:: Albert Goodwin, 1845–1932
Date:: undated
Materials & Techniques:: Watercolor and gouache with pen and brown ink and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 3/4in. (25.6 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The City of Westminster from Near the York Water Gate

Creator:: Canaletto, 1697–1768
Date:: between 1746 and 1747
Materials & Techniques:: Watercolor, gray wash, and pen and brown ink on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 x 28 1/4 inches (38.7 x 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Portico of St. Martin-in-the-Fields

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1862
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/2 x 13 1/2 inches (49.5 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Whitehall Palace, London: Elevation of Proposed Design

Creator:: unknown artist
Date:: between 1710 and 1740
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 9/16 × 17 11/16 inches (34.4 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Elevation of the Ordnance Office

Creator:: unknown artist
Date:: after 1780
Materials & Techniques:: Watercolor with gouache and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 11/16 x 21 9/16 inches (34.7 x 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Somerset House, London

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: 1910
Materials & Techniques:: Drypoint and etching on medium, smooth, beige Asian paper
Dimensions:: Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

16. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Creator:: Print made by Paul Angier, active 1749
Date:: 1749
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

17. Demolition of St. James's Hall, Interior

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1906
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 20 11/16 x 15 1/4 inches (52.5 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery

18. Somerset House

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1905
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 17 5/16 x 15 9/16 inches (43.9 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

19. Buckingham Palace from St. James's Park

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph on thick, smooth, cream card
Dimensions:: Sheet: 14 15/16 x 21 13/16 inches (37.9 x 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

20. Westminster Abbey, Hospital &c.

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph with tint on thick, slightly textured, cream card
Dimensions:: Sheet: 14 7/8 x 21 11/16 inches (37.8 x 55.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

21. A Proposed plan for Trafalgar Square

Creator:: George Belton Moore, 1805–1875
Date:: 1841
Materials & Techniques:: Watercolor, white gouache, and graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 x 21 1/16 inches (27.5 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Scenery, Haymarket Theatre

Creator:: attributed to Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Gray ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 15 1/2 inches (17.1 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. York Water Gate

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1795
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/16 × 11 3/4 inches (21.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Ambulatory, Westminster Abbey

Creator:: Frederick Nash, 1782–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 5/8 inches (23.2 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Whitehall Palace, London: Section of Proposed Design

Creator:: unknown artist
Date:: between 1710 and 1740
Materials & Techniques:: Pen and brown ink, gray wash within double-ruled border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 17 1/2 inches (33 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Houses of Parliament

Creator:: Thomas Hosmer Shepherd, 1792–1864
Date:: undated
Materials & Techniques:: Watercolor, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 × 7 5/8 inches (12.2 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. View of Cumberland Terrace

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. L'Adieu

Creator:: Print made by Michael Hanhart, active 1841–1852
Date:: ca. 1858
Materials & Techniques:: Lithograph with hand coloring on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 3/16 x 9 1/2 inches (33.5 x 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

29. Westminster Bridge under Construction

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Gray wash, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 x 28 3/8 inches (35.9 x 72.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

30. Plan of Westminster Showing the Coronation Route of George II

Creator:: unknown artist
Date:: ca. 1727
Materials & Techniques:: Graphite and pen and black ink on smooth, thin, brown wove paper
Dimensions:: Sheet: 11 13/16 x 18 5/16in. (30 x 46.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. View of Palace Yard on the day of the Coronation of His Majesty George IV

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: 1821
Materials & Techniques:: Hand colored lithograph on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 17 1/2 inches (22.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

Creator:: unknown artist
Date:: printed 1740, drawn ca. 1760
Materials & Techniques:: Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. View of the Coronation Procession of George IV

Creator:: unknown artist
Date:: ca. 1821
Materials & Techniques:: Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Part of Westminster

Creator:: Print made by unknown artist
Date:: ca. 1850
Materials & Techniques:: Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 1/16 × 10 5/16 inches (20.5 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1828
Materials & Techniques:: Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 20 13/16 × 26 7/8 inches (52.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

Creator:: Print made by Thomas Hall, active early 19th century
Date:: 1808
Materials & Techniques:: Aquatint on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 12 × 14 inches (30.5 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Section of the Court of Common Pleas and the Robery Room

Creator:: Studio of Sir John Soane, 1753–1837
Date:: 1823
Materials & Techniques:: Pen and black ink and watercolor on thin, smooth, brown wove paper
Dimensions:: Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Plan of the Old Parliament Houses, Westminster

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Pen and black ink, gray wash, pen and brown ink and graphite on smooth, thin, cream wove paper
Dimensions:: Sheet: 16 5/16 × 20 3/16 inches (41.5 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Elevations and Plans of the Court of Kings Bench

Creator:: Print made by unknown artist
Date:: ca. 1827
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 16 7/16 x 11 5/8in. (41.8 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Westminster Hall

Creator:: unknown artist
Date:: ca. 1850
Materials & Techniques:: Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 1/16 × 10 1/4 inches (20.5 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Ceiling of the Star Chamber

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1805
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Westminster Hall

Creator:: unknown artist
Date:: ca. 1820
Materials & Techniques:: Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 7 15/16 × 8 3/4 inches (20.1 × 22.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster

Creator:: Print made by Day & Co., 1824–1913
Date:: ca. 1845
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/16 × 10 1/4 inches (20.5 × 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Interior of Westminster Hall as Prepared for the Banquet

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Chimney piece, Star Chamber, Westminster

Creator:: Print made by Day & Co., 1824–1913
Date:: ca. 1845
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 × 8 7/8 inches (28 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Longitudinal Section of Westminster Hall

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. St. Stephen's Chapel, Speaker's House, &c. from the River

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Line engraving, proof before letters on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 5 13/16 × 7 7/16 inches (14.8 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Cotton Garden, Westminster

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 7/8 × 9 1/8 inches (30.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Mr. Lee's House After the Fire, House of Lords

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Pen and black ink and brown wash on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 7/8 × 9 15/16 inches (20 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters

Creator:: Print made by William Francis Starling, active first half 19th century
Date:: 1843
Materials & Techniques:: Line engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 21 1/2 × 26 9/16 inches (54.6 × 67.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

Creator:: Print made by T. Clarke, 1799–1839
Date:: 1835
Materials & Techniques:: Line engraving, proof before letters on medium, smooth, white wove paper
Dimensions:: Sheet: 8 3/4 × 5 1/2 inches (22.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 25 3/8 inches (26.5 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Plate XI: St Stephen's Chapel

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Plate IX: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Geometrical Construction of the Freeze and Battlements in the House of Commons

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1805
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Half the Plan of Ceiling, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Compartment on One Side, St Stephen's Chapel

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1825
Materials & Techniques:: Line engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 10 5/8 × 8 1/16 inches (27 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 5 5/8 inches (21.9 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:: Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Impost moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Details of Imposts and Bases of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

Creator:: Print made by T. Clarke, 1799–1839
Date:: 1835
Materials & Techniques:: Line engraving proof on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

Creator:: Print made by Robert William Billings, 1813–1874
Date:: 1836
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/4 × 4 3/8 inches (19.7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Impost and Base of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Oak Door Discovered in the Speaker's State Dining Room

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1806
Materials & Techniques:: Etching and line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Grave of the Supposed William Lyndewode

Creator:: unknown artist
Date:: 1852
Materials & Techniques:: Graphite, gray pen and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 7 5/16 inches (22.9 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. View of the Office of Ordnance with the Entrance of the House of Lords

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 4 3/4 inches (17.5 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Part of the Construction in the Old House of Lords

Creator:: Attributed to office of Sir John Soane, 1753–1837
Date:: 1823
Materials & Techniques:: Graphite, black and brown pen, and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 13/16 × 12 5/8 inches (24.9 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The King on his Throne in the House of Lords

Creator:: Print made by James Fittler, 1758–1835
Date:: 1804
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 7 × 8 5/16 inches (17.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. North Side, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. East End, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Door on South Side of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Hand colored engraving on smooth, moderately textured, white wove paper
Dimensions:: Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. View of Guy Fawkes' Tower

Creator:: George Birch, 1842–1904
Date:: 1827
Materials & Techniques:: Graphite and brown wash on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Sections of Room under Painted Chamber

Creator:: George Birch, 1842–1904
Date:: 1827
Materials & Techniques:: Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 10 3/4 × 8 3/8 inches (27.3 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Ruins of Westminster Palace

Creator:: George Harley, 1791–1871
Date:: 1834
Materials & Techniques:: Graphite and brown wash on slightly textured, medium, white wove paper
Dimensions:: Sheet: 9 9/16 × 6 1/4 inches (24.3 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 3/4 × 9 3/8 inches (29.8 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. House of Lords, Her Majesty Opening the Session of Parliament

Creator:: Print made by Henry Melville, active 1826–1841
Date:: ca. 1837
Materials & Techniques:: Line engraving on silghtly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 × 8 15/16 inches (20.3 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Plan of Princes Chamber, One Pair

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 1/4 × 3 1/2 inches (15.9 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. East Front of Princes Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 1/4 × 7 3/4 inches (31.1 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Princes Chamber, East Side with the Old House of Lords

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 7 3/8 × 7 3/8 inches (18.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Princes Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 7 3/4 × 3 1/4 inches (19.7 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. South Side of Princes Chamber West

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 5 7/8 × 7 1/2 inches (14.9 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Window Detail, Princes Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 3 3/16 × 2 1/4 inches (8.1 × 5.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Door near Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slighthly textured, moderately thick, white wove paper
Dimensions:: Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Subject Terms architectural subject

Topic subjectplace ss City of Westminster

Search Results

1. Westminster Abbey from Tothill Fields

2. Interior View of Westminster Abbey on the Commemoration of Handel, Taken from the Manager's Box

3. Somerset House, London

4. The Thames at Westminster

5. Arches of Westminster Bridge

6. The Interior of Westminster Abbey

7. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

8. Perspective View: the New Houses of Parliament

9. The Gunpowder Magazine, Hyde Park

10. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

11. The City of Westminster from Near the York Water Gate

12. The Portico of St. Martin-in-the-Fields

13. Whitehall Palace, London: Elevation of Proposed Design

14. Elevation of the Ordnance Office

15. Somerset House, London

16. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

17. Demolition of St. James's Hall, Interior

18. Somerset House

19. Buckingham Palace from St. James's Park

20. Westminster Abbey, Hospital &c.

21. A Proposed plan for Trafalgar Square

22. Scenery, Haymarket Theatre

23. York Water Gate

24. Ambulatory, Westminster Abbey

25. Whitehall Palace, London: Section of Proposed Design

26. The Houses of Parliament

27. View of Cumberland Terrace

28. L'Adieu

29. Westminster Bridge under Construction

30. Plan of Westminster Showing the Coronation Route of George II

31. View of Palace Yard on the day of the Coronation of His Majesty George IV

32. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

33. View of the Coronation Procession of George IV

34. Part of Westminster

35. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

36. A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

37. Section of the Court of Common Pleas and the Robery Room

38. Plan of the Old Parliament Houses, Westminster

39. Elevations and Plans of the Court of Kings Bench

40. Westminster Hall

41. Ceiling of the Star Chamber

42. Westminster Hall

43. Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster

44. Interior of Westminster Hall as Prepared for the Banquet

45. Chimney piece, Star Chamber, Westminster

46. Longitudinal Section of Westminster Hall

47. St. Stephen's Chapel, Speaker's House, &c. from the River

48. Cotton Garden, Westminster

49. Mr. Lee's House After the Fire, House of Lords

50. Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters

51. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

52. Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

53. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

54. Plate XI: St Stephen's Chapel

55. Plate IX: St Stephen's Chapel

56. Geometrical Construction of the Freeze and Battlements in the House of Commons

57. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

58. Half the Plan of Ceiling, St Stephen's Chapel

59. Plan of Moldings, St Stephen's Chapel

60. Compartment on One Side, St Stephen's Chapel

61. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

62. Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

63. Plan of Moldings, St Stephen's Chapel

64. Impost moldings, St Stephen's Chapel

65. Details of Imposts and Bases of Columns, St Stephen's Chapel

66. Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

67. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

68. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

69. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

70. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

71. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

72. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

73. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

74. Impost and Base of Columns, St Stephen's Chapel