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Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach
Creator:
Attributed to Sir James Thornhill, 1675–1734
Date:
ca. 1718
Materials & Techniques:
Oil on panel
Dimensions:
18 x 21 inches (45.7 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
Creator:
Richard Parkes Bonington, 1802–1828
Date:
ca. 1826
Materials & Techniques:
Oil on canvas
Dimensions:
18 1/4 x 15 inches (46.4 x 38.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Carved wood misericord of a Sleeping Fox, possibly from Dunblane Cathedral, Perthshire, Scotland
Creator:
unknown artist
Date:
ca. 1400
Materials & Techniques:
Wood
Dimensions:
Overall: 12 3/4 x 30 3/4 x 3 3/4 inches (32.4 x 78.1 x 9.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 101, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch for the Oil Painting "The Conversion of St. Paul"
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper
Dimensions:
Sheet: 17 1/2 × 11 3/4 inches (44.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entry of the Rajah, Ogmor
Creator:
Print made by William Spencer Bagdatopolous, 1888–1965
Date:
1935
Materials & Techniques:
Drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 9/16 x 10 15/16 inches (42 x 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden
Vanessa Redgrave and Tariq Ali at Protest March
Creator:
Lewis Morley, 1925–2013
Date:
1968
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Trafalgar Square Rally
Creator:
Lewis Morley, 1925–2013
Date:
1968
Materials & Techniques:
Gelatin silver print on resin-coated photographic paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Protestors, Aldermaston March, London
Creator:
Lewis Morley, 1925–2013
Date:
1958
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 6 × 9 3/8 inches (15.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Ticket: For the Benefit of Mr. Salpietro
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 6 1/4 inches (14.6 x 15.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of Francis Moore
Creator:
Print made by William Faithorne, ca. 1620–1691
Date:
ca. 1663
Materials & Techniques:
Etching, stipple engraving and line engraving on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 11 1/16 x 6 11/16 inches (28.1 x 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Ticket: For the Benefit of Mr. Salpietro
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 1/4 × 5 9/16 inches (10.8 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1797
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 15/16 x 10 7/8 inches (40.5 x 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Robert Ayres in 'St. Joan of the Stock Yards'
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 16 × 19 7/8 inches (40.6 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Trafalgar Square Rally
Creator:
Lewis Morley, 1925–2013
Date:
1968
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 12 × 16 inches (30.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Christopher Logue's Double Bill
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 15 × 12 inches (38.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Thirlestane Castle, near Lauder, Vale of Tweed
Creator:
John Slezer, died 1717
Date:
ca. 1677
Materials & Techniques:
Pen and brown ink, and gray ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 5/8 × 16 7/8 inches (27 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Revenge and Country House
Creator:
Possibly Francis Hayman, 1707/8–1776
Date:
before 1741
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 5/8 × 5 3/8 inches (9.2 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Virgin and Child
Creator:
Print made by Elisha Kirkall, ca. 1682–1742
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/2 × 14 1/4 inches (49.5 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Virgin, Christ Child and St. John
Creator:
Print made by William Vincent, active 1680s
Date:
1680s
Materials & Techniques:
Mezzotint (with letters) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 5/16 × 3 1/16 inches (8.4 × 7.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Admiralty Office
Creator:
Print made by Thomas Bowles, ca. 1712–died 1753
Date:
1731
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ticket: For the Benefit of Mr. Salpietro
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 7 5/8 inches (25.6 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection