<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Subject Terms architectural subject

Remove constraint Subject Terms: architectural subject

Search Results

1901. Trinity House

Trinity House
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Photograph on moderately thick, matte photographic paper
Dimensions:
Sheet: 11 3/8 × 14 7/8 inches (28.9 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1902. St. Mark's, No. 3

St. Mark's, No. 3
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1900
Materials & Techniques:
Etching and drypoint on very thin, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 × 9 inches (31.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1903. Chartres

Chartres
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1902
Materials & Techniques:
Etching with drypoint on Japanese paper
Dimensions:
Sheet: 13 × 8 3/4 inches (33 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1904. Rome, Bridge, and Castle of St. Angelo, on the Tyber

Rome, Bridge, and Castle of St. Angelo, on the Tyber
Creator:
Print made by George Hollis, 1792–1842
Date:
1818
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 13/16 inches (27.3 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1905. The Rialto, Venice

The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 15 3/16 inches (27.1 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1906. Bridge at Narni

Bridge at Narni
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1907. Florence, from the Ponte alla Carraia

Florence, from the Ponte alla Carraia
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 × 15 1/8 inches (26.7 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1908. Naples, from the Mole

Naples, from the Mole
Creator:
Print made by George Cooke, 1781–1834
Date:
1818-1820
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 × 15 1/8 inches (27.3 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1909. Tantallon Castle

Tantallon Castle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1822
Materials & Techniques:
Etching and engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/8 × 11 3/4 inches (23.2 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1910. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 11/16 inches (29.2 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1911. Turin, from the Portico of the Superga Church

Turin, from the Portico of the Superga Church
Creator:
Print made by James Mitan, 1776–1822
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 3/4 inches (26.8 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1912. Egglestone Abbey, near Barnard Castle

Egglestone Abbey, near Barnard Castle
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1818-1823
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 3/4 inches (28.6 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1913. St. Agatha's Abbey, Easby

St. Agatha's Abbey, Easby
Creator:
Print made by John Le Keux, 1783–1846
Date:
1822
Materials & Techniques:
Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 11/16 inches (28.9 × 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1914. Merrick Abbey, Swaledale

Merrick Abbey, Swaledale
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1822
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 17 11/16 inches (30 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1915. Quayside, Notre Dame in Distance

Quayside, Notre Dame in Distance
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/16 x 19 15/16 inches (34.2 x 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1916. Plan of St. James's Market

Plan of St. James's Market
Creator:
Robert Bremmel Schnebbelie, active 1803–1849
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/8 × 4 3/8 inches (7.9 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1917. Views in the Levant: A Ruined Byzantine Church

Views in the Levant: A Ruined Byzantine Church
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 13 5/16 inches (23.5 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1918. Views in the Levant: Place of Worship with Three Bell Towers with Crosses

Views in the Levant: Place of Worship with Three Bell Towers with Crosses
Creator:
Workshop of Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 13/16 × 14 3/16 inches (24.9 × 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1919. Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey

Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 13/16 × 18 1/4 inches (32.5 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1920. Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall

Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 11/16 × 9 3/4 inches (32.2 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1921. Views in the Levant: Corner of a Stone Building with Palm Tree at Right

Views in the Levant: Corner of a Stone Building with Palm Tree at Right
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 18 9/16 inches (29.2 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1922. Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen

Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, graphite, white gouache, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 19 1/4 inches (30.8 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1923. Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome

Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/16 × 20 3/4 inches (29.1 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1924. Valle Crucis Abbey, Denbighshire

Valle Crucis Abbey, Denbighshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1828
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1925. Measured Drawing of Sculpture in Gymnasium at Ephesus

Measured Drawing of Sculpture in Gymnasium at Ephesus
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 12 7/8 × 6 7/16 inches (32.7 × 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1926. Figures with a Bull From Parthenon Frieze

Figures with a Bull From Parthenon Frieze
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Graphite and pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 10 1/16 inches (19.4 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1927. Sketch of a Horseman, From the Parthenon Frieze

Sketch of a Horseman, From the Parthenon Frieze
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 x 10 1/8 inches (19.1 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1928. Sketch of Centaurs and Lapiths From a Frieze

Sketch of Centaurs and Lapiths From a Frieze
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 13/16 × 14 1/2 inches (17.3 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1929. Views in the Levant: Study of Figures From a Frieze or Panel

Views in the Levant: Study of Figures From a Frieze or Panel
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and gray ink, black ink, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 6 3/4 inches (22.5 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1930. Views in the Levant: Back View of the Head of the Sphinx

Views in the Levant: Back View of the Head of the Sphinx
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 × 12 5/16 inches (25.1 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1931. The Canongate Tollbooth

The Canongate Tollbooth
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1906
Materials & Techniques:
Etching and drypoint on Japanese paper
Dimensions:
Sheet: 15 7/8 × 7 inches (40.3 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1932. Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps

Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 16 7/8 inches (26.7 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1933. Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head

Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 8 1/4 inches (29.5 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1934. Views in the Levant: View of Harbor Town With Flagpole at Right, Seen From Sea

Views in the Levant: View of Harbor Town With Flagpole at Right, Seen From Sea
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 11 inches (16.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1935. Landscape with Temple Ruins at Sunium

Landscape with Temple Ruins at Sunium
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Penand brown ink, gray ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 18 1/4 inches (29.5 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1936. Robin Hood's Bay

Robin Hood's Bay
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 15 3/8 inches (24.1 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1937. The Turkish Fort

The Turkish Fort
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1909
Materials & Techniques:
Etching and drypoint on wove paper
Dimensions:
Sheet: 7 1/4 × 1 1/4 inches (18.4 × 3.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1938. Views in the Levant: Ruined Flat Archway

Views in the Levant: Ruined Flat Archway
Creator:
Attributed to Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 11/16 × 8 11/16 inches (34.8 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1939. Views in the Levant: Man on Horseback Approaching Gateway to a Town

Views in the Levant: Man on Horseback Approaching Gateway to a Town
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and black ink, pen and gray ink, graphiite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 5 5/8 inches (19.1 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1940. Views in the Levant: The Columns of Augustus at Brundisium

Views in the Levant: The Columns of Augustus at Brundisium
Creator:
Willey Reveley, 1760–1799
Date:
1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/16 × 10 3/8 inches (41.4 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1941. Views in the Levant: View of Burial Chamber With Pyramids in Background

Views in the Levant: View of Burial Chamber With Pyramids in Background
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen with gray ink and black ink, with gray wash and black wash with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 11 1/16 inches (34 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1942. Views in the Levant: Landscape with Various Shaped Roofs in Foreground

Views in the Levant: Landscape with Various Shaped Roofs in Foreground
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and gray ink, black ink, graphite, gray wash, and black wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 17 3/8 inches (32.4 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1943. Views in the Levant: Landscape with Domed Building in Compound....

Views in the Levant: Landscape with Domed Building in Compound....
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink, pen and gray ink, with gray wash, and graphite on medium, slightly textured, cream laid paper, mounted on moderately thick, smooth, brown wove paper
Dimensions:
Sheet: 12 5/16 × 19 15/16 inches (31.3 × 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1944. Views in the Levant: View of Mecca

Views in the Levant: View of Mecca
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/16 × 20 3/16 inches (30.6 × 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1945. Views in the Levant: Rome with Ruins seen Through an Archway

Views in the Levant: Rome with Ruins seen Through an Archway
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/4 × 14 13/16 inches (48.9 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1946. Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome

Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
Creator:
unknown artist
Date:
ca. 1740
Materials & Techniques:
Pen and brown ink, gray wash, brown wash, and graphite; squared for transfer on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 18 1/2 inches (29.2 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1947. St. Aignan, Chartres

St. Aignan, Chartres
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1916
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 7 5/8 inches (30.5 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1948. Old Museum, Beauvais

Old Museum, Beauvais
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1917
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 12 3/4 inches (24.1 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1949. St. Catherine's Hill, near Guildford, Surrey

St. Catherine's Hill, near Guildford, Surrey
Creator:
Print made by James H. Kernot, 1802–1858
Date:
1832
Materials & Techniques:
Etching and engraving with chine collé; second state on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 × 14 15/16 inches (27.1 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1950. Warwick Castle, Warwickshire

Warwick Castle, Warwickshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1832
Materials & Techniques:
Etching and engraving; third state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1951. Warwick Castle, Warwickshire

Warwick Castle, Warwickshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1832
Materials & Techniques:
Etching and engraving with chine collé; first state on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 15/16 × 15 inches (27.8 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1952. Leicester Abbey, Leicestershire

Leicester Abbey, Leicestershire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1953. Leicester Abbey, Leicestershire

Leicester Abbey, Leicestershire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1834
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1954. The Church in the Hills

The Church in the Hills
Creator:
Print made by Edward Anthony Carrick, 1905–1998
Date:
undated
Materials & Techniques:
Wood-engraving on medium, smooth, cream Asian paper
Dimensions:
Sheet: 10 13/16 x 7 13/16 inches (27.5 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

1955. Birk's Bridge

Birk's Bridge
Creator:
Print made by Richard Samuel Chattock, 1825–1906
Date:
undated
Materials & Techniques:
Etching and drypoint print on medium, slightly textured, beige Asian paper
Dimensions:
Sheet: 10 1/2 x 14 15/16 inches (26.7 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1956. Carew Castle, Pembroke

Carew Castle, Pembroke
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 14 15/16 inches (27.9 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1957. Christ Church College, Oxford

Christ Church College, Oxford
Creator:
Print made by James Redway, active 1827–1838
Date:
1834
Materials & Techniques:
Etching and engraving; third state on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 × 14 11/16 inches (27.9 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1958. Durham Cathedral

Durham Cathedral
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1959. Bolton Abbey, Wharfdale

Bolton Abbey, Wharfdale
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1826
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 8 5/16 inches (16.2 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1960. Florence, from San Miniato

Florence, from San Miniato
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 16 3/8 inches (27.6 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1961. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Etching and engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 9/16 × 5 13/16 inches (9 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1962. Saumur

Saumur
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé; second state on moderatle thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 15 1/2 inches (27.6 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1963. At the Edge of the Lotus Pond

At the Edge of the Lotus Pond
Creator:
Print made by Edward Julius Detmold, 1883–1957
Date:
ca. 1921
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/16 x 11 3/16 inches (36.1 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1964. Singer Building

Singer Building
Creator:
Print made by Henry Wilfrid Deville, 1871–?
Date:
undated
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 13/16 x 6 7/8 inches (22.4 x 17.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1965. St. Augustine's Gate, Canterbury

St. Augustine's Gate, Canterbury
Creator:
Valentine Green, 1739–1813
Date:
1779
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 20 15/16 inches (40.5 × 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1966. The Royal Naval School at New Cross

The Royal Naval School at New Cross
Creator:
Print made by Thomas Talbot Bury, 1811–1877
Date:
undated
Materials & Techniques:
Hand-colored lithograph on moderately thick cream card
Dimensions:
Sheet: 14 1/16 x 18 3/4 inches (35.7 x 47.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1967. Cowdray Court from the Lodging House

Cowdray Court from the Lodging House
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 14 5/16 inches (25.2 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1968. View of a Sea Port

View of a Sea Port
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1774
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 16 3/4 inches (27.6 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Theodore Sizer

1969. View with several Vessels lying close to the Shore

View with several Vessels lying close to the Shore
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1774
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/16 x 16 15/16 inches (28.1 x 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Theodore Sizer

1970. A Study, with Ancient Ruins

A Study, with Ancient Ruins
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1810
Materials & Techniques:
Etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 15/16 x 10 3/8 inches (43 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Ralph Kirkpatrick, Yale MA (HON.) 1965

1971. Landscape with Ruins

Landscape with Ruins
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1817
Materials & Techniques:
Etching and mezzotint in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 16 5/8 inches (26.8 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

1972. A Landscape with Buildings

A Landscape with Buildings
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1807
Materials & Techniques:
Etching printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 x 17 inches (27 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Ralph Kirkpatrick, Yale MA (HON.) 1965

1973. Mines de Botallack

Mines de Botallack
Creator:
Edwin Edwards, 1823–1879
Date:
1866
Materials & Techniques:
Etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 x 6 15/16 inches (27.9 x 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

1974. St. Bartholomew's Gateway

St. Bartholomew's Gateway
Creator:
Hedley Fitton, 1859–1929
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 16 x 10 3/16 inches (40.6 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1975. Villeneuve-les-Avignon

Villeneuve-les-Avignon
Creator:
Print made by Hester Gwynne-Evans Frood, 1882–1971
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/16 x 15 3/4 inches (18 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1976. Kensington Gardens, no. 1 (small plate)

Kensington Gardens, no. 1 (small plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on thin, smooth, cream laid paper
Dimensions:
Sheet: 8 1/8 x 5 11/16 inches (20.6 x 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna, B.A. 1910

1977. Kensington Gardens, no. 1 (small plate)

Kensington Gardens, no. 1 (small plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on medium, smooth, cream Asian paper
Dimensions:
Sheet: 8 1/8 x 5 13/16 inches (20.6 x 14.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

1978. Kensington Gardens, no. 1 (small plate)

Kensington Gardens, no. 1 (small plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 6 5/8 inches (21.6 x 16.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1979. Mytton Hall

Mytton Hall
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 6 1/16 x 11 7/16 inches (15.4 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1980. Mytton Hall

Mytton Hall
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:
Sheet: 6 1/16 x 10 15/16 inches (15.4 x 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

1981. Mytton Hall

Mytton Hall
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 5 7/8 x 11 1/8 inches (14.9 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

1982. Fulham on the Thames

Fulham on the Thames
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1858
Materials & Techniques:
Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:
Sheet: 9 3/16 x 15 1/16 inches (23.3 x 38.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

1983. Fulham

Fulham
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1858
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 11 9/16 inches (14 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1984. Fulham on the Thames

Fulham on the Thames
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1858
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 16 7/8 inches (29.9 x 42.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. M.J. Sharpe for the Richard Sharpe V, B.S. 1873, Collection

1985. Kidwelly Castle

Kidwelly Castle
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 7/8 x 6 inches (9.8 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. M.J. Sharpe for the Richard Sharpe V, B.S. 1873, Collection

1986. Kidwelly Town

Kidwelly Town
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 9 3/4 inches (18.1 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

1987. Shere Mill Pond, no. 1 (small plate)

Shere Mill Pond, no. 1 (small plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on thin, smooth, cream Asian paper
Dimensions:
Sheet: 6 1/4 x 7 13/16 inches (15.8 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1988. Amstelodamum, no. 1

Amstelodamum, no. 1
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint, printed with black ink and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 13/16 x 5 1/2 inches (12.3 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. M.J. Sharpe for the Richard Sharpe V, B.S. 1873, Collection

1989. Shere Mill Pond, no. 2 (large plate)

Shere Mill Pond, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream Asian paper
Dimensions:
Sheet: 8 5/16 x 14 1/16 inches (21.1 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

1990. Shere Mill Pond, no. 2 (large plate)

Shere Mill Pond, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 13 7/8 inches (20.9 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Yale Stevens from her father's (Richard Sharpe V, B.S. 1873) Collection

1991. Battersea Reach

Battersea Reach
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 9 13/16 inches (18.4 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

1992. Whistler's House at Old Chelsea

Whistler's House at Old Chelsea
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream Asian paper
Dimensions:
Sheet: 7 7/8 x 13 7/8 inches (20 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

1993. Battersea Reach

Battersea Reach
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint, with plate tone on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 x 9 7/8 inches (16.8 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1994. Battersea Reach

Battersea Reach
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:
Sheet: 7 9/16 x 10 3/8 inches (19.2 x 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1995. Whistler's House at Old Chelsea

Whistler's House at Old Chelsea
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 15/16 x 13 7/8 inches (20.1 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

1996. Newcastle in Emlyn

Newcastle in Emlyn
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 6 7/8 inches (14 x 17.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Glen Wright

1997. Newcastle Emlyn

Newcastle Emlyn
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 8 7/16 inches (15.3 x 21.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

1998. Newcastle Emlyn

Newcastle Emlyn
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint on medium, smooth, cream laid paper
Dimensions:
Sheet: 5 3/8 x 6 1/2 inches (13.6 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1999. Kilgaren Castle

Kilgaren Castle
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint, with plate tone on medium, smooth, cream laid paper
Dimensions:
Sheet: 5 1/2 x 6 15/16 inches (14 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

2000. Kew

Kew
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 8 1/4 x 6 1/8 inches (21 x 15.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910