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A Spanish Good Friday
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1925
Materials & Techniques:
Drypoint and etching on moderately thick, slightly textured, beige Asian paper
Dimensions:
Sheet: 20 1/16 x 13 inches (51 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
A Venetian Fountain [North Italian Set: No. 7]
Creator:
Sir David Young Cameron, 1865–1945
Date:
1894
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Via ai Prati, Genoa [North Italian Set: No. 8]
Creator:
Sir David Young Cameron, 1865–1945
Date:
1896
Materials & Techniques:
Etching on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 4 1/2 inches (18.4 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
St. Laumer-Blois
Creator:
Sir David Young Cameron, 1865–1945
Date:
1903
Materials & Techniques:
Etching on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 1/8 inches (35.6 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Notre Dame, Dinant [Belgian Set: No. 8]
Creator:
Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 9 1/2 inches (39.7 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Geoffrey Fisher, Archbishop of Canterbury
Creator:
Lewis Morley, 1925–2013
Date:
1960
Materials & Techniques:
Gelatin silver print on resin-coated photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Warren Mitchell and Cast in 'The Council of Love' by Oscar Panizza, Criterion Theatre, London
Creator:
Lewis Morley, 1925–2013
Date:
1970, printed 1998
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 19 7/8 × 16 inches (50.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Warren Mitchell and Cast in 'The Council of Love' by Oscar Panizza, Criterion Theatre, London
Creator:
Lewis Morley, 1925–2013
Date:
1970
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 14 × 11 inches (35.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Warren Mitchell and Cast in 'The Council of Love' by Oscar Panizza, Criterion Theatre, London
Creator:
Lewis Morley, 1925–2013
Date:
1970
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 14 × 11 inches (35.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

10. Cadore

Cadore
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1927
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/4 x 8 1/4 inches (28.6 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Croix de Moulin les Planches
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:
Sheet: 13 1/8 x 10 1/2 inches (33.3 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection