Subject Terms: architectural subject / Topic subjectplace ss: United Kingdom

1601. A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet

A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet

Creator:: Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1602. King's College, Cambridge, from Trinity

Creator:: Print made by John Piper, 1903–1992
Date:: ca. 1954
Materials & Techniques:: Lithograph on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 20 3/8 x 26 7/8 inches (51.8 x 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1603. Palace of Falkland

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1604. The Prospect of the Town of Dunkeld

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 3/4 x 17in. (27.3 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1605. Handel in Vauxhall Gardens

Creator:: Attributed to Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 4 1/8 inches (18.1 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Drummond

1606. View of the City of Bristol

Creator:: Louis Haghe, 1806–1885
Date:: ca. 1831
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/4 x 11 7/16 inches (27.3 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

1607. A Map of Redenhall Farm or Clyntegate Farm

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on vellum
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1608. A Map of the Farm in Mr. Briten's Use

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on vellum
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1609. A Map of the Land in Needham

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on vellum
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1610. A Map of Hardwick-Hall Farm

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on vellum
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1611. A Map of the Land in Starson

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on vellum
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1612. A Map of Pulham Farm

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on vellum
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1613. Earlham Park, Norfolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1614. Earlham House, Norfolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1615. Earlham, Norfolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1616. Shelton Hall Lands

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1617. Earlham House, Norfolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1618. Earlham House, Elevation Plan with Dimensions

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1619. Earlham House, Front Elevation and Footprint

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1620. A Plan of the Mansion-house and Paddock of Edward Bacon

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on vellum
Dimensions:: Sheet: 20 3/8 × 23 3/4 inches (51.8 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1621. Cosy Café, King's Road, Chelsea

Creator:: Lewis Morley, 1925–2013
Date:: 1960s
Materials & Techniques:: Gelatin silver print on matte photographic paper
Dimensions:: Sheet: 15 7/8 × 12 inches (40.3 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

1622. Cosy Café, King's Road, Chelsea

Creator:: Lewis Morley, 1925–2013
Date:: 1960s
Materials & Techniques:: Gelatin silver print on matte photographic paper
Dimensions:: Sheet: 12 × 15 7/8 inches (30.5 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

1623. Cardiff

Creator:: Lewis Morley, 1925–2013
Date:: 1963
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 12 × 16 inches (30.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

1624. Greencroft Gardens

Creator:: Lewis Morley, 1925–2013
Date:: 1960s
Materials & Techniques:: Gelatin silver print on matte photographic paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

1625. Trafalgar Square Rally

Creator:: Lewis Morley, 1925–2013
Date:: 1968
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

1626. Dudley Moore, Hyde Park

Creator:: Lewis Morley, 1925–2013
Date:: 1961
Materials & Techniques:: Gelatin silver print on resin-coated photographic paper
Dimensions:: Sheet: 8 inches (20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

1627. The Fringe Boys, Brighton Pier

Creator:: Lewis Morley, 1925–2013
Date:: 1961
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 10 × 8 inches (25.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

1628. St. Paul's Cathedral in the Moonlight

Creator:: Bill Brandt, 1904–1983
Date:: 1944, printed 1955-60
Materials & Techniques:: Gelatin silver print on medium, semi-gloss photographic paper
Dimensions:: Sheet: 9 1/4 × 7 7/8 inches (23.5 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1629. Warwick Castle

Creator:: Charles Reginald Aston, 1832–1908
Date:: undated
Materials & Techniques:: Watercolor and gouache with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 17 3/4 inches (24.8 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

1630. View between the Roofs of King's College Chapel

Creator:: Print made by Ebenezer Challis, active 1837–1859
Date:: 1836
Materials & Techniques:: Etching on moderately thick, textured, brown wove paper
Dimensions:: Sheet: 10 11/16 × 16 1/2 inches (27.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

1631. L'Adieu

Creator:: Print made by Michael Hanhart, active 1841–1852
Date:: ca. 1858
Materials & Techniques:: Lithograph with hand coloring on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 3/16 x 9 1/2 inches (33.5 x 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

1632. Oxford Physic Garden

Creator:: Print made by Benjamin Green, ca. 1736–ca. 1800
Date:: 1766
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 17 3/8 inches (33.7 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

1633. New Steine and Rock Gardens

Creator:: Print made by Day & Co., 1824–1913
Date:: 1839
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/16 x 20 7/16 inches (36.4 x 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1634. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

Creator:: unknown artist
Date:: printed 1740, drawn ca. 1760
Materials & Techniques:: Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1635. View of the Coronation Procession of George IV

Creator:: unknown artist
Date:: ca. 1821
Materials & Techniques:: Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1636. Plan of the Old Parliament Houses, Westminster

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Pen and black ink, gray wash, pen and brown ink and graphite on smooth, thin, cream wove paper
Dimensions:: Sheet: 16 5/16 × 20 3/16 inches (41.5 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1637. View of Palace Yard on the day of the Coronation of His Majesty George IV

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: 1821
Materials & Techniques:: Hand colored lithograph on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 17 1/2 inches (22.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1638. Part of Westminster

Creator:: Print made by unknown artist
Date:: ca. 1850
Materials & Techniques:: Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 1/16 × 10 5/16 inches (20.5 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1639. Westminster Hall

Creator:: unknown artist
Date:: ca. 1850
Materials & Techniques:: Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 1/16 × 10 1/4 inches (20.5 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1640. Elevations and Plans of the Court of Kings Bench

Creator:: Print made by unknown artist
Date:: ca. 1827
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 16 7/16 x 11 5/8in. (41.8 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1641. Ceiling of the Star Chamber

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1805
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1642. Interior of the Star Chamber, Westminster

Creator:: Print made by John Woods, active 1836–1860
Date:: 1848
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1643. North side of the Star Chamber, Westminster

Creator:: Print made by Day & Co., 1824–1913
Date:: ca. 1845
Materials & Techniques:: Lithograph on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 8 1/16 × 10 1/4 inches (20.5 × 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1644. Section of the Court of Common Pleas and the Robery Room

Creator:: Studio of Sir John Soane, 1753–1837
Date:: 1823
Materials & Techniques:: Pen and black ink and watercolor on thin, smooth, brown wove paper
Dimensions:: Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1645. Westminster Hall

Creator:: unknown artist
Date:: ca. 1820
Materials & Techniques:: Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 7 15/16 × 8 3/4 inches (20.1 × 22.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1646. A view of the inside of Westminster Hall

Creator:: unknown artist
Date:: ca. 1700
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 7/8 inches (22.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1647. Chimney piece, Star Chamber, Westminster

Creator:: Print made by Day & Co., 1824–1913
Date:: ca. 1845
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 × 8 7/8 inches (28 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1648. Four Illustrations of Westminster

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 12 × 9 1/2 inches (30.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1649. Interior of Westminster Hall as Prepared for the Banquet

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1650. Longitudinal Section of Westminster Hall

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1651. St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834

Creator:: Print made by Andrew Picken, 1815–1845
Date:: ca. 1835
Materials & Techniques:: Lithograph on smooth, thin, cream wove paper
Dimensions:: Sheet: 6 5/16 × 8 5/8 inches (16 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1652. East View of Modern Buildings in Continuation from St Stephen's Chapel

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 17 3/8 inches (13 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1653. Mr. Lee's House After the Fire, House of Lords

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Pen and black ink and brown wash on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 7/8 × 9 15/16 inches (20 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1654. Eight Illustrations of Westminster

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1806
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 9 1/2 inches (30.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1655. South West view of St. Stephen's Chapel Westminster, Restored 1800

Creator:: Print made by James Basire II, 1769–1822
Date:: 1801
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 6 9/16 inches (11.7 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1656. PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

Creator:: Print made by John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Line engraving proof on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 7 3/8 × 5 5/16 inches (18.8 × 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1657. Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters

Creator:: Print made by William Francis Starling, active first half 19th century
Date:: 1843
Materials & Techniques:: Line engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 21 1/2 × 26 9/16 inches (54.6 × 67.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1658. Section of the House of Commons as it is at Present

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Lithograph on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 8 3/4 × 13 11/16 inches (22.2 × 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1659. House of Commons Restored Giving Additional Sitting Room for 100 Members

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Lithograph on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 8 5/8 × 13 1/8 inches (21.9 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1660. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1661. Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834.

Creator:: Print made by George Gladwin, active 1820s–1830s
Date:: 1835
Materials & Techniques:: Line engraving on smooth, moderately thick, brown wove paper
Dimensions:: Sheet: 5 × 7 5/8 inches (12.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1662. The Lower Lobby, House of Commons

Creator:: Print made by James Sands, active 1813–1846
Date:: 1815
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 × 5 1/2 inches (20.6 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1663. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1664. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 13 inches (22 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1665. Entrance Doorway in the Tower, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and traces of red chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1666. Part of the Front of the Vestibule

Creator:: Print made by unknown artist
Date:: 1843
Materials & Techniques:: Line engraving on smooth, thick, cream wove paper
Dimensions:: Sheet: 26 3/4 × 19 1/4 inches (68 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1667. Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

Creator:: Print made by T. Clarke, 1799–1839
Date:: 1835
Materials & Techniques:: Line engraving, proof before letters on medium, smooth, white wove paper
Dimensions:: Sheet: 8 3/4 × 5 1/2 inches (22.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1668. Details of the Screen of Entrance Porch, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 4 1/8 inches (44.5 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1669. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 25 3/8 inches (26.5 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1670. Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

Creator:: Print made by Robert William Billings, 1813–1874
Date:: 1835
Materials & Techniques:: Line engraving, proof before imprint on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 3/8 × 5 inches (21.3 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1671. Springing of an Arch, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1672. Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 10 13/16 inches (35.2 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1673. New East Front, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1801
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 6 1/2 inches (39.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1674. Plate VIII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1675. Plate IX: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1676. Plate XI: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1677. Plate XIX: St Stephen's Chapel

Creator:: Print made by John Carter, 1748–1817
Date:: 1811
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 1/2 × 12 1/2 inches (47 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1678. Plate X: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1679. Capitals, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 13/16 × 4 1/8 inches (14.8 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1680. Plate XIII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1681. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1682. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1683. Geometrical Construction of the Freeze and Battlements in the House of Commons

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1805
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1684. Compartment on One Side, St Stephen's Chapel

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1825
Materials & Techniques:: Line engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 10 5/8 × 8 1/16 inches (27 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1685. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1686. Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 5 5/8 inches (21.9 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1687. Impost and Base of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1688. Details of Imposts and Bases of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1689. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:: Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1690. Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

Creator:: Print made by T. Clarke, 1799–1839
Date:: 1835
Materials & Techniques:: Line engraving proof on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1691. Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel

Creator:: Print made by unknown artist
Date:: 1835
Materials & Techniques:: Line engraving, proof before lettering on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 6 5/16 × 9 1/8 inches (16 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1692. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1693. Half the Plan of Ceiling, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1694. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1695. Impost moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1696. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1697. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

Creator:: Print made by Day & Co., 1824–1913
Date:: 1839
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 20 15/16 inches (35.5 x 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1698. A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

Creator:: Print made by Thomas Hall, active early 19th century
Date:: 1808
Materials & Techniques:: Aquatint on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 12 × 14 inches (30.5 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1699. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

Creator:: Print made by James Basire II, 1769–1822
Date:: 1828
Materials & Techniques:: Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 20 13/16 × 26 7/8 inches (52.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1700. Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster

Creator:: Print made by Day & Co., 1824–1913
Date:: ca. 1845
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/16 × 10 1/4 inches (20.5 × 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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1601. A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet

1602. King's College, Cambridge, from Trinity

1603. Palace of Falkland

1604. The Prospect of the Town of Dunkeld

1605. Handel in Vauxhall Gardens

1606. View of the City of Bristol

1607. A Map of Redenhall Farm or Clyntegate Farm

1608. A Map of the Farm in Mr. Briten's Use

1609. A Map of the Land in Needham

1610. A Map of Hardwick-Hall Farm

1611. A Map of the Land in Starson

1612. A Map of Pulham Farm

1613. Earlham Park, Norfolk

1614. Earlham House, Norfolk

1615. Earlham, Norfolk

1616. Shelton Hall Lands

1617. Earlham House, Norfolk

1618. Earlham House, Elevation Plan with Dimensions

1619. Earlham House, Front Elevation and Footprint

1620. A Plan of the Mansion-house and Paddock of Edward Bacon

1621. Cosy Café, King's Road, Chelsea

1622. Cosy Café, King's Road, Chelsea

1623. Cardiff

1624. Greencroft Gardens

1625. Trafalgar Square Rally

1626. Dudley Moore, Hyde Park

1627. The Fringe Boys, Brighton Pier

1628. St. Paul's Cathedral in the Moonlight

1629. Warwick Castle

1630. View between the Roofs of King's College Chapel

1631. L'Adieu

1632. Oxford Physic Garden

1633. New Steine and Rock Gardens

1634. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

1635. View of the Coronation Procession of George IV

1636. Plan of the Old Parliament Houses, Westminster

1637. View of Palace Yard on the day of the Coronation of His Majesty George IV

1638. Part of Westminster

1639. Westminster Hall

1640. Elevations and Plans of the Court of Kings Bench

1641. Ceiling of the Star Chamber

1642. Interior of the Star Chamber, Westminster

1643. North side of the Star Chamber, Westminster

1644. Section of the Court of Common Pleas and the Robery Room

1645. Westminster Hall

1646. A view of the inside of Westminster Hall

1647. Chimney piece, Star Chamber, Westminster

1648. Four Illustrations of Westminster

1649. Interior of Westminster Hall as Prepared for the Banquet

1650. Longitudinal Section of Westminster Hall

1651. St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834

1652. East View of Modern Buildings in Continuation from St Stephen's Chapel

1653. Mr. Lee's House After the Fire, House of Lords

1654. Eight Illustrations of Westminster

1655. South West view of St. Stephen's Chapel Westminster, Restored 1800

1656. PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

1657. Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters

1658. Section of the House of Commons as it is at Present

1659. House of Commons Restored Giving Additional Sitting Room for 100 Members

1660. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1661. Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834.

1662. The Lower Lobby, House of Commons

1663. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

1664. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

1665. Entrance Doorway in the Tower, St Stephen's Chapel

1666. Part of the Front of the Vestibule

1667. Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

1668. Details of the Screen of Entrance Porch, St Stephen's Chapel

1669. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

1670. Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

1671. Springing of an Arch, St Stephen's Chapel

1672. Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

1673. New East Front, St Stephen's Chapel

1674. Plate VIII: St Stephen's Chapel