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101. The Book of Thel; Title Page (Plate 2)

The Book of Thel; Title Page (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Infant Joy (Plate 14)

Infant Joy (Plate 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. On Anothers Sorrow (Plate 24)

On Anothers Sorrow (Plate 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. A Dream (Plate 4)

A Dream (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. "Then each an Arrow flaming from his Quiver..." (Plate 98)

"Then each an Arrow flaming from his Quiver..." (Plate 98)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. 'Its favours here are trials, not rewards' (Page 12)

'Its favours here are trials, not rewards' (Page 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. IV. "None could have other than natural or organic thoughts..." (Plate 6)

IV. "None could have other than natural or organic thoughts..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. "These were his last words, and the merciful Saviour in his arms..." (Plate 48)

"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. "In Great Eternity every particular Form..." (Plate 54)

"In Great Eternity every particular Form..." (Plate 54)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. "By those who drink their blood & the blood of their Covenant..." (Plate 67)

"By those who drink their blood & the blood of their Covenant..." (Plate 67)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. "O Skofield why art thou cruel?..." (Plate 68)

"O Skofield why art thou cruel?..." (Plate 68)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. "To chase the rolling circle's speed..." (Design 17)

"To chase the rolling circle's speed..." (Design 17)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. The Shepherd, from Songs of Innocence

The Shepherd, from Songs of Innocence
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 x 2 1/2 inches (7.6 x 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

116. Illustrations of Imitation of Eclogue I, Page 17

Illustrations of Imitation of Eclogue I, Page 17
Creator:
Print made by William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. 'The longest night though longer far, would fail' (Page 15)

'The longest night though longer far, would fail' (Page 15)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. El Ousta

El Ousta
Creator:
Edward Lear, 1812–1888
Date:
1854
Materials & Techniques:
Watercolor, graphite, pen and brown ink and red ink on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 3 3/4 x 6 1/8 inches (9.5 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

119. Venice, the Doge's Palace

Venice, the Doge's Palace
Creator:
Edward Lear, 1812–1888
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

120. The Dead Sea, 16 and 17 April 1858

The Dead Sea, 16 and 17 April 1858
Creator:
Edward Lear, 1812–1888
Date:
April 16 and 17, 1858
Materials & Techniques:
Pen and brown ink with watercolor over graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 14 1/2 x 21 3/4 inches (36.8 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Opposite Abu Girgeh

Opposite Abu Girgeh
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 1 13/16 x 7 5/16 inches (4.6 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

122. Negadeh, 1:45 pm, 17 January 1867 (190)

Negadeh, 1:45 pm, 17 January 1867 (190)
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor with pen and gray and green chalk and gouache, over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 3 5/8 × 9 1/2 inches (9.2 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

123. Sleepest or Wakest Thou?

Sleepest or Wakest Thou?
Creator:
Print made by Richard Ansdell, 1815–1885
Date:
ca. 1853
Materials & Techniques:
Etching on moderately thick, smooth, cream card
Dimensions:
Sheet: 4 1/4 × 5 7/8 inches (10.8 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. The Sentinel

The Sentinel
Creator:
Print made by Richard Ansdell, 1815–1885
Date:
1857
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper, pasted on thick, slightly textured, cream card
Dimensions:
Sheet: 5 7/16 × 8 inches (13.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Study of a Bird

Study of a Bird
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 1/8 x 11 3/8 inches (18.1 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Noon

Noon
Creator:
Print made by John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Etching and line engraving, hand colored with watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/16 x 21 inches (39.2 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. The Judgment of Paris

The Judgment of Paris
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
1771
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/16 × 8 3/8 inches (18.2 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. A New Drawing Book of Variety of Landskips

A New Drawing Book of Variety of Landskips
Creator:
Print made by J. Carwitham, active 1720–1740
Date:
ca. 1730
Materials & Techniques:
Etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 13/16 x 8 1/8 inches (32.5 x 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Bords de la Seine

Bords de la Seine
Creator:
Print made by Louis Francais, 1814–1897
Date:
between 1849 and 1862
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 3/8 x 17 5/8 inches (31.4 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

130. Studies of Geese

Studies of Geese
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Watercolor, oil, and graphite with scratching out on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 x 17 7/8 inches (27.3 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Mrs. Blake as Juno

Mrs. Blake as Juno
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1771
Materials & Techniques:
Mezzotint (third state) on medium, slightly textured, cream wove paper
Dimensions:
Mount: 26 1/2 × 18 1/4 inches (67.3 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

132. South View of a House at Ringmer with Gardeners at Work

South View of a House at Ringmer with Gardeners at Work
Creator:
James Lambert of Lewes, 1725–1788
Date:
1787
Materials & Techniques:
Watercolor and gouache over graphite on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 7/8 x 20 13/16 inches (37.8 x 52.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. North East View of a House at Ringmer with Cattle and Sheep by a Pond

North East View of a House at Ringmer with Cattle and Sheep by a Pond
Creator:
James Lambert of Lewes, 1725–1788
Date:
1787
Materials & Techniques:
Watercolor and gouache over graphite on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 20 15/16 inches (37.9 x 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. The Purple Heron (Ardea purpurea)

The Purple Heron (Ardea purpurea)
Creator:
unknown artist
Date:
Undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, gouache, and graphite, on medium, moderately textured, cream wove paper, mounted on card
Dimensions:
Mount: 20 11/16 × 26 9/16 inches (52.5 × 67.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. Egyptian Vulture (Neophron percnopterus)

Egyptian Vulture (Neophron percnopterus)
Creator:
unknown artist
Date:
Undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream wove paper mounted on board
Dimensions:
Mount: 20 9/16 × 26 7/16 inches (52.2 × 67.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Asian Openbill Stork (Anastomus oscitans)

Asian Openbill Stork (Anastomus oscitans)
Creator:
Unknown artist (Company style)
Date:
ca. 1800
Materials & Techniques:
Watercolor, pen and black ink, gray ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 7/16 × 17 5/16 inches (64.6 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Black-headed Ibis (Threskiornis melanocephalus)

Black-headed Ibis (Threskiornis melanocephalus)
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 24 7/8 × 18 1/8 inches (63.2 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. The Exposition of Cyrus

The Exposition of Cyrus
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1781
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 15/16 x 15 1/4 inches (30.3 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

139. Eurasian treecreeper

Eurasian treecreeper
Creator:
James Sowerby, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately think, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 8 1/4 inches (33 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. European Green Woodpecker

European Green Woodpecker
Creator:
James Sowerby, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 8 1/8 inches (34.3 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Two Small Birds

Two Small Birds
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 16 7/8 inches (26 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Two Tree Creepers

Two Tree Creepers
Creator:
James Sowerby, 1756–1822
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 6 1/2 inches (20.3 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Five Birds

Five Birds
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 24 inches (48.3 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Two Birds on a Branch

Two Birds on a Branch
Creator:
James Sowerby, 1756–1822
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 9 1/8 inches (20.6 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. The Land of Beulah

The Land of Beulah
Creator:
Edward Burne-Jones, 1833–1898
Date:
1881
Materials & Techniques:
Pen and black ink, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 11 3/8 inches (20 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

146. The Times and Evening Mail Office

The Times and Evening Mail Office
Creator:
George Sidney Shepherd, 1784–1862
Date:
1811
Materials & Techniques:
Watercolor and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 5/8 inches (17.5 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Exotic Birds

Exotic Birds
Creator:
Print made by Robert Robinson, active 1674–1706
Date:
undated
Materials & Techniques:
Mezzotint, state before all letters on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/16 × 5 11/16 inches (17.9 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

148. La cuisiniere surveillante

La cuisiniere surveillante
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 7/16 x 8 3/8 inches (34.1 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

149. Brackline

Brackline
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 x 13 3/16 inches (26.7 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Ancienne Porte a Stirling

Ancienne Porte a Stirling
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 x 13 5/16 inches (26.8 x 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Campos sur les bords du Rio das Velhas

Campos sur les bords du Rio das Velhas
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 13/16 x 16 3/4 inches (32.6 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Façade de l'Eglise de Brou

Façade de l'Eglise de Brou
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 x 13 7/8 inches (53.3 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Glenfinlas

Glenfinlas
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 9/16 x 11 5/8 inches (24.3 x 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 20 7/8 x 13 3/4 inches (53 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Tour aux Archives a Vernon

Tour aux Archives a Vernon
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 17 15/16 x 13 9/16 inches (45.6 x 34.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Château Vilain sur la Riviere Dain, Franche Comte

Château Vilain sur la Riviere Dain, Franche Comte
Creator:
James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/4 x 17 5/16 inches (29.9 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Coventry Cathedral Service, Good Friday, 1943

Coventry Cathedral Service, Good Friday, 1943
Creator:
Print made by Miriam Garratt
Date:
after 1943
Materials & Techniques:
Photomechanical process on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 15/16 x 8 3/4 inches (30.4 x 22.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ralph C. Garratt

158. Illustrations used for 17th Century Chapbook

Illustrations used for 17th Century Chapbook
Creator:
Print made by unknown artist
Date:
1909
Materials & Techniques:
Woodcut on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 5 5/16 inches (14 x 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. The Lady and the Rooks

The Lady and the Rooks
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1829
Materials & Techniques:
Wood-engraving on thin, smooth, cream Asian paper
Dimensions:
Sheet: 2 3/16 x 3 1/2 inches (5.6 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Tintern Abbey

Tintern Abbey
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and etching, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 5 1/8 × 7 1/16 inches (13 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Cowdray Ruins

Cowdray Ruins
Creator:
Print made by James Clark, 19th century
Date:
1824
Materials & Techniques:
Colored aquatint on thick, textured, beige wove paper
Dimensions:
Sheet: 15 3/8 × 20 11/16 inches (39 × 52.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Egham

Egham
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly thick, cream laid paper
Dimensions:
Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Study of Birds

Study of Birds
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 5 3/8 inches (21.6 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

164. Clifton Spring and Woods near Maidenhead

Clifton Spring and Woods near Maidenhead
Creator:
Robert Havell, 1769–1832
Date:
1818
Materials & Techniques:
Aquatint, hand-colored on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 × 19 1/2 inches (35.6 × 49.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Thornbury Castle, Gloucestershire

Thornbury Castle, Gloucestershire
Creator:
Louis Haghe, 1806–1885
Date:
between 1823 and 1835
Materials & Techniques:
Lithograph with chine collé and hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 13 11/16 inches (26.8 x 34.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Samphire Rock, St. Agnes, Cornwall

Samphire Rock, St. Agnes, Cornwall
Creator:
William Daniell, 1769–1837
Date:
undated
Materials & Techniques:
Black and white chalk on moderately thick, moderately textured, brown laid paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

167. The Justice

The Justice
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/16 × 11 1/4 inches (23 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

168. Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
between 1779 and 1780
Materials & Techniques:
Etching and soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 12 × 15 3/8 inches (30.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
1779 to 1780
Materials & Techniques:
Soft-ground etching in gray ink on moderately thick, moderately textured, blue laid paper
Dimensions:
Sheet: 11 7/8 × 15 9/16 inches (30.2 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. A Man with a Basket and Child

A Man with a Basket and Child
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on very thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 6 1/2 inches (22.9 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. The Ceiling in the Banqueting House at Whitehall

The Ceiling in the Banqueting House at Whitehall
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan

Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore

173. A Maiden Lady and her Family

A Maiden Lady and her Family
Creator:
Print made by unknown artist
Date:
between 1820 and 1840
Materials & Techniques:
Lithograph with hand coloring in watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/2 x 8 7/8 inches (29.2 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Bridge over River

Bridge over River
Creator:
Robert John Gibbings, 1889–1958
Date:
undated
Materials & Techniques:
Wood-engraving; annotated proof on medium, smooth, cream laid paper
Dimensions:
Sheet: 8 1/8 x 5 3/8 inches (20.6 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell.

175. Syon House

Syon House
Creator:
William Beilby, 1740–1819
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink over graphite on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 8 3/8 × 10 5/8 inches (21.3 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Portrait of the Fourth Baron Cleraine

Portrait of the Fourth Baron Cleraine
Creator:
Henry Pelham, 1749–1806
Date:
undated
Materials & Techniques:
Gouache and watercolor on ivory
Dimensions:
Image: 4 3/4 x 3 1/2 inches (12.1 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert Bayne Powell

177. Osborne House

Osborne House
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. Somerset House, London

Somerset House, London
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
1910
Materials & Techniques:
Drypoint and etching on medium, smooth, beige Asian paper
Dimensions:
Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

179. Church Tower at Stretton, Leicestershire

Church Tower at Stretton, Leicestershire
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1915
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 3/4 inches (28.3 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

180. Springtime at Fulham

Springtime at Fulham
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1921
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 10 3/8 x 11 3/8 inches (26.4 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

181. Early Spring, Gloucestershire

Early Spring, Gloucestershire
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1922
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 x 10 1/16 inches (22.9 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

182. The Bell, No.1 at Wareham, Dorest

The Bell, No.1 at Wareham, Dorest
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1927
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, brown laid paper
Dimensions:
Sheet: 9 3/4 x 7 5/8 inches (24.8 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

183. Plane Tree Cottage

Plane Tree Cottage
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1926
Materials & Techniques:
Etching and drypoint on medium, smooth, cream laid paper
Dimensions:
Sheet: 8 1/16 x 11 1/8 inches (20.5 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

184. Buckingham Palace from St. James's Park

Buckingham Palace from St. James's Park
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph on thick, smooth, cream card
Dimensions:
Sheet: 14 15/16 x 21 13/16 inches (37.9 x 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

185. The Pilot

The Pilot
Creator:
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:
1925
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, greened white laid paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

186. At the Tiller

At the Tiller
Creator:
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:
1929
Materials & Techniques:
Etching and drypoint on medium, moderately textured, blue laid paper
Dimensions:
Sheet: 9 5/8 x 14 3/4 inches (24.5 x 37.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

187. Pentre Ddu Bridge, North Wales

Pentre Ddu Bridge, North Wales
Creator:
Thomas Collier, 1840–1891
Date:
1863
Materials & Techniques:
Graphite and watercolor on thick, rough, cream wove paper
Dimensions:
Sheet: 9 5/8 x 13 7/8 inches (24.4 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

188. Romance

Romance
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1922
Materials & Techniques:
Etching with gouache and graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 14 15/16 x 11 inches (38 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

189. The Mill Pond, Evelyn Woods

The Mill Pond, Evelyn Woods
Creator:
George Vicat Cole, 1833–1893
Date:
1860
Materials & Techniques:
Watercolor, gouache, pen and brown ink, and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 15 7/8 × 21 7/8 inches (40.3 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

190. A Venetian Fountain [North Italian Set: No. 7]

A Venetian Fountain [North Italian Set: No. 7]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1894
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

191. The Nativity

The Nativity
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 5 5/16 × 3 7/16 inches (13.5 × 8.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

192. Venus Presenting Armour to Aeneas

Venus Presenting Armour to Aeneas
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 × 13 1/16 inches (25.4 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

193. The Four Elements

The Four Elements
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 5/8 × 10 1/16 inches (34.6 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

194. Landscape with Large Cruciform

Landscape with Large Cruciform
Creator:
Rev. William Gilpin, 1724–1804
Date:
1769
Materials & Techniques:
Gray wash, graphite, pen and black ink and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 9 5/8 × 12 inches (24.4 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

195. Landscape with Road Leading to Abbey

Landscape with Road Leading to Abbey
Creator:
Rev. William Gilpin, 1724–1804
Date:
1762
Materials & Techniques:
Gray wash, graphite, pen and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/16 × 13 1/4 inches (25.6 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

196. Tarbert Castle

Tarbert Castle
Creator:
Joshua Cristall, 1768–1847
Date:
undated
Materials & Techniques:
Watercolor with gouache over graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 17 1/4 inches (30.5 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Boat Building

Boat Building
Creator:
John Varley, 1778–1842
Date:
1806
Materials & Techniques:
Watercolor, gum and scraping out over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 7/16 x 21 9/16 inches (34.2 x 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. A Prospect of Vapourland

A Prospect of Vapourland
Creator:
Richard Bentley, 1708–1782
Date:
1759
Materials & Techniques:
Brown and black ink and wash over graphite on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 18 1/2 x 24 7/8 inches (47 x 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. The Ganges

The Ganges
Creator:
William Simpson, 1823–1899
Date:
1863
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 14 1/2 x 20 5/8 inches (36.8 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. Woodpecker and Two Birds

Woodpecker and Two Birds
Creator:
Richard Brookes, 1721–1763
Date:
1760
Materials & Techniques:
Pen and black ink with gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 3 5/8 inches (14.3 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection