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1801. Flint

Flint
Creator:
Print made by Thomas Tagg, died 1809
Date:
1795
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 1/8 × 4 3/4 inches (7.9 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1802. Sleaford Church

Sleaford Church
Creator:
Print made by Bartholomew Howlett, 1767–1827
Date:
1801
Materials & Techniques:
Line engraving, proof on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 1/4 inches (17.1 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1803. Grantham Church

Grantham Church
Creator:
Print made by Bartholomew Howlett, 1767–1827
Date:
1797
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 3/8 inches (24.1 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1804. Studies of Statuary and a Column

Studies of Statuary and a Column
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 8 3/8 inches (30.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1805. View of the Cathedral of Christ Church and Part of Corpus Christi College

View of the Cathedral of Christ Church and Part of Corpus Christi College
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1811
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 1/8 × 18 1/4 inches (35.9 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1806. View of the Chapel and Hall of Oriel College

View of the Chapel and Hall of Oriel College
Creator:
Print made by Joseph Skelton, active 1820–1850
Date:
1801
Materials & Techniques:
Line engraving, unfinished proof before letters on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 3/4 inches (24.1 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1807. Christ Church Cathedral and Part of Corpus Christi College

Christ Church Cathedral and Part of Corpus Christi College
Creator:
Print made by Joseph Skelton, active 1820–1850
Date:
1820
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 3/4 × 16 3/8 inches (29.8 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1808. North East View of Dunster Castle, Somersetshire

North East View of Dunster Castle, Somersetshire
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1800
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 16 1/8 inches (29.5 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1809. Winchester Cross

Winchester Cross
Creator:
Print made by Joseph Powell, 1780–1834
Date:
1800
Materials & Techniques:
Line engraving, engraver's proof on medium, smooth, cream laid paper
Dimensions:
Sheet: 14 5/8 × 10 1/2 inches (37.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1810. Winchester Cross

Winchester Cross
Creator:
Print made by Joseph Powell, 1780–1834
Date:
1800
Materials & Techniques:
Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1811. Slight graphite sketch of ruins of Hieron of Temples at Shietla

Slight graphite sketch of ruins of Hieron of Temples at Shietla
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 15 1/2 inches (54.6 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1812. Plan of temple at Baalbec

Plan of temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/8 × 21 3/4 inches (37.8 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1813. Plan of upright of the semi circular Exedra of Temple at Baalbec

Plan of upright of the semi circular Exedra of Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 9 7/8 inches (39.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1814. Section of arches and stairs of the temple at Baalbec

Section of arches and stairs of the temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 11 inches (27 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1815. Pl. IX Arch of Caracalla at Tebessa

Pl. IX Arch of Caracalla at Tebessa
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, gray wash, pen and black, brown ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 21 3/8 inches (36.2 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1816. Arch of Caracalla at Tebessa and many measured plans and elevations

Arch of Caracalla at Tebessa and many measured plans and elevations
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 27 5/8 × 21 1/4 inches (70.2 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1817. Order of the two courts of the Temple at Baalbec

Order of the two courts of the Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 10 inches (38.7 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1818. Plan of upright of the Tabernacle above the Niche of Temple at Baalbec

Plan of upright of the Tabernacle above the Niche of Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, slightly textured,cream laid paper
Dimensions:
Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1819. Upright of the Niche at the Temple at Baalbec

Upright of the Niche at the Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 × 15 3/4 inches (55.9 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1820. Pl. VIII Temple of Jupiter at Tebessa

Pl. VIII Temple of Jupiter at Tebessa
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil, gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 21 1/2 inches (36.2 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1821. Sketches of architectural detail of temple at Baalbec

Sketches of architectural detail of temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite; verso: pen and black ink on moderately thick, moderately textured, white laid paper
Dimensions:
Sheet: 9 1/8 × 15 inches (23.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1822. Elevation and plan of part of Temples at Baalbec

Elevation and plan of part of Temples at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and ink and graphite on medium thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 15 inches (54.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1823. Plan of part of the temple at Baalbec

Plan of part of the temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 15 × 21 1/4 inches (38.1 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1824. Measured drawing of section of pediments of temple Baalbec

Measured drawing of section of pediments of temple Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 5/8 × 15 1/4 inches (54.9 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1825. Plan of the most entire temple at Baalbec

Plan of the most entire temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 14 7/8 inches (54.6 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1826. Order of the Great Temple at Baalbec with descriptive notes attached

Order of the Great Temple at Baalbec with descriptive notes attached
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 30 1/8 × 21 5/8 inches (76.5 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1827. Villa Madama, Moonlight

Villa Madama, Moonlight
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1828. The Rialto, Venice

The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1820
Materials & Techniques:
Open etching, line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 11/16 × 15 inches (27.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1829. Bridge at Narni

Bridge at Narni
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1818-1820
Materials & Techniques:
Line engraving, and etching, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 7/16 inches (29.8 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1830. The Rialto, Venice

The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 5/8 inches (29.8 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1831. Rome, Bridge and Castle of St. Angelo, on the Tyber

Rome, Bridge and Castle of St. Angelo, on the Tyber
Creator:
Print made by George Hollis, 1792–1842
Date:
1818
Materials & Techniques:
Line engraving and etching, first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1832. Rome; Bridge and Castle of St. Angelo on the Tyber

Rome; Bridge and Castle of St. Angelo on the Tyber
Creator:
Print made by George Hollis, 1792–1842
Date:
1818
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine colle
Dimensions:
Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1833. Bridge at Narni

Bridge at Narni
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1834. Traitor's Gate - Tower of London

Traitor's Gate - Tower of London
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1835. Venice, The Rialto - Moonlight

Venice, The Rialto - Moonlight
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/4 × 9 5/8 inches (36.2 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1836. Bolton Abbey

Bolton Abbey
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 9 1/8 inches (36.8 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1837. Columbus and his Son

Columbus and his Son
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 9 1/16 inches (36.8 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1838. Florence, from the Ponte alla Carraia

Florence, from the Ponte alla Carraia
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818-1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 7/8 × 14 3/8 inches (25.1 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1839. Tomb of John Greg from Hampton Churchyard

Tomb of John Greg from Hampton Churchyard
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 11 1/4 inches (38.4 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1840. Memorial to Two Cousins both Named Elizabeth Isaak from Hanworth Church

Memorial to Two Cousins both Named Elizabeth Isaak from Hanworth Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1841. Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church

Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1842. Memorial to Reverand Joseph Trapp from Harlington Church

Memorial to Reverand Joseph Trapp from Harlington Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1843. Brass Plate for a Rector from Harlington Church

Brass Plate for a Rector from Harlington Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1844. Tomb of Thomas Windsor, 1486, with Brass Plates removed from Stanwell Church

Tomb of Thomas Windsor, 1486, with Brass Plates removed from Stanwell Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1798 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 5/8 inches (37.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1845. Memorial to Mrs. Elizabeth Lardner, from Stanwell Church

Memorial to Mrs. Elizabeth Lardner, from Stanwell Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 5/8 inches (38.7 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1846. Memorial to William, Robert and Mary Dyer, from Sudbury Church

Memorial to William, Robert and Mary Dyer, from Sudbury Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1847. Memorial to Mrs. Martha Whish, from Stanwell Church

Memorial to Mrs. Martha Whish, from Stanwell Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 11 inches (37.8 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1848. Memorial to Richard Billingsley, from Sudbury Church

Memorial to Richard Billingsley, from Sudbury Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1849. Memorial to Francis Phelips, from Sunbury Church

Memorial to Francis Phelips, from Sunbury Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 11 inches (38.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1850. The Environs of London: Brass plate for Unidentified Infant from East Ham Church

The Environs of London: Brass plate for Unidentified Infant from East Ham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly texutered, cream wove paper
Dimensions:
Sheet: 15 7/8 × 10 5/8 inches (40.3 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1851. Memorial to Heigham Bendish and Heigham Bendish Junior from East Ham Church

Memorial to Heigham Bendish and Heigham Bendish Junior from East Ham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1852. Memorial to Giles Breame from East Ham Church

Memorial to Giles Breame from East Ham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 3/8 inches (37.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1853. Memorial to Elizabeth Heigham from East Ham Church

Memorial to Elizabeth Heigham from East Ham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 1/2 inches (37.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1854. Memorial to John Badger Willer from Romford Church

Memorial to John Badger Willer from Romford Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 5/8 inches (38.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1855. Pavillion de Flore, August 22, 1828

Pavillion de Flore, August 22, 1828
Creator:
William Henry Lake Price, ca. 1810–ca. 1896
Date:
1828
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 5 3/4 inches (19.1 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1856. Memorial to Henry and Penelope Colchester, and Four Children and Two Grandchildren, from West Ham Church

Memorial to Henry and Penelope Colchester, and Four Children and Two Grandchildren, from West Ham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 5/8 inches (38.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1857. Memorials to Richard Carmarden and Thomas Wigg, Chislehurst

Memorials to Richard Carmarden and Thomas Wigg, Chislehurst
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 11 1/8 inches (35.6 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1858. Tomb of Watts Family, from West Ham Church

Tomb of Watts Family, from West Ham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 5/8 inches (38.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1859. Monument with Missing Brass Plates of James and Eleanor Walsingham, Chislehurst

Monument with Missing Brass Plates of James and Eleanor Walsingham, Chislehurst
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1860. Tomb and Brass Plate of Alan Porter, from Chiselhurst Church

Tomb and Brass Plate of Alan Porter, from Chiselhurst Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 11 1/8 inches (34.9 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1861. Brass Plate Memorial to John and Maud de Bladigdone, from Wickham Church

Brass Plate Memorial to John and Maud de Bladigdone, from Wickham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1862. Tomb and Brass Plate of Alan Porter, from Chiselhurst Church

Tomb and Brass Plate of Alan Porter, from Chiselhurst Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1863. The Pont Neuf

The Pont Neuf
Creator:
William Henry Lake Price, ca. 1810–ca. 1896
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1864. The Environs of London: Brass Plate for cleric illegible inscription, from West Wickham Church

The Environs of London: Brass Plate for cleric illegible inscription, from West Wickham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 7/8 inches (35.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1865. Brass Plate for John Heygge, from Hayes Church

Brass Plate for John Heygge, from Hayes Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1866. Brass plate for Sir John Andrew, from Hayes Church

Brass plate for Sir John Andrew, from Hayes Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 5/8 inches (35.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1867. Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair

Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Watercolor and graphite on thin, smooth, cream tracing paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Mount: 12 3/8 x 13 1/4 inches (31.4 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1868. Design for a Gothic Kneeler

Design for a Gothic Kneeler
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 12 3/8 x 13 1/4 inches (31.4 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1869. Design for a Gothic Wall Lamp

Design for a Gothic Wall Lamp
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Pen and brown ink on thin, smooth, brown tracing paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Mount: 12 3/8 x 13 1/4 inches (31.4 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1870. Design for the Brass Eagle Lectern Base

Design for the Brass Eagle Lectern Base
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1846
Materials & Techniques:
Graphite and pen and black ink on moderately thick, smooth, beige paper
Dimensions:
Sheet: 32 1/2 x 27 7/8 inches (82.6 x 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1871. Chapel of the Archbishop's Palace, Croydon: View from the East End

Chapel of the Archbishop's Palace, Croydon: View from the East End
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1827
Materials & Techniques:
Graphite and pen and red ink on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 7/8 × 10 1/2 inches (22.5 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1872. Design for a Gothic Staff

Design for a Gothic Staff
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Pen and brown ink on thin, smooth, brown tracing paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 4 7/8 inches (17.5 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1873. St. Marie, Newcastle on Tyne: Designs for Side-Screen

St. Marie, Newcastle on Tyne: Designs for Side-Screen
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1851
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/8 × 12 inches (49.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1874. Design for an Unidentified House: Elevations and Plans

Design for an Unidentified House: Elevations and Plans
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 12 3/4 × 20 1/2 inches (32.4 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1875. Design for Inkstand for Westminster No. 1, End Elevation

Design for Inkstand for Westminster No. 1, End Elevation
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 12 inches (35.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1876. Design for Branch for the Speaker's Chair

Design for Branch for the Speaker's Chair
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Pen and black ink, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 19 1/2 inches (30.5 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1877. Design for a Decorative Object

Design for a Decorative Object
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, white laid paper
Dimensions:
Sheet: 2 3/4 x 2 1/4 inches (7 x 5.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1878. Two Views of a Gothic Table

Two Views of a Gothic Table
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1830
Materials & Techniques:
Graphite on medium, moderately textured, white laid paper
Dimensions:
Sheet: 3 5/8 x 7 7/8 inches (9.2 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1879. Design for a Gothic Table

Design for a Gothic Table
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1830
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 7 5/8 inches (13 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1880. Elevation, Plan and Section of a Bell Tower

Elevation, Plan and Section of a Bell Tower
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 15 × 22 inches (38.1 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1881. Design for an Ornamented Spandrel

Design for an Ornamented Spandrel
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash, and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 19 7/8 inches (32.1 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1882. Designs for Gothic Ornamentation

Designs for Gothic Ornamentation
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 16 1/2 × 12 inches (41.9 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1883. Designs for Gothic Tables

Designs for Gothic Tables
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite and pen and blue ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 1/2 x 4 1/4 inches (21.6 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1884. Design for a Gothic Table

Design for a Gothic Table
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on medium, slightly texture, cream laid paper
Dimensions:
Sheet: 3 5/8 × 3 3/4 inches (9.2 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1885. Design for a Gothic Screen

Design for a Gothic Screen
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1830
Materials & Techniques:
Graphite and pen and blue ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 8 1/2 inches (16.2 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1886. Design for a Gothic Candlestick

Design for a Gothic Candlestick
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 7/8 × 4 7/8 inches (20 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1887. Designs for Gothic Ornamentation

Designs for Gothic Ornamentation
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1831
Materials & Techniques:
Pen and blue ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 4 3/8 inches (18.4 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1888. Fragment of a Design for a Gothic Table

Fragment of a Design for a Gothic Table
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 × 2 3/4 inches (4.4 × 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1889. Section above Aisles, St. Paul's Cathedral

Section above Aisles, St. Paul's Cathedral
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1823
Materials & Techniques:
Graphite and pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 5/8 x 9 3/8 inches (29.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1890. Section of Aisles St. Paul's Cathedral

Section of Aisles St. Paul's Cathedral
Creator:
attributed to Augustus Welby Northmore Pugin, 1812–1852
Date:
1823
Materials & Techniques:
Graphite and pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 × 9 1/4 inches (45.7 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1891. Section through the Nave of Aisles of St. Paul's Cathedral Looking West

Section through the Nave of Aisles of St. Paul's Cathedral Looking West
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1823
Materials & Techniques:
Graphite and pen and brown ink on thick, moderately textured, brown wove paper
Dimensions:
Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1892. Designs for Gothic Candle Sticks and Branches

Designs for Gothic Candle Sticks and Branches
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Lithograph on smooth, thin, blue wove paper
Dimensions:
Sheet: 10 3/8 × 16 5/8 inches (26.4 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1893. Sketches of the Butler-Bowden cope

Sketches of the Butler-Bowden cope
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on thin, smooth, blue wove paper
Dimensions:
Sheet: 9 × 14 3/4 inches (22.9 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1894. Designs for Gothic Ornamentation

Designs for Gothic Ornamentation
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 × 5 3/8 inches (24.4 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1895. Design for a Gothic Screen

Design for a Gothic Screen
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash, and graphite on medium, smooth, gray wove paper
Dimensions:
Sheet: 7 7/8 × 4 5/8 inches (20 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1896. Designs for Gothic Standing Candlesticks and Incense Burners

Designs for Gothic Standing Candlesticks and Incense Burners
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
1846
Materials & Techniques:
Lithograph on thin, smooth, blue wove paper
Dimensions:
Sheet: 10 1/4 x 16 3/4 inches (26 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1897. Designs for Town Hall Mons [sic]

Designs for Town Hall Mons [sic]
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1851
Materials & Techniques:
Pen and black ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 6 1/4 inches (23.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1898. Designs for Gothic Ornamentation

Designs for Gothic Ornamentation
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 × 5 1/2 inches (18.4 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1899. Window West End, South Aisle, Saint Vincent

Window West End, South Aisle, Saint Vincent
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite, watercolor, pen and black ink, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 × 3 7/8 inches (22.5 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1900. Designs for Fire Brand Irons

Designs for Fire Brand Irons
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 8 1/8 inches (12.4 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection