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1. Dovedale

Dovedale
Creator:
Joseph Wright of Derby, 1734–1797
Date:
1786
Materials & Techniques:
Oil on canvas
Dimensions:
25 1/4 × 33 1/4 inches (64.1 × 84.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. John Richard Comyns of Hylands, Essex, with His Daughters

John Richard Comyns of Hylands, Essex, with His Daughters
Creator:
John Greenwood, 1727–1792
Date:
1775
Materials & Techniques:
Oil on canvas
Dimensions:
35 1/2 x 43 inches (90.2 x 109.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. In Dovedale

In Dovedale
Creator:
John Linnell, 1792–1882
Date:
1814 to 1815
Materials & Techniques:
Oil on paper mounted on panel
Dimensions:
7 1/2 x 12 1/4 inches (19.1 x 31.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. In Dovedale

In Dovedale
Creator:
John Linnell, 1792–1882
Date:
1814 to 1815
Materials & Techniques:
Oil on paper laid on board
Dimensions:
9 x 6 3/4 inches (22.9 x 17.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Brightlingsea Hard, Landing Oysters

Brightlingsea Hard, Landing Oysters
Creator:
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:
1929
Materials & Techniques:
Etching and drypoint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/8 x 16 inches (26.4 x 40.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

6. Aloft

Aloft
Creator:
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:
1929
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, greened white laid paper
Dimensions:
Sheet: 11 3/4 x 17 inches (29.9 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

7. Auld Brig, Ayr

Auld Brig, Ayr
Creator:
Print made by Robert Bryden, 1865–1939
Date:
1904
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Plate: 9 15/16 x 13 7/8 inches (25.3 x 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

8. Ore Church and House

Ore Church and House
Creator:
Henry Morton, ca. 1807–1825
Date:
undated
Materials & Techniques:
Watercolor with pen and ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 11 13/16 inches (21.6 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Bucks of the First Head

Bucks of the First Head
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor, with pen and black, and gray-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 8 11/16 inches (18.1 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Bucks of the First Head

Bucks of the First Head
Creator:
Print made by unknown artist
Materials & Techniques:
Photomechanical reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Undergraduate's Room

The Undergraduate's Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and brown-gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 7 9/16 inches (12.1 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Highland Ferry, Scotland

The Highland Ferry, Scotland
Creator:
Print made by Charles William Cain, 1893–1962
Date:
undated
Materials & Techniques:
Drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 3/8 x 18 1/8 inches (31.4 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

13. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
Creator:
Joshua Cristall, 1768–1847
Date:
between 1820 and 1822
Materials & Techniques:
Brown wash and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 x 15 1/2 inches (33 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Two Fishermen seen from Behind

Two Fishermen seen from Behind
Creator:
Joseph Stannard, 1797–1830
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 1/2 × 2 1/2 inches (8.9 × 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The National Gallery

The National Gallery
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
undated
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/8 x 16 inches (33.3 x 40.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

16. The Futtock Shrouds

The Futtock Shrouds
Creator:
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:
undated
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 11/16 x 7 15/16 inches (29.7 x 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Harold Hugo, Hon. M.A. 1963

17. Hotel de Sens, Paris

Hotel de Sens, Paris
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1830
Materials & Techniques:
Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 1/2 x 13 1/8 inches (49.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Command

No cover image available
Creator:
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:
1937
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, light green laid paper
Dimensions:
Sheet: 10 3/16 x 15 9/16 inches (25.9 x 39.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

19. Donaldson Liner at Sea

No cover image available
Creator:
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:
1925
Materials & Techniques:
Etching and drypoint with graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 9 3/4 x 14 5/8 inches (24.7 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

20. Noon

No cover image available
Creator:
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:
1930
Materials & Techniques:
Etching and drypoint on medium, moderately textured, greened white laid paper
Dimensions:
Sheet: 10 1/2 x 15 inches (26.6 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

21. The Main Rigging

No cover image available
Creator:
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:
1928
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 x 11 1/8 inches (39.7 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund